Simone Weil (1909-1943) was a defining figure of the twentieth century; a philosopher, Christian, resistance fighter, anarchist, feminist, labor activist and teacher. She was described by T. S. Eliot as "a woman of genius, of a kind of genius akin to that of the saints," and by Albert Camus as "the only great spirit of our time." Originally published posthumously in two volumes, these newly reissued notebooks, are among the very few unedited personal writings of Weil's that still survive (...) today. Containing her thoughts on art, love, science, God and the meaning of life, they give context and meaning to Weil's famous works, revealing a unique philosophy in development and offering a rare private glimpse of her singular personality. (shrink)
Beauvoir's ethics, as expressed in The Ethics of Ambiguity (1948) has not received the attention that it deserves. Rather than attempting to unfold the intricacies of her multi-layered ethical theory in this paper, I reconstruct the basic framework of her ethics and critically evaluate it. I argue that Beauvoir's ethics amounts to a subjectivist ethics with "ethical freedom" as a criterion of right action. And I critique Beauvoir's ethics by first arguing that her principle of ethical freedom lacks concrete content (...) and is thereby difficult to apply to a large range of our personal and social experiences, and, second, by critiquing her argument for the criterion, an argument which contends that since our freedom is intertwined with that of others, we ought to promote their freedom in order to promote our own. (shrink)
: The paper argues that the philosophical starting point of Simone de Beauvoir's The Second Sex is the phenomenological understanding of the living body, developed by Edmund Husserl and Maurice Merleau-Ponty. It shows that Beauvoir's notion of philosophy stems from the phenomenological interpretation of Cartesianism which emphasizes the role of evidence, self-criticism, and dialogue.
: This paper examines Simone de Beauvoir's account of marriage in The Second Sex and argues that Beauvoir's dichotomy between transcendence and immanence can provide an illuminating critique of continuing gender inequities in marriage and divisions of domestic work. Beauvoir's existentialist ethics not only establishes a moral wrong in marriages in which wives perform the second shift of household labor but also supports the need to transform existing normative expectations surrounding wives and domestic work.
: How should socially privileged white feminists (and others) address their privilege? Often, individuals are urged to overcome their own personal racism through a politics of self-transformation. The paper argues that this strategy may be problematic, since it rests on an over-autonomous conception of the self. The paper turns to Simone de Beauvoir for an alternative account of the self, as "situated," and explores what this means for a politics of privilege.
This article explicates the meaning of the paradox from the perspective of sexual difference, as articulated by Simone de Beauvoir. I claim that the self, the other, and their becoming are sexed in Beauvoir’s early literary writing before the question of sexual difference is posed in The Second Sex (1949). In particular, Beauvoir’s description of Françoise’s subjective becoming in the novel She Came to Stay (1943) anticipates her later systematic description of ‘the woman in love’. In addition, I argue (...) that the different existential types appearing at the end of The Second Sex (the narcissist, the woman in love, the mystic, and the independent woman) are variations of a specific feminine, historically changing paradox of subjectivity. According to this paradox, women, in a different mode than men, must become what they ontologically “are”: beings of change and self-transcendence that have to realise the human condition in their concrete, singular lives. My interpretation draws on Kierkegaardian philosophy of existence, phenomenology, and early psychoanalysis. (shrink)
: In this essay, Hutchings contends that Simone de Beauvoir's argument in The Ethics of Ambiguity provides a valuable resource for feminists currently addressing the question of the legitimacy of political violence, whether of the state or otherwise. The reason is not that Beauvoir provides a definitive answer to this question, but rather because of the ways in which she deconstructs it. In enabling her reader to appreciate what is presupposed by a resistant politics that adopts violence as its (...) instrument, Beauvoir illuminates the problems encountered by the kinds of "realistic and positive" and "idealistic and moral" arguments through which the use of violence in politics is routinely justified. At the same time, Beauvoir demonstrates that to deconstruct the question of the legitimacy of violence is neither to banish nor resolve it. She does not offer a recipe for determining the legitimacy or otherwise of the use of violence in politics in general; instead, she illuminates the irremediable difficulty and inescapability of such judgments in a violent and intransigent world. (shrink)
As the editor of this volume writes in his introduction: 'Simone Weil's philosophy is one that interrogates and contemplates our culture; it makes us aware of our lack of attention to words and empty ideologies, to human suffering, to the indignity of work, to our excessive use of power, to religious dogmatisms. Rather than set out a system of ideas, Simone Weil uses her philosophical reflections to show how to think about work and oppression, freedom and the good, (...) necessity and power, love and justice - even how to think about, or not think about, God. In this way we are asked to examine the human condition and learn to discern a way through it.' This is one of the very few books available in English to present a comprehensive interpretation of the philosophy of Simone Weil and how her thought can cast light on issues of contemporary importance such as work, justice, the law, war and peace, and issues of more general moral and theological concern. (shrink)
Simone de Beauvoir held that human experience is intrinsically ambiguous and that there are no values extrinsic to experience, but she also designated some actions as absolute evil. This essay explains how Beauvoir utilized an intrinsic absolute value to ground an action-guiding principle of freedom that justifies her notion of evil. Morgan’s analysis counters Robin May Schott’s objections that Beauvoir failed to systematically justify her notion of absolute evil and that Beauvoir shifted from a “logic of action” to a (...) “logic of history” when she utilized the concept. (shrink)
In this paper, I focus on the term ‘immanence’ in Simone de Beauvoir's The Second Sex and show how it relates to her historical account of sexual oppression. I argue that Beauvoir's use of Hegel's master−slave dialectic and of Claude Lévi-Strauss's reflection on the prohibition of incest lead her to claim that in all societies “woman” is constructed as “absolutely other.” I show that there is an ambiguous logic of abjection at work in Beauvoir's account that explains why men (...) are the only examples of transcendence in history, whereas women lack it. Finally, I discuss the way in which the relation between immanence and abjection helps to explain the intellectual relation between Georges Bataille and Beauvoir. (shrink)
: For many, Simone de Beauvoir's The Second Sex has only historic significance. The aim of this article is to show on the contrary that Beauvoir's philosophy already contains all the elements of contemporary feminism—so much so that it can be taken as its paradigm. Beauvoir's ideas about the self are extremely relevant today. Feminist themes such as the logic of "equality and difference" and identity are interwoven in her thinking in ways that can offer solutions to what seem (...) to be insurmountable di-lemmas in modern feminism. The attack on all kinds of essentialism can be recon-ciled with feminist identity-politics when the latter presents itself as "arts of living.". (shrink)
Simone Weil is widely recognized today as one of the profound religious thinkers of the twentieth century. Yet while her interpretation of natural science is critical to Weil's overall understanding of religious faith, her writings on science have received little attention compared with her more overtly theological writings. The present essay, which builds on Vance Morgan's Weaving the World: Simone Weil on Science, Necessity, and Love (2005), critically examines Weil's interpretation of the history of science. Weil believed that (...) mathematical science, for the ancient Pythagoreans a mystical expression of the love of God, had in the modern period degenerated into a kind of reification of method that confuses the means of representing nature with nature itself. Beginning with classical (Newtonian) science's representation of nature as a machine, and even more so with the subsequent assimilation of symbolic algebra as the principal language of mathematical physics, modern science according to Weil trades genuine insight into the order of the world for symbolic manipulation yielding mere predictive success and technological domination of nature. I show that Weil's expressed desire to revive a Pythagorean scientific approach, inspired by the "mysterious complicity" in nature between brute necessity and love, must be recast in view of the intrinsically symbolic character of modern mathematical science. I argue further that a genuinely mystical attitude toward nature is nascent within symbolic mathematical science itself. (shrink)
For many, Simone de Beauvoir's The Second Sex has only historic significance. The aim of this article is to show on the contrary that Beauvoir's philosophy already contains all the elements of contemporary feminism-so much so that it can be taken as its paradigm. Beauvoir's ideas about the self are extremely relevant today. Feminist themes such as the logic of "equality and difference" and identity are interwoven in her thinking in ways that can offer solutions to what seem to (...) be insurmountable dilemmas in modern feminism. The attack on all kinds of essentialism can be reconciled with feminist identity-politics when the latter presents itself as "arts of living.". (shrink)
Simone de Beauvoir was a philosopher and writer of notable range and influence whose work is central to feminist theory, French existentialism, and contemporary moral and social philosophy. The essays in this volume examine all the major aspects of her thought, including her views on issues such as the role of biology, sexuality and sexual difference, and evil, the influence on her work of Heidegger, Sartre, Merleau-Ponty, Husserl, and others, and the philosophical significance of her memoirs and fiction. New (...) readers and nonspecialists will find this the most convenient and accessible guide to Beauvoir currently available. Advanced students and specialists will find a conspectus of recent developments in the interpretation of Beauvoir. (shrink)
In 1941 Simone Weil was introduced to Father Jean-Marie Perrin, a priest of the Dominican order whose friendship became one of the most significant influences on her spiritual development. It was for Father Perrin that she wrote her 'spiritual autobiography', contained in Waiting for God, and to him that she later wrote 'Letter to a Priest'. When Weil requested work as a field hand, Perrin sent her to Gustave Thibon, a farmer and Christian philosopher. From 1941-2, Weil stayed with (...) the Thibon family, working in the fields by day while writing by night the notebooks which posthumously became Gravity and Grace and other seminal works. Perrin and Thibon met Weil at a time when her interior life and her creative genius were at the height of their glowing maturity. During the short but deep period of their acquaintance with her, they came to know her as she actually was. Their accounts of this time reveal her to us in the bare parlour of the Dominican convent at Marseilles where, after waiting her turn among a stream of refugees, she discussed her personal problems with Father Perrin. They show her to us in the vineyards of Ardèche, and on the stone seat by the fountain overlooking the Rhone valley where she read Plato to Thibon, her host. First published in 1953, and now newly introduced by Patricia Little, this unique portrait depicts Weil through the eyes of her friends, not as a strange and unaccountable genius but as an ardent and very human young person in search of truth and knowledge. (shrink)
This article begins by asking if the project to write a philosophical novel is not inherently flawed; it would seem that the novelist must either write an ambiguous text, which would not create a strong enough argument to count as philosophy, or she must write a text with a clear argument, which would not be ambiguous enough to count as good fiction. The only other option available would be to exemplify a preexisting abstract philosophical system in the concrete literary world. (...) To move beyond such an impasse, this article turns to the work of Simone de Beauvoir. Beauvoir's unique aesthetic theory in “Literature and Metaphysics” envisions philosophy as an integral part of the literary text and sees the novel not as an argument but as something called a “philosophical appeal” (Beauvoir 2004b). In her first novel, She Came to Stay, such a concept of the philosophical novel allows Beauvoir to make an original contribution to the philosophical tradition—one in which Beauvoir rethinks the problem of solipsism—while still creating a stunning literary work (Beauvoir 1954). A study of the theory and the novel together thus provides a solid understanding of what philosophers stand to gain from the philosophical novel. (shrink)
This essay tries to demonstrate two distinct but complementary visions to a central theme of Christian faith: humanity’s redemption in the crucified Christ. It will attempt to show how the poetics of Simone Weil (1909–1943) and the poetic art of Georges Rouault (1871–1943) embody different understandings of Christian faith. Considering faith from a philosophical approach, Weil detaches the sufferings of Christ from the totality of salvific history. Viewing faith from the artistic approach, Rouault places the crucified Christ in the (...) context of the history of salvation, including Mary and the Church. Though different from one another, these two visions reveal to us a light in the midst of our dark or suffering existence that makes audible or perceptible the silence of God’s love in Christ that is its source. (shrink)
: French philosopher Simone Weil (1909-1943) was convinced that bodily or somatic practices could play a significant role in human moral and religious development. Weil believed that such development hinges on how the world is read (lecture) or interpreted, and somatic practices play a key role in shifting rom more to less egocentric readings. While she did not live to complete her research on somatic practice, it is fruitful to follow out the lines of her program. Comparing her considerations (...) with those of Japanese Buddhists, and especially Dogen, helps throw into relief her philosophical commitment concerning the body and reveals her preoccupation with purity. Weil's research raises interesting questions for philosophers of somatic practice. (shrink)
Simone Weil's concept of gravity (la pésanteur) has received attention from philosophers and interested readers at least since the 1947 publication of La Pésanteur et la grâce. "Gravity" is a key concept in Weil's moral and spiritual psychology, and despite the attention Weil's writings have received, there is ample need for a study that draws together Weil's scattered references to gravity and demonstrates their cohesion. This article develops a treatment of gravity that seeks to clarify one of the major (...) scientific analogies Weil uses to develop her notion of moral gravity. It is hoped that this approach will furnish a point of departure for interpreting Weil's obscure and often fragmentary remarks on gravity. In addition, something important can be said about both the difficulties and the promise of Weil's analogy, and this article offers a few critical comments towards that end. (shrink)
This book examines the religious, social, and political thought of Simone Weil in the context of the rigorous philosophical thinking out of which it grew. It also explores illuminating parallels between these ideas and ideas that were simultaneously being developed by Ludwig Wittgenstein. Simone Weil developed a conception of the relation between human beings and nature which made it difficult for her to explain mutual understanding and justice. Her wrestling with this difficulty coincided with a considerable sharpening of (...) her religious sensibility, and led to a new conception of the natural and social orders involving a supernatural dimension, within which the concepts of beauty and justice are paramount. Professor Winch provides a fresh perspective on the complete span of Simone Weil's work, and discusses the fundamental difficulties of tracing the dividing line between philosophy and religion. (shrink)
The legacy of Simone de Beauvoir has yet to be properly assessed and explored. The 50th anniversary of the publication of The Second Sex inspired this volume which brings together philosophers and literary critics, some of whom are well known for their books on Beauvoir (Bauer, Le Doeuff, Moi), others new to Beauvoir studies though long familiar with her work (Grosholz, Imbert, James, Stevenson, Wilson). One aim of this collection is to encourage greater recognition of Beauvoir's philosophical writings through (...) systematic reflection on their place in the canon and on her methods. The Second Sex played a central role in the profound shift in philosophy's self-understanding that took place in the latter half of the twentieth century, and today offers new problems for reflection and novel means for appropriating older texts. Its reflective iconoclasm can be compared to that of Descartes' Meditations; its enormous, directly discernible impact on our social world invites comparison with Locke's Two Treatises of Government. The collection also examines the relationship between Beauvoir's literary writing and her philosophical thought. Deeply concerned with the critical and creative powers of reason as well as with the betterment of our suffering world, Simone de Beauvoir wrote in a variety of genres in addition to the philosophical essay: the novel, political journalism, and the memoir. The multiplicity of her voices was closely related to her philosophical project. Since Beauvoir's method (like that of W. E. B. du Bois) proceeded from her own immediate experience, her reflections had to find expression sometimes as narrative, sometimes as autobiography, sometimes as argument. The Legacy of Simone de Beauvoir demonstrates the many ways in which Beauvoir's writings, in particular The Second Sex, can serve as resources for thought, for the life of the mind which is as concerned with the past and future as it is with the present. (shrink)
Simone Weil believed that Greece’s vocation was to build bridges between God and man. This paper argues that, in light of Weil’s “tradition of mystical thought,” the Christian vocation is an extension of the Greek. The search for the perfect bridge in Homer, Sophocles and Plato comes to fruition in the Passion of Christ. The Greek thinkers, especially Plato with his Perfectly Just Man, already had implicit knowledge of the Passion’s truth.
Religion in the perverted form of idolatry/ideology is at the root of violence for Simone Weil and René Girard. For Girard, “mimetic desire” expresses the idolization of another and ultimately of the self: when the individual’s expectations of achieving autonomy through another remain unfulfilled, he seeksa scapegoat. For Weil, everyone is subject to “force” as recipient or perpetrator of violence which is catalyzed by ideology, a form of idolatry. While Weil focuseson the idolatry of ideas, both writers agree that (...) the subject’s desire for absolute autonomy is the source of idolatry and violence. Furthermore, both presupposesuffering as the individual’s driving force, seeking relief in idols or scapegoats; accepting this suffering by imitating Christ is the solution, freeing one from selfish,idolatrous desires. (shrink)
Simone Weil recognized that there is a problem reconciling the Iove of God/Good with the Iove of neighbor, and she probabIy believed that she never successfully resoIved it. A quotation from her ‘New York Notebook’ sets the probIem niceIy:OnIy God is the good, therefore, onIy He is a worthy object of care, solicitude, anxiety, longing, and efforts of thought. OnIy He is a worthy object of all those movements of the souI which are reIated to some vaIue.From this and (...) other quotes, I construct various arguments showing that one cannot consistently both Iove God and one’s neighbor. The buIk of the paper is taken up with a critical consideration of these arguments. The upshot of this is that there is no pIausibIe way to reject all of these arguments; hence one must tentativeIy conclude that the Iove of God/Good is irreconciIabIe with the Iove of neighbor in Weil’s philosophy. (shrink)
Simone Weil's rejection of pacifism -- The empire of force -- Love of neighbor versus totalitarianism -- Values for reading the universe -- Reading and justice -- Simone Weil and the Bhagavad-Gita -- Justice and the supernatural -- Neither victim nor executioner -- Appendix : English translations of Simone Weil's essays.
My article focuses on Le Théâtre existentialiste ( Existentialist Theater ) by Simone de Beauvoir, recently translated and published in the volume of the Beauvoir Series on her literary writings. The first part introduces the original sound recording of this text and the circumstances behind its possible production in New York City in 1947 and my discovery of it at Wellesley College in 1996. The second part analyzes the divisions of Beauvoir's remarks as she presents Jean-Paul Sartre, Albert Camus, (...) and their principal plays from the period of the Occupation: The Flies , No Exit , and Caligula . The third part then evaluates certain of Beauvoir's key concepts in terms of how they were able to define adequately the substance of existentialist theater for a postwar American audience and whether they remain valid for a more contemporary theatrical public some six decades later. (shrink)
Diese Publikation nimmt Bezug auf das Ende des Spanischen Bürgerkriegs vor 70 Jahren und untersucht Motive und Gründe des freiwilligen Engagements dreier europäischer Intellektueller Carl Einstein, Simone Weil, Etta Federn zwischen 1936 ...
In Simone de Beauvoir: The Making of an Intellectual Woman Toril Moi shows how Simone de Beauvoir became Simone de Beauvoir, the leading feminist thinker and emblematic intellectual woman of the twentieth century. Blending biography with literary criticism, feminist theory, and historical and social analysis, this book provides a completely original analysis of Beauvoir's education and formation as an intellectual. -/- In The Second Sex, Beauvoir shows that we constantly make something of what the world tries to (...) make of us. By reconstructing the social and political world in which Beauvoir became the author of The Second Sex, and by showing how Beauvoir reacted to the pressures of that world, Moi applies Beauvoir's ideas to Beauvoir's own life. -/- Ranging from an investigation of French educational institutions to reflections on the relationship between freedom and flirtation, this book uncovers the conflicts and difficulties of an intellectual woman in the middle of the twentieth century. Through her analysis of Beauvoir's life and work Moi shows how difficult it was - and still is - for women to be taken seriously as intellectuals. Two major chapters on The Second Sex provide a theoretical and a political analysis of that epochal text. The last chapter turns to Beauvoir's love life, her depressions and her fear of ageing. -/- In a major new introduction, Moi discusses Beauvoir's letters to her lovers Jacques-Laurent Bost and Nelson Algren, as well as her recently published student diaries from 1926/27. (shrink)
The title of this article refers to Beauvoir's essay Must We Burn De Sade? (1953/1952). Analogous to Beauvoir's essay on Sade, this article is something of an apology for Foucault. I use Beauvoir's essay on Sade to discuss Foucault's concept of ethics as an art of living. I conclude that the final Foucault's thought on ethics can be labelled a post-existentialism, combining postmodern thinking and the issues of freedom and commitment in an inspiring way. I argue, however, that the (...) heuristics of Foucault's later work is undertheorized. Comparing Foucault's approach with Beauvoir's own concept of ethics as art of living shows hers to be superior in that it has a place for the emotions. The cold stoicism of the final Foucault only deals with emotion from the point of view of repression and sublimation. Foucault's post-existentialism must therefore be enriched with Beauvoir's concepts. I conclude that aspects of the theoretical frameworks of both Foucault and Beauvoir can contribute to the solution of some of the dilemmas of postmodern thinking with respect to politics and political theory. (shrink)
The Blood of Others begins at the bedside of a mortally wounded Résistance fighter named Hélène Bertrand. We encounter her from the point of view of Jean Blomart, her friend and lover, who recounts the story of their relationship : their first meeting, unhappy romance, bitter breakup, and eventual reunion as fellow fighters for the liberation of occupied France. The novel invites the reader to interpret Hélène and Jean’s story as one of positive ethical development. On this progressive reading, although (...) both characters are initially mired in bad faith and ethical irresponsibility, they ultimately transform themselves into ethically exemplary figures. Through their participation in violent political resistance against the occupation, they recognize their responsibility to humanity and actualize that responsibility in the form of positive political engagement. I will argue, on the contrary, that Jean and Hélène exhibit a unique form of bad faith that Beauvoir identifies in The Ethics of Ambiguity, a dangerous form of bad faith, distinct from the Sartrean conception, that promotes the indiscriminate use of violence for political ends. (shrink)
Reading Beauvoir's “Must We Burn Sade?” alongside the chapter called “Sexual Initiation” in The Second Sex, I argue that the problem with Sade is not his perversity, but his perpetual virginity. In The Second Sex, Beauvoir advances a new understanding of sexual initiation as a physical and spiritual movement toward the other, disqualifying any purely physical machination as sufficient to initiate one into “authentic erotic reality.” Sade's refusal of Eros as described in “Must We Burn Sade?” demonstrates that the Marquis's (...) commitment to his characteristic Sadism in fact condemned him to a barren promiscuity, a trenchant and joyless virginity that he elected to perpetuate. Finally, I argue that we should reread Sadism not as a perversion but as based on the Greek model of the “virgin ailment.” As such, Sadism may turn out to be a more genuine and widespread threat than we ordinarily acknowledge. (shrink)
Joseph Mahon defends her existentialist feminism against the many reproaches which have been levelled against it over several decades, not least the criticism ...
The beautiful is something on which we can fix our attention…. The attitude of looking and waiting is the attitude which corresponds with the beautiful.Attention, taken to its highest degree, is the same thing as prayer.At the end of the Phaedrus, Socrates suggests to his friend Phaedrus that they should offer a prayer to the gods before they returned to the city from the country, where they had gone to discuss the notion of love.1 To which suggestion Phaedrus replies: "By (...) all means." Socrates then proceeds to offer a prayer of inner beauty and of inner wholeness, asking: "Beloved Pan … give me beauty in the inward soul; and may the outward and the inward man be at one…. Anything more? The prayer, I think, is .. (shrink)
: This essay focuses on some important concepts in Beauvoir's philosophy: ambiguity, desire, and appeal (appel). Ambiguity and appeal, concepts originating in Beauvoir's moral philosophy, are in The Second Sex connected to the female body and feminine desire. This indicates the complexity of Beauvoir's image of femininity. This essay also proposes a comparative reading of Beauvoir's and Sartre's concepts of appeal, a reading that indicates differences in their views of the relationship among ethics, desire, and gender.
This essay focuses on some important concepts in Beauvoir's philosophy: ambiguity, desire, and appeal (appel). Ambiguity and appeal, concepts originating in Beauvoir's moral philosophy, are in The Second Sex connected to the female body and feminine desire. This indicates the complexity of Beauvoir's image of femininity. This essay also proposes a comparative reading of Beauvoir's and Sartre's concepts of appeal, a reading that indicates differences in their views of the relationship among ethics, desire, and gender.
' What comes through strongly in this book are Weil's power of analysis and criticism, her love of truth and hunger for justice, her commitment to non-violence, ...
Despite or perhaps because of this apologetic slant, Weil's readings uncover new layers of these familiar texts: Antigone is a Christological figure, combating ...
The Beauty That Saves, a collection of essays by many of the most prominent American and European scholars on Weil, begins with a foreword by well-known writer ...
