Search results for 'Sound' (try it on Scholar)

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  1. Robert Pasnau (1999). What is Sound? Philosophical Quarterly 50 (196):309-24.score: 15.0
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  2. Brian O'Shaughnessy (1957). The Location of Sound. Mind 66 (October):471-490.score: 15.0
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  3. Robert Pasnau (2000). Sensible Qualities: The Case of Sound. Journal of the History of Philosophy 38 (1):27-40.score: 15.0
  4. Joseph Margolis (1960). "Nothing Can Be Heard but Sound". Analysis 20 (4):82-87.score: 15.0
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  5. Nora M. Alter & Lutz P. Koepnick (eds.) (2004). Sound Matters: Essays on the Acoustics of Modern German Culture. Berghahn Books.score: 15.0
    ... composed by Herms Niel as a Durchhaltefanfare, a fanfare of perseverance, for the German troops that had been surrounded on the Crimea peninsula by ...
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  6. Don Ihde (1976). Listening And Voice: A Phenomenology Of Sound. Ohio University Press.score: 15.0
     
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  7. Inayat Khan (1996). The Mysticism of Sound and Music. Distributed in the United States by Random House.score: 15.0
    Music, according to Sufi teaching, is really a small expression of the overwhelming and perfect harmony of the whole universe--and that is the secret of its amazing power to move us. The Indian Sufi master Hazrat Inayat Khan (1882-1927), the first teacher to bring the Islamic mystical tradition to the West, was an accomplished musician himself. His lucid exposition of music's divine nature has become a modern classic, beloved only by those interested in Sufism but by musicians of all kinds.
     
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  8. Justin Skirry (2001). Sartre on William Faulkner's Metaphysics of Time in the Sound and the Fury. Sartre Studies International 7 (2):15-43.score: 12.0
    Jean Paul Sartre in his essay, "On 'The Sound and the Fury': Time in the work of Faulkner," states that the technique of the fiction writer always relates back to his metaphysics (OSF 79). Faulkner's clock-based or chronological metaphysics of time found in The Sound and the Fury is the focal point of Sartre's criticism of this work. His main criticism that the novel's metaphysics of time leaves its characters with only pasts and no futures led some Faulkner (...)
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  9. J. Kevin O.’Regan & Ned Block (2012). Discussion of J. Kevin O'Regan's “Why Red Doesn't Sound Like a Bell: Understanding the Feel of Consciousness”. Review of Philosophy and Psychology 3 (1):89-108.score: 12.0
    Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness” Content Type Journal Article Pages 1-20 DOI 10.1007/s13164-012-0090-7 Authors J. Kevin O’Regan, Laboratoire Psychologie de la Perception, CNRS - Université Paris Descartes, Centre Biomédical des Saints Pères, 45 rue des Sts Pères, 75270 Paris cedex 06, France Ned Block, Departments of Philosophy, Psychology and Center for Neural Science, New York University, 5 Washington Place, New York, NY 10003, USA Journal Review of Philosophy (...)
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  10. Don Ihde (2007). Listening and Voice. Phenomenologies of Sound. Suny Press.score: 12.0
    Listening and Voice is an updated and expanded edition of Don Ihde's groundbreaking 1976 classic in the study of sound.
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  11. David Pugmire (2005). Sound Sentiments: Integrity in the Emotions. Oxford University Press.score: 12.0
    What does it mean for emotion to be well-constituted? What distinguishes good feeling from (just) feeling good? Is there such a distinction at all? The answer to these questions becomes clearer if we realize that for an emotion to be all it seems, it must be responsible as well as responsive to what it is about. It may be that good feeling depends on feeling truly if we are to be really moved, moved in the way that avoids the need (...)
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  12. P. Kerszberg (1999). The Sound of the Life-World. Continental Philosophy Review 32 (2):169-194.score: 12.0
    Husserl's investigations of internal time-consciousness take sound as the primary temporal object. However, in these investigations, the structure of the flux of temporal subjectivity is established to the detriment of the rich tonal content of sound. Just as Husserl has enlarged the significance of the spatial object of mathematical physics to include the historically-sedimented layers of its appearance, so the temporal object will receive additional intelligibility if the rich texture of musical sound is taken into consideration. Particularly (...)
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  13. Nicolas J. Bullot & Paul Égré (2009). Editorial: Objects and Sound Perception. Review of Philosophy and Psychology 1 (1):5-17.score: 12.0
    Editorial: Objects and Sound Perception Content Type Journal Article Pages 5-17 DOI 10.1007/s13164-009-0006-3 Authors Nicolas J. Bullot, École des Hautes Études en Sciences Sociales Centre de Recherches sur les Arts et le Langage (CRAL/CNRS) 96 Bd Raspail 75006 Paris France Paul Égré, Institut Jean-Nicod (ENS/EHESS/CNRS) Département d’Etudes Cognitives de l’ENS 29 rue d’Ulm 75005 Paris France Journal Review of Philosophy and Psychology Online ISSN 1878-5166 Print ISSN 1878-5158 Journal Volume Volume 1 Journal Issue Volume 1, Number 1.
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  14. M. Kiley-Worthington (1989). Ecological, Ethological, and Ethically Sound Environments for Animals: Toward Symbiosis. Journal of Agricultural and Environmental Ethics 2 (4):323-347.score: 12.0
    There are inconsistencies in the treatment and attitudes of human beings to animals and much confusion in thinking about what are appropriate conditions for using and keeping animals. This article outlines some of these considerations and then proposes guidelines for designing animal management systems. In the first place, the global and local ecological effects of all animal management systems must be considered and an environment designed that will not rock the biospherical boat. The main points to consider are the interrelatedness (...)
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  15. Stefano Predelli (2006). The Sound of the Concerto. Against the Invariantist Approach to Musical Ontology. British Journal of Aesthetics 46 (2):144-162.score: 12.0
    According to a popular approach to the ontology of music, the identity conditions for a musical work include the specification of properties of sound, which constrain the class of its correct performances. This essay argues that the resulting invariantist view of the work–performance relation is inadequate and defends a contextualist alternative.
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  16. Steven A. Stegeman (2011). Unfolding Mozi's Standard of Sound Doctrine. Asian Philosophy 21 (3):227 - 239.score: 12.0
    This essay revolves around a careful assessment of Hui-chieh Loy's essay ?Justification and Debate: Thoughts on Moist Moral Epistemology?. There is much to appreciate in Loy's analysis of the standard of sound doctrine in the ?Against Fatalism? chapters of the Mozi, but a close reading of Loy's essay reveals problematic aspects in his approach along both hermeneutic and logical lines. For one, he groups Mozi's tests of the standard of sound doctrine in a way that does not square (...)
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  17. Steve Goodman (2010). Sonic Warfare: Sound, Affect, and the Ecology of Fear. Mit Press.score: 12.0
    An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe.
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  18. Henk van den Belt & Bart Gremmen (2002). Between Precautionary Principle and “Sound Science”: Distributing the Burdens of Proof. Journal of Agricultural and Environmental Ethics 15 (1).score: 12.0
    Opponents of biotechnology ofteninvoke the Precautionary Principle to advancetheir cause, whereas biotech enthusiasts preferto appeal to ``sound science.'' Publicauthorities are still groping for a usefuldefinition. A crucial issue in this debate isthe distribution of the burden of proof amongthe parties favoring and opposing certaintechnological developments. Indeed, the debateon the significance and scope of thePrecautionary Principle can be fruitfullyre-framed as a debate on the proper division ofburdens of proof. In this article, we attemptto arrive at a more refined way of (...)
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  19. Katerina Kantartzis, Mutsumi Imai & Sotaro Kita (2011). Japanese Sound-Symbolism Facilitates Word Learning in English-Speaking Children. Cognitive Science 35 (3):575-586.score: 12.0
    Sound-symbolism is the nonarbitrary link between the sound and meaning of a word. Japanese-speaking children performed better in a verb generalization task when they were taught novel sound-symbolic verbs, created based on existing Japanese sound-symbolic words, than novel nonsound-symbolic verbs (Imai, Kita, Nagumo, & Okada, 2008). A question remained as to whether the Japanese children had picked up regularities in the Japanese sound-symbolic lexicon or were sensitive to universal sound-symbolism. The present study aimed to (...)
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  20. C. W. Berenda (1968). Phonons--The Quantization of Sound (And Kant's Second Antinomy. Philosophy of Science 35 (2):179-.score: 12.0
    The recent extension of quantum theory to sound waves in solids is briefly outlined and then discussed from a specific philosophic (Kantian) perspective.
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  21. Frank Zenker (2011). Experts and Bias: When is the Interest-Based Objection to Expert Argumentation Sound? Argumentation 25 (3):355-370.score: 12.0
    I discuss under what conditions the objection that an expert’s argument is biased by her self-interest can be a meaningful and sound argumentative move. I suggest replacing the idea of bias qua self-interest by that of a conflict of interests, exploit the distinction between an expert context and a public context, and hold that the objection can be meaningful. Yet, the evaluation is overall negative, because the motivational role of self-interest for human behavior remains unclear. Moreover, if recent social-psychological (...)
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  22. Mark Augath, Integration of Touch and Sound in Auditory Cortex.score: 12.0
    To form a coherent percept of the environment, our brain combines information from different senses. Such multisensory integration occurs in higher association cortices; but supposedly, it also occurs in early sensory areas. Confirming the latter hypothesis, we unequivocally demonstrate supra-additive integration of touch and sound stimulation at the second stage of the auditory cortex. Using high-resolution fMRI of the macaque monkey, we quantified the integration of auditory broad-band noise and tactile stimulation of hand and foot in anaesthetized animals. Integration (...)
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  23. John Cramer, The Sound of the Big Bang.score: 12.0
    I'm Professor of Physics at the University of Washington in Seattle . I do basic research in ultra-relativistic heavy ion physics with the STAR experiment, using the RHIC facility at Brookhaven National Laboratory, colliding gold nuclei to produce systems that look something like the first microsecond of the Big Bang. I do not work much in cosmology and astrophysics, although I've published a paper or two in those areas, but I do write a bi-monthly science column for Analog Science Fiction/Fact (...)
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  24. Jennifer Bates (2003). An Inquiry Into the Nature of Environmentally Sound Thinking. Environmental Ethics 25 (2):183-197.score: 12.0
    Many philosophers advocate a change in our thinking in order to move beyond an anthropocentric view of the environment. In order to achieve the kind of thinking that makes for sound environmental thinking, we have to look more deeply into the nature of thought and to revise the relation between thought directed outward to the world and thought directed inwardly to thought itself. Only with such insight can we begin to think soundly about the environment. Thought exhibits a characteristic (...)
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  25. Robin Fox (2008). Playing by the Rules: Sound and Sense in Swinburne and the Rhyming Poets. Philosophy and Literature 32 (2):pp. 217-240.score: 12.0
    The likeness of sound between rhyming words is arbitrary, but words have meanings. Thus rhyme schemes carry an implicit meaning over against the explicit meaning of the lines in which they occur. The use of "death" and "breath" and other rhymes in Swinburne illustrates this duality, especially in his great sonnet addressed to Death. This prompts a discussion of the role of meter and rhyme in the physiology of dreams and memory, the human propensity to make rules, translations of (...)
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  26. Branden Fitelson, G the Automation of Sound Reasoning and Successful Proof Findin.score: 12.0
    The consideration of careful reasoning can be traced to Aristotle and earlier authors. The possibility of rigorous rules for drawing conclusions can certainly be traced to the Middle Ages when types o f syllogism were studied. Shortly after the introduction of computers, the audacious scientist naturally envisioned the automation of sound reasoning—reasoning in which conclusions that are drawn follow l ogically and inevitably from the given hypotheses. Did the idea spring from the intent to emulate..
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  27. Edward Jones-Imhotep (2012). Sound and Vision. Spontaneous Generations 6 (1):191-202.score: 12.0
    Over the last two decades, Science Studies has produced a fascinating body of literature on visual representation. A crucial part of that literature has explored the materiality of visual representation, primarily the “rendering practices” that make visual representations possible and embody epistemic virtues attached to the scientific self. This essay explores the practices and capacities that support visual representation, but it looks to a seemingly unlikely place for inspiration—the growing literature on the uses of sound in science. My interest (...)
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  28. Larry Wos & Branden Fitelson, G The Automation of Sound Reasoning and Successful Proof Findin.score: 12.0
    The consideration of careful reasoning can be traced to Aristotle and earlier authors. The possibility of rigorous rules for drawing conclusions can certainly be traced to the Middle Ages when types o f syllogism were studied. Shortly after the introduction of computers, the audacious scientist naturally envisioned the automation of sound reasoning—reasoning in which conclusions that are drawn follow l ogically and inevitably from the given hypotheses. Did the idea spring from the intent to emulate s Sherlock Holmes and (...)
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  29. Matthew Nudds (2001). Experiencing the Production of Sounds. European Journal of Philosophy 9 (2):210-229.score: 10.0
    Whether or not we would be happy to do without sounds, the idea that our expe- rience of sounds is of things which are distinct from the world of material objects can seem compelling. All you have to do to confirm it is close your eyes and reflect on the character of your auditory experience.
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  30. Casey O'Callaghan (2009). Introduction: The Philosophy of Sounds and Auditory Perception. In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays. Oxford University Press.score: 10.0
  31. Casey O'Callaghan (2010). Perceiving the Locations of Sounds. Review of Philosophy and Psychology 1 (1):123--140.score: 10.0
    Frequently, we learn of the locations of things and events in our environment by means of hearing. Hearing, I argue, is a locational mode of perceiving with a robustly spatial nature. I defend three proposals. First, audition furnishes information about the locations of things and events in one's environment because auditory experience itself is spatial. Audition represents space. Second, we hear the locations of things and events by or in hearing locational information about their sounds. Third, we auditorily experience sounds (...)
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  32. Andrew Kania (2010). Review of Matthew Nudds, Casey O'Callaghan (Eds.), Sounds and Perception: New Philosophical Essays. [REVIEW] Notre Dame Philosophical Reviews 2010 (8).score: 10.0
    Review of Matthew Nudds and Casey O'Callaghan (eds.), _Sounds and Perception: New Philosophical Essays_.
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  33. Riccardo Rosati (2001). A Sound and Complete Tableau Calculus for Reasoning About Only Knowing and Knowing at Most. Studia Logica 69 (1):171-191.score: 10.0
    We define a tableau calculus for the logic of only knowing and knowing at most ON, which is an extension of Levesque's logic of only knowing O. The method is based on the possible-world semantics of the logic ON, and can be considered as an extension of known tableau calculi for modal logic K45. From the technical viewpoint, the main features of such an extension are the explicit representation of "unreachable" worlds in the tableau, and an additional branch closure condition (...)
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  34. Michael Rubin (2008). Sound Intuitions on Moral Twin Earth. Philosophical Studies 139 (3):307 - 327.score: 9.0
    A number of philosophers defend naturalistic moral realism by appeal to an externalist semantics for moral predicates. The application of semantic externalism to moral predicates has been attacked by Terence Horgan and Mark Timmons in a series of papers that make use of their “Moral Twin Earth” thought experiment. In response, several defenders of naturalistic moral realism have claimed that the Moral Twin Earth thought experiment is misleading and yields distorted and inaccurate semantic intuitions. If they are right, the intuitions (...)
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  35. Paul A. Boghossian (2002). On Hearing the Music in the Sound: Scruton on Musical Expression. Journal of Aesthetics and Art Criticism 60 (1):49–55.score: 9.0
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  36. Edward Branigan (1989). Sound and Epistemology in Film. Journal of Aesthetics and Art Criticism 47 (4):311-324.score: 9.0
  37. James Van Cleve (2006). Touch, Sound, and Things Without the Mind. Metaphilosophy 37 (2):162-182.score: 9.0
    Two notable thought experiments are discussed in this article: Reid's thought experiment about whether a being supplied with tactile sensations alone could acquire the conception of extension and Strawson's thought experiment about whether a being supplied with auditory sensations alone could acquire the conception of mind-independent objects. The experiments are considered alongside Campbell's argument that only on the so-called relational view of experience is it possible for experiences to make available to their subjects the concept of mind-independent objects. I consider (...)
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  38. Casey O'Callaghan (2009). Sounds and Events. In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays.score: 9.0
    I argue that sounds are best conceived not as pressure waves that travel through a medium, nor as physical properties of the objects ordinarily thought to be the sources of sounds, but rather as events of a certain kind. Sounds are particular events in which a surrounding medium is disturbed or set into wavelike motion by the activities of a body or interacting bodies. This Event View of sounds provides for a uni- ?ed perceptual account of several pervasive sound (...)
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  39. Peter Kivy (1989). Sound Sentiment: An Essay on the Musical Emotions, Including the Complete Text of the Corded Shell. Temple University Press.score: 9.0
    Incorporating the complete, corrected text of The Corded Shell, Kivy brings his earlier arguments up to date in light of recent work in the field, and discusses ...
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  40. Khaldoun A. Sweis (2009). Consciousness or Qualia: What a Conversation From Leading Thinkers in the Field May Sound Like. Think 8 (23):45-53.score: 9.0
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  41. Toomas Karmo (1988). Some Valid (but No Sound) Arguments Trivially Span the `Is'-`Ought' Gap. Mind 97 (386):252-257.score: 9.0
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  42. Michael Luntley (2003). Nonconceptual Content and the Sound of Music. Mind and Language 18 (4):402-426.score: 9.0
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  43. Sam C. Coval (1963). Persons and Sounds. Philosophical Quarterly 13 (January):26-32.score: 9.0
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  44. Casey O'Callaghan (2007). Echoes. The Monist 90 (3):403-414.score: 9.0
    Echo experiences are illusory experiences of ordinary primary sounds. Just as there is no new object that we see at the surface of a mirror, there is no new sound that we hear at a reflecting surface. The sound that we hear as an echo just is the original primary sound, though its perception involves illusions of place, time, and qualities. The case of echoes need not force us to adopt a conception according to which sounds are (...)
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  45. Michael Davis (2002). A Sound Retributive Argument for the Death Penalty. Criminal Justice Ethics 21 (2):22-26.score: 9.0
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  46. J. K. O'Regan (2011). Why Red Doesn't Sound Like a Bell: Understanding the Feel of Consciousness. Oxford University Press.score: 9.0
    The catastrophe of the eye -- A new view of seeing -- Applying the new view of seeing -- The illusion of seeing everything -- Some contentious points -- Towards consciousness -- Types of consciousness -- Phenomenal consciousness, raw feel, and why they're hard -- Squeeze a sponge, drive a porsche : a sensorimotor account of feel -- Consciously experiencing a feel -- The sensorimotor approach to color -- Sensory substitution -- The localization of touch -- The phenomenality plot -- (...)
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  47. Jay F. Rosenberg (1978). On Strawson: Sounds, Skepticism, and Necessity. Philosophia 8 (November):405-419.score: 9.0
  48. Jerome Ashmore (1977). Sound in Kandinsky's Painting. Journal of Aesthetics and Art Criticism 35 (3):329-336.score: 9.0
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  49. Jerome Gellman (2000). Prospects for a Sound Stage 3 of Cosmological Arguments. Religious Studies 36 (2):195-201.score: 9.0
    Recently, "Religious Studies" published an article by Richard Gale and Alexander Pruss, arguing that there exists a necessary being who is a creator of the world. Building on their argument, I argue that, assuming that there is exactly one creator, that creator is essentially omnipotent.
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  50. Helen McCabe (2007). Nursing Involvement in Euthanasia: How Sound is the Philosophical Support? Nursing Philosophy 8 (3):167-175.score: 9.0
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  51. Mauricio Suarez, Experimental Realism Defended: How Inference to the Most Likely Cause Might Be Sound.score: 9.0
    On a purely epistemic understanding of experimental realism, manipulation affords a particularly robust kind of causal warrant, which is – like any other warrant – defeasible. I defend a version of Nancy Cartwright’s inference to the most likely cause, and I conclude that this minimally epistemic version of experimental realism is a coherent, adequate and plausible epistemology for science.
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  52. Scot Gresham-Lancaster (2012). Relationships of Sonification to Music and Sound Art. AI and Society 27 (2):207-212.score: 9.0
    The definition of sonification has been reframed in recent years but remains somewhat in flux; the basic concepts and procedural flows have remained relatively unchanged. Recent definitions have focused on the objective the important uses of sonification in terms of scientific method. The full realization of the potential of the field must also include the craft and art of music composition. The author proposes examining techniques of sonification in a two-order framework: direct and procedural. The impact of new technologies and (...)
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  53. F. Joseph Smith (1969). Further Insights Into a Phenomenology of Sound. Journal of Value Inquiry 3 (2):136-146.score: 9.0
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  54. Jeroen Stouten, Sandra Gilissen, Jeroen Camps & Chloé Tuteleers (2011). Music is What Feelings Sound Like: The Role of Tonal and Atonal Music in Unethical Behavior. Ethics and Behavior 22 (3):189 - 195.score: 9.0
    Governments and societies often have condemned music as being ?indecent? and encouraging people to act unethically. Despite these accusations, research did not previously address the link between music and unethical acts. Here we argue that music may signal what is appropriate or inappropriate, hence moral behavior. We focus on the distinction between tonal and atonal music to examine the relation of music with unethical behavior. Results from an experimental study showed that harmonic or tonal music encouraged unethical behavior in adolescents (...)
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  55. Cynthia B. Cohen Peter J. Cohen (2010). International Stem Cell Tourism and the Need for Effective Regulation: Part II: Developing Sound Oversight Measures and Effective Patient Support. Kennedy Institute of Ethics Journal 20 (3):207-230.score: 9.0
    Clinics and hospitals around the globe are offering stem cell treatments to persons with serious conditions for whom no effective therapies are available in their home countries. Many of these treatments, which are touted as cures for such conditions as Parkinson's and Alzheimer's Diseases, multiple sclerosis, and spinal cord injuries, have not gone through clinical trials that establish their safety and efficacy. Indeed, it is unclear whether some of them even utilize stem cells. State regulation of these therapies tends to (...)
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  56. Ronald de Sousa (2006). Review of David Pugmire, Sound Sentiments: Integrity in the Emotions. [REVIEW] Notre Dame Philosophical Reviews 2006 (3).score: 9.0
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  57. Michael Lebowitz (2005). Holloway's Scream: Full of Sound and Fury. Historical Materialism 13 (4):217-231.score: 9.0
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  58. F. Joseph Smith (1967). Insights Leading to a Phenomenology of Sound. Southern Journal of Philosophy 5 (3):187-199.score: 9.0
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  59. Robert Brown (1957). Sound Sleep and Sound Scepticism. Australasian Journal of Philosophy 35 (May):47-53.score: 9.0
  60. Peter Gena (2012). Apropos Sonification: A Broad View of Data as Music and Sound. AI and Society 27 (2):197-205.score: 9.0
    Numbers have been identified with symbolic data forever. The profound association of both with acoustics, music, and sonic art from Pythagoras to current work is beyond reproach. Recently, sonification looks for ways to realize symbolic data (representing results or measurements) as well as “raw” data (signals, impulses, images, etc.) into compositions. In the strictest sense, everything in a computer is symbolic, that is, represented by 0s and 1s. In the arts, the digital age has broadened and enhanced the conceptual landscape (...)
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  61. Alessia Pannese (2012). A Gray Matter of Taste: Sound Perception, Music Cognition, and Baumgarten's Aesthetics. Studies in History and Philosophy of Science Part C 43 (3):594-601.score: 9.0
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  62. F. J. Smith (1973). Musical Sound as a Model for Husserlian Intuition and Time-Consciousness. Journal of Phenomenological Psychology 4 (1):271-296.score: 9.0
  63. Paola Cantù (2007). Is Common Ground a Word or Just a Sound? In Proceedings of the International Conference: Dissensus & The Search for Common Ground. Ontario Society for the Study of Argumentation.score: 9.0
    The paper analyses the role played by the concept of ‘common ground’ in argumentation theories. If a common agreement on all the rules of a discursive exchange is required, either at the beginning or at the end of an argumentative practice, then no violation of the rules is possible. The paper suggests an alternative understanding of ‘common ground’ as something that can change during the development of the argumentative practice, and in particular something that can change without the practice being (...)
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  64. Hugh P. Gunz, Sally P. Gunz & Robert V. A. Jones (2004). The Role of Corporate Counsel in the New Governance Model: Sound Policy or Another Quick Fix? International Journal of Business Governance and Ethics 1 (s 2-3):126-136.score: 9.0
    The role of corporate counsel in the corporate governance process has been long overlooked. This paper uses recent comments by Breeden as the springboard for a discussion of the issues surrounding significant roles for lawyers in corporations. It considers these both from a practical and a theoretical perspective and identifies why it is problematic merely to assume hiring lawyers will ensure good compliance both in terms of legal and ethical obligations.
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  65. Kleio Akrivou, Dimitrios Bourantas, Shenjiang Mo & Evi Papalois (2011). The Sound of Silence – A Space for Morality? The Role of Solitude for Ethical Decision Making. Journal of Business Ethics 102 (1):119-133.score: 9.0
    Building on research and measures on solitude, ethical leadership theories, and decision making literatures, we propose a conceptual model to better understand processes enabling ethical leadership neglected in the literature. The role of solitude as antecedent is explored in this model, whereby its selective utilization focuses inner directionality toward growing authentic executive awareness as a moral person and a moral manager and allows an integration between inner and outer directionality toward ethical leadership and resulting decision-making processes that will have an (...)
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  66. Arthur Caplan (2007). Is It Sound Public Policy to Let the Terminally Ill Access Experimental Medical Innovations? American Journal of Bioethics 7 (6):1 – 3.score: 9.0
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  67. Jérôme Dokic (2007). Two Ontologies of Sound. The Monist 90 (3):391-402.score: 9.0
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  68. Peter Kivy (1983). Sound Sentiment: A Reply to Donald Callen. Journal of Aesthetics and Art Criticism 41 (3):332-334.score: 9.0
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  69. Mauricio Suárez, Experimental Realism Defended : How Inference to the Most Likely Cause Might Be Sound.score: 9.0
    On a purely epistemic understanding of experimental realism, manipulation affords a particularly robust kind of causal warrant, which is – like any other warrant – defeasible. I defend a version of Nancy Cartwright’s inference to the most likely cause, and I conclude that this minimally epistemic version of experimental realism is a coherent, adequate and plausible epistemology for science.
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  70. C. W. Berenda (1968). Phonons--The Quantization of Sound (and Kant's Second Antinomy). Philosophy of Science 35 (2):179-184.score: 9.0
  71. David I. Masson (1963). Sound and Sense in a Line of Poetry. British Journal of Aesthetics 3 (1):70-72.score: 9.0
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  72. Atau Tanaka (2012). The Sound of Photographic Image. AI and Society 27 (2):315-318.score: 9.0
  73. David L. Hull (1998). A Clash of Paradigms or the Sound of One Hand Clapping. Biology and Philosophy 13 (4).score: 9.0
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  74. J. L. Evans (1959). Sound and Symbol. Music and the External World. By Victor Zuckerkandl, Translated From the German by Willard R. Trask. (Routledge and Kegan Paul. London, 1956. Pp. 399. Price 32s. Net.). [REVIEW] Philosophy 34 (130):265-.score: 9.0
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  75. Richard E. Palmer (1978). The Claim of Sound. Human Studies 1 (1).score: 9.0
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  76. Michalinos Zembylas & Pavlos Michaelides (2004). The Sound of Silence in Pedagogy. Educational Theory 54 (2):193-210.score: 9.0
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  77. C. C. Allen (1933). Is the Theory of Relativity Sound? Australasian Journal of Philosophy 11 (4):293 – 299.score: 9.0
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  78. Robert E. Butts (1993). Kant's Theory of Musical Sound: An Early Exercise in Cognitive Science. Dialogue 32 (01):3-.score: 9.0
  79. Robert K. Clifton & Marilyn G. Regehr (1990). Toward a Sound Perspective on Modern Physics: Capra's Popularization of Mysticism and Theological Approaches Reexamined. Zygon 25 (1):73-104.score: 9.0
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  80. Author unknown, Validity and Soundness. Internet Encyclopedia of Philosophy.score: 9.0
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  81. F. S. C. Northrop (1927). Rignano's Hypothesis of a Vital Energy and the Prerequisites of a Sound Theory of Life. Journal of Philosophy 24 (13):337-352.score: 9.0
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  82. Yubraj Aryal (2010). Importance of Sound in Poetry. Journal of Philosophy: A Cross-Disciplinary Inquiry 5 (11):61-62.score: 9.0
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  83. James Clackson (2006). Stuart-Smith (J.) Phonetics and Philology. Sound Change in Italic . Pp. Xxiv + 270, Maps, Ills. Oxford: Oxford University Press, 2004. Cased, £45. ISBN: 0-19-925773-. [REVIEW] The Classical Review 56 (01):144-.score: 9.0
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  84. Robert A. Crouch (1998). Paul Preston: Mother Father Deaf: Living Between Sound and Silence. Theoretical Medicine and Bioethics 19 (4).score: 9.0
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  85. Don Ihde (1970). Studies in the Phenomenology of Sound. International Philosophical Quarterly 10 (2):240-246.score: 9.0
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  86. R. Lal, F. P. Miller & T. J. Logan (1988). Are Intensive Agricultural Practices Environmentally and Ethically Sound? Journal of Agricultural and Environmental Ethics 1 (3):193-210.score: 9.0
    Soil is fragile and nonrenewable but the most basic of natural resources. It has a capacity to tolerate continuous use but only with proper management. Improper soil management and indiscriminate use of chemicals have contributed to some severe global environmental issues, e.g., volatilization losses and contamination of natural waters by sediments and agricultural fertilizers and pesticides. The increasing substitution of energy for labor and other cultural inputs in agriculture is another issue. Fertilizers and chemicals account for about 25% of the (...)
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  87. S. A. Nock (1941). Sound and Symbol. Philosophy of Science 8 (3):352-370.score: 9.0
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  88. James N. O'Sullivan (1977). On Herodotus 7.183: Three Sound Ships For Salamis. The Classical Quarterly 27 (01):92-.score: 9.0
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  89. Francesco Poggiani (2012). What Makes a Reasoning Sound? C. S. Peirce's Normative Foundation of Logic. Transactions of the Charles S. Peirce Society 48 (1):31-50.score: 9.0
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  90. Jeff Alan Stickney (2009). Wittgenstein's Contextualist Approach to Judging “Sound” Teaching: Escaping Enthrallment in Criteria-Based Assessments. Educational Theory 59 (2):197-215.score: 9.0
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  91. Norbert Wiener (1949). Sound Communication with the Deaf. Philosophy of Science 16 (3):260-262.score: 9.0
  92. A. Dufour, P. Touzalin, M. Moessinger, R. BRochard & O. Despres (2008). Visual Motion Disambiguation by a Subliminal Sound. Consciousness and Cognition 17 (3):790-797.score: 9.0
  93. R. A. (1968). The Sound Pattern of English. The Review of Metaphysics 22 (2):374-375.score: 9.0
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  94. M. L. Clarke (1971). The Odes of Horace M. Owen Lee: Word, Sound, and Image in the Odes of Horace. Pp. Viii + 125. Ann Arbor: University of Michigan Press, 1969. Cloth, $4.95. [REVIEW] The Classical Review 21 (01):53-55.score: 9.0
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  95. John G. Cramer, BOOMERanG and the Sound of the Big Bang.score: 9.0
    Two years ago, astrophysicists studying Type Ia supernovas discovered that our universe is a much stranger place than we had imagined, with invisible vacuum energy accelerating its expansion. (See my column about this in the May-1999 Analog.) However, new astrophysical observations from the BOOMERanG experiment (Balloon Observations Of Millimetric Extragalactic Radiation and Geomagnetics), a balloon-borne cryogenic microwave telescope measurement that flew at an altitude of about 24 miles over the Antarctic, indicate that our universe is also rather ordinary, in that (...)
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  96. Ronald Ennis & Alan Jotkowitz (2011). Good Ethics Begins With Sound Medicine: Prostate Cancer Screening and Chemoprevention. American Journal of Bioethics 11 (12):26-27.score: 9.0
    The American Journal of Bioethics, Volume 11, Issue 12, Page 26-27, December 2011.
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  97. Kristina Staley & Virginia Minogue (2006). User Involvement Leads to More Ethically Sound Research. Clinical Ethics 1 (2):95-100.score: 9.0
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  98. Jeffrey Olin (1978). Professor Gale's Sound and Well-Balanced Wine. Journal of Aesthetics and Art Criticism 37 (1):91-92.score: 9.0
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  99. Glen Whitman (1996). Myth, Measurement, and the Minimum Wage: Sound and Fury Signifying What? Critical Review 10 (4):607-619.score: 9.0
    Abstract In Myth & Measurement: The New Economics of the Minimum Wage, David Card and Alan Krueger assemble a variety of evidence purporting to weaken the case that minimum wages lead to unemployment among low?wage workers. Although the authors succeed in casting doubt on some previous studies that supported the standard view, they fail to provide compelling evidence for their alternative model. The methodological errors in their showcase study of minimum wages in New Jersey and Pennsylvania render it nearly worthless, (...)
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