Search results for 'Sound' (try it on Scholar)

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Bibliography: Sound in Philosophy of Mind
  1. Robert Pasnau (1999). What is Sound? Philosophical Quarterly 50 (196):309-24.score: 24.0
    Our standard view about sound is incoherent. On the one hand, we suppose that sound is a quality, not of the object that makes the sound, but of the surrounding medium. This is the supposition of our ordinary language, modern science and a long philosophical tradition. On the other hand, we suppose that sound is the object of hearing. This too is the assumption of ordinary language, modern science and a long philosophical tradition. Yet these two (...)
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  2. Katerina Kantartzis, Mutsumi Imai & Sotaro Kita (2011). Japanese Sound-Symbolism Facilitates Word Learning in English-Speaking Children. Cognitive Science 35 (3):575-586.score: 24.0
    Sound-symbolism is the nonarbitrary link between the sound and meaning of a word. Japanese-speaking children performed better in a verb generalization task when they were taught novel sound-symbolic verbs, created based on existing Japanese sound-symbolic words, than novel nonsound-symbolic verbs (Imai, Kita, Nagumo, & Okada, 2008). A question remained as to whether the Japanese children had picked up regularities in the Japanese sound-symbolic lexicon or were sensitive to universal sound-symbolism. The present study aimed to (...)
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  3. Jordi Navarra, Joel García-Morera & Charles Spence (2012). Temporal Adaptation to Audiovisual Asynchrony Generalizes Across Different Sound Frequencies. Frontiers in Psychology 3.score: 24.0
    The human brain exhibits a highly-adaptive ability to reduce natural asynchronies between visual and auditory signals. Even though this mechanism robustly modulates the subsequent perception of sounds and visual stimuli, it is still unclear how such a temporal realignment is attained. In the present study, we investigated whether or not temporal adaptation generalizes across different sound frequencies. In a first exposure phase, participants adapted to a fixed 220-ms audiovisual asynchrony or else to synchrony for 3min. In a second phase, (...)
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  4. Yoshimasa Seki, Kenta Suzuki, Ayumi Margaret Osawa & Kazuo Okanoya (2013). Songbirds and Humans Apply Different Strategies in a Sound Sequence Discrimination Task. Frontiers in Psychology 4.score: 24.0
    The abilities of animals and humans to extract rules from sound sequences have previously been compared using observation of spontaneous responses and conditioning techniques. However, the results were inconsistently interpreted across studies possibly due to methodological and/or species differences. Therefore, we examined the strategies for discrimination of sound sequences in Bengalese finches and humans using the same protocol. Birds were trained on a GO/NOGO task to discriminate between two categories of sound stimulus generated based on an “AAB” (...)
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  5. Vanessa Tabry, Robert J. Zatorre & Patrice Voss (2013). The Influence of Vision on Sound Localization Abilities in Both the Horizontal and Vertical Planes. Frontiers in Psychology 4.score: 24.0
    Numerous recent reports have suggested that individuals deprived of vision are able to develop heightened auditory spatial abilities. However, most such studies have compared the blind to blindfolded sighted individuals, a procedure that might introduce a strong performance bias. Indeed, while blind individuals have had their whole lives to adapt to this condition, sighted individuals might be put at a severe disadvantage when having to localize sounds without visual input. To address this unknown, we compared the sound localization ability (...)
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  6. Mara Miller (forthcoming). Aesthetics as Investigation of Self, Subject, and Ethical Agency Under Trauma in Kawabata's Post-War Novel The Sound of the Mountain. Philosophy and Literature.score: 24.0
    Yasunari Kawabata’s 1952 novel The Sound of the Mountain is widely praised for its aesthetic qualities, from its adaptation of aesthetics from the Tale of Genji, through the beauty of its prose and the patterning of its images, to the references to arts and nature within the text. This article, by contrast, shows that Kawabata uses these features to demonstrate the effects of the mass trauma following the Second World War and the complicated grief it induced, on the psychology (...)
     
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  7. Brian O'Shaughnessy (1957). The Location of Sound. Mind 66 (October):471-490.score: 21.0
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  8. Robert Pasnau (2000). Sensible Qualities: The Case of Sound. Journal of the History of Philosophy 38 (1):27-40.score: 21.0
  9. Scot Gresham-Lancaster (2012). Relationships of Sonification to Music and Sound Art. AI and Society 27 (2):207-212.score: 21.0
    The definition of sonification has been reframed in recent years but remains somewhat in flux; the basic concepts and procedural flows have remained relatively unchanged. Recent definitions have focused on the objective the important uses of sonification in terms of scientific method. The full realization of the potential of the field must also include the craft and art of music composition. The author proposes examining techniques of sonification in a two-order framework: direct and procedural. The impact of new technologies and (...)
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  10. Joseph Margolis (1960). &Quot;nothing Can Be Heard but Sound&Quot;. Analysis 20 (4):82-87.score: 21.0
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  11. James Van Cleve (2006). Touch, Sound, and Things Without the Mind. Metaphilosophy 37 (2):162-182.score: 21.0
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  12. Adam Morton, Space and Sound: A Two Component Theory of Pitch Perception.score: 21.0
    I identify two components in the perception of musical pitches, which make pitch perception more like colour perception than it is usually taken to be. To back up this implausible claim I describe a programme whereby individuals can learn to identify the components in musical tones. I also claim that following this programme can affect one's pitch-recognition capacities.
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  13. Nora M. Alter & Lutz P. Koepnick (eds.) (2004). Sound Matters: Essays on the Acoustics of Modern German Culture. Berghahn Books.score: 21.0
    ... composed by Herms Niel as a Durchhaltefanfare, a fanfare of perseverance, for the German troops that had been surrounded on the Crimea peninsula by ...
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  14. L. D. Goodfellow (1933). An Empirical Comparison of the Various Techniques Used in the Study of the Localization of Sound. Journal of Experimental Psychology 16 (4):598.score: 21.0
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  15. F. L. Wells, C. M. Kelley & G. Murphy (1921). Comparative Simple Reactions to Light and Sound. Journal of Experimental Psychology 4 (1):57.score: 21.0
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  16. Orvis C. Irwin (1948). Infant Speech: Speech Sound Development of Sibling and Only Infants. Journal of Experimental Psychology 38 (5):600.score: 21.0
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  17. G. J. Thomas (1941). Experimental Study of the Influence of Vision on Sound Localization. Journal of Experimental Psychology 28 (2):163.score: 21.0
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  18. H. A. Witkin, S. Wapner & T. Leventhal (1952). Sound Localization with Conflicting Visual and Auditory Cues. Journal of Experimental Psychology 43 (1):58.score: 21.0
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  19. Sejin Yoo & Kyoung-Min Lee (2013). Articulation-Based Sound Perception in Verbal Repetition: A Functional NIRS Study. Frontiers in Human Neuroscience 7.score: 21.0
  20. Mustak Ahmed (2011). Mismatch Brain Response to Speech Sound Changes in Rats. Frontiers in Psychology 2:283.score: 21.0
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  21. D. P. Boder & I. L. Goldman (1942). The Significance of Audible Onset as a Cue for Sound Localization. Journal of Experimental Psychology 30 (3):262.score: 21.0
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  22. Ashton Graybiel & J. I. Niven (1951). The Effect of a Change in Direction of Resultant Force on Sound Localization: The Audiogravic Illusion. Journal of Experimental Psychology 42 (4):227.score: 21.0
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  23. N. H. Kelley & S. N. Reger (1937). The Effect of Binaural Occlusion of the External Auditory Meati on the Sensitivity of the Normal Ear for Bone Conducted Sound. Journal of Experimental Psychology 21 (2):211.score: 21.0
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  24. Frank J. Tolkmitt (1974). Latency of Sound Localization as a Function of Azimuth and Frequency. Journal of Experimental Psychology 103 (2):310.score: 21.0
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  25. H. Wallach (1940). The Role of Head Movements and Vestibular and Visual Cues in Sound Localization. Journal of Experimental Psychology 27 (4):339.score: 21.0
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  26. Felix Weninger, Florian Eyben, Björn W. Schuller, Marcello Mortillaro & Klaus R. Scherer (2013). On the Acoustics of Emotion in Audio: What Speech, Music, and Sound Have in Common. Frontiers in Psychology 4.score: 21.0
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  27. E. G. Wever & C. W. Bray (1936). The Nature of Acoustic Response: The Relation Between Sound Intensity and the Magnitude of Responses in the Cochlea. Journal of Experimental Psychology 19 (2):129.score: 21.0
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  28. E. G. Wever & C. W. Bray (1942). The Stapedius Muscle in Relation to Sound Conduction. Journal of Experimental Psychology 31 (1):35.score: 21.0
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  29. H. B. Carlson (1940). A Simple, Inexpensive, and Portable Apparatus for Demonstrating the 'Phantom' Sound. Journal of Experimental Psychology 27 (3):337.score: 21.0
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  30. Michael Godkewitsch (1972). The Role of Language Habits in Understanding Letter Sound Sequences. Journal of Experimental Psychology 95 (1):63.score: 21.0
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  31. Franklin M. Henry (1948). Discrimination of the Duration of a Sound. Journal of Experimental Psychology 38 (6):734.score: 21.0
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  32. Don Ihde (1976). Listening And Voice: A Phenomenology Of Sound. Ohio University Press.score: 21.0
     
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  33. Inayat Khan (1996). The Mysticism of Sound and Music. Distributed in the United States by Random House.score: 21.0
    Music, according to Sufi teaching, is really a small expression of the overwhelming and perfect harmony of the whole universe--and that is the secret of its amazing power to move us. The Indian Sufi master Hazrat Inayat Khan (1882-1927), the first teacher to bring the Islamic mystical tradition to the West, was an accomplished musician himself. His lucid exposition of music's divine nature has become a modern classic, beloved only by those interested in Sufism but by musicians of all kinds.
     
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  34. D. Lewis & W. H. Lichte (1939). Analysis of a Perceptible Series of Partials in a Vocal Sound. Journal of Experimental Psychology 24 (3):254.score: 21.0
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  35. G. D. Lovell & J. J. B. Morgan (1942). Physiological and Motor Responses to a Regularly Recurring Sound: A Study in Monotony. Journal of Experimental Psychology 30 (6):435.score: 21.0
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  36. C. H. Pearce (1937). Response in the Median Plane Localization of Sound. Journal of Experimental Psychology 20 (2):101.score: 21.0
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  37. Pieter Jan Stallen Anna C. Bolders, Guido P. H. Band (2012). Evaluative Conditioning Induces Changes in Sound Valence. Frontiers in Psychology 3.score: 20.0
    Evaluative Conditioning (EC) has hardly been tested in the auditory domain, but it is a potentially valuable research tool. In Experiment 1 we investigated whether the affective evaluation of short environmental sounds can be changed using affective words as unconditioned stimuli (US). Congruence effects on an affective priming task (APT) for conditioned sounds demonstrated successful EC. Subjective ratings for sounds paired with negative words changed accordingly. In Experiment 2 we investigated whether the acquired valence remains stable after repeated presentation of (...)
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  38. Justin Skirry (2001). Sartre on William Faulkner's Metaphysics of Time in the Sound and the Fury. Sartre Studies International 7 (2):15-43.score: 18.0
    Jean Paul Sartre in his essay, "On 'The Sound and the Fury': Time in the work of Faulkner," states that the technique of the fiction writer always relates back to his metaphysics (OSF 79). Faulkner's clock-based or chronological metaphysics of time found in The Sound and the Fury is the focal point of Sartre's criticism of this work. His main criticism that the novel's metaphysics of time leaves its characters with only pasts and no futures led some Faulkner (...)
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  39. J. Kevin O'Regan & Ned Block (2012). Discussion of J. Kevin O'Regan's “Why Red Doesn't Sound Like a Bell: Understanding the Feel of Consciousness”. Review of Philosophy and Psychology 3 (1):89-108.score: 18.0
    Discussion of J. Kevin O’Regan’s “Why Red Doesn’t Sound Like a Bell: Understanding the Feel of Consciousness” Content Type Journal Article Pages 1-20 DOI 10.1007/s13164-012-0090-7 Authors J. Kevin O’Regan, Laboratoire Psychologie de la Perception, CNRS - Université Paris Descartes, Centre Biomédical des Saints Pères, 45 rue des Sts Pères, 75270 Paris cedex 06, France Ned Block, Departments of Philosophy, Psychology and Center for Neural Science, New York University, 5 Washington Place, New York, NY 10003, USA Journal Review of Philosophy (...)
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  40. Don Ihde (2007). Listening and Voice. Phenomenologies of Sound. Suny Press.score: 18.0
    Listening and Voice is an updated and expanded edition of Don Ihde's groundbreaking 1976 classic in the study of sound.
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  41. Stefano Predelli (2006). The Sound of the Concerto. Against the Invariantist Approach to Musical Ontology. British Journal of Aesthetics 46 (2):144-162.score: 18.0
    According to a popular approach to the ontology of music, the identity conditions for a musical work include the specification of properties of sound, which constrain the class of its correct performances. This essay argues that the resulting invariantist view of the work–performance relation is inadequate and defends a contextualist alternative.
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  42. R. Casati, E. Di Bona & J. Dokic (2013). The Ockhamization of the Event Sources of Sound. Analysis 73 (3):462-466.score: 18.0
    There is one character too many in the triad sound, event source, thing source. As there are neither phenomenological nor metaphysical grounds for distinguishing sounds and sound sources, we propose to identify them.
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  43. David Pugmire (2005). Sound Sentiments: Integrity in the Emotions. Oxford University Press.score: 18.0
    What does it mean for emotion to be well-constituted? What distinguishes good feeling from (just) feeling good? Is there such a distinction at all? The answer to these questions becomes clearer if we realize that for an emotion to be all it seems, it must be responsible as well as responsive to what it is about. It may be that good feeling depends on feeling truly if we are to be really moved, moved in the way that avoids the need (...)
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  44. Nicolas J. Bullot & Paul Égré (2009). Editorial: Objects and Sound Perception. [REVIEW] Review of Philosophy and Psychology 1 (1):5-17.score: 18.0
    Editorial: Objects and Sound Perception Content Type Journal Article Pages 5-17 DOI 10.1007/s13164-009-0006-3 Authors Nicolas J. Bullot, École des Hautes Études en Sciences Sociales Centre de Recherches sur les Arts et le Langage (CRAL/CNRS) 96 Bd Raspail 75006 Paris France Paul Égré, Institut Jean-Nicod (ENS/EHESS/CNRS) Département d’Etudes Cognitives de l’ENS 29 rue d’Ulm 75005 Paris France Journal Review of Philosophy and Psychology Online ISSN 1878-5166 Print ISSN 1878-5158 Journal Volume Volume 1 Journal Issue Volume 1, Number 1.
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  45. P. Kerszberg (1999). The Sound of the Life-World. Continental Philosophy Review 32 (2):169-194.score: 18.0
    Husserl's investigations of internal time-consciousness take sound as the primary temporal object. However, in these investigations, the structure of the flux of temporal subjectivity is established to the detriment of the rich tonal content of sound. Just as Husserl has enlarged the significance of the spatial object of mathematical physics to include the historically-sedimented layers of its appearance, so the temporal object will receive additional intelligibility if the rich texture of musical sound is taken into consideration. Particularly (...)
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  46. M. Kiley-Worthington (1989). Ecological, Ethological, and Ethically Sound Environments for Animals: Toward Symbiosis. Journal of Agricultural and Environmental Ethics 2 (4):323-347.score: 18.0
    There are inconsistencies in the treatment and attitudes of human beings to animals and much confusion in thinking about what are appropriate conditions for using and keeping animals. This article outlines some of these considerations and then proposes guidelines for designing animal management systems. In the first place, the global and local ecological effects of all animal management systems must be considered and an environment designed that will not rock the biospherical boat. The main points to consider are the interrelatedness (...)
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  47. Gregory Fowler (2013). Against the Primary Sound Account of Echoes. Analysis 73 (3):466-473.score: 18.0
    I argue against the Primary Sound Account of Echoes (PSAE) – the view that an echo of a sound just is that sound. I then argue that if my case against PSAE is successful, distal theories of sound are false. The upshot of my arguments, if they succeed, is that distal theories are false. Towards the end, I show how some distal theories can be modified to avoid this conclusion and note some open questions to which (...)
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  48. Steven A. Stegeman (2011). Unfolding Mozi's Standard of Sound Doctrine. Asian Philosophy 21 (3):227 - 239.score: 18.0
    This essay revolves around a careful assessment of Hui-chieh Loy's essay ?Justification and Debate: Thoughts on Moist Moral Epistemology?. There is much to appreciate in Loy's analysis of the standard of sound doctrine in the ?Against Fatalism? chapters of the Mozi, but a close reading of Loy's essay reveals problematic aspects in his approach along both hermeneutic and logical lines. For one, he groups Mozi's tests of the standard of sound doctrine in a way that does not square (...)
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  49. Henk van den Belt & Bart Gremmen (2002). Between Precautionary Principle and “Sound Science”: Distributing the Burdens of Proof. [REVIEW] Journal of Agricultural and Environmental Ethics 15 (1):103-122.score: 18.0
    Opponents of biotechnology ofteninvoke the Precautionary Principle to advancetheir cause, whereas biotech enthusiasts preferto appeal to ``sound science.'' Publicauthorities are still groping for a usefuldefinition. A crucial issue in this debate isthe distribution of the burden of proof amongthe parties favoring and opposing certaintechnological developments. Indeed, the debateon the significance and scope of thePrecautionary Principle can be fruitfullyre-framed as a debate on the proper division ofburdens of proof. In this article, we attemptto arrive at a more refined way of (...)
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  50. Rachele Malavasi, Kalevi Kull & Almo Farina (2014). The Acoustic Codes: How Animal Sign Processes Create Sound-Topes and Consortia Via Conflict Avoidance. [REVIEW] Biosemiotics 7 (1):89-95.score: 18.0
    In this essay we argue for the possibility to describe the co-presence of species in a community as a consortium built by acoustic codes, using mainly the examples of bird choruses. In this particular case, the consortium is maintained via the sound-tope that different bird species create by singing in a chorus. More generally, the formation of acoustic codes as well as cohesive communicative systems (the consortia) can be seen as a result of plastic adaptational behaviour of the specimen (...)
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