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  1. Stefán Snævarr (2011). Art as an Amphibian Creature. Per Nilsson: The Amphibian Stand: A Philosophical Essay Concerning Research Processes in Fine Art. Umeå: H:Ström-Text & Kultur, 2009. 175 Pp. ISBN 978-91-7327-095-. [REVIEW] Nordic Journal of Aesthetics 22 (40-41).
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  2. Stefán Snævarr (2011). Kredda Í Kreppu: Frjálshyggjan Og Móteitrið Við Henni. Heimskringla.
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  3. Stefán Snævarr (2009). Popular Culture. A Reply to Shusterman and Małecki. Nordic Journal of Aesthetics 20 (38).
    The article is a response to criticism of my two recent articles on Richard Shusterman’s view of popular culture by Shusterman and Małecki. The former maintains that I have misrepresented his view on Europe, the USA and popular culture. But I point out that he talks as if there is no popular culture in Europe due to Europe’s aristocratic traditions, and that the USA is a hotbed of popular culture thanks to its egalitarian traditions, and that Europe can be treated (...)
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  4. Stéfan Snævarr (2009). Shusterman on Europe, Entertainment, and Equality. Nordic Journal of Aesthetics 20 (36-37).
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  5. Stefán Snævarr (2007). Pragmatism and Popular Culture: Shusterman, Popular Art, and the Challenge of Visuality. Journal of Aesthetic Education 41 (4):1-11.
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  6. Stefán Snævarr (2006). Emoting and Metaphoring. The Metaphoric Structure of Emotions. SATS 7 (1):175-187.
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  7. Stefan Snævarr (2001). The Mead of the Giant. On Literature and Discourse Ethics. Nordic Journal of Aesthetics 13 (23).
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  8. Stefan Snævarr (1999). Refleksjoner Eller Reflekssoner? Om Estetikk Og Ideologikritikk. Nordic Journal of Aesthetics 11 (18).
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  9. Stefan Snævarr (1996). Minerva and the Muses - A Criticism of Aesthetic Subjectivism. Nordic Journal of Aesthetics 9 (16).
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