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  1. Stefan Koelsch (2013). Striking a Chord in the Brain: Neurophysiological Correlates Of. In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oup Oxford. 227.
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  2. Stefan Schulreich, Yana G. Heussen, Holger Gerhardt, Peter Nc Mohr, Ferdinand C. Binkofski, Stefan Koelsch & Hauke R. Heekeren (2013). Music-Evoked Incidental Happiness Modulates Probability Weighting During Risky Lottery Choices. Frontiers in Psychology 4:981.
    We often make decisions with uncertain consequences. The outcomes of the choices we make are usually not perfectly predictable but probabilistic and the probabilities can be known or unknown. Probability judgments, i.e., the assessment of unknown probabilities can be influenced by evoked emotional states. This suggests that also the weighting of known probabilities in decision making under risk might be influenced by incidental emotions, i.e., emotions unrelated to the judgments and decisions at issue. Probability weighting describes the transformation of probabilities (...)
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  3. Stefan Koelsch (2011). Response to Target Article 'Language, Music, and the Brain: A Resource-Sharing Framework'. In Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.), Language and Music as Cognitive Systems. Oup Oxford. 224.
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  4. Stefan Koelsch (2011). Toward a Neural Basis of Music Perception – A Review and Updated Model. Frontiers in Psychology 2.
    Music perception involves acoustic analysis, auditory memory, auditory scene analysis, processing of interval relations, of musical syntax and semantics, and activation of (pre)motor representations of actions. Moreover, music percep- tion potentially elicits emotions, thus giving rise to the modulation of emotional effector systems such as the subjective feeling system, the autonomic nervous system, the hormonal, and the immune system. Building on a previous article (Koelsch & Siebel, 2005), this review presents an updated model of music percep- tion and its neural (...)
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  5. Stefan Koelsch, Julian Fuermetz, Ulrich Sack, Katrin Bauer, Maximilian Hohenadel, Martin Wiegel, Udo X. Kaisers & Wolfgang Heinke (2011). Effects of Music Listening on Cortisol Levels and Propofol Consumption During Spinal Anesthesia. Frontiers in Psychology 2:58-58.
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  6. Stefan Koelsch, Walter A. Siebel & Thomas Fritz (2011). Functional Neuroimaging. In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oup Oxford.
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  7. Stefan Koelsch (2010). Towards a Neural Basis of Music-Evoked Emotions. Trends in Cognitive Sciences 14 (3):131-137.
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  8. Thomas Fritz & Stefan Koelsch (2008). The Role of Semantic Association and Emotional Contagion for the Induction of Emotion with Music. Behavioral and Brain Sciences 31 (5):579-580.
    We suggest that semantic association may be a further mechanism by which music may elicit emotion. Furthermore, we note that emotional contagion is not always an immediate process requiring little prior information processing; rather, emotional contagion contributing to music processing may constitute a more complex decoding mechanism for information inherent in the music, which may be subject to a time course of activation.
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  9. Stefan Koelsch & Tom Fritz (2007). Musik verstehen–Eine neurowissenschaftliche Perspektive. In Alexander Becker & Matthias Vogel (eds.), Musikalischer Sinn: Beiträge Zu Einer Philosophie der Musik. Suhrkamp. 251.
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  10. Stefan Koelsch & Walter A. Siebel (2005). Processing Structure in Music. Trends in Cognitive Sciences 9 (12):578-584.
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  11. Stefan Koelsch & Walter A. Siebel (2005). Towards a Neural Basis of Music Perception. Trends in Cognitive Sciences 9 (12):578-584.
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