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  1. Stefan Koelsch (2013). Striking a Chord in the Brain: Neurophysiological Correlates Of. In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oup Oxford. 227.
  2. Stefan Koelsch (2011). Response to Target Article 'Language, Music, and the Brain: A Resource-Sharing Framework'. In Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.), Language and Music as Cognitive Systems. Oup Oxford. 224.
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  3. Stefan Koelsch, Walter A. Siebel & Thomas Fritz (2011). Functional Neuroimaging. In Patrik N. Juslin & John Sloboda (eds.), Handbook of Music and Emotion: Theory, Research, Applications. Oup Oxford.
     
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  4. Stefan Koelsch (2010). Towards a Neural Basis of Music-Evoked Emotions. Trends in Cognitive Sciences 14 (3):131-137.
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  5. Thomas Fritz & Stefan Koelsch (2008). The Role of Semantic Association and Emotional Contagion for the Induction of Emotion with Music. Behavioral and Brain Sciences 31 (5):579-580.
    We suggest that semantic association may be a further mechanism by which music may elicit emotion. Furthermore, we note that emotional contagion is not always an immediate process requiring little prior information processing; rather, emotional contagion contributing to music processing may constitute a more complex decoding mechanism for information inherent in the music, which may be subject to a time course of activation.
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  6. Stefan Koelsch & Tom Fritz (2007). Musik verstehen–Eine neurowissenschaftliche Perspektive. In Alexander Becker & Matthias Vogel (eds.), Musikalischer Sinn: Beiträge Zu Einer Philosophie der Musik. Suhrkamp. 251.
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  7. Stefan Koelsch & Walter A. Siebel (2005). Processing Structure in Music. Trends in Cognitive Sciences 9 (12):578-584.
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  8. Stefan Koelsch & Walter A. Siebel (2005). Towards a Neural Basis of Music Perception. Trends in Cognitive Sciences 9 (12):578-584.
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