1. Stefania Bonfiglioli (2008). Agalma: Icone E Simboli Tra Platone E Il Neoplatonismo. Pàtron.
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  2. Stefania Bonfiglioli (2008). Aristotle's Non-Logical Works and the Square of Oppositions in Semiotics. Logica Universalis 2 (1):107-126.
    . This paper aims to highlight some peculiarities of the semiotic square, whose creation is due in particular to Greimas’ works. The starting point is the semiotic notion of complex term, which I regard as one of the main differences between Greimas’ square and Blanché’s hexagon. The remarks on the complex terms make room for a historical survey in Aristotle’s texts, where one can find the philosophical roots of the idea of middle term between two contraries and its relation to (...)
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  3. Stefania Bonfiglioli & Costantino Marmo (2007). Symbolism and Linguistic Semantics. Some Questions (and Confusions) From Late Antique Neoplatonism Up to Eriugena. Vivarium 45 (s 2-3):238-252.
    The notion of 'symbol' in Eriugena's writing is far from clear. It has an ambiguous semantic connection with other terms such as 'signification', 'figure', 'allegory', 'veil', 'agalma', 'form', 'shadow', 'mystery' and so on. This paper aims to explore into the origins of such a semantic ambiguity, already present in the texts of the pseudo-Dionysian corpus which Eriugena translated and commented upon. In the probable Neoplatonic sources of this corpus, the Greek term symbolon shares some aspects of its meaning with other (...)
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