This companion provides original, scholarly, and cutting-edge essays that cover the whole range of Hegel's mature thought and his lasting influence. * A comprehensive guide to one of the most important modern philosophers * Essays are written in an accessible manner and draw on the most up-to-date Hegel research * Contributions are drawn from across the world and from a wide variety of philosophical approaches and traditions * Examines Hegel's influence on a range of thinkers, from Kierkegaard and Marx to (...) Heidegger, Adorno and Derrida * Begins with a chronology of Hegel's life and work and is then split into sections covering topics such as Philosophy of Nature, Aesthetics, and Philosophy of Religion. (shrink)
This companion provides original, scholarly, and cutting-edge essays that cover the whole range of Hegel's mature thought and his lasting influence. * A comprehensive guide to one of the most important modern philosophers * Essays are written in an accessible manner and draw on the most up-to-date Hegel research * Contributions are drawn from across the world and from a wide variety of philosophical approaches and traditions * Examines Hegel's influence on a range of thinkers, from Kierkegaard and Marx to (...) Heidegger, Adorno and Derrida * Begins with a chronology of Hegel's life and work and is then split into sections covering topics such as Philosophy of Nature, Aesthetics, and Philosophy of Religion. (shrink)
This title provides a careful investigation of the key concepts that structure Kant's work. The book is an accessible introduction to Kant, organized into three parts which correspond to the main areas of Kant's transcendental idealism.
With insights for students and specialists alike, "A Companion to Hegel" provides a valuable understanding of the work of a subtle and challenging philosopher ...
This volume focuses on Hegel's philosophy of action in connection to current concerns. Including key papers by Charles Taylor, Alasdair MacIntyre, and John McDowell, as well as eleven especially commissioned contributions by leading scholars in the field, it aims to readdress the dialogue between Hegel and contemporary philosophy of action. Topics include: the nature of action, reasons and causes; explanation and justification of action; social and narrative aspects of agency; the inner and the outer; the relation between intention, planning, and (...) purposeful behaviour; freedom and responsibility; and self-actualisation. This book will appeal alike to Hegel scholars and philosophers of action. List of Contributors: Katerina Deligiorgi, Stephen Houlgate, Dudley Knowles, Arto Laitinen, Alasdair Macintyre, John Mcdowell, Francesca Menegoni, Dean Moyar, Terry Pinkard, Robert B. Pippin, Michael Quante, Constantine Sandis, Hans-Christoph Schmidt Am Busch, Allen Speight, Charles Taylor, Allen W. Wood. (shrink)
G.W.F. Hegel's aesthetics, or philosophy of art, forms part of the extraordinarily rich German aesthetic tradition that stretches from J.J. Winckelmann's Thoughts on the Imitation of the Painting and Sculpture of the Greeks (1755) and G.E. Lessing's Laocoon (1766) through Immanuel Kant's Critique of the Power of Judgment (1790) and Friedrich Schiller's Letters on the Aesthetic Education of Man (1795) to Friedrich Nietzsche's Birth of Tragedy (1872) and (in the twentieth century) Martin Heidegger's The Origin of the Work of Art (...) (1935–6) and T.W. Adorno's Aesthetic Theory (1970). Hegel was influenced in particular by Winckelmann, Kant and Schiller, and his own thesis of the “end of art” (or what has been taken to be that thesis) has itself been the focus of close attention by Heidegger and Adorno. Hegel's philosophy of art is a wide ranging account of beauty in art, the historical development of art, and the individual arts of architecture, sculpture, painting, music and poetry. It contains distinctive and influential analyses of Egyptian art, Greek sculpture, and ancient and modern tragedy, and is regarded by many as one of the greatest aesthetic theories to have been produced since Aristotle's Poetics. (shrink)
In this essay I challenge John McDowell’s controversial claim that “the real topic” of Hegel’s master/slave dialectic is the relation between “two aspects of the consciousness of a single individual.” I first consider McDowell’s interpretation of Kant, and then, by analysing briefly Hegel’s account of self-consciousness prior to the master/slave dialectic, I defend the more traditional view that that dialectic describes the relation between two separate individuals. I also criticize McDowell’s conception of absolute knowing, which, as I understand it, underlies (...) his contention that the master/slave dialectic examines the relation between apperceptive spontaneit y and empirical consciousness within a single self. (shrink)
Brandom's interpretation of Hegel in Tales of the Mighty Dead is subtle, tightly argued and hugely impressive. It takes no account, however, of Hegel's distinctive conception of phenomenology and as a result - for all its subtlety - offers a somewhat distorted picture of Hegel. In the opening chapters of Hegel's Phenomenology we learn that perception is committed as much to the unity of differences as to exclusive difference, that neither perception nor understanding is committed to holism as Brandom understands (...) it, and that the understanding is not governed by the law of non-contradiction but in fact understands the world to be a thoroughly contradictory place. All of this, however, gets lost sight of in Brandom's de re interpretation of Hegel's Phenomenology. (shrink)
In this response, I accept some of McDowell’s criticisms of my presentation of his views in my essay, but argue that his understanding of Hegel (and of Kant) remains problematic. In particular, I claim (a) that he fails to see that, for Kant, intuitional unit y is inseparable from judging; (b) that his understanding of Hegelian absolute knowing is wrong as it stands (though more plausible, if suitably qualified); (c) that he fails to see that self-consciousness aims, not to overcome (...) the specific antithesis between self-consciousness and the empirical world, but to achieve explicit consciousness of itself in its relation to what is other, and that this requires it to relate to another self-consciousness; and (d) that the implications of his idea that Hegel’s account of the life and death struggle and the master/slave relation is “allegorical” remain unclear. (shrink)
Frederick Beiser’s study, Schiller as Philosopher, is a work of outstanding philosophical intelligence and exemplary scholarship. This is good news for the student of Schiller. It is, however, somewhat less good news for the aspiring critic of Beiser—at least for this aspiring critic, for there is little that I disagree with, and a very great deal that I admire, in Beiser’s book. Particularly valuable—to mention just one of the book’s many merits—is Beiser’s subtle and illuminating account of the relation between (...) grace and dignity in Schiller’s text On Grace and Dignity (Uber Anmut und Wurde). Beiser points out that grace and dignity are not different kinds of virtue or disposition for Schiller, but different instances of a single moral virtue—a virtue that finds expression as dignity in tragic circumstances and grace in non-tragic ones. Grace and dignity are thus not at odds with one another, as it has seemed to some, but belong to one and the same Schillerian ideal of humanity. [...]. (shrink)
Hegel's Philosophy of right concerns ideas on justice, moral responsibility, family life, economic activity and the political structure of the state. He shows how human freedom involves living with others in accordance with publicly recognized rights and laws.
Part Two contains the text-in German and English-of the first two chapters of Hegel's Logic, which cover such categories as being, becoming, something, limit, ...
William Desmond maintains that preserving the difference between God and humanity means retaining the transcendent otherness of God. In this article, by contrast, I argue that Hegel is right to maintain that insisting on God’s transcendent otherness actually turns God into a finite divinity and so eliminates the very difference Desmond wishes to retain. The only way to preserve the genuine difference between God and humanity, therefore, is to give up the idea that God is a transcendent other and to (...) understand him to be immanent in humanity itself. I argue that this Hegelian position is closer to the orthodox Christian understanding of God than Desmond allows. (shrink)
In this essay I argue that Hegel’s Philosophy of Nature combines four elements. Hegel develops (1) an a priori account of the logical determinations immanent in and peculiar to nature—determinations that incorporate (but are not reducible to) (2) the determinations set out in the Logic. Hegel then points to (3) the empirical phenomena corresponding to each determination and so proves indirectly that such phenomena are necessary. Finally, he draws attention to (4) those aspects of nature that cannot be explained by (...) nature’s immanent logic and so are contingent. In this way, I argue, Hegel demonstrates a priori that certain natural processes are made necessary by the distinctive logic of nature, but he also recognizes that there are contingencies in nature that only empirical science can discover. (shrink)
The book confirms that, far from being surpassed by nineteenth- and twentieth-century scientific developments, Hegel's philosophy of nature continues to have ...
The aim of this article is to explain why, in Hegel's view, art's history brings it to the point at which it can no longer afford the highest satisfaction of our spiritual needs and so fulfill its own highest calling, and why, nevertheless, we moderns still need art and still need it to create beauty. I argue that Hegel advocates a modern art of beauty because he believes that what has to be given aesthetic expression in the modern world is (...) concrete human freedom and life (ratherthan the abstract, subjective freedom of Romantic irony) and that the aesthetic expression of such concrete human freedom entails beauty. (shrink)
This study of Hegel and Nietzsche evaluates and compares their work through their common criticism of the metaphysics for operating with conceptual oppositions such as being/becoming and egoism/altruism. Dr Houlgate exposes Nietzsche's critique as employing the distinction of Life and Thought, which itself constitutes a metaphysical dualism of the kind Nietzsche attacks. By comparison Hegel is shown to provide a more profound critique of metaphysical dualism by applying his philosophy of the dialectic, which sees such alleged opposites as defining components (...) of a dynamic. In choosing to study a theme so fundamental to both philosophers' work, Houlgate has established a framework within which to evaluate the Hegel-Nietzsche debate; to make the first full study of Nietzsche's view of Hegel's work; and to compare Nietzsche's Dionysic philosophy with Hegel's dialectical philosophy by focusing on tragedy, a subject central to the philosophy of both. (shrink)
