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Profile: Stephen Goldberg (American River College)
  1. Stephen J. Goldberg (2010). The Gestural Imagination: Toward a Phenomenology of Duration in the Art of Chinese Writing. Comparative and Continental Philosophy 1 (2):211-221.
    This essay represents a reflection on the nature of shufa, the Chinese “art of writing,” and its ontological grounding as a continuous, “durational transcription,” of an inscriptional event, producing a phenomenology of “viewing.” This distinguishes it from ordinary writing (xiezi) in which attention is focused on the lexical meaning of the written characters (i.e., an experience of “reading”). Viewing a calligraphic inscription actually unfolding in time (i.e., as a dynamical structure or “temporal object event”), however, raises an interesting theoretical question (...)
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  2. Stephen J. Goldberg (2009). Philosophical Reflection and Visual Art in Traditional China. In David Edward Jones & Ellen R. Klein (eds.), Asian Texts, Asian Contexts: Encounters with Asian Philosophies and Religions. State University of New York Press.
     
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