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  1. Richard Kenneth Atkins, Adam Glover, Katie Terezakis, Whitley Kaufman, Steven Levine, Seth Vannatta, Aaron Massecar, Robert Main & Jerome A. Stone (2012). Front Matter Front Matter (Pp. I-Iv). The Pluralist 7 (2).
     
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  2. Steven Levine (2012). Brandom's Pragmatism. Transactions of the Charles S. Peirce Society 48 (2):125-140.
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  3. Steven Levine (2012). Norms and Habits: Brandom on the Sociality of Action. European Journal of Philosophy 21 (2):n/a-n/a.
    In this paper I argue against Brandom's two-ply theory of action. For Brandom, action is the result of an agent acknowledging a practical commitment and then causally responding to that commitment by acting. Action is social because the content of the commitment upon which one acts is socially conferred in the game of giving and asking for reasons. On my proposal, instead of seeing action as the coupling of a rational capacity to acknowledge commitments and a non-rational capacity to reliably (...)
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  4. Steven Levine (2012). Neo-Kantianism in Contemporary Philosophy (Review). The Pluralist 7 (2):81-85.
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  5. Steven Levine (2012). Review Neo-Kantianism in Contemporary Philosophy Makkreel Rudolf A. Luft Sebastian Indiana UP Bloomington. The Pluralist 7 (2):81-85.
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  6. Steven Levine (2012). Rehabilitating Objectivity. Canadian Journal of Philosophy 40 (4):567-589.
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  7. Steven Levine (2011). Truth and Moral Validity: On Habermas' Domesticated Pragmatism. Constellations 18 (2):244-259.
  8. Steven Levine (2010). Rehabilitating Objectivity: Rorty, Brandom, and the New Pragmatism. Canadian Journal of Philosophy 40 (4):567-589.
    In recent years, a renascent form of pragmatism has developed which argues that a satisfactory pragmatic position must integrate into itself the concepts of truth and objectivity. This New Pragmatism, as Cheryl Misak calls it, is directed primarily against Rorty's neo-pragmatic dismissal of these concepts. For Rorty, the goal of our epistemic practices should not be to achieve an objective view, one that tries to represent things as they are 'in themselves,' but rather to attain a view of things that (...)
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  9. Steven Levine (2009). Desire and Distance. Graduate Faculty Philosophy Journal 30 (2):421-434.
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  10. Steven Levine (2009). Expressivism and I-Beliefs in Brandom's Making It Explicit. International Journal of Philosophical Studies 17 (1):95 – 114.
  11. Steven Levine (2009). Review Essay-Desire and Distance: Introduction to a Phenomenology of Perception-by Renaud Barbaras. Graduate Faculty Philosophy Journal 30 (2):421.
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  12. Steven Levine (2008). Rorty, Davidson, and the New Pragmatists. Philosophical Topics 36 (1):167-192.
  13. Steven Levine (2007). Reflections of Equality by Christoph Menke. Constellations 14 (3):454-457.
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  14. Steven M. Levine (2007). Response to Iain Morrison's "The Intelligible World and the Practical Standpoint". Southwest Philosophy Review 23 (2):37-40.
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  15. Steven M. Levine (2007). Response to Iain Morrison's. Southwest Philosophy Review 23 (2):37-40.
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  16. Steven M. Levine (2007). Sellars' Critical Direct Realism. International Journal of Philosophical Studies 15 (1):53 – 76.
    In this paper, I attempt to demonstrate the structure of Sellars' critical direct realism in the philosophy of perception. This position is original because it attempts to balance two claims that many have thought to be incompatible: (1) that perceptual knowledge is direct, i.e., not inferential, and (2) that perceptual knowledge is irreducibly conceptual. Even though perceptual episodes are not the result of inferences, they must still stand within the space of reasons if they are to be counted not only (...)
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  17. Steven M. Levine (2007). The Place of Picturing in Sellars' Synoptic Vision. Philosophical Forum 38 (3):247–269.
  18. Steven Levine (2002). Heidegger, Language, and World-Disclosure. Graduate Faculty Philosophy Journal 23 (2):245-251.
  19. Steven Levine (2001). Foundations of Hegel's Social Theory. Graduate Faculty Philosophy Journal 23 (1):203-207.
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  20. Steven Z. Levine (1978). Monet, Lumière, and Cinematic Time. Journal of Aesthetics and Art Criticism 36 (4):441-447.
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