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  1. Susan Lape (2014). Festscrift for Ian Storey. (C.W.) Marshall,(G.) Kovacs (Edd.)No Laughing Matter. Studies in athenIan Comedy. Pp. XIV + 208, Ill.London:Bristol Classical Press,2012. Paper, £25. Isbn:978-1-78093-015-2. [REVIEW] The Classical Review 64 (2):367-369.
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  2. Susan Lape (2011). Athenian Foreign Policy (P.) Hunt War, Peace, and Alliance in Demosthenes' Athens. Pp. Xiv + 317. Cambridge: Cambridge University Press, 2010. Cased, £60, US$99. ISBN: 978-0-521-83551-0. [REVIEW] The Classical Review 61 (02):536-537.
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  3. Susan Lape (2011). (D.M.) Macdowell Demosthenes the Orator. Oxford: Oxford University Press, 2009. Pp. X + 457. £75. 9780199287192.(G.) Martin Divine Talk: Religious Argumentation in Demosthenes (Oxford Classical Monographs). Oxford and New York: Oxford University Press, 2009. Pp. Ix + 345. £60. 9780199560226. [REVIEW] Journal of Hellenic Studies 131:215-217.
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  4. Susan Lape (2008). Philosophy (C.) Osborne Dumb Beasts and Dead Philosophers. Humanity and the Humane in Ancient Philosophy and Literature. Oxford: Clarendon Press, 2007. Pp. Xi + 262. £40. 9780199282067. [REVIEW] Journal of Hellenic Studies 128:275-.
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  5. Susan Lape (2006). The Poetics of the K¿Mos-Chorus in Menander's Comedy. American Journal of Philology 127 (1):89-109.
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  6. Susan Lape (2001). Democratic Ideology and The Poetics of Rape in Menandrian Comedy. Classical Antiquity 20 (1):79-119.
    Many of Menander's comedies are structured according to a rape plot pattern in which a young Athenian citizen usually rapes and impregnates a female citizen prior to the opening of the play. In most cases, the rape leads to a happy ending: the marriage of the rapist and victim. This casual treatment of rape is striking because in all other respects Menander's plays are not only scrupulously faithful to Athenian law, they also use Athenian legal and social norms as their (...)
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