Die Ästhetik der Ruinen kennzeichnet eine Lust am Paradoxen. Zwischen Natur und Kultur, Erbauung und Zerstörung, Melancholie und Hoffnung, Vergangenheit und Zukunft erscheinen die Ruinen als Spuren der Zeit im Raum der Gegenwart ihrer ästhetischen Begegnung. Kevin Bücking zeigt, inwiefern die Ästhetik der Ruinen und des Ruinösen in einem besonderen Zusammenspiel aus leiblich-sinnlichen Erfahrungen und begrifflichen Reflexionen besteht. In Auseinandersetzung mit unterschiedlichen ästhetischen Medien wie Malerei, Fotografie, Film, Computerspiel und Virtual Reality wird ersichtlich: Die Faszination an Ruinen und Ruinösem ist (...) als ein atmosphärisches Reflexionsgeschehen zu verstehen. (shrink)

A reconsideration of the first century, before there were chronological centuries, and how it troubles our contemporary boundaries between religion, philosophy, and law.

Centring on human perception, attunement to others, and a transcendent conception of the good, Iris Murdoch's intervention in moral philosophy remains an insightful and evocative source for ethical theory. Discerning some pervasive dualisms that hamper its coherence and development, I suggest that her work finds a generative conversation partner in the contemporary metaphysician, William Desmond. Desmond's thought offers promising avenues to overcome these dualisms by repositioning the source and nature of value and by theorising an anti-reductive, relational ontology. Staging a (...) constructive encounter between these two thinkers that preserves Murdoch's distinct prioritisation of attention and individuality within a Desmond-inspired metaphysics, I present a synthetic ethical approach that promotes the ideal of attending to an other—in the givenness of its particularity, manifold surplus, and constitutive relationality—as good in itself. (shrink)

Environmental ethics would greatly benefit from an adequate metaphysical foundation. In an attempt to demonstrate the value of Whitehead’s metaphysical system as such a foundation, I first discuss five central tenets of his thought. I then compare aspects of his philosophy with Peter Singer’s utilitarianism, Tom Regan’s rights theory, Aldo Leopold’s land ethic, and Spinoza's system in order to indicate how aWhiteheadian approach can solve the difficulties of the other views as currently developed, and provide the basis for an environmental (...) ethics which values individual entities in themselves and in their connectedness in a purposive natural order. (shrink)

Since the 1980s, there has been a steady growth of interest in the psychological mechanisms that regulate normal emotional experience. In this same period, cognitive-experimental researchers have sought to delineate the information processing biases that characterize emotional disorders. Exciting potential synergies exist between these two areas of investigation. In this article, we consider ways in which reciprocal benefits could be gained by the constructive transfer of theoretical ideas and methodological approaches between emotion regulation researchers and cognitive-experimental investigators. We also discuss (...) how recent innovations within each field can profitably impact upon progress within the other. It is concluded that the overlap in conceptual constructs, and the convergence of complementary investigative techniques, between these two research domains, provide opportunities for creative synthesis that could significantly enrich understanding of normal and abnormal emotion across future years. (shrink)

Drawing conceptually and directly on music notation, this book investigates landscape architecture's inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. It makes available to a wider landscape architecture and urban design audience the works of three influential composers - Morton Feldman, Gyorgy Ligeti and Michael Finnissy - presenting a critical evaluation of their (...) work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields. (shrink)

Explores the benefits and consequences of archaeological theorizing on and interpretation of the social agency of nonhumans as relational beings capable of producing change in the world. Cross-examines traditional understanding of agency and personhood, presenting a globally diverse set of case studies that cover a range of cultural, geographical, and historical contexts"--Provided by publisher.

Book Information Music In The Moment. By Jerrold Levinson. Cornell University Press. Ithaca. 1997. Pp. 175. Hardback.

Book Information Musical Worlds: New Directions in the\nPhilosophy of Music. Edited by Philip Alperson.\nPennsylvania State University Press. University Park. 1998.\nPp. 188. Paperback.

Dieser Band fragt nach Gemeinsamkeiten und Unterschieden zwischen Phänomenologie und Pädagogik in historischer, systematischer, praktischer und methodologischer Hinsicht. Er bietet eine strukturierte Zusammenstellung und Auswertung traditioneller und aktueller Ansätze im deutschsprachigen und internationalen Diskurs der phänomenologischen Erziehungswissenschaft. Das Verhältnis von Pädagogik und Phänomenologie wird in phänomenologischen Beschreibungen und Analysen pädagogischer Phänomene, in historischen und systematischen Untersuchungen, in Studien zum schulischen Lernen und Erziehen sowie zur phänomenologischen Forschungspraxis diskutiert und veranschaulicht.

Much of the discourse surrounding plagiarism is one of fear—a fear of being caught and punished, but many plagiarism examples happen unintentionally as students struggle with a new language, new ideas, and new communities in tertiary education. Specifically, many students are challenged with the task of writing a research paper, which involves finding academic sources, reading those sources to answer a research question, and integrating direct quotations and paraphrasing. Because novice writers often struggle with these skills, what is a developmental (...) stage is instead interpreted as plagiarism. Much of the discussion of plagiarism involves implicit and explicit definitions of ownership, but there is little research about how students understand the concept of ownership in relation to ideas and language. In this qualitative study, we present data from 18 international students at an American-style university in the Middle East who write an introductory research paper as part of a composition course. Results show that perceptions of plagiarism changed in relation to owning ideas, owning language, and owning time spent on the research process and that distinguishing these boundaries is often difficult for students even within their own final research papers. We suggest teaching more robust note-taking strategies, discussing ownership in terms of a writer’s choices in guiding readers through the paper, and creating an environment where students can understand the complexities of plagiarism rather than simply fearing being caught. (shrink)

How can we, as individuals and as members of religious, educational, and/ or social institutions, more adequately respond to the crises of sexual abuse that have come to light in recent years? This paper will address this question through the philosophical lens of Paul Ricoeur. The argument proposed here is that through Ricoeur’s hermeneutics of testimony, responsibility, and recognition, we can begin to approach, address, and evaluate the crises of sexual abuse we face by grounding our ethical reflections, and actions, (...) within a more robust philosophical framework. Therefore, this paper will proceed as follows. The first three sections will investigate Ricoeur’s writings in order to glean from them three distinct hermeneutical approaches to three different sets of criteria at play in contemporary crises of sexual abuse: first, a hermeneutics of testimony, related to memory and history; second, a hermeneutics of responsibility, related to authority and justice; and, finally, a hermeneutics of recognition, related to forgiveness and forgetting. Insofar as each of these hermeneutical approaches offers us some insight into the problematics underlying crises of sexual abuse, the fourth section will offer an evaluation of these approaches by focusing on the specific case of the sexual abuse crisis in the Catholic Church. The final section will consider possible avenues for resolution of these crises through Ricoeur’s notion of exceptional “states of peace,” at the heart of which lies mutual recognition. My hope is that this contribution provides new avenues for conversation and deliberation, as well as new resources and frameworks for articulating and implementing responsible action in the face of sexual abuse. (shrink)

Dieser Beitrag thematisiert und problematisiert den Einsatz von Augmented-Reality-Technologie in pädagogischen Kontexten. Ausgehend von Husserls Überlegungen zur passiven Synthesis und Merleau-Ponty’s Anmerkungen zur allgemeinen Synästhesie leiblicher Erfahrungen fragen die Autoren nach den Implikationen des Einsatzes von AR. Es werden drei Einwände vorgebracht, die diesen problematisch werden lassen: 1) das Problem der künstlichen Transformation von Umwelt, 2) das Problem der leiblichen Wahrnehmung durch Bevorzugung visueller Eindrücke und 3) die Unterdrückung emergenter Zugänge zu Welt zugunsten einer präformierten Aufmerksamkeitsstrukturierung. Vorbehalte für pädagogische Anwendungen (...) ergeben sich dann aus der limierten Responsivität, der Fixiertheit des Lerngegenstands und dem Vorrang der Medialisierung vor der Auseinandersetzung mit dem Gegenstand, wie unter Bezug auf die phänomenologische Theorie des Lernens und der Negativität deutlich wird. (shrink)

The combination problem is still one of the hardest problems for a panexperientialist ontology. Prominently, among others, Philip Goff wrote two papers in 2009 arguing that panexperientialists cannot get around the combination problem. We will argue that Goff 's attack is only relevant if parsimony is the only methodological principle for evaluating and comparing ontologies. Our second approach will sketch a version of panexperientialism for which the combination problem does not arise at all. Panexperiential holism is the theory that the (...) universe as a whole is one big experiential matter of fact. What we normally believe to be independent centres of conscious subjectivity are merely long-lived structural features of this big experience. The notion of 'personal identity' entailed by panexperiential holism is essentially vague and may lead us into something like Derek Parfit's relation R . Therefore, persons are not merely series of experiences, but exemplify the common denominator of these experiences. In this sense, a person is what has experiences, or the subject of experiences. We will argue that this concept fits nicely into some frameworks of personal identity put forth by Peter Simons and Godehard Brüntrup. (shrink)

An English reconstruction and analysis of Benjamin's Passagen-Werk.