Search results for 'Symbolism in art Congresses' (try it on Scholar)

  1.  5
    James A. Leith & George Whalley (eds.) (1987). Symbols in Life and Art: The Royal Society of Canada Symposium in Memory of George Whalley. Published for the Royal Society of Canada by Mcgill-Queen's University Press.
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  2.  9
    Meredith Tromble (2009). The Advent of Chemical Symbolism in the Art of Sonya Rapoport. Foundations of Chemistry 11 (1):51-60.
    This paper explores the use of chemical symbolism in works by the new media artist Sonya Rapoport, with a focus on the pivotal Cobalt series from the late 1970s. These works, drawings on computer printouts generated by research at the Lawrence Berkeley Laboratory, respond to experiments in nuclear chemistry. They mark the beginning of three productive decades in which Rapoport produced a variety of images related to chemistry in her work. She states, “I looked for authentic research projects that (...)
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  3. Charles Thomas Taylor (2007). Symbolism in Religion and Art. Upa.
    All of Charles Thomas Taylor's previous writings have attempted to reveal the universal rational foundation that undergirds all of the various ethical, political, and economic systems that best nurture human existence. With a latent recognition that the presence of symbolism in other areas of human concern, such as in religion or the fine arts, essentially communicates ethical value, Taylor presents his new book to consider the current relevance or irrelevance of religion and art for the ethical life.
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  4.  13
    P. J. Hughesdon (1920). Phenomenal Symbolism in Art. Mind 29 (114):186-206.
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  5.  5
    Louis Arnaud Reid (1961). Symbolism in Art. British Journal of Aesthetics 1 (3):185-191.
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  6.  5
    Asit K. Haldar (1950). Symbolism in Indian Art and Religion. Journal of Aesthetics and Art Criticism 9 (2):124-127.
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  7.  16
    W. R. Halliday (1926). Life Symbols as Related to Sex Symbolism. By Elizabeth E. Goldsmith, Author of Sacred Symbols in Art, and Toby: The Story of a Dog. One Vol. Pp. Xxviii + 455 ; 46 Plates, 108 Figures in Text. New York and London : G. P. Putnam's Sons, 1924. [REVIEW] The Classical Review 40 (01):41-.
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  8.  1
    E. H. S. & C. A. S. Williams (1962). Encyclopedia of Chinese Symbolism and Art Motives: An Alphabetical Compendium of Legends and Beliefs as Reflected in the Manners and Customs of the Chinese Throughout History. Journal of the American Oriental Society 82 (1):140.
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  9.  3
    Jane Duran (1990). The "Nagaraja": Symbol and Symbolism in Hindu Art and Iconography. Journal of Aesthetic Education 24 (2):37.
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  10. Paul Kattukaran (1993). Earth Alive in Art and Symbolism. Journal of Dharma 18 (1):71-84.
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  11. Janet M. MacDonald (1923). The Uses of Symbolism in Greek Art. Journal of Hellenic Studies 43:216.
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  12. C. Levi-Strauss (1954). Reviews : The Art of Deciphering Symbols (in Four Lessons, to Be Followed or Not to Be Followed): Soogwilis, a Collection of Kwakiutl Indian Designs and Legends by R. Geddes/ Large Toronto: The Ryerson Press, I95i. Pp. 87 and 33 Coloured Plates by Charlie George. /The Lost Language of Symbolism by Harold Bayley N.E., London: William and Norgate, I952. 2 Vols. Pp. IX-375 and Pp. VIII-3,888, I,4i8 Illustrations. / The Cinderella Cycle by Anna Birgitta Rooth Lund: C. W. K. Gleerup, I95i. Pp. 269 and XVI Inserted Recapitulated Pictures. The Life-Giving Myth by A. M. Hocart Edited, with Introduction by Lord Raglan. London: Methuen and Co., I952. Pp. 252. [REVIEW] Diogenes 2 (5):101-108.
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  13. W. J. De Burgh (1943). Susanne K. Langer, Philosophy in a New Key: A Study in the Symbolism, Rite and Art. [REVIEW] Hibbert Journal 42:183.
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  14. R. D. (1957). Philosophy in a New Key: A Study in the Symbolism of Reason, Rite and Art. [REVIEW] Review of Metaphysics 11 (1):165-165.
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  15. Garvin Garvin (1943). Langer's Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art. [REVIEW] Philosophy and Phenomenological Research 4:565.
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  16. Moshe Barasch (1996). Language of Art Studies in Interpretation.
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  17.  19
    Dee Reynolds (1995). Symbolist Aesthetics and Early Abstract Art: Sites of Imaginary Space. Cambridge University Press.
    This book presents an innovative analysis of the role of imagination as a central concept in both literary and art criticism. Dee Reynolds brings this approach to bear on works by Rimbaud, Mallarme;, Kandinsky, and Mondrian. It allows her to redefine the relationship between Symbolism and abstract art, and to contribute new methodological perspectives to comparative studies of poetry and painting. The late nineteenth and early twentieth century was a crucial period in the emergence of new modes of representation, (...)
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  18. John W. Dixon (1964). Nature and Grace in Art. Chapel Hill, University of North Carolina Press.
     
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  19. Eric Newton & William Neil (1966). The Christian Faith in Art. Hodder & Stoughton.
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  20.  3
    Jay Appleton (1992). The Symbolism of Habitat: An Interpretation of Landscape in the Arts. Journal of Aesthetics and Art Criticism 50 (1):79-80.
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  21.  27
    James West (1995). Art as Cognition in Russian Neo-Kantianism. Studies in East European Thought 47 (3-4):195 - 223.
  22.  5
    Rodica Frentiu (2014). Religious Art and Meditative Contemplation in Japanese Calligraphy and Byzantine Iconography. Journal for the Study of Religions and Ideologies 13 (38):110-136.
    Far Eastern calligraphy has always been regarded by the Occident as an “esoteric” issue, laden with a peculiar “mysticism,” which presents spiritual and philosophical aspects too outlandish to truly comprehend. That is probably the reason why calligraphy was amongst the last artistic “disciplines” to gain access to the international world of the arts. This study focuses on Japanese calligraphy as a visual and verbal image, conducting a hermeneutic investigation into the nature and function of this type of image, into the (...)
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  23.  6
    Victor V. Bychkov (2012). On the Question of Contemporary Symbolization in Art. Russian Studies in Philosophy 51 (1):88-98.
    The present text is Letter No. 187 written for the Trialogue Project, whose first volume, containing 170 letters, was published in Moscow in 2012., Addressed to Nadežda B. Mankovskaya and Vladimir V. Ivanov, the letter uncovers the chief line of the artistic symbolism in a monumental film tetralogy by Aleksandr Sokurov, a famous Russian filmmaker. The author shows how through the artistic interpretation of such historical personalities as Lenin, Hitler, and Japanese emperor Hirohito as well as such cultural-mythological characters (...)
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  24.  2
    Robert Greer Cohn (1975). Modes of Art. Anma Libri.
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  25. Mala Gitlin Betensky (1995). What Do You See?: Phenomenology of Therapeutic Art Expression. Jessica Kingsley.
     
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  26. Simona Cohen (2008). Animals as Disguised Symbols in Renaissance Art. Brill.
    The tenacity of medieval animal iconography in the Renaissance, disguised under the veil of genre, narrative and allegory, is demonstrated in this book. A comprehensive introduction to sources precedes case studies illustrating traditional animal symbolism in Renaissance masterpieces.
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  27. Vivian Rehberg (2012). The Symbol Gives Rise to Thought: Writings on Art by Marina Warner. Violette Editions.
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  28. Padma Sudhi (1988). Symbols of Art, Religion, and Philosophy. Intellectual Pub. House.
     
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  29.  4
    James D. West (1970). Russian Symbolism. London,Methuen.
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  30.  8
    Eric R. Kandel (2011). The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain: From Vienna 1900 to the Present. Random House.
    A psychoanalytic psychology and art of unconscious emotion -- An inward turn : Vienna 1900 -- Exploring the truths hidden beneath the surface : origins of a scientific medicine -- Viennese artists, writers, and scientists meet in the Zuckerkandl Salon -- Exploring the brain beneath the skull : origins of a scientific psychiatry -- Exploring mind together with the brain : the development of a brain-based psychology -- Exploring mind apart from the brain : origins of a dynamic psychology -- (...)
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  31.  8
    Frederik le Roy (ed.) (2011). Tickle Your Catastrophe!: Imagining Catastrophe in Art, Architecture and Philosophy. Academia Press.
    A collection of essays that takes stock of the current impact of the image and imagination of the catastrophe in art, science and philosophy.
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  32.  31
    Charles Bernheimer (2002). Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin De Siècle in Europe. Johns Hopkins University Press.
    Charles Bernheimer described decadence as a "stimulant that bends thought out of shape, deforming traditional conceptual molds." In this posthumously published work, Bernheimer succeeds in making a critical concept out of this perennially fashionable, rarely understood term. Decadent Subjects is a coherent and moving picture of fin de siècle decadence. Mature, ironic, iconoclastic, and thoughtful, this remarkable collection of essays shows the contradictions of the phenomenon, which is both a condition and a state of mind. In seeking to show why (...)
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  33. Mary Sanders Pollock & Catherine Rainwater (eds.) (2005). Figuring Animals: Essays on Animal Images in Art, Literature, Philosophy, and Popular Culture. Palgrave Macmillan.
    Figuring Animals is a collection of fifteen essays concerning the representation of animals in literature, the visual arts, philosophy, and cultural practice. At the turn of the new century, it is helpful to reconsider our inherited understandings of the species, some of which are still useful to us. It is also important to look ahead to new understandings and new dialogue, which may contribute to the survival of us all. The contributors to this volume participate in this dialogue in a (...)
     
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  34.  7
    Thomas Munro (1956). Suggestion and Symbolism in the Arts. Journal of Aesthetics and Art Criticism 15 (2):152-180.
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  35. Joseph Warren Beach (1961). Obsessive Images: Symbolism in the Poetry of the 1930's and 1940's. Journal of Aesthetics and Art Criticism 20 (1):105-106.
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  36. Robert A. Hall (1964). Cultural Symbolism in Literature. Journal of Aesthetics and Art Criticism 22 (3):344-345.
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  37.  15
    Claudia Baracchi (2013). Paul Klee: Trees and the Art of Life. Research in Phenomenology 43 (3):340-365.
    The artist understands his work as intimately connected with the life and symbolism of plants. Art, thus, demands an attunement to life’s elemental operations, the thrust “into dimensions far removed from the conscious process.” The first part of the present essay aims at recovering what is implied in the imagery of trees, delving into ancient archives of dormant collective memories and immemorial imaginal stratifications. The second and third parts, deploying the re-energized figure of the tree, explore the theme of (...)
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  38. Gustav Roth (ed.) (2009). Stupa: Cult and Symbolism. Aditya Prakashan.
     
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  39.  13
    Susanne K. Langer (1955). Feeling and Form; a Theory of Art Developed From Philosphy in a New Key. Journal of Philosophy 52 (11):291-296.
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  40. P. B. Medawar & Julian H. Shelley (eds.) (1980). Structure in Science and Art: Proceedings of the Third C. H. Boehringer Sohn Symposium Held at Kronberg, Taunus, 2nd-5th May 1979. [REVIEW] Sole Distributors for the Usa and Canada, Elsevier North-Holland.
  41.  3
    Ike Kamphof (forthcoming). A Modest Art: Securing Privacy in Technologically Mediated Homecare. Foundations of Science:1-9.
    This article addresses the art of living in a technological culture as the active engagement with technomoral change. It argues that this engagement does not just take the form of overt deliberation. It shows in more modest ways as reflection-in-action, an experimental process in which new technology is fitted into existing practices. In this process challenged values are re-articulated in pragmatic solutions to the problem of working with new technology. This art of working with technology is also modest in the (...)
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  42. A. A. Fedorov (2014). “The Silver Age”, the Crisis of Humanism, the Heritage of F. M. Dostoevsky's Art and Russian Symbolism. Liberal Arts in Russiaроссийский Гуманитарный Журналrossijskij Gumanitarnyj Žurnalrossijskij Gumanitaryj Zhurnalrossiiskii Gumanitarnyi Zhurnal 3 (4):246.
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  43. David Freedberg & Jan De Vries (1991). Art in History, History in Art Studies in Seventeenth- Century Dutch Culture. Monograph Collection (Matt - Pseudo).
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  44. E. H. Gombrich (1994). Ideals & Idols Essays on Values in History and in Art.
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  45.  8
    Iain Boyd Whyte (ed.) (2010). Beyond the Finite: The Sublime in Art and Science. Oxford University Press.
    Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tackles that challenge.
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  46.  23
    Martin Kemp, Erwin Panofsky & Christopher S. Wood (1994). The Science of Art: Optical Themes in Western Art From Brunelleschi to Seurat. Journal of Aesthetics and Art Criticism 52 (2):243-245.
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  47. C. E. Emmer (2008). Crowther and the Kantian Sublime in Art. In Valerio Rohden, Ricardo R. Terra & Guido A. de Almeida (eds.), Recht und Frieden in der Philosophie Kants: Akten des X. Internationalen Kant-Kongresses [Right and Peace in Kant's Philosophy: Proceedings of the 10th International Kant Congress] 5 vols. Walter de Gruyter
    Paul Crowther, in his book, The Kantian Sublime (1989), works to reconstruct Kant's aesthetics in order to make its continued relevance to contemporary aesthetic concerns more visible. The present article remains within the area of Crowther's "cognitive" sublime, to show that there is much space for expanding upon Kantian varieties of the sublime, particularly in art.
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  48.  15
    Matthew Lipman (1967). What Happens in Art. New York, Appleton-Century-Crofts.
    Subsequently presented is a more detailed consideration of the notion of process , for we cannot understand what happens in art as a process unless we are ...
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  49. George C. Schuetze (2005). Convergences in Music and Art: A Bibliographic Study. Harmonie Park Press.
    Artists inspired by music and musicians -- Composers inspired by art and artists -- Twin talents : artist-musicians and musician-artists -- Musicians pose for the artists : a history of portrait iconography.
     
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  50. Wessel Stoker & W. van der Merwe (eds.) (2012). Looking Beyond?: Shifting Views of Transcendence in Philosophy, Theology, Art, and Politics. Rodopi.
    Philosophy : historical approaches -- Contemporary philosophy -- Philosophical theology -- Christian theology -- Politics -- Art.
     
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