Exploring the Illusion of Free Will and Moral Responsibility is an edited collection of new essays by an internationally recognized line-up of contributors. It is aimed at readers who wish to explore the philosophical and scientific arguments for free will skepticism and their implications.

The world appears to conscious creatures in terms of experienced sensory qualities, but science doesn't find sensory experience in that world, only physical objects and properties. I argue that the failure to locate consciousness in the world is a function of our necessarily representational relation to reality as knowers: we won't discover the terms in which reality is represented by us in the world as it appears in those terms. Qualia -- arguably a type of representational content -- will therefore (...) not be found in the physical world as characterized in experience or science. Instead, consciousness constitutes a subjective, representational reality for cognitive systems such as ourselves, and the physical world is a represented objective reality. I suggest that naturalistic approaches to explaining consciousness should acknowledge the non-objectivity of experience, and be constrained by evidence that consciousness accompanies certain sorts of behaviour-controlling representational functions carried out by complex, physically instantiated mind-systems. I evaluate a variety of current hypotheses about consciousness, and suggest that a mature science of representation may help explain why, perhaps as matter of representational necessity, experience arises as a natural but not objectively discoverable phenomenon. (shrink)

In Freedom: An Impossible Reality, Ray Tallis argues that we escape imprisonment by causal determinism, and thus gain free will, by the virtual distance from natural laws afforded us by intentionality, a human capacity that he claims cannot be naturalized. I respond that we can’t know in advance that intentionality will never be subsumed by science, and that our capacities to entertain possibilities and decide among them are natural cognitive endowments that supervene on generally reliable neural processes. Moreover, any disconnection (...) from the multi-level determinants that account for human behavior cannot augment, but would likely undermine, effective human agency. Our full inclusion in nature, understood in terms of a pragmatic, explanatory determinism, is therefore not a prison from which we need to escape. (shrink)

It is not intended as some sort of revelation on my part that Greenberg's cultural theory was originally Marxist in its stresses and, indeed in its attitude to what constituted explanation in such matters. I point out the Marxist and historical mode of proceeding as emphatically as I do partly because it may make my own procedure later in this paper seem a little less arbitrary. For I shall fall to arguing in the end with these essay's Marxism and their (...) history, and I want it understood that I think that to do so is to take issue with their strengths and their main drift.But I have to admit there are difficulties here. The essays in question ["Avant-Garde and Kitsch" and "Towards a Newer Lacoön"] are quite brief. They are, I think, extremely well written: it was not for nothing the Partisan Review described Clement Greenberg, when he first contributed to the journal early in 1939, as "a young writer who works in the New York customs house"—fine, redolent avant-garde pedigree, that! The language of these articles is forceful and easy, always straightforward, blessedly free from Marxist conundrums. Yet the price paid for such lucidity, here as so often, is a degree of inexplicitness—certain amount of elegant skirting round the difficult issues, where one might otherwise be obliged to call out the ponderous armory of Marx's concepts and somewhat spoil the low of the prose from one firm statement to another. The Marxism, in other words, is quite largely implicit; it is stated on occasion, with brittle and pugnacious finality, as the essay's frame of reference, but it remains to the reader to determine just how it works in the history and theory presented—what that history and theory depend on, in the way of Marxist assumptions about class and capital or even abase and superstructure. That is what I intend to do in this paper: to interpret and extrapolate from the texts, even at the risk of making their Marxism declare itself more stridently than the "young writer" seems to have wished. And I should admit straight away that there are several point in what follows where I am genuinely uncertain as to whether I am diverging from Greenberg's argument or explaining it more fully. This does not worry me overmuch, as long as we are alerted to the special danger in this case, dealing with such transparent yet guarded prose, and as long as we can agree that the project in general—pressing home a Marxist reading of texts which situate themselves within the Marxist tradition—is a reasonable one.22. This carelessness distinguishes the present paper from two recent studies of Greenberg's early writings, Serge Guilbaut's "The New Adventures of the Avant-Garde in America," October 15 , and Fred Orton and Griselda Pollock's "Avant-Gardes and Partisans Reviewed," Art History 3 I am indebted to both these essays and am sure that their strictures on the superficiality—not to say the opportunism–of Greenberg's Marxism are largely right. But I am nonetheless interested in the challenge offered to most Marxist, and non-Marxist, accounts of modern history by what I take to be a justified though extreme, pessimism as t the nature of established culture since 1870. That pessimism is characteristic, I suppose, of what Marxists call an ultraleftist point of view. I believe, as I say, that a version of some such view is correct and would therefore with to treat Greenberg's theory as if it were a decently elaborated Marxism of an ultraleftist kind, on which issues in certain mistaken views but which need not so issue and which might still provide, cleansed of those errors, a good vantage for a history of our culture.T. J. Clark, professor of fine arts at Harvard University, is the author of The Absolute Bourgeois: Artists and Politics in France, 1848-1851 and Image of the People: Gustave Courbet and the 1848 Revolution. His book on impressionist painting and Paris is forthcoming. (shrink)

This paper critiques the view that consciousness is likely something extra which accompanies or is produced by neural states, something beyond the functional cognitive processes realized in the brain. Such a view creates the `explanatory gap'between function and nomenology which many suppose cannot be filled by functionalist theories of mind. Given methodological considerations of simplicity, ontological parsimony, and theoretical conservatism, an alternative hypothesis is recommended, that subjective qualitative experience is identical to certain information-bearing, behaviour-controlling functions, not something which emerges from (...) them. This hypothesis explains the isomorphism between the structure of experience and neural organization, while providing a naturalistic account of qualiait's relational properties of informational states, not a sparate ontology of phenomenal essences. On this functionalist view, the hard, empirical problem of consciousness is to discover precisely which neural functions constitute subjective experience. (shrink)

The words quoted above distill the common secular conception of death. If we decline the traditional religious reassurances of an afterlife, or their fuzzy new age equivalents, and instead take the hard-boiled and thoroughly modern materialist view of death, then we likely end up with Gonzalez-Cruzzi. Rejecting visions of reunions with loved ones or of crossing over into the light, we anticipate the opposite: darkness, silence, an engulfing emptiness. But we would be wrong.

The Treatment Escalation Plan (TEP) was introduced into our trust in an attempt to improve patient involvement and experience of their treatment in hospital and to embrace and clarify a wider remit of treatment options than the Do Not Resuscitate (DNR) order currently offers. Our experience suggests that the patient and family are rarely engaged in DNR discussions. This is acutely relevant considering that the Mental Capacity Act (MCA) now obliges these discussions to take place. The TEP is a form (...) that the doctor completes, ideally with the competent patient or close relative, documenting what treatment options would be appropriate if that patient were to become acutely unwell. Ventilation of the lungs, cardiac resuscitation, renal replacement therapy, intravenous fluids and antibiotics are all discussed. The study evaluated patient and relative experiences with the TEP. 55 patients or their relatives were interviewed regarding their experience of the TEP and thoughts regarding the process. 96% of patients and relatives evaluated thought that the TEP was a good idea. Free text comments were all positive and only 34% of patients claimed to feel anxious when completing the form. Following this study, the TEP has been expanded hospital wide and into the community within our trust. Discussions are currently taking place in hospitals within our region to introduce the TEP form into other local trusts. (shrink)

Phenomenal consciousness is often thought to involve a first-person perspective or point of view which makes available to the subject categorically private, first-person facts about experience, facts that are irreducible to third-person physical, functional, or representational facts. This paper seeks to show that on a representational account of consciousness, we don't have an observational perspective on experience that gives access to such facts, although our representational limitations and the phenomenal structure of consciousness make it strongly seem that we do. Qualia (...) seem intrinsic and functionally arbitrary, and thus categorically private, because they are first-order sensory representations that are not themselves directly represented. Further, the representational architecture that on this account instantiates conscious subjectivity helps to generate the intuition of observerhood, since the phenomenal subject may be construed as outside, not within, experience. Once the seemings of private phenomenal facts and the observing subject are discounted, we can understand consciousness as a certain variety of neurally instantiated, behaviour controlling content, that constituted by an integrated representation of the organism in the world. Neuroscientific research suggests that consciousness and its characteristic behavioural capacities are supported by widely distributed but highly integrated neural processes involving communication between multiple functional sub- systems in the brain. This 'global workspace' may be the brain's physical realization of the representational architecture that constitutes consciousness. (shrink)

The brain disease model of addiction is widely endorsed by agencies concerned with treating behavioral disorders and combatting the stigma often associated with addiction. However, both its accuracy and its effectiveness in reducing stigma have been challenged. A proposed alternative, the “choice” model, recognizes the residual rational behavior control capacities of addicted individuals and their ability to make choices, some of which may cause harm. Since harmful choices are ordinarily perceived as blameworthy, the choice model may inadvertently help justify stigma. (...) This paper seeks to fully naturalize the choice model by highlighting the determinants of voluntary action and thus increase its potential for destigmatizing addiction. In light of a deterministic understanding of behavior, it is unreasonable to suppose that addicted individuals could have made different choices in becoming addicted and in subsequent situations. To the extent that stigma is motivated by the supposition that addicted individuals could have chosen otherwise in actual situations, a deterministic understanding of addictive behavior promises to mitigate blame and stigma. (shrink)

This article reviews contributions to The Volitional Brain, some of which defend a libertarian, contra-causal account of free will, while others take a so-called compatibilist view, in which adequate conceptions of human liberty and moral responsibility are claimed to be compatible with naturalistic causality. Siding with compatibilism, this review finds that defenders of libertarian free will place undue weight on the first person feeling of freedom, while discounting scientific evidence that human choices are fully a function of antecedent causes at (...) various levels of description. It is argued that morality, justice, and personal responsibility and efficacy do not require the assumption that persons are first causes, so that we need not fear mechanism when applied to human agency. (shrink)

REMARKS ON EVOLUTION AND TIME-SCALES, Graham Cairns-Smith; HODGSON'S BLACK BOX, Thomas Clark; DO HODGSON'S PROPOSITIONS UNIQUELY CHARACTERIZE FREE WILL?, Ravi Gomatam; WHAT SHOULD WE RETAIN FROM A PLAIN PERSON'S CONCEPT OF FREE WILL?, Gilberto Gomes; ISOLATING DISPARATE CHALLENGES TO HODGSON'S ACCOUNT OF FREE WILL, Liberty Jaswal; FREE AGENCY AND LAWS OF NATURE, Robert Kane; SCIENCE VERSUS REALIZATION OF VALUE, NOT DETERMINISM VERSUS CHOICE, Nicholas Maxwell; COMMENTS ON HODGSON, J.J.C. Smart; THE VIEW FROM WITHIN, Sean Spence; COMMENTARY ON HODGSON, Henry Stapp.

The influence of Heidegger's on current thought has been pervasive. In reaction to Enlightenment ideas, he presents a view of the modern world as destructive of nature, community, tradition, individuality, and more. His writings have influenced such central social and literary thinkers as Derrida and Foucault. This volume is the first thorough introduction to his work on language and literature. Heidegger's reputation for being difficult has scared off many who would have otherwise profited from a knowledge of his work. This (...) guide is written with these people in mind. It is "student-friendly" and presents Heidegger's ideas in a clear and comprehensible manner. Understanding Heidegger is essential for anyone who wants to understand current literary theory, and this guide is essential for anyone seeking to understand Heidegger. (shrink)

Since the publication of his mammoth work, _Being and Time_, Martin Heidegger has remained one of the most influential figures in contemporary thought, and is a key influence for modern literary and cultural theory. This guidebook provides an ideal entry-point for readers new to Heidegger, outlining such issues and concepts as: the limits of 'theory' the history of being the origin of the work of art language the literary work poetry and the political Heidegger's involvement with Nazism. Fully updated throughout (...) and featuring a new section on enviromental thought and ecocriticism, this guidebook clearly and concisely introduces Heidegger's crucial work relating to art, language and poetry, and outlines his continuing influence on critical theory. (shrink)

Blanchot's work may at first seem remote from any sort of environmentalist thinking. While elements of his work share with Levinas and Heidegger a problematic privileging of the human, Blanchot nevertheless offers the basis of what might be seen as a timely ‘deeper ecological’ thinking, one that can engage the destructive anthropocentrism of Western thought and tradition in the very minutiae of its literary and philosophical texts. Unlike in much ‘green’ philosophy, no concept of nature or earth serves as foundation (...) for Blanchot's thought. He is engaged by the ‘impossible’ as that which is not a matter of human power or decision, affirmed in both its ethical force and its contestation of dominant and appropriative conceptions of knowledge, rationality and invention. A comparison is offered between Max Oelschlager's representative ecocritical essay ‘Earth-Talk: Conservation and Ecology’, with its romantic attempt to find and celebrate modes of unalienated or ‘natural’ language, and Blanchot's practice of what can be seen as a more radical and questioning ‘ecology’ based on almost opposite conceptions. (shrink)

This review article offers an introductory overview of a distinctive broadly ‘deconstructive’ body of work which deserves to be more widely known. Two books in particular, by Claire Colebrook, Tom Cohen and J. Hillis Miller, are an especial focus, with their uncompromising readings of many of the assumptions and evasions in the environmental humanities. These are Theory and the Disappearing Future: On de Man, On Benjamin (London, Routledge, 2012), and Twilight of the Anthropocene Idols (Open Humanities Press, 2016).

In this article, we look at the contested role of in-house lawyers in regulated organisations in the financial sector. A recent Financial Conduct Authority consultation on whether to designate the head of legal of banks, insurance companies and other financial firms as ‘Senior Managers’ and the decision which flowed from it, reflected a flawed view of lawyers as a neutral technocracy of mere legal technicians; we show how the FCA’s decision is potentially damaging to the public interest and failed to (...) take into account that in-house lawyers are often important decision-makers and influencers within their organisations. We put the case for an alternative view; that in-house lawyers are professionals, with agency that requires them to act in accordance with ethical norms and means they should be made more accountable for their conduct. (shrink)

The ongoing debate over multiculturalism involves, among other issues, what might be called the quest for cultural validation: the desire of racial, ethnic, religious, and sexual minorities to be seen as legitimate in their own right. Black, feminist, and gay subcultures, among others, wish to assert their particular differences from prevailing social norms and want to be accepted by the larger culture they are challenging. Legitimacy will be achieved when society incorporates the subcultural differences as normal social variation and when (...) minorities secure the same rights and protections enjoyed by those in the mainstream. This process of validation and acceptance, slow though it may be, is characteristic of our liberal western democracy, so that the indigenous cultural "repertoire" or "palette" has become increasingly diverse. (shrink)

Master macro techniques and capture brilliant up-closephotos Macro photography uses specialty lenses and advanced digitalcameras to capture stunning up-close images. This book helps youunderstand the nuances of macro techniques so you can take uniqueand remarkable close-up digital photos. Equipment recommendations,helpful tips, and coverage of specialized elements that areexclusive to macro photography all aim to make you more savvy andcomfortable with macro and close-up techniques. In addition, theeasy-to-follow steps and suggested exercises go a long way to makeyou more familiar with your (...) camera's capabilities so that you cantake fantastic photos. Introduces the techniques of macro photography and explores howto capture stunning close-up digital photos Reviews using macro lenses, extension tubes, reversing rings,and other camera equipment and accessories Shares tips for exposure and lighting techniques in the macroformat Addresses depth of field, working distance, and framing whenshooting Covers where to find subjects to shoot and setting up yourmacro studio With full-color examples and technique comparisons, this fun andfriendly book presents step-by-step guidance for taking yourclose-up photography skills to the next level. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Timothy Clark HEIDEGGER, DERRIDA, AND THE GREEK LIMITS OF PHILOSOPHY The question "What is philosophy?" is not simply one question among others. Its status involves the questioner at once in a series of peculiar problems. The question "What is chemistry?" (for instance) would surely seem to admit of an answer. Even if there were a dispute about the wording of a definition, the general region to which the question (...) directs us seems relatively secure. "What is chemistry?" asks about the essence of a physical science and, as a consequence, the questioner will be situated in the realm of the philosophy of science. "What is philosophy?" however, can make no such leap. A "philosophy of philosophy " is simply tantamount to more philosophy. The question of philosophy 's essence can only be posed within philosophy. Moreover, would not this very question of an essence ofphilosophy be determined in advance by an understanding of "essence" by philosophy, which thus seems remorselessly to encompass the borders of that which might try to enclose it? The mode of questioning on the (impossible?) borders of philosophical discourse is the site of Martin Heidegger's so-called overcoming of Western Metaphysics. More recently, Jacques Derrida has intensified the mode of borderline questioning, engaging himself in both a radicalization and displacement of Heideggerian questions. Derrida writes, in "Violence and Metaphysics" (1964), "The entirety of philosophy is conceived on the basis of its Greek source. As is well known, this amounts neither to an occidentalism, nor a historicism. It is simply that the founding concepts of philosophy are primarily Greek, and it would not be possible to philosophize, or to speak philosophically, outside this medium."1 Derrida continues to discuss Husserlian phenomenology and the thought of Heidegger in terms of their insistence on 75 76Philosophy and Literature conceiving philosophy according to its Greek impetus. If something is to transpire in the traditions of philosophy, its origin "will have to be summoned forth and adhered to as rigorously as possible" (p. 81). The specific "event" to be attended to will be what Derrida, after Heidegger, describes as the determination ofbeing as presence. This, it is argued, is constitutive in respect of philosophy and all the regional disciplines it governs. Needless to say "the determination of being as presence" demands considerable explication. The Greek nature of philosophy is discussed by Heidegger in the lecture, "What is Philosophy?"2 The question raises the problem of philosophy 's relation to its limits. Tb ask the question "What is Philosophy?" is not to step outside thought to some "metaphilosophical" realm. It is to be already standing in Greece. What is specifically Greek and decisive, in fact, is the very mode of the question ''What is XT' itself: "But not only what is in question —philosophy— is Greek in origin, but how we question, the manner in which we question even today, is Greek. We ask, "what is that—" (p. 35). The Greek mode of questioning something as to its whatness {ti estin?, "what is it?") has now become thoroughly familiar. Its novelty and Greek source have become obscured: "It is this form of questioning which Socrates, Plato, and Aristode developed. They ask, for example, What is the beautiful? What is knowledge?'..." (p. 37). Heidegger's characterization of the question, ti estin?, as decisively Greek must be distinguished from Edmund Husserl's apparently similar description of the fundamentally Greek nature of philosophy. Husserl characterized the theoretical relation to the world as a legacy which has largely determined Western Europe and, indeed, the modern world itself, a determination most palpable in the proliferation of the various sciences. The theoretical attitude is one of pure curiosity towards entities : "man becomes the disinterested spectator, overseer of the world, he becomes a philosopher."3 Moreover, the devotion to pure theoria builds up a body of disinterested knowledge in which others may participate and to which they may add. A universal culture, a project traversing individual and national difference, comes into being. The Greek philosopher embodied, for the first time, a type ofhumanity and culture to which the European world still belongs. Husserl thus underlines the huge stakes in so little a question as the "What is it?"//i estin... (shrink)