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T. L. Agar [37]T. Leyden Agar [1]
  1. T. L. Agar (1928). The Hymn to Hermes. Classical Quarterly 22 (1):34-38.
    Horace has told us that the author of a literary work, qui uariare cupit rem prodigialiter unam, falls into absurdities. Much more likely to meet this fate is the interpolator who has the same ambition. The above four lines are a case in point; for it is fairly certain that if this Hymn were presented to readers as it came from the hand of its author, the whole passage with its phenomenal bull and its four pacifist dogs which apparently had (...)
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  2. T. L. Agar (1925). On Euripides, Medea 214–18. Classical Quarterly 19 (1):14-15.
    This passage has caused much discussion and much variety of opinion, and it still remains doubtful whether the later commentators in their efforts at exact interpretation have been more successful than the earlier ones. The general sense is sufficiently clear. Medea is making an apology to the Chorus of sympathizing Corinthian ladies for her delay in appearing before them. So far all are agreed. The difficulties, real or unreal, arise when we begin to inquire what form the apology actually takes. (...)
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  3. T. L. Agar (1925). The (Homeric) Hymn to Hermes. Classical Quarterly 19 (3-4):151-.
    Horace has told us that the author of a literary work, qui uariare cupit rem prodigialiter unam, falls into absurdities. Much more likely to meet this fate is the interpolator who has the same ambition. The above four lines are a case in point; for it is fairly certain that if this Hymn were presented to readers as it came from the hand of its author, the whole passage with its phenomenal bull and its four pacifist dogs which apparently had (...)
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  4. T. L. Agar (1924). Aeschylus, Agamemnon 1–8. Classical Quarterly 18 (3-4):163-.
    As is well known, many editors, following Valckenaer, reject the bracketed line altogether; but the omission leaves the opening clause with a very unsatisfactory ending. μπρέποντας αίθέρι, heavily stressed by its position, seems to form little less than an anticlimax, unless we assume that the stars could hardly be expected to shine in the sky. On the other hand, when line 7 is added, έμπρέποντας αίθέρ στέρας brings out clearly the fact that only certain conspicuous stars or constellations are meant—those (...)
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  5. T. L. Agar (1924). The Homeric Hymns. Classical Quarterly 18 (3-4):137-.
    These lines conclude the account of Hermes inventing the primitive method of producing fire by friction, and it is evident that the writer had in mind σ 308: περ δ ξλα κγχανα θ;καν, αα πλαι περκηλα, νον κεκεασμνα χαλκ, cf. also ε 240. Gemoll accordingly in his edition read αα λαβν, and for so doing was rebuked by Messrs. S. and A. in their best dogmatic manner: ‘Gemoll's αα cannot be accepted; ολα is sound, though the meaning is not certain.’ (...)
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  6. T. L. Agar (1923). Suggestions on the Agamemnon of Aeschylus. The Classical Review 37 (1-2):16-18.
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  7. T. L. Agar (1922). Hymn. Herm. 109–14. The Classical Review 36 (5-6):140-141.
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  8. T. L. Agar (1922). On Il. Θ 164. Classical Quarterly 16 (2):92-92.
    In the last issue of the C.Q. Mr. Powell has called attention to my emendation ρρε κακ γ;λν, which he finds a difficulty in accepting, because he cannot find any formula of imprecation corresponding to the formula of blessing, τχγαθ. He would, therefore, if I am not mistaken, take refuge in a suggestion of Mr. T. C. Snow's, which maintains the traditional vocative, while at the same time annexing my new explanation. Evidently my exposure in Homerica of the futility of (...)
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  9. T. L. Agar (1922). The Language of Homer Die Homerische Kunstsprache. Karl Von Meister. Preisschriften gekrönt und herausgegeben von der fürstlich Jablonowskischen Gesellschaft. Quarto. Pp. 3 + 262. Leipzig: B.G. Teubner, 1921. M. 180. [REVIEW] The Classical Review 36 (5-6):118-119.
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  10. T. L. Agar (1921). Hyte Mainas. The Classical Review 35 (1-2):44-45.
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  11. T. L. Agar (1919). B. R. Rogers. The Classical Review 33 (7-8):167-.
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  12. T. L. Agar (1919). Notes on the Birds of Aristophanes. Classical Quarterly 13 (3-4):155-.
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  13. T. L. Agar (1919). Notes on the Ecclesiazusae of Aristophanes. Classical Quarterly 13 (1):12-19.
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  14. T. L. Agar (1918). Notes on the Peace of Aristophanes. Classical Quarterly 12 (3-4):196-.
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  15. T. L. Agar (1918). Three Passages in Hesiod's Works and Days. The Classical Review 32 (3-4):56-58.
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  16. T. L. Agar (1918). T. W. Allen's Odyssey Homeri Opera recognovit T. W. Allen. Tom. iii. Odyssea I-XII. Editio altera. Oxonii e Typographeo Clarendoniano, 1917. Cloth 3s. [REVIEW] The Classical Review 32 (7-8):184-185.
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  17. T. L. Agar (1916). Hesiod and the Homeric Hymns Hesiod, the Homeric Hymns and Homerica, with an English Translation by H. G. Evelyn-White, M.A. (Loeb Classical Library.) Pp. Xlviii + 627. London: W. Heinemann, 1915. 5s., Cloth. [REVIEW] The Classical Review 30 (01):16-18.
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  18. T. L. Agar (1915). Ὄσσα in Hesiod. The Classical Review 29 (07):193-195.
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  19. T. L. Agar (1914). On Sappho's Ode. The Classical Review 28 (06):189-190.
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  20. T. L. Agar (1913). Homeri Opera. Tomus V. Recognovit Thomas W. Allen. Oxoniie Typographis Clarendoniano, 1912. 4s. 6d. Cloth. The Classical Review 27 (01):33-34.
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  21. T. L. Agar (1910). Mr. T. W. Allen on Agar's Homerica. Classical Quarterly 4 (01):58-.
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  22. T. L. Agar (1909). T. W. Allen's Odyssey Homeri Opera recognovit Thomas W. Allen. Tomi iii, iv. Odyssea i-xxiv. Oxonii e Typographeo Clarendoniano, 1908. 2s. 6d. paper, 3s. cloth. [REVIEW] The Classical Review 23 (02):50-53.
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  23. T. L. Agar (1908). Homerica: Emendations and Elucidations of the Odyssey. Journal of Hellenic Studies 28:340.
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  24. T. L. Agar (1905). Leaf's Iliad, XIII–XXIV The Iliad. By Walter Leaf, Litt. D., Late Fellow of Trin. Coll., Cambridge. Vol. 2. Books Xiii.—Xxiv. Second Edition. London: Macmillan and Co., 1902. Svo. Pp. Xxiii + 663. 20 Illustrations. 18s. [REVIEW] The Classical Review 19 (08):402-408.
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  25. T. Leyden Agar (1905). On Odyssey XXIV 336 Sqq. The Classical Review 19 (07):336-340.
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  26. T. L. Agar (1902). Monro's Odyssey XIII.–XXIV Homer's Odyssey, Xiii.–Xxiv. Edited with English Notes and Appendices, by D. B. Monro, M.A., Provost of Oriel College, Oxford. Pp. 512. Clarendon Press, Oxford. [REVIEW] The Classical Review 16 (02):121-125.
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  27. T. L. Agar (1900). Dimitrijević's Stubia Hesiodea Studia Hesiodea Scripsit Milan R. Dimitrijević. Lipsiae. B. G. Teubner, 1899. Pp. 1–234. The Classical Review 14 (03):165-166.
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  28. T. L. Agar (1899). Homerica (Iv.) OD. 1. 261–4, and 5, 543. The Classical Review 13 (04):194-195.
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  29. T. L. Agar (1899). Homerica (V.) IL. 2, 291. The Classical Review 13 (06):287-289.
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  30. T. L. Agar (1899). Leaf and Bayfield's Iliad, Vol. II ΟΜΗΡΟΥ ΙΛΙΑΣ. The Iliad of Homer with Introductions, Notes and Appendices, by W. Leaf, Litt. D., and M. A. Bayfield, M.A. Vol. Ii. (Xiii.–Xxiv.). London, Macmillan & Co. 1898. Pp. Lxiii+634.6s. [REVIEW] The Classical Review 13 (01):41-44.
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  31. T. L. Agar (1898). Homerica. The Classical Review 12 (02):106-.
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  32. T. L. Agar (1898). Note on Homer, Iliad XIV. 139 Ff. The Classical Review 12 (01):31-32.
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  33. T. L. Agar (1897). Διήφυσε. The Classical Review 11 (09):445-447.
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  34. T. L. Agar (1897). Hartman's Epistola Critica Epistola Critica Ad Amicos J. Van Leeuwen Et M. B. Da Costa Continens Annotationes Ad Odysseam. Scripsit J. J. Hartman. 8vo. 136, Vi. Pp. Lugd. Bat. A. W. Sijthoff, 1896. 3 M. 50. [REVIEW] The Classical Review 11 (02):120-122.
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  35. T. L. Agar (1897). Note on Iliad XX. 18. The Classical Review 11 (02):101-.
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  36. T. L. Agar (1897). The Lengthening of Final Syllables by Position Before the Fifth Foot in the Homeric Hexameter. The Classical Review 11 (01):29-31.
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  37. T. L. Agar (1896). Monro's Homer Homeri Opera et Reliquiae. Recensuit D. B. Monro, M.A. Oxonii e typographeo Clarendoniano. MDCCCXCVI. 10s. 6d. net. [REVIEW] The Classical Review 10 (08):387-390.
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  38. T. L. Agar (1896). Note on Il. Xvi. 99. The Classical Review 10 (07):329-.
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