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Profile: Ted Nannicelli (University of Waikato)
  1. Ted Nannicelli (2013). A Philosophy of the Screenplay. Routledge.
    To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art—more specifically, literature? What kind of a thing is a screenplay?
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  2. Ted Nannicelli (2012). Hollywood Incoherent. [REVIEW] British Journal of Aesthetics 52 (3):317-320.
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  3. Ted Nannicelli (2012). New Takes in Film-Philosophy Edited by Carel, Havi and Greg Tuck. [REVIEW] Journal of Aesthetics and Art Criticism 70 (3):326-328.
  4. Ted Nannicelli (2012). Ontology, Intentionality, and Television Aesthetics. Screen 53 (2):164-179.
    This essay suggests that television aesthetics, as a research project, would benefit from attending to relevant theoretical debates in philosophical aesthetics. One reason for this is that assumptions about the ontology of television artworks are already embedded in our critical practices. We ought to be more aware of what these assumptions are and state them more explicitly. Moreover, I argue, for debates in television aesthetics to get off the ground, we need to ensure we bring the largely the same ontological (...)
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  5. Ted Nannicelli (2012). The Routledge Companion to Philosophy and Film. [REVIEW] International Journal of Philosophical Studies 20 (5):763-766.
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  6. Ted Nannicelli (2011). Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays. British Journal of Aesthetics 51 (4):399-414.
    This essay offers an account of the relationship between screenplay and film, and it does so by comparing this relationship to the relationships that hold between other sets of instructions and artworks: score and musical work, theatrical script and theatrical work, architectural plan and architectural work. I argue that musical scores and theatrical scripts are work-determinative documents—manuscripts whose existence entails the existence of musical works and theatrical works, respectively, and which determine the facts about what those works are like. On (...)
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  7. Ted Nannicelli (2011). Why Can't Screenplays Be Artworks? Journal of Aesthetics and Art Criticism 69 (4):405-414.
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