Online research in philosophy

In a move that has puzzled commentators, Derrida's The Animal that Therefore I Am rejects claims for continuity between the human and the animal, aligning such claims with the ideology of “biologistic continuism.” This problematization of the logic of the human-animal limit holds implications for how we are to understand life in relation to auto-affection, immanence in relation to transcendence, and naturalism in relation to phenomenology. Derrida's abyssal logic parallels the “strange kinship” described by Merleau-Ponty, though only if this strangeness (...) is intensified as “hetero-affection” by incorporating death into life. Following Merleau-Ponty and Elizabeth Grosz, we locate the creative moment of this abyssal intimacy in the transformative productions of sexual difference. This positive account of the excess of hetero-affection reconciles phenomenology with evolution and offers a figure for thinking the thickening and multiplying of the differences between human and non-human, living and nonliving, corporeal and cosmic. (shrink)

Nature as gestalt and melody -- Radical reflection and the resistance of things -- Animality -- The space of intentionality and the orientation of being -- The human-nature chiasm.

Western philosophy and culture have often posited a structural homology between music and nature. In a contemporary version of this association, deep ecologist Arne Naess proposes that the basic units of reality are hierarchically nested gestalts of a fundamentally relational character. I argue that Naess’s gestalt model fails to account for non-holistic or non-sensical experiences and for creative change in nature. I then suggest the concept of the “refrain”developed by Gilles Deleuze and Félix Guattari as the basis for an alternative (...) musical model of nature that avoids these limitations. (shrink)

David Abram’s The Spell of the Sensuous: Perception and Language in a More-Than-Human-World convincingly demonstrates the contribution that phenomenology, especially the work of Maurice Merleau-Ponty, can make to environmental theory. But Abram’s account suffers from several limitations that are explored here. First, although Abram intends to develop an “organic” account of thinking as grounded in the sensible world, his descriptions castigate reflection and reverse, rather than rethinking, the traditional hierarchy between mind and body. Second, Abram’s emphasis on perceptual reciprocity as (...) the basis for an environmental ethic underplays the importance of the symbolic level of our interaction with others. Merleau-Ponty’s later work, in particular his account of the reversibility of flesh, offers a fruitful alternative to Abram’s methodology. (shrink)