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  1. Thomas Huhn (1995). The Kantian Sublime and the Nostalgia for Violence. Journal of Aesthetics and Art Criticism 53 (3):269-275.
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  2. Thomas Huhn (1994). Peter Kivy, The Fine Art of Repetition: Essays in the Philosophy of Music Reviewed By. Philosophy in Review 14 (3):175-177.
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  3. Thomas Huhn (1993). Book Reviews. [REVIEW] British Journal of Aesthetics 33 (4):395-397.
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  4. Thomas Huhn (1993). Theodor Adorno, Quasi Una Fantasia: Essays on Modern Music Reviewed By. Philosophy in Review 13 (5):207-209.
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  5. Thomas Huhn (1993). Theodor Adorno, Quasi Una Fantasia: Essays on Modern Music. [REVIEW] Philosophy in Review 13:207-209.
     
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  6. Thomas Huhn (1988). Adorno's Aesthetic Theory and its Relation to Social Theory. Dissertation, Boston University
    A philosophical elaboration of Theodor Adorno's conception of aesthetic form. Adorno's aesthetic theory is presented through a reconstruction of the major concepts in his Aesthetic Theory and via the projects of Dialectic of Enlightenment and Negative Dialectics. The dissertation argues that the nature of social and political institutions and ideologies is best revealed through an analysis of the critical social function embodied in aesthetic form. Artworks occupy such a ripe critical position--both in society and in aesthetic theory that confronts what (...)
     
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  7. Thomas Huhn (1985). Adorno's Aesthetics of Illusion. Journal of Aesthetics and Art Criticism 44 (2):181-189.
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