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Thomas Leddy [30]Thomas W. Leddy [2]
  1. Thomas Leddy (forthcoming). Is the Creative Process in Art a Form of Puzzle Solving? Journal of Aesthetic Education.
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  2. Thomas Leddy (2014). Everyday Aesthetics and Photography. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):45-62.
    Everyday photographs as well as art photographs may be aesthetically appreciated. Although this may be most obvious in the case of advertising it is also true for amateur photographs. Non-art photographs play an important role in our everyday lives and should not be neglected by aesthetics. That these photographs draw much of their value (often a very personal value) from being associated with memories and musings does not make them non-aesthetic. I discuss these issues drawing on Clive Bell, Lyotard and (...)
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  3. Thomas W. Leddy (2013). Stroud, Scott R. John Dewey and the Artful Life: Pragmatism, Aesthetics, and Morality. Penn State University Press, 2011, X + 229 Pp., $69.95 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 71 (2):215-217.
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  4. Stephen Gaukroger, Peter Goldie, C. Stephen Jeager, Thomas Leddy & Uwe Steiner (2012). BUSKIRK, MARTHA. Creative Enterprise: Contemporary Art Between Museum and Marketplace.(London: Continuum). 2012. Pp. 392.£ 22.99 (Pbk). CURRIE, GREG; KOATKO, Petr and POKORNY, MARTIN (Eds.). Mimesis: Metaphysics, Cognition, Pragmatics.(London. [REVIEW] British Journal of Aesthetics 52 (4):439.
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  5. Thomas Leddy (2012). Aesthetization, Artification, and Aquariums. Contemporary Aesthetics 4.
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  6. Thomas Leddy (2012). Defending Everyday Aesthetics and the Concept of'Pretty'. Contemporary Aesthetics 10.
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  7. Thomas Leddy (2012). The Extraordinary in the Ordinary: The Aesthetics of Everyday Life. Broadview Press.
    This book explores the aesthetics of the objects and environments we encounter in daily life. Thomas Leddy stresses the close relationship between everyday aesthetics and the aesthetics of art, but places special emphasis on neglected aesthetic terms such as ‘neat,’ ‘messy,’ ‘pretty,’ ‘lovely,’ ‘cute,’ and ‘pleasant.’ The author advances a general theory of aesthetic experience that can account for our appreciation of art, nature, and the everyday.
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  8. Thomas Leddy (2011). Glenn Parsons and Allen Carleson , Functional Beauty . Reviewed By. Philosophy in Review 31 (3):221-224.
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  9. Thomas Leddy (2007). Julia Morgan, Architect, and the Creation of the Asilomar Conference Grounds by Quacchia, Russell. Journal of Aesthetics and Art Criticism 65 (4):432–434.
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  10. Thomas Leddy (2006). Arnold Berleant, Re-Thinking Aesthetics: Rogue Essays on Aesthetics and the Arts Reviewed By. Philosophy in Review 26 (3):155-157.
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  11. Thomas Leddy (2006). Nietzsche's Mirror: The World as Will to Power (Review). Journal of Nietzsche Studies 31 (1):66-68.
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  12. Thomas Leddy (2005). A Defense of Arts-Based Appreciation of Nature. Environmental Ethics 27 (3):299-315.
    In a pluralist and pragmatist view of aesthetic appreciation of nature, nature is validly appreciated through various cultural media including science, technology, mythology, and, in particular, the arts. Those who attack arts-based appreciation mainly think about the arts of the nineteenth century: traditional landscape painting and sculptures on pedestals. When we turn to art since the 1970s, for example, earth art, this picture changes. Allen Carlson’s attack on postmodernist and pluralist models of aesthetic appreciation does not pose significant problems for (...)
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  13. Thomas Leddy (2002). Shusterman's. Journal of Speculative Philosophy 16 (1).
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  14. Thomas Leddy (2002). Shusterman's Pragmatist Aesthetics. Journal of Speculative Philosophy 16 (1):10 - 16.
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  15. Thomas Leddy (2001). The Red Dust. British Journal of Aesthetics 41 (2):207-221.
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  16. Thomas Leddy (1999). Iseminger's Literary Intentionalism and an Alternative. British Journal of Aesthetics 39 (3):219-229.
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  17. Thomas W. Leddy (1999). Naïve Realism in Philosophy of Literature. Philosophy Today 43 (1):100-107.
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  18. Thomas Leddy (1997). Sparkle and Shine. British Journal of Aesthetics 37 (3):259-273.
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  19. Thomas Leddy (1996). The Garden as an Art. International Studies in Philosophy 28 (4):126-127.
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  20. Thomas Leddy (1996). Book Review: Spirits Hovering Over the Ashes: Legacies of Postmodern Theory. [REVIEW] Philosophy and Literature 20 (2):511-514.
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  21. Thomas Leddy (1995). Everyday Surface Aesthetic Qualities: "Neat," "Messy," "Clean," "Dirty". Journal of Aesthetics and Art Criticism 53 (3):259-268.
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  22. Thomas Leddy (1994). A Pragmatist Theory of Artistic Creativity. Journal of Value Inquiry 28 (2):169-180.
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  23. Thomas Leddy (1994). American Society for Aesthetics: 50th Anniversary Meeting. [REVIEW] Journal of Value Inquiry 28 (2):339-344.
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  24. Thomas Leddy (1993). The Socratic Quest in Art and Philosophy. Journal of Aesthetics and Art Criticism 51 (3):399-410.
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  25. Thomas Leddy (1991). Moore and Shusterman on Organic Wholes. Journal of Aesthetics and Art Criticism 49 (1):63-73.
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  26. Thomas Leddy (1990). Practical George and Aesthete Jerome Meet the Aesthetic Object. Southern Journal of Philosophy 28 (1):37-53.
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  27. Thomas Leddy (1988). Gardens in an Expanded Field. British Journal of Aesthetics 28 (4):327-340.
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  28. Thomas Leddy (1988). ME Moss, Benedetto Croce Reconsidered: Truth and Error in Theories of Art, Literature, and History Reviewed By. Philosophy in Review 8 (7):273-276.
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  29. Thomas Leddy (1987). Rigid Designation in Defining Art. Journal of Aesthetics and Art Criticism 45 (3):263-272.
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  30. Thomas Leddy (1986). Is There a Fallacy of Small Sample? Informal Logic 8 (1).
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  31. Thomas Leddy (1984). Robust Realism Rejected. Journal of Aesthetics and Art Criticism 42 (3):317-319.
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  32. Thomas Leddy (1983). Davidson's Rejection of Metaphorical Meaning. Philosophy and Rhetoric 16 (2):63 - 78.
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