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  1. Thomas Munro (1971). Berleant, Arnold, "The Aesthetic Field: A Phenomenology of Aesthetic Experience". [REVIEW] Philosophy and Phenomenological Research 32 (2):278.
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  2. Thomas Munro (1971). Form and Style in the Arts: An Introduction to Aesthetic Morphology. Journal of Philosophy 68 (11):345-349.
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  3. Thomas Munro (1969). Art and Violence. Journal of Aesthetics and Art Criticism 27 (3):317-322.
  4. Thomas Munro (1969). A Note on the Aesthetics of Naturalistic Humanism. Journal of Aesthetics and Art Criticism 28 (1):45-47.
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  5. Thomas Munro (1968). The Role of Aesthetic Education in Cultural Evolution. Journal of Aesthetic Education 2 (4):87.
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  6. Thomas Munro (1966). "Beautification" Reconsidered. Journal of Aesthetic Education 1 (1):85.
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  7. Thomas Munro (1965). Oriental Aesthetics. Cleveland, Press of Western Reserve University.
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  8. Thomas Munro (1965). Oriental Traditions in Aesthetics. Journal of Aesthetics and Art Criticism 24 (1):3-6.
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  9. Thomas Munro (1965). Pravas Jivan Chaudhury: A Prefatory Note. Journal of Aesthetics and Art Criticism 24 (1).
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  10. Thomas Munro (1964). Evolution in the Arts. Philosophy and Phenomenological Research 25 (2):299-300.
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  11. Thomas Munro (1964). Recent Developments in Aesthetics in America. Journal of Aesthetics and Art Criticism 23 (2):251-260.
  12. Thomas Munro & Gérard Deledalle (1964). Développements récents de l'esthétique en amérique. Les Etudes Philosophiques 19 (3):395 - 410.
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  13. Thomas Munro (1963). Evolution in the Arts and Other Theories of Culture History. Journal of Philosophy 60 (17):504-506.
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  14. Thomas Munro (1963). The Psychology of Art: Past, Present, Future. Journal of Aesthetics and Art Criticism 21 (3):263-282.
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  15. Thomas Munro (1962). What Causes Creative Epochs in the Arts? Journal of Aesthetics and Art Criticism 21 (1):35-48.
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  16. Charles E. Boewe, Roy F. Nichols, Jerome S. Bruner, Thomas Munro & Herbert Read (1961). Both Human and Humane. British Journal of Educational Studies 10 (1):90-93.
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  17. Thomas Munro (1961). Do the Arts Evolve? Some Recent Conflicting Answers. Journal of Aesthetics and Art Criticism 19 (4):407-417.
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  18. Thomas Munro (1961). Reply to Donald G. Arnstine. Studies in Philosophy and Education 2 (1):12.
     
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  19. Thomas Munro (1960). Evolution and Progress in the Arts: A Reappraisal of Herbert Spencer's Theory. Journal of Aesthetics and Art Criticism 18 (3):294-315.
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  20. Thomas Munro (1960). Meanings of "Naturalism" in Philosophy and Aesthetics. Journal of Aesthetics and Art Criticism 19 (2):133-137.
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  21. Thomas Munro (1960). The Marxist Theory of Art History: Socio-Economic Determinism and the Dialectical Process. Journal of Aesthetics and Art Criticism 18 (4):430-445.
  22. Thomas Munro (1959). Art and Scientific Technology. Philosophy and Phenomenological Research 19 (3):399-401.
  23. Thomas Munro (1959). The Failure Story: An Evaluation. Journal of Aesthetics and Art Criticism 17 (3):362-387.
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  24. Thomas Munro (1958). The Failure Story: A Study of Contemporary Pessimism. Journal of Aesthetics and Art Criticism 17 (2):143-168.
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  25. Thomas Munro (1957). Art Education: Its Philosophy and Psychology. Selected Essays. Journal of Aesthetics and Art Criticism 15 (4):489-490.
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  26. Thomas Munro (1957). Four Hundred Arts and Types of Art: A Classified List. Journal of Aesthetics and Art Criticism 16 (1):44-65.
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  27. Thomas Munro & R. Bayer (1957). Toward Science in Aesthetics; Selected Essays. Journal of Philosophy 54 (11):362-365.
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  28. Thomas Munro (1956). Art Education, its Philosophy and Psychology. New York, Liberal Arts Press.
     
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  29. Thomas Munro (1956). Suggestion and Symbolism in the Arts. Journal of Aesthetics and Art Criticism 15 (2):152-180.
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  30. Thomas Munro (1956). Toward Science in Aesthetics. New York, Liberal Arts Press.
     
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  31. Thomas Munro (1956). The Third International Congress on Aesthetics. Journal of Aesthetics and Art Criticism 15 (2):255-256.
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  32. Thomas Munro (1955). Do the Arts Progress? Journal of Aesthetics and Art Criticism 14 (2):175-190.
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  33. Thomas Munro (1955). Editor's Comment: The Strange Neglect of G. L. Raymond; Some Needed Researches in American Aesthetics. Journal of Aesthetics and Art Criticism 13 (4):533-537.
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  34. Thomas Munro (1955). Form and Value in the Arts: A Functional Approach. Journal of Aesthetics and Art Criticism 13 (3):316-341.
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  35. Thomas Munro (1955). The Concept of Beauty in the Philosophy of Naturalism. Revue Internationale de Philosophie 9 (31):33-75.
     
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  36. Thomas Munro (1954). The Morphology of Art as a Branch of Aesthetics. Journal of Aesthetics and Art Criticism 12 (4):438-449.
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  37. Thomas Munro (1954). The Strange Neglect of G. L. Raymond; Some Needed Researches in American Aesthetics. Journal of Aesthetics and Art Criticism 13:533.
     
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  38. Thomas Munro (1953). Aesthetics and the Artist. Journal of Aesthetics and Art Criticism 11 (4):397-412.
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  39. Thomas Munro (1951). Aesthetics as Science: Its Development in America. Journal of Aesthetics and Art Criticism 9 (3):161-207.
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  40. Thomas Munro (1951). « Les arts et leurs relations réciproques ». Les Etudes Philosophiques 6 (4):383-384.
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  41. Thomas Munro (1951). "The Afternoon of a Faun" and the Interrelation of the Arts. Journal of Aesthetics and Art Criticism 10 (2):95-111.
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  42. Thomas Munro (1950). The Arts and Their Interrelations. Philosophical Review 59 (3):378-382.
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  43. Thomas Munro (1948). Methods in the Psychology of Art. Journal of Aesthetics and Art Criticism 6 (3):225-235.
  44. Thomas Munro (1946). Aesthetics and Philosophy in American Colleges. Journal of Aesthetics and Art Criticism 4 (3):180-187.
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  45. Thomas Munro (1946). Style in the Arts: A Method of Stylistic Analysis. Journal of Aesthetics and Art Criticism 5 (2):128-158.
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  46. Thomas Munro (1945). Society and Solitude in Aesthetics. Journal of Aesthetics and Art Criticism 4 (1):32-42.
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  47. Thomas Munro (1944). Art, Aesthetics, and Liberal Education. Journal of Aesthetics and Art Criticism 3 (9/10):91-106.
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  48. Thomas Munro (1944). Shorter Notices. Journal of Aesthetics and Art Criticism 3 (11/12):106.
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  49. Thomas Munro (1943). Form in the Arts: An Outline for Descriptive Analysis. Journal of Aesthetics and Art Criticism 2 (8):5-26.
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  50. Thomas Munro (1942). The Future of Aesthetics. Cleveland, O.,The Cleveland Museum of Art.
     
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1 — 50 / 58