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Thomas E. Wartenberg [47]Thomas Wartenberg [9]
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Profile: Thomas E. Wartenberg (Mount Holyoke College)
  1. Thomas E. Wartenberg (2013). A Sneetch is a Sneetch and Other Philosophical Discoveries: Finding Wisdom in Children's Literature. Wiley-Blackwell.
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  2. Sara Goering, Nicholas J. Shudak & Thomas E. Wartenberg (eds.) (2012). Philosophy in Schools: An Introduction for Philosophers and Teachers. Routledge.
    All of us ponder the big and enduring human questions—Who am I? Am I free? What should I do? What is good? Is there justice?
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  3. Thomas E. Wartenberg (2012). Wordy Pictures: Theorizing the Relationship Between Image and Text in Comics. In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach. Wiley-Blackwell. 87--104.
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  4. Thomas Wartenberg (ed.) (2011). Fight Club. Routledge.
    Released in 1999, Fight Club is David Fincher’s popular adaption of Chuck Palahniuk’s cult novel, and one of the most philosophically rich films of recent years. This is the first book to explore the varied philosophical aspects of the film. Beginning with an introduction by the editor that places the film and essays in context, each chapter explores a central theme of Fight Club from a philosophical perspective. Topics discussed include: Fight Club , Plato’s cave and Descartes’ cogito moral disintegration (...)
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  5. Thomas Wartenberg (2011). Picture Book Philosophy. Philosophy Now 84:9-10.
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  6. Thomas E. Wartenberg (2010). Moving Viewers: American Film and the Spectator's Experience by Plantinga, Carl. Journal of Aesthetics and Art Criticism 68 (1):70-72.
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  7. Thomas E. Wartenberg (2010). Review of Robert B. Pippin, Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for Political Philosophy. [REVIEW] Notre Dame Philosophical Reviews 2010 (9).
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  8. Thomas E. Wartenberg (2009). Blending Fiction and Reality. In Noël Carroll & Lester H. Hunt (eds.), Philosophy in the Twilight Zone. Wiley-Blackwell.
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  9. Thomas E. Wartenberg (2009). Big Ideas for Little Kids: Teaching Philosophy Through Children's Literature. R&L Education.
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  10. Thomas Wartenberg, Philosophy of Film. Stanford Encyclopedia of Philosophy.
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  11. Thomas Wartenberg (2008). The Counterfeiters. Philosophy Now 68:38-39.
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  12. Thomas Wartenberg (2008). What Else Films Can Do: A Response to Bruce Russell. Film and Philosophy.
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  13. Thomas E. Wartenberg (2008). Introduction to Symposium on Gareth B. Matthews. Metaphilosophy 39 (1):1–2.
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  14. Thomas E. Wartenberg (2008). Not Just Mere Things. Contemporary Aesthetics 6.
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  15. Thomas E. Wartenberg (2008). Review of Irving Singer, Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity. [REVIEW] Notre Dame Philosophical Reviews 2008 (5).
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  16. Thomas E. Wartenberg (2008). SYMPOSIUM: Danto's' The Transfiguration of the Commonplace'Twenty-Five Years Later. Contemporary Aesthetics 6.
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  17. Thomas Wartenberg (2007). Philosophy & Film: The Western as Philosophy. Philosophy Now 61:42-43.
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  18. Thomas E. Wartenberg (2007). Need There Be Implicit Narrators of Literary Fictions? Philosophical Studies 135 (1):89 - 94.
  19. Thomas E. Wartenberg (2007). Thinking on Screen: Film as Philosophy. Routledge.
    Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films’ ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer (...)
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  20. Murray Smith & Thomas E. Wartenberg (2006). Introduction. Journal of Aesthetics and Art Criticism 64 (1):1–9.
    Although they might not express themselves in quite this way, non-philosophers tend to think that mereological composition is a vague matter : sometimes it occurs, sometimes it does not, and sometimes it sort of occurs. For example, when I am building a boat, at first the timbers that I have acquired for the job do not jointly compose an entity; in the end they do—they compose the boat that I have built; and in between they sort of or more or (...)
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  21. Thomas E. Wartenberg (2006). Beyond Mere Illustration: How Films Can Be Philosophy. Journal of Aesthetics and Art Criticism 64 (1):19–32.
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  22. Thomas Wartenberg (2005). Style and Methodologies, on Noel Carroll's Engaging the Moving Image. Film-Philosophy 9 (4).
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  23. Thomas E. Wartenberg & Angela Curran (eds.) (2005). The Philosophy of Film: Introductory Text and Readings. Blackwell Pub..
    More information about this text along with further resources are available from the accompanying website at: http: //www.mtholyoke.edu/omc/phil-film/index.html.
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  24. Thomas Wartenberg (2004). Looking Backward: Philosophy and Film Reconsidered. Film and Philosophy 8:138-141.
     
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  25. Thomas E. Wartenberg (2004). Perspectives. Questions: Philosophy for Young People 4:8-11.
    A Chair of the Philosophy Department at a local college explains his reasoning and tactics on how he transferred knowledge from teacher to student for his newly created course, “Philosophy for Children” at MHC.
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  26. Thomas E. Wartenberg (2003). Philosophy Screened: Experiencing the Matrix. Midwest Studies in Philosophy 27 (1):139–152.
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  27. Thomas E. Wartenberg (2003). Teaching Philosophy by Teaching Philosophy Teaching. Teaching Philosophy 26 (3):283-297.
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  28. Nicholas Rescher, Richard Shusterman, Linda Martín Alcoff, Lorraine Code, Sandra Harding, Bat-Ami Bar On, John Lachs, John J. Stuhr, Douglas Kellner, Thomas E. Wartenberg, Paul C. Taylor, Nancey Murphy, Charles W. Mills, Nancy Tuana & Joseph Margolis (2002). The Philosophical I: Personal Reflections on Life in Philosophy. Rowman & Littlefield Publishers.
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  29. Thomas E. Wartenberg (2002). Can Romance Function as Social Criticism? A Defense of Unlikely Couples. Journal of Social Philosophy 33 (2):310–321.
  30. Thomas E. Wartenberg (ed.) (2002). The Nature of Art: An Anthology. Harcourt College.
     
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  31. Thomas E. Wartenberg (2001). [Book Review] Unlikely Couples, Movie Romance as Social Criticism. [REVIEW] Social Theory and Practice 27 (1):174-180.
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  32. Thomas E. Wartenberg (2001). Film and Representation. In Ananta Charana Sukla (ed.), Art and Representation: Contributions to Contemporary Aesthetics. Praeger. 210.
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  33. Thomas E. Wartenberg (2001). Film, Philosophy, and the Ordinary: A Response to Butle. Film-Philosophy 5 (1).
    Brian Butler Transgression: Ordinary and Otherwise _Film-Philosophy_, vol. 5 no. 22, July 2001.
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  34. Thomas E. Wartenberg (2001). Heidegger. In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  35. Thomas Wartenberg (2000). Film Column. Philosophy Now 27:44-45.
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  36. Cynthia A. Freeland, Thomas E. Wartenberg, Richard Allen, Murray Smith, Noël Carroll & Oxford Clarendon (1999). Is Analytic Philosophy the Cure for Film Theory? Philosophy of the Social Sciences 29 (3):416-440.
  37. Cynthia A. Freeland & Thomas E. Wartenberg (1998). Reply to Aurand. Film-Philosophy 2 (1).
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  38. Thomas E. Wartenberg (1998). David Bordwell and Noël Carroll, Eds., Post-Theory: Reconstructing Film Studies Reviewed By. Philosophy in Review 18 (2):85-87.
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  39. Thomas E. Wartenberg (1997). Feminist Interpretations of G. W. F. Hegel. The Owl of Minerva 29 (1):100-103.
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  40. Cynthia A. Freeland & Thomas E. Wartenberg (eds.) (1995). Philosophy and Film. Routledge.
    Philosophy and Film moves from broad theoretical reflections on film as a medium to concrete examinations of individual films.
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  41. Thomas E. Wartenberg (1994). "But Would You Want Your Daughter to Marry One?" The Representation of Race and Racism in Guess Who's Coming to Dinner. Journal of Social Philosophy 25 (s1):99-130.
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  42. Thomas E. Wartenberg (1993). Hegel's Idealism: The Logic of Conceptuality'. In Frederick C. Beiser (ed.), The Cambridge Companion to Hegel. Cambridge University Press. 102--29.
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  43. Thomas E. Wartenberg (1992). 7 Reason and the Practice of Science. In Paul Guyer (ed.), The Cambridge Companion to Kant. Cambridge University Press. 3--228.
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  44. Thomas E. Wartenberg (1991). Blood at the Root. Radical Philosophy Review of Books 3 (3):1-6.
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  45. Thomas E. Wartenberg (1991). [Book Review] the Forms of Power, From Domination to Transformation. [REVIEW] Social Theory and Practice 17:105-130.
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  46. Thomas E. Wartenberg (1990). Comments on Appiah and Lugones. Journal of Philosophy 87 (10):508-509.
  47. Thomas E. Wartenberg (1989). Continental Philosophy Since 1750. Teaching Philosophy 12 (3):261-262.
  48. Thomas E. Wartenberg (1988). The Forms of Power. Analyse and Kritik 10:3-31.
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  49. Thomas E. Wartenberg (1988). The Situated Conception of Social Power. Social Theory and Practice 14 (3):317-343.
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  50. Thomas E. Wartenberg (1988). Teaching Women Philosophy. Teaching Philosophy 11 (1):15-24.
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