Search results for 'Time in art' (try it on Scholar)

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  1. Daniel L. Tate (2012). In the Fullness of Time: Gadamer on the Temporal Dimension of the Work of Art. Research in Phenomenology 42 (1):92-113.score: 135.0
    Abstract In Gadamer's later writings on art, his investigation into the being of the work exploits the temporal resonance of the concept of performative enactment ( Vollzug ), which displaces the priority of play ( Spiel ) in his earlier account. Drawing upon Heidegger, Gadamer deploys the concepts of tarrying ( Verweilen ) and the while ( die Weile ) to elucidate the temporality of the work of art as an event of being. On the one hand, tarrying describes the (...)
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  2. Yve Lomax (2005). Sounding the Event: Escapades in Dialogue and Matters of Art, Nature and Time. I.B. Tauris.score: 114.0
    What constitutes an event? Propelled by this question, Sounding the Event encounters a variety of theories and a host of issues that have implications for not only conceptions of nature and becoming, subject and substance but also practices of time, art and photography. This book explores dialogue in its writing and as it encounters the philosophical utterances of Michel Serres, Isabelle Stengers, Alfred North Whitehead, Jean-Franbliogçois Lyotard, Maurice Blanchot, Gilles Deleuze and Fbliogelix Guattari, and Alain Badiou.
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  3. Paul Mattick (2003). Art in its Time: Theories and Practices of Modern Aesthetics. Routledge.score: 108.0
    Art In Its Time takes a close look at the way in which art has become integral to the everyday 'ordinary' life of modern society. It explores the prevalent notion of art as transcending its historical moment, and argues that art cannot be separated from the everyday as it often provides material to represent social struggles and class, to explore sexuality, and to think about modern industry and our economic relationships.
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  4. Leonard Shlain (1991/1993). Art & Physics: Parallel Visions in Space, Time, and Light. Quill/W. Morrow.score: 101.0
    Art interprets the visible world, physics charts its unseen workings--making the two realms seem completely opposed. But in Art & Physics, Leonard Shlain tracks their breakthroughs side by side throughout history to reveal an astonishing correlation of visions. From teh classical Greek sculptors to Andy Warhol and Jasper Johns, and from Aristotle to Einstein, aritsts have foreshadowed the discoveries of scientists, such as when Money and Cezanne intuited the coming upheaval in physics that Einstein would initiate. In this lively and (...)
     
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  5. Simon Haines (2007). Time in Philosophy and Art. In Jan Lloyd Jones (ed.), Art and Time. Australian Scholarly Publishing. 13.score: 99.0
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  6. Susan Tridgell (2007). Retrieving the Past, Transforming the Future: Time and Art in Autobiographies of Childhood and Incarceration. In Jan Lloyd Jones (ed.), Art and Time. Australian Scholarly Publishing. 190.score: 99.0
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  7. Giorgio Torraca (1994). Science and Conservation: The Work of Art in the Flow of Time. World Futures 40 (1):129-132.score: 93.0
    The technology of conservation needs the best possible knowledge of the artifact and its changes in time. Scientists lack the deep sensorial knowledge of the object that the restorer, on the contrary, possesses.
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  8. Sachchidanand Hiranand Vatsyayan (1981). A Sense of Time: An Exploration of Time in Theory, Experience, and Art. Oxford University Press.score: 93.0
     
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  9. Charlie Gere (2006). Art, Time, and Technology. Berg.score: 91.0
    This book explores how the practice of art, in particular of avant-garde art, keeps our relation to time, history and even our own humanity open. Examining key moments in the history of both technology and art from the beginnings of industrialisation to today, Charlie Gere explores both the making and purpose of art and how much further it can travel from the human body.
     
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  10. Helen Beebee (2013). Michelle Bastian Completed Her Ph. D. In Philosophy at the University of New South Wales. She is Currently a Chancellor's Fellow at the Edinburgh College of Art, University of Edinburgh. Her Work Focuses on the Use of Time in Social Practises of Inclusion and Exclusion. [REVIEW] In Katrina Hutchison & Fiona Jenkins (eds.), Women in Philosophy: What Needs to Change? Oup Usa. 261.score: 90.0
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  11. Manuela Friedrich (1997). " Reaction Time" in the Neural Network Module ART 1. Poznan Studies in the Philosophy of the Sciences and the Humanities 56:215-238.score: 90.0
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  12. Ewa Wójtowicz (2001). Time and Real - Time in Online Art. Art Inquiry. Recherches Sur les Arts 3:215-228.score: 90.0
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  13. Derek Allan (2013). Art and Time. Cambridge Scholars.score: 87.0
    A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art (...)
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  14. William M. Hawley (2012). Actors and Acting in Shakespeare's Time: The Art of Stage Playing. By John H. Astington. The European Legacy 17 (3):412 - 413.score: 87.0
    The European Legacy, Volume 17, Issue 3, Page 412-413, June 2012.
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  15. Vjačeslav V. Ivanov (1973). The Category of Time in Twentieth-Century Art and Culture. Semiotica 8 (1):1-45.score: 87.0
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  16. G. R. Levy & H. A. Groenewegen-Frankfort (1953). Arrest and Movement. An Essay on Space and Time in the Representational Art of the Ancient Near East. Journal of Hellenic Studies 73:179.score: 87.0
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  17. Kia Lindroos (1998). Now-Time Image-Space: Temporalization of Politics in Walter Benjamin's Philosophy of History and Art. University of Jyväskylä.score: 87.0
     
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  18. Lynn Ransom (2006). Bianca Kühnel, The End of Time in the Order of Things: Science and Eschatology in Early Medieval Art. Regensburg: Schnell & Sterner, 2003. Pp. 384; 174 Black-and-White and Color Figures. €61.68. [REVIEW] Speculum 81 (1):220-222.score: 87.0
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  19. Sue Vice (2001). “It's About Time”: The Chronotope of the Holocaust in Art Spiegelman's Maus'. In Jan Baetens (ed.), The Graphic Novel. Leuven University Press. 47--60.score: 87.0
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  20. Frederik le Roy (ed.) (2011). Tickle Your Catastrophe!: Imagining Catastrophe in Art, Architecture and Philosophy. Academia Press.score: 84.0
    A collection of essays that takes stock of the current impact of the image and imagination of the catastrophe in art, science and philosophy.
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  21. Eric R. Kandel (2011). The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain: From Vienna 1900 to the Present. Random House.score: 84.0
    A psychoanalytic psychology and art of unconscious emotion -- An inward turn : Vienna 1900 -- Exploring the truths hidden beneath the surface : origins of a scientific medicine -- Viennese artists, writers, and scientists meet in the Zuckerkandl Salon -- Exploring the brain beneath the skull : origins of a scientific psychiatry -- Exploring mind together with the brain : the development of a brain-based psychology -- Exploring mind apart from the brain : origins of a dynamic psychology -- (...)
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  22. Carolyn Drake (2001). Form in Time: The Perceptual Discovery of Art. Trends in Cognitive Sciences 5 (11):463-464.score: 84.0
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  23. Eleonora Jedlińska (2011). Homelessness of Art Work / Homelessness of Memory: Moshe Kupferman\'s The Rift in Time. Art Inquiry. Recherches Sur les Arts 13:75-94.score: 84.0
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  24. Gabriel Motzkin (1997). The Intuition of Time Between Science and Art History in the Early Twentieth Century. Science in Context 10 (1).score: 84.0
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  25. Charles Bernheimer (2002). Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin De Siècle in Europe. Johns Hopkins University Press.score: 82.0
    Charles Bernheimer described decadence as a "stimulant that bends thought out of shape, deforming traditional conceptual molds." In this posthumously published work, Bernheimer succeeds in making a critical concept out of this perennially fashionable, rarely understood term. Decadent Subjects is a coherent and moving picture of fin de siècle decadence. Mature, ironic, iconoclastic, and thoughtful, this remarkable collection of essays shows the contradictions of the phenomenon, which is both a condition and a state of mind. In seeking to show why (...)
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  26. Mary Sanders Pollock & Catherine Rainwater (eds.) (2005). Figuring Animals: Essays on Animal Images in Art, Literature, Philosophy, and Popular Culture. Palgrave Macmillan.score: 82.0
    Figuring Animals is a collection of fifteen essays concerning the representation of animals in literature, the visual arts, philosophy, and cultural practice. At the turn of the new century, it is helpful to reconsider our inherited understandings of the species, some of which are still useful to us. It is also important to look ahead to new understandings and new dialogue, which may contribute to the survival of us all. The contributors to this volume participate in this dialogue in a (...)
     
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  27. Monica Roman (2010). Diferenţa dintre genuri în alocarea timpului liber în România/ Gender Differences in Allocation of Free Time in Romania. Journal for the Study of Religions and Ideologies 5 (14):63-73.score: 82.0
    Recent theoretical and empirical studies tend to highlight the prominent role that time plays in society, in a context of changing rhythms of work, the ageing of the European population and changing family structures. In this contribution I analyse the way time is used for leisure in Romania and situate it in the European context. I highlight the time use for creative and leisure activities in respect with gender, following the hypothesis that leisure is an important dimension (...)
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  28. Antonio Negri & Max Henninger (2007). Art and Culture in the Age of Empire and the Time of the Multitudes. Substance 36 (1):48-55.score: 81.0
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  29. Martina Kanning (2012). Using Objective, Real-Time Measures to Investigate the Effect of Actual Physical Activity on Affective States in Everyday Life Differentiating the Contexts of Working and Leisure Time in a Sample with Students. Frontiers in Psychology 3.score: 81.0
    Multiple studies suggest that physical activity causes positive affective reactions and reduces depressive mood. However, studies and interventions focused mostly on structured activity programs, but rarely on actual physical activity (aPA) in daily life. Furthermore, they seldom account for the context in which the aPA occur (e.g. work, leisure). Using a prospective, real time assessment design (ambulatory assessment), we investigated the effects of aPA on affective states (valence, energetic arousal, calmness) in real time during everyday life while controlling (...)
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  30. H. J. B. & Martin P. Nilsson (1921). Primitive Time-Reckoning. A Study in the Origins and First Development of the Art of Counting Time Among the Primitive and Early Culture Peoples. Journal of Hellenic Studies 41:158.score: 81.0
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  31. Jonathan Dollimore (2003). Art in Time of War: Towards a Contemporary Aesthetic. In John J. Joughin & Simon Malpas (eds.), The New Aestheticism. Manchester University Press. 3642.score: 81.0
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  32. Max Henninger (2007). Introduction to Antonio Negri's "Art and Culture in the Age of Empire and the Time of the Multitudes". Substance 36 (1):47-47.score: 81.0
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  33. Virginia Roehrig Kaufmann (1990). Joachim M. Plotzek, Andachtsbücher des Mittelalters Aus Privatbesitz. Cologne: Stadt Köln and Schnütgen Museum, 1987. Pp. 250; 358 Color Plates, 2 Black-and-White Plates. Roger S. Wieck, Time Sanctified: The Book of Hours in Medieval Art and Life. With Essays by Lawrence R. Poos, Virginia Reinburg, and John Plummer. New York: George Braziller, in Association with the Walters Art Gallery, Baltimore, 1988. Pp. 230; 40 Color Plates, 132 Black-and-White Plates. $45. [REVIEW] Speculum 65 (2):485-489.score: 81.0
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  34. John Paul Ricco (2014). The Decision Between Us: Art and Ethics in the Time of Scenes. University of Chicago Press.score: 81.0
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  35. Ivan Sanders (1978). Has Shaped Their Lives and Art Ever Since. Tamas Kabdebo is a Poet, Translator and Novelist Who Makes His Home in England. His Minden Ido\(Every Time) is a Tribute to the Impulsive Heroism of Youth and the Wistful Acquies-Cence of Middle Age. [REVIEW] Kriterion 175:8.score: 81.0
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  36. Juan Eduardo Reluz Machicote (2010). Time as a Geometric Concept Involving Angular Relations in Classical Mechanics and Quantum Mechanics. Foundations of Physics 40 (11):1744-1778.score: 78.0
    The goal of this paper is to introduce the notion of a four-dimensional time in classical mechanics and in quantum mechanics as a natural concept related with the angular momentum. The four-dimensional time is a consequence of the geometrical relation in the particle in a given plane defined by the angular momentum. A quaternion is the mathematical entity that gives the correct direction to the four-dimensional time.Taking into account the four-dimensional time as a vectorial quaternionic idea, (...)
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  37. Romeo Brunetti, Klaus Fredenhagen & Marc Hoge (2010). Time in Quantum Physics: From an External Parameter to an Intrinsic Observable. [REVIEW] Foundations of Physics 40 (9-10):1368-1378.score: 78.0
    In the Schrödinger equation, time plays a special role as an external parameter. We show that in an enlarged system where the time variable denotes an additional degree of freedom, solutions of the Schrödinger equation give rise to weights on the enlarged algebra of observables. States in the associated GNS representation correspond to states on the original algebra composed with a completely positive unit preserving map. Application of this map to the functions of the time operator on (...)
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  38. Sho Tanaka (2009). Kinematical Reduction of Spatial Degrees of Freedom and Holographic Relation in Yang's Quantized Space-Time Algebra. Foundations of Physics 39 (5):510-518.score: 72.0
    We try to find a possible origin of the holographic principle in the Lorentz-covariant Yang’s quantized space-time algebra (YSTA). YSTA, which is intrinsically equipped with short- and long-scale parameters, λ and R, gives a finite number of spatial degrees of freedom for any bounded spatial region, providing a basis for divergence-free quantum field theory. Furthermore, it gives a definite kinematical reduction of spatial degrees of freedom, compared with the ordinary lattice space. On account of the latter fact, we find (...)
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  39. L. G. Underwood (2007). Now Bounded, Now Immeasurable: Perspectives on Time in Disability, in Suffering and at End of Life. Medical Humanities 33 (1):11-15.score: 71.0
    Novels, films, poems and visual art can expand our view of time in ways that can be useful in dealing with disability, suffering and end of life. In particular, they can reveal more complex ways to view time. This can be effective both for the person suffering and for those who care for them. Our typical ways of viewing time include linear sequential clock time, which progresses in an evenly parsed, ordered, unidirectional way, and memory or (...)
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  40. Iain Boyd Whyte (ed.) (2010). Beyond the Finite: The Sublime in Art and Science. Oxford University Press.score: 70.0
    Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tackles that challenge.
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  41. Stephen F. Checkosky & Dean Whitlock (1973). Effects of Pattern Goodness on Recognition Time in a Memory Search Task. Journal of Experimental Psychology 100 (2):341.score: 70.0
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  42. Theodore E. Parks, Neal E. Kroll, Philip M. Salzberg & Stanley R. Parkinson (1972). Persistence of Visual Memory as Indicated by Decision Time in a Matching Task. Journal of Experimental Psychology 92 (3):437.score: 70.0
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  43. Lester E. Krueger (1970). Search Time in a Redundant Visual Display. Journal of Experimental Psychology 83 (3p1):391.score: 70.0
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  44. Hans O. Lisper, Lennart Melin & Per O. Sjoden (1973). Effect of Prewarning on Increase in Reaction Time in an Auditory Monitoring Task. Journal of Experimental Psychology 101 (2):378.score: 70.0
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  45. David J. King (1974). Total Presentation Time and Total Learning Time in Connected Discourse Learning. Journal of Experimental Psychology 103 (3):586.score: 70.0
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  46. Hans O. Lisper & Stig Ericsson (1973). Effects of Signal Frequency on Increase in Reaction Time in a 10-Minute Auditory Monitoring Task. Journal of Experimental Psychology 98 (2):316.score: 70.0
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  47. Stephen Snyder (2010). Arthur Danto’s Andy Warhol: The Embodiment of Theory in Art and the Pragmatic Turn. Leitmotiv:135-151.score: 69.0
    Arthur Danto’s recent book, Andy Warhol, leads the reader through the story of the iconic American’s artistic life highlighted by a philosophical commentary, a commentary that merges Danto’s aesthetic theory with the artist himself. Inspired by Warhol’s Brillo Box installation, art that in Danto’s eyes was indiscernible from the everyday boxes it represented, Danto developed a theory that is able to differentiate art from non-art by employing the body of conceptual art theory manifest in what he termed the ‘artworld’. The (...)
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  48. Elizabeth Grierson (2011). Art and Creativity in the Global Economies of Education. Educational Philosophy and Theory 43 (4):336-350.score: 69.0
    Creativity: what might this mean for art and art educators in the creative economies of globalisation? The task of this discussion is to look at the state of creativity and its role in education, in particular art education, and to seek some understanding of the register of creativity, how it is shaped, and how legitimated in the globalised world dominated by input-output, means-end, economically driven thinking, expectations and demands. With the help of Heidegger some crucial questions are raised, such as: (...)
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  49. Wilfried van Damme (2010). Ernst Grosse and the "Ethnological Method" in Art Theory. Philosophy and Literature 34 (2):302-312.score: 69.0
    Why are the Germans good at music, whereas the Dutch excel in painting? What are the reasons for the outstanding draftsmanship of Australian Aboriginals, and why does this skill seem absent among West African peoples, who appear concerned rather with sculpture? Could it be that the Japanese do not share the European preference for symmetry in decorative art? Moreover, why do tastes in the visual arts, music, and literature change so noticeably throughout history? Is it possible that, despite differences across (...)
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  50. Brian Massumi (2011). Semblance and Event: Activist Philosophy and the Occurrent Arts. Mit Press.score: 69.0
    Introduction. Activist philosophy and the occurrent arts -- The ether and your anger toward a speculative pragmatism -- The thinking-feeling of what happens putting the radical back in empiricism -- The diagram as technique of existence ovum of the universe segmented -- Arts of experience, politics of expression In four movements. First movement. To dance a storm -- Second movement. Life unlimited -- Third movement. The paradox of content -- Fourth movement. Composing the political.
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