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  1. Timothy Binkley (1977). Piece: Contra Aesthetics. Journal of Aesthetics and Art Criticism 35 (3):265-277.
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    Timothy Binkley (1974). On the Truth and Probity of Metaphor. Journal of Aesthetics and Art Criticism 33 (2):171-180.
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  3.  57
    Timothy Binkley (1997). The Vitality of Digital Creation. Journal of Aesthetics and Art Criticism 55 (2):107-116.
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  4.  43
    Timothy Binkley (2010). A Philosophy of Computer Art by Lopes, Dominic Mciver. Journal of Aesthetics and Art Criticism 68 (4):409-411.
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    Timothy Binkley (1979). The Principle of Expressibility. Philosophy and Phenomenological Research 39 (3):307-325.
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    Timothy Binkley (1971). On Reading Investigations § 43. Philosophy and Phenomenological Research 31 (3):429-432.
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  7.  21
    Timothy Binkley (1974). Real and Pretend. Philosophy and Phenomenological Research 34 (4):560-568.
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    Timothy Binkley (1970). Langer's Logical and Ontological Modes. Journal of Aesthetics and Art Criticism 28 (4):455-464.
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  9.  23
    Timothy Binkley (1973). Wittgenstein's Language. The Hague,Nijhoff.
    PHILOSOPHY AND LANGUAGE "What is the meaning of a word?" Thus Wittgenstein begins the set of lecture notes subsequently published as The Blue Book. ...
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  10. Timothy Binkley (1998). Computer Art. In Encyclopedia of Aesthetics.
     
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  11. Timothy Binkley & Gérard Genette (1992). Esthétique Et Poétique.
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  12. Timothy Binkley (1998). Encyclopedia of Aesthetics.
     
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  13. Timothy Binkley (1970). The Consistency of Positivist and Realist Views of Law. Pacific Philosophical Quarterly 51 (1):85.
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