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Profile: Tine Wilde (University of Amsterdam)
  1. Tine Wilde (2008). Remodel[L]Ing Reality. Wittgenstein's Uebersichtliche Darstellung & the Phenomenon of Installation in Visual Art. Dissertation, University of Amsterdam
    Remodel[l]ing Reality is an inquiry into Wittgenstein's notion of uebersichtliche Darstellung and the phenomenon of installation in visual art. In a sense, both provide a perspicuous overview of a particular part of our complex world, but the nature of the overview differs. Although both generate knowledge, philosophy via the uebersichtliche Darstellung gives us a view of how things stand for us, while the installation shows an unexpected, exiting point of view. The obvious we tend to forget and the ambiguity of (...)
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  2. Tine Wilde (2006). Normativity and Novelty. In Georg Gasser, Christian Kanzian & Edmund Runggaldier (eds.), Cultures: Conflict-Analysis-Dialog. Papers of the 29th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society. 370-372.
    In this paper I argue that the notion of aspect seeing is a substantial tool to shed light on the question whether rule-following is something necessary individual or social and on how this issue is connected to novelty. Bloor's (1997) insights will be used as representative of the social primacy of rule-following and Luntley (2003) will be taken up in order to examine an example of the individual stance. Weighing pros and cons and taking the notion of aspect seeing into (...)
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  3. Tine Wilde (2004). Reflectieve dynamiek in het latere werk van Wittgenstein. Algemeen Nederlands Tijdschrift voor Wijsbegeerte 96 (2):85-113.
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  4. Tine Wilde (2002). The 4th Dimension. Wittgenstein on Colour and Imagination. In Christian Kanzian, Josef Quitterer & Edmund Runggaldier (eds.), Persons. An Interdisciplinary Approach. Papers of the 25th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society. 284-286.
    In this paper I first discuss the colour-octahedron and the position of this model as an idealized system with respect to the remarks on colour-concepts in Remarks on Colour (RC). The next part examines the notion of aspect seeing in the light of the colour-octahedron and RC. From there a connection is made with On Certainty (OC). By linking the remarks on colour, seeing aspects and certainty, it may become clear that the investigations of Wittgenstein concerning colour and certainty direct (...)
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