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Profile: Tine Wilde (University of Amsterdam)
  1.  90
    Tine Wilde (2004). Reflectieve dynamiek in het latere werk van Wittgenstein. Algemeen Nederlands Tijdschrift voor Wijsbegeerte 96 (2):85-113.
    The point of Wittgenstein’s remarks on colour concerns, not so much colours as such, as well as our ability to see [that implies both seeing ánd thinking] and our capacity to imagine something. This can be seen from the fact that Wittgenstein relates the notion of ‘seeing aspects’ on the one hand to the colour octahedron in PB, and on the other hand to the colour puzzles as discussed in ROC. This connection between Wittgenstein’s remarks on colour, on seeing aspects (...)
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  2. Tine Wilde (2006). Normativity and Novelty. In Georg Gasser, Christian Kanzian & Edmund Runggaldier (eds.), Cultures: Conflict-Analysis-Dialog. Papers of the 29th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society 370-372.
    In this paper I argue that the notion of aspect seeing is a substantial tool to shed light on the question whether rule-following is something necessary individual or social and on how this issue is connected to novelty. Bloor's (1997) insights will be used as representative of the social primacy of rule-following and Luntley (2003) will be taken up in order to examine an example of the individual stance. Weighing pros and cons and taking the notion of aspect seeing into (...)
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  3.  87
    Tine Wilde (2002). The 4th Dimension. Wittgenstein on Colour and Imagination. In Christian Kanzian, Josef Quitterer & Edmund Runggaldier (eds.), Persons. An Interdisciplinary Approach. Papers of the 25th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society 284-286.
    In this paper I first discuss the colour-octahedron and the position of this model as an idealized system with respect to the remarks on colour-concepts in Remarks on Colour (RC). The next part examines the notion of aspect seeing in the light of the colour-octahedron and RC. From there a connection is made with On Certainty (OC). By linking the remarks on colour, seeing aspects and certainty, it may become clear that the investigations of Wittgenstein concerning colour and certainty direct (...)
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  4.  3
    Tine Wilde (2012). De Artistieke Wending. BLIND! 29 (Macht).
    De onmacht van deskundigen om de crisis te bezweren komt voort uit een deficiënte benadering van de problemen. Volgens kunstenaar en filosofe Tine Wilde is een Artistieke Wending nodig om complexe vraagstukken zoals de crisis op te kunnen lossen. In dit artikel pleit zij voor het toepassen van de intuïtieve aanpak die filosofen en kunstenaars hanteren, 'vertraagd onbewust nadenken'. In deze houding ligt de macht vervat, waarover in principe ieder van ons kan beschikken. Dit is een indirecte macht, die langer (...)
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  5.  3
    Tine Wilde (2005). Remodel[l]ing Reality (Dutch only). BLIND! 4.
    Dit artikel gaat over de gecompliceerde relatie tussen kunst en informatie. Alle kunst is informatie, kunnen we zeggen, maar niet alle informatie is kunst! Of om het anders te zeggen: we willen niet enkel worden geïnformeerd, maar ook geïnspireerd.
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  6.  34
    Tine Wilde (2008). Remodel[L]Ing Reality. Wittgenstein's Uebersichtliche Darstellung & the Phenomenon of Installation in Visual Art. Dissertation, University of Amsterdam
    Remodel[l]ing Reality is an inquiry into Wittgenstein's notion of uebersichtliche Darstellung and the phenomenon of installation in visual art. In a sense, both provide a perspicuous overview of a particular part of our complex world, but the nature of the overview differs. Although both generate knowledge, philosophy via the uebersichtliche Darstellung gives us a view of how things stand for us, while the installation shows an unexpected, exiting point of view. The obvious we tend to forget and the ambiguity of (...)
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