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  1. Tom Huhn (2008). The Persistence of Subjectivity: On the Kantian Aftermath , And: German Philosophy 1760–1860: The Legacy of Idealism (Review). [REVIEW] Philosophy and Literature 32 (2):pp. 396-401.
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  2. Tom Huhn (2007). Review of Eva Geulen, The End of Art: Readings in a Rumor After Hegel. [REVIEW] Notre Dame Philosophical Reviews 2007 (3).
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  3. Tom Huhn (2004). Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant. Penn State University Press.
     
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  4. Tom Huhn (2004). Introduction: Thoughts Beside Themselves. In , The Cambridge Companion to Adorno. Cambridge University Press. 1--18.
     
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  5. Tom Huhn (ed.) (2004). The Cambridge Companion to Adorno. Cambridge University Press.
    The great German philosopher and aesthetic theorist Theodor Wiesengrund Adorno (1903-1969) was one of the main philosophers of the first generation of the Frankfurt School of critical theory. As an accomplished musician, Adorno originally focused on the theory of culture and art. He later turned to the problem of the self-defeating dialectic of modern reason and freedom. A distinguished roster of Adorno specialists explores the full range of his contributions to philosophy, history, music theory, aesthetics and sociology in this collection (...)
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  6. Tom Huhn (2003). Heidegger, Adorno, and Mimesis. Dialogue and Universalism 13 (11-12):43-52.
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  7. Joseph Margolis, Tom Rockmore, Lisa Dolling, Jaakko Hintikka, Anton Alterman, Stephen Toulmin, Michel Paty, John Stachel, Gregg Horowitz, Michael Kelly, Tom Huhn, Barbara Savedoff, Saul Fisher, Sybil Schwarzenbach, John Pittman, Raphael Sassower & MaryAnn Cutter (2002). Constructivism and Practice: Toward a Historical Epistemology. Rowman & Littlefield Publishers.
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  8. Tom Huhn (2000). A Modern Critique of Modernism: Lukacs, Greenberg, and Ideology. Constellations 7 (2):178-196.
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  9. Tom Huhn & Lambert Zuidervaart (eds.) (1999). The Semblance of Subjectivity: Essays in Adorno's Aesthetic Theory. The Mit Press.
  10. Gregg Horowitz & Tom Huhn (1998). The Wake of Art: Criticism, Philosophy, and the Ends of Taste. In Arthur Coleman Danto (ed.), The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste. G+B Arts Int'l.
     
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  11. Tom Huhn (1998). Book Reviews. [REVIEW] British Journal of Aesthetics 38 (2):395-397.
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  12. Tom Huhn (1997). A Lack of Feeling in Kant: Response to Patricia M. Matthews. Journal of Aesthetics and Art Criticism 55 (1):57-58.
  13. Tom Huhn (1996). The Movement of Mimesis: Heidegger's 'Origin of the Work of Art' in Relation to Adorno and Lyotard. Philosophy and Social Criticism 22 (4):45-69.
    Heidegger formulates the artwork's origin in a movement against the false motion of portrayal and repetition. The term mimesis is employed in the present essay to describe this origin and the means by which truth 'happens', specifically when mimesis turns against itself as imitation. The movement of the artwork is considered within the following constellation: the concept of mimesis is examined in light of Heidegger's 'Origin' essay to illuminate the concept and the essay by placing both in relation to Adorno's (...)
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  14. Tom Huhn (1995). Theodor W. Adorno, The Stars Down to Earth and Other Essays on the Irrational in Culture Reviewed By. Philosophy in Review 15 (3):151-153.
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