Search results for 'Tristan Bekinschtein' (try it on Scholar)

139 found
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  1.  4
    Juan F. Cardona, Lucila Kargieman, Vladimiro Sinay, Oscar Gershanik, Carlos Gelormini, Lucia Amoruso, María Roca, David Pineda, Natalia Trujillo, Maëva Michon, Adolfo M. García, Daniela Szenkman, Tristán Bekinschtein, Facundo Manes & Agustín Ibáñez (2014). How Embodied is Action Language? Neurological Evidence From Motor Diseases. Cognition 131 (2):311-322.
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  2.  40
    Tristan Bekinschtein, Cecilia Tiberti, Jorge Niklison, Mercedes Tamashiro, Melania Ron, Silvina Carpintiero, Mirta Villarreal, Cecilia Forcato, Ramon Leiguarda & Facundo Manes (2005). Assessing Level of Consciousness and Cognitive Changes From Vegetative State to Full Recovery. Neuropsychological Rehabilitation. Vol 15 (3-4):307-322.
  3.  4
    Jayne Tristan (2002). The Role of Measurement in Inquiry. In F. Thomas Burke, D. Micah Hester & Robert B. Talisse (eds.), Dewey's Logical Theory: New Studies and Interpretations. Vanderbilt University Press 202--224.
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  4.  6
    Jayne Tristan (2005). Democracy and the Post-Totalitarian Experience. Newsletter of the Society for the Advancement of American Philosophy 33 (101):45-49.
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  5.  2
    Isidro Pecharromán Tristán & Manuel Pintor García (2010). Competencias previas en Educación ético-cívica: una investigación en el segundo ciclo de ESO. Paideia: Revista de Filosofía y Didáctica Filosófica 31 (89):309-341.
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  6. Marie-France Tristan & Yves Hersant (2002). La Scène de l'Écriture Essai Sur la Poésie Philosophique du Cavalier Marin. Monograph Collection (Matt - Pseudo).
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  7. Jayne Tristan & Ralph McDonald (2008). Signs Against Trees. American Journal of Semiotics 11 (1/2):237 - 248.
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  8. Andreas Dorschel (1987). Die Idee der ‘Einswerdung’ in Wagners Tristan. In Heinz-Klaus Metzger & Rainer Riehn (eds.), Richard Wagner, Tristan und Isolde. Edition Text + Kritik 19-25.
  9.  47
    Graham Harman (2012). Object-Oriented France: The Philosophy of Tristan Garcia. Continent 2 (1):6-21.
    continent. 2.1 (2012): 6–21. The French philosopher and novelist Tristan Garcia was born in Toulouse in 1981. This makes him rather young to have written such an imaginative work of systematic philosophy as Forme et objet , 1 the latest entry in the MétaphysiqueS series at Presses universitaires de France. But this reference to Garcia’s youthfulness is not a form of condescension: by publishing a complete system of philosophy in the grand style, he has already done what none of (...)
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  10.  6
    Roger Scruton (2004). Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde. OUP Usa.
    In Death-Devoted Heart Roger Scruton argues that Tristan und Isolde has profound religious meaning. Blending philosophy, criticism and musicology, he shows the work is as relevant today as it was to Wagner's contemporaries. Scruton's analysis touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption.
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  11.  9
    Bryan Magee (2007). The Secret of Tristan and Isolde. Philosophy 82 (2):339-346.
    In his autobiography, Mein Leben, Wagner tells us that it was partly his reading of Schopenhauer's The World as Will and Representation , and the need to give ‘rapturous expression’ to the ‘frame of mind produced’ by that reading, that gave him the initial conception of Tristan and Isolde.
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  12.  1
    Robert Glendinning (1992). Eros, Agape, and Rhetoric Around 1200: Gervase of Melkley's Ars Poetica and Gottfried von Strassburg's Tristan. Speculum 67 (4):892-925.
    In two previous articles I have examined the presence of elements related to love and sex in rhetorical manuals of the twelfth and thirteenth centuries and compared such elements with similar material in a number of literary texts of the same period. The relationship between the two kinds of texts appears to be closer than would be expected solely on the grounds that they were written in an age interested in both eros and rhetoric, and I have suggested that the (...)
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  13.  9
    Eric Chafe (2008). The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan and Isolde. OUP Usa.
    During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as 'a gift from heaven.' Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas (...)
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  14. Eric Chafe (2005). The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan Und Isolde. Oxford University Press Usa.
    Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas inspired by Schopenhauer. The book is a critical account of Tristan, in which the drama is shown to develop through the music.
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  15. Tristan Fidler (2007). Chapter Six The Imaginary Body in Chris Cunningham's Music Videos: Portishead's Only You and Leftfield's Afrika Shox Tristan Fidler. In John Wall (ed.), Music, Metamorphosis and Capitalism: Self, Poetics and Politics. Cambridge Scholars Publishing 77.
     
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  16. Bryan Magee (2001). Het geheim van Tristan und Isolde. Nexus 29.
    Hoe kan de behoefte om 'hartstochtelijk uitdrukking te geven' aan de geestesgesteldheid die teweeggebracht is door het lezen van een wijsgerige verhandeling tegelijkertijd de aanzet vormen tot een eenvoudig muzikaal concept, of zelfs, zoals Wagner zelf stelt, 'mijn minst gecompliceerde muzikale conceptie'? Magee analyseert dit probleem waarmee hij geconfronteerd wordt naar aanleiding van de opera Tristan en Isolde.
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  17. Rik Peters, Graham Harman & Tristan Garcia (2013). A Dialogue Between Graham Harman and Tristan Garcia. In Deva Waal (ed.), in Drift wijsgerig festival. Drift 70-96.
     
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  18. Roger Scruton (2012). Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde. Oxford University Press Usa.
    A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's Tristan and Isolde for the originality and subtlety of the music, they have denounced the drama as a "mere trifle"--a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland.Death-Devoted (...)
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  19.  21
    Elly Vintiadis (2014). Review: Beyond an Absence of Faith Edited by Jonathan M.S.Pearce and Tristan Vick. [REVIEW] Science, Religion andCulture 1 (2):122-125.
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  20.  45
    D. R. Brothwell & R. G. Harvey (1965). Facial Variation, with Special Reference to the People of Tristan Da Cunha. The Eugenics Review 57 (4):167.
  21.  15
    Nicole Edelman (2005). Flora Tristan, la paria et son rêve, correspondance établie par Stéphane MICHAUD, Fontenay / Saint-Cloud, E. N. S. Editions, 1995, 302 p. ; Flora Tristan, George Sand, Pauline Roland, les femmes et l'invention d'une nouvelle morale, textes réunis par Stéphane MICHAUD, Paris, Créaphis, 1994, 110 p. [REVIEW] Clio 3.
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  22.  21
    Graham Harman (2013). Tristan Garcia and the Thing-In-Itself. Parrhesia (16):26-34.
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  23.  11
    Joseph D. Kuzma (2013). Nietzsche, Tristan, and the Rehabilitation of Erotic Distance. Journal of Nietzsche Studies 44 (1):69-89.
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  24.  7
    Alex J. Denomy (1956). Tristan and the Morholt: David and Goliath. Mediaeval Studies 18 (1):224-232.
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  25.  5
    Marie-cécile Benassy (2004). Flora Tristan, la Paria Et Son Rêve, Correspondance Établie Par Stéphane Michaud, Préface de Mario Vargas Llosa, Presses Sorbonne Nouvelle, Paris, 2003, 342 P. ; Mario Vargas Llosa, El Paraíso En la Otra Esquina, Madrid, Alfaguara, 2003, 485 P. / le Paradis Un Peu Plus Loin, Trad. Albert Bensoussan Et Anne-Marie Cases, Paris, Gallimard, 2003, 530 P. [REVIEW] Clio 18:294-296.
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  26.  8
    Margot Fleischer (1982). Philosophische Aspekte von Wagners »Tristan und Isolde«. Perspektiven der Philosophie 8:135-161.
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  27.  2
    Nancy Vine Durling (2011). Jean-François Kosta-Théfaine, Ed., Istoire de la Chastelaine du Vergier Et de Tristan le Chevalier.(MHRA Critical Texts, 9.) London: Modern Humanities Research Association, 2009. Paper. Pp. Vii, 112; Black-and-White Figures.£ 12.99. [REVIEW] Speculum 86 (1):234-235.
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  28.  4
    Jane H. M. Taylor (2011). Laurence Harf-Lancner, Laurence Mathey-Maille, Bénédicte Milland-Bove, and Michelle Szkilnik, Eds., Des “Tristan” En Vers au “Tristan” En Prose: Hommage À Emmanuèle Baumgartner. (Colloques, Congrès Et Conférences Sur le Moyen Âge, 8.) Paris: Honoré Champion, 2009. Pp. 439; 1 Black-and-White Figure. €80. [REVIEW] Speculum 86 (4):1076-1077.
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  29.  2
    K. V. Sinclair (1963). Guillaume de Palerne, a Source for Tristan de Nanteuil. Mediaeval Studies 25 (1):362-366.
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  30.  1
    Alexandre Leupin (1989). Colette-Anne Van Coolput, Aventures querant et le sens du monde: Aspects de la réception productive des premiers romans du Graal cycliques dans le “Tristan en prose.”(Mediaevalia Lovaniensia, ser. 1: Studia, 14.) Leuven: Leuven University Press, 1986. Paper. Pp. xxviii, 259. BF 1,400. [REVIEW] Speculum 64 (1):227-229.
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  31.  7
    L. Polak (1970). The Two Caves of Love in the Tristan by Thomas. Journal of the Warburg and Courtauld Institutes 33:52-69.
  32.  2
    Thomas Kerth (1992). Alois Wolf, Gottfried von Strassburg und die Mythe von Tristan und Isolde. Darmstadt: Wissenschaftliche Buchgesellschaft, 1989. Pp. vii, 337. [REVIEW] Speculum 67 (1):237-239.
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  33.  2
    Claude Abraham (1973). Tristan and Calderon. Revue Belge de Philologie Et D’Histoire 51 (3):556-559.
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  34.  1
    Matilda Tomaryn Bruckner (1992). Merritt R. Blakeslee, Love's Masks: Identity, Intertextuality, and Meaning in the Old French Tristan Poems.(Arthurian Studies, 15.) Cambridge, Eng.: DS Brewer, 1989. Pp. I, 165. $56. [REVIEW] Speculum 67 (1):114-116.
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  35.  1
    Nicole Edelman (1996). Flora Tristan, la paria et son rêve, correspondance établie par Stéphane MICHAUD, Fontenay / Saint-Cloud, E. N. S. Editions, 1995, 302 p. ; Flora Tristan, George Sand, Pauline Roland, les femmes et l'invention d'une nouvelle morale, textes réunis pa. [REVIEW] Clio 1:21-21.
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  36.  1
    William Layher (2001). Marianne E. Kalinke, Ed., Norse Romance, 1: The Tristan Legend; 2: The Knights of the Round Table; 3: Hærra Ivan.(Arthurian Archives, 3–5.) Woodbridge, Suff., and Rochester, NY: Boydell and Brewer, 1999. 1: Pp. X, 294. 2: Pp. V, 329. 3: Pp. Vi, 313. 1: $90. 2: $90. 3: $75. [REVIEW] Speculum 76 (1):180-183.
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  37.  1
    Mogens Lærke (2009). Catherine Secrétan, Tristan Dagron et Laurent Bove (dir.), Qu'est-ce que les Lumières « radicales » ? Libertinage, athéisme et spinozisme dans le tournant philosophique de l'âge classique, Paris, Éditions Amsterdam (Caute !), 2007, 404 pages, 24 €. [REVIEW] Astérion 6.
    Ce beau volume rassemble vingt-trois contributions à un colloque international sur le thème des « Lumières radicales », tenu à l’École normale supérieure Lettres et sciences humaines à Lyon en février 2004. L’objectif du colloque était de s’interroger sur le sens et la pertinence de cette catégorie historiographique qui s’est imposée dans l’histoire intellectuelle du xviie et du xviiie siècle depuis quelques décennies déjà, mais avec une force considérable depuis une dizaine d’années. Le volu..
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  38.  1
    Nathaniel B. Smith (1983). Pierre Bec, Ed. And Trans., Anthologie des Troubadours; Paris: Union Générale d'Editions, 1977–1982. Paper.Joseph Bédier, Le Roman de Tristan Et Iseut; Paris: Union Générale d'Editions, 1977–1982. Paper.Christine de Pizan, Cent Ballades d'Amant Et de Dame, Ed. Jacqueline Cerquiglini; Paris: Union Générale d'Editions, 1977–1982. Paper.Micheline de Combarieu du Grès and Jean Subrenat, Transs., Le Roman de Renart: Edition Bilingue; Paris: Union Générale d'Editions, 1977–1982. Paper.André Crépin, Trans., Poèmes Héroïques Vieil-Anglais: “Beowulf,” “Judith,” “Maldon,” “Plainte de l'Exilée,” “Exaltation de la Croix”; Paris: Union Générale d'Editions, 1977–1982. Paper.Pierre Kunstmann, Ed. And Trans., Vierge Et Merveille: Les Miracles de Notre-Dame Narratifs au Moyen 'Ge; Paris: Union Générale d'Editions, 1977–1982. Paper.Pierre Michault, Œuvres Poétiques, Ed. Barbara Folkart; Paris: Union Générale d'Editions, 1977–1982. Paper.Jean-Marcel Paquette, Ed. And Trans., Poèmes de la Mort, de Turold. [REVIEW] Speculum 58 (2):546-547.
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  39.  1
    Merritt R. Blakeslee (1986). Sven Sandqvist, Notes Textuelles Sur le “Roman de Tristan” de Béroul. (Etudes Romanes de Lund, 39.) Malmö: LiberFörlag, 1984. Paper. Pp. 169. SKr 135. [REVIEW] Speculum 61 (1):202-204.
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  40.  1
    Margaret Talbot (1991). An Emancipated Voice: Flora Tristan and Utopian Allegory. Feminist Studies 17 (2):219.
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  41.  1
    Eckhard Heftrich (1985). Nietzsches ‚Tristan'. Nietzsche-Studien 14 (1):22.
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  42.  1
    Ernst S. Dick (1995). Mark Chinca, History, Fiction, Verisimilitude: Studies in the Poetics of Gottfried's “Tristan.”(Modern Humanities Research Association Texts and Dissertations, 35; Bithell Series of Dissertations, 18.) London: Modern Humanities Research Association, for the Institute of Germanic Studies, University of London, 1993. Paper. Pp. Viii, 134. [REVIEW] Speculum 70 (2):354-356.
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  43.  1
    James W. Hutchison (1977). Some Preliminary Hypotheses on the Semiotic Microcosm of Gottfried's Tristan. Semiotica 20 (1-2).
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  44. David Bernstein (1989). Georg Capellen on “Tristan Und Isolde”: Analytical Systems in Conflict at the Turn of the Twentieth Century. Theoria 4:34-62.
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  45. Magee Bryan (2007). The Secret of Tristan and Isolde. Philosophy 82 (2).
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  46. Fernando Carvallo (1992). Flora Tristan : exil et pérégrination. Hermes 10:245.
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  47. Mark Chinca (2015). Jutta Eming, Ann M. Rasmussen, and Kathryn Starkey, Eds., Visuality and Materiality in the Story of Tristan and Isolde. Notre Dame, IN: University of Notre Dame Press, 2012. Paper. Pp. Xv, 355. $45. ISBN: 978-0-268-04139-7. [REVIEW] Speculum 90 (3):803-804.
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  48. Mark Chinca (2008). Martin Baisch, Textkritik Als Problem der Kulturwissenschaft: Tristan-Lektüren.(Trends in Medieval Philology, 9.) Berlin and New York: Walter de Gruyter, 2006. Pp. Viii, 400; 11 Black-and-White Figures.€ 100.93. [REVIEW] Speculum 83 (4):949-950.
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  49. Maria E. Cybulska (1968). Tristan- rodowód namiętności ( Denis de\' Rougemont, \"Miłość a świat kultury zachodniej\", PAX 1968, wyd.I. s.308). Człowiek I Światopogląd 6 (6):138-143.
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  50. Rosemarie Deist (2000). Mark Chinca, Gottfried von Strassburg:“Tristan.”(Landmarks of World Literature.) Cambridge, Eng.: Cambridge University Press, 1997. Pp. Vii, 119. $44.95 (Cloth); $12.95 (Paper). [REVIEW] Speculum 75 (1):165-166.
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