Search results for 'Tristan Bekinschtein' (try it on Scholar)

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  1. [deleted]Bekinschtein Tristan, Canales-Johnson Andrés, Silva Carolina, Huepe David, Rivera-Rei Alvaro, Noreika Valdas, Del Carmen Garcia Maria, Silva Walter, Sedeño Lucas, Kargieman Lucila, Baglivo Fabricio, Chennu Srivas, Ibanez Agustin & Rodriguez Eugenio (2013). Learn From Your Heart: Dissociable Neural Markers for Objective Interoceptive Performance and Metacognitive Awareness in Auditory Feedback. Frontiers in Human Neuroscience 7.score: 300.0
  2. Tristan Bekinschtein, Cecilia Tiberti, Jorge Niklison, Mercedes Tamashiro, Melania Ron, Silvina Carpintiero, Mirta Villarreal, Cecilia Forcato, Ramon Leiguarda & Facundo Manes (2005). Assessing Level of Consciousness and Cognitive Changes From Vegetative State to Full Recovery. Neuropsychological Rehabilitation. Vol 15 (3-4):307-322.score: 240.0
  3. Srivas Chennu & Tristan A. Bekinschtein (2012). Arousal Modulates Auditory Attention and Awareness: Insights From Sleep, Sedation, and Disorders of Consciousness. Frontiers in Psychology 3:65-65.score: 240.0
    The interplay between top-down, bottom-up attention and consciousness is frequently tested in altered states of consciousness, including transitions between stages of sleep and sedation, and in pathological disorders of consciousness (the vegetative and minimally conscious states; VS and MCS). One of the most widely used tasks to assess cognitive processing in this context is the auditory oddball paradigm, where an infrequent change in a sequence of sounds elicits, in awake subjects, a characteristic EEG event-related potential (ERP) called the mismatch negativity (...)
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  4. [deleted]Tristan A. Bekinschtein, Facundo F. Manes, Mirta Villarreal, Adrian M. Owen & Valeria Della Maggiore (2011). Functional Imaging Reveals Movement Preparatory Activity in the Vegetative State. Frontiers in Human Neuroscience 5:5.score: 240.0
    The Vegetative State (VS) is characterized by the absence of awareness of self or the environment and preserved autonomic functions. The diagnosis relies critically on the lack of consistent signs of purposeful behavior in response to external stimulation. Yet, given that patients with disorders of consciousness often exhibit fragmented movement patterns, voluntary actions may go unnoticed. Here we designed a simple motor paradigm that could potentially detect residual conscious awareness in VS patients with mild to severe brain damage by examining (...)
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  5. Juan F. Cardona, Lucila Kargieman, Vladimiro Sinay, Oscar Gershanik, Carlos Gelormini, Lucia Amoruso, María Roca, David Pineda, Natalia Trujillo, Maëva Michon, Adolfo M. García, Daniela Szenkman, Tristán Bekinschtein, Facundo Manes & Agustín Ibáñez (2014). How Embodied is Action Language? Neurological Evidence From Motor Diseases. Cognition 131 (2):311-322.score: 240.0
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  6. Tristan A. Bekinschtein, Moos Peeters, Diego Shalom & Mariano Sigman (2011). Sea Slugs, Subliminal Pictures, and Vegetative State Patients: Boundaries of Consciousness in Classical Conditioning. Frontiers in Psychology 2:337-337.score: 240.0
    Classical (trace) conditioning is a specific variant of associative learning in which a neutral stimulus leads to the subsequent prediction of an emotionally charged or noxious stimulus after a temporal gap. When conditioning is concurrent with a distraction task, only participants who can report the relationship (the contingency) between stimuli explicitly show associative learning. This suggests that consciousness is a prerequisite for trace conditioning. We review and question three main controversies concerning this view. Firstly, virtually all animals, even invertebrate sea (...)
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  7. Jayne Tristan (2002). The Role of Measurement in Inquiry. In F. Thomas Burke, D. Micah Hester & Robert B. Talisse (eds.), Dewey's Logical Theory: New Studies and Interpretations. Vanderbilt University Press. 202--224.score: 30.0
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  8. Isidro Pecharromán Tristán & Manuel Pintor García (2010). Competencias previas en Educación ético-cívica: una investigación en el segundo ciclo de ESO. Paideia: Revista de Filosofía y Didáctica Filosófica 31 (89):309-341.score: 30.0
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  9. Jayne Tristan (2005). Democracy and the Post-Totalitarian Experience. Newsletter of the Society for the Advancement of American Philosophy 33 (101):45-49.score: 30.0
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  10. [deleted]Paula M. Herrera, Mario Speranza, Adam Hampshire & TristáN. A. Bekinschtein (2014). Monetary Rewards Modulate Inhibitory Control. Frontiers in Human Neuroscience 8.score: 30.0
  11. Jayne Tristan & Ralph McDonald (2008). Signs Against Trees. American Journal of Semiotics 11 (1/2):237 - 248.score: 30.0
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  12. Graham Harman (2012). Object-Oriented France: The Philosophy of Tristan Garcia. Continent 2 (1):6-21.score: 18.0
    continent. 2.1 (2012): 6–21. The French philosopher and novelist Tristan Garcia was born in Toulouse in 1981. This makes him rather young to have written such an imaginative work of systematic philosophy as Forme et objet , 1 the latest entry in the MétaphysiqueS series at Presses universitaires de France. But this reference to Garcia’s youthfulness is not a form of condescension: by publishing a complete system of philosophy in the grand style, he has already done what none of (...)
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  13. Eric Chafe (2008). The Tragic and the Ecstatic: The Musical Revolution of Wagner's Tristan and Isolde. OUP USA.score: 18.0
    During the years preceding the composition of Tristan and Isolde, Wagner's aesthetics underwent a momentous turnaround, principally as a result of his discovery of Schopenhauer. Many of Schopenhauer's ideas, especially those regarding music's metaphysical significance, resonated with patterns of thought that had long been central to Wagner's aesthetics, and Wagner described the entry of Schopenhauer into his life as "a gift from heaven." Chafe argues that Wagner's Tristan and Isolde is a musical and dramatic exposition of metaphysical ideas (...)
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  14. Roger Scruton (2004). Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde. OUP USA.score: 18.0
    A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. Critics have lauded Wagner's Tristan und Isolde for the originality and subtlety of the music, but have often viewed the drama as a "mere trifle," about Wagner's own forbidden affair with Matilde Wesendonk, the wife of a banker who supported him during his exile in Switzerland. (...)
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  15. Tristan Fidler (2007). Chapter Six The Imaginary Body in Chris Cunningham's Music Videos: Portishead's Only You and Leftfield's Afrika Shox Tristan Fidler. In John Wall (ed.), Music, Metamorphosis and Capitalism: Self, Poetics and Politics. Cambridge Scholars Publishing. 77.score: 18.0
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  16. Rik Peters, Graham Harman & Tristan Garcia (2013). A Dialogue Between Graham Harman and Tristan Garcia. In Deva Waal (ed.), in Drift wijsgerig festival. Drift. 70-96.score: 18.0
     
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  17. Graham Harman (2013). Tristan Garcia and the Thing-In-Itself. Parrhesia (16):26-34.score: 15.0
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  18. Nicole Edelman (2005). Flora Tristan, la paria et son rêve, correspondance établie par Stéphane MICHAUD, Fontenay / Saint-Cloud, E. N. S. Editions, 1995, 302 p. ; Flora Tristan, George Sand, Pauline Roland, les femmes et l'invention d'une nouvelle morale, textes réunis par Stéphane MICHAUD, Paris, Créaphis, 1994, 110 p. [REVIEW] Clio 3.score: 15.0
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  19. Bryan Magee (2007). The Secret of Tristan and Isolde. Philosophy 82 (2):339-346.score: 15.0
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  20. Joseph D. Kuzma (2013). Nietzsche, Tristan, and the Rehabilitation of Erotic Distance. Journal of Nietzsche Studies 44 (1):69-89.score: 15.0
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  21. Margot Fleischer (1982). Philosophische Aspekte von Wagners »Tristan und Isolde«. Perspektiven der Philosophie 8:135-161.score: 15.0
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  22. L. Polak (1970). The Two Caves of Love in the Tristan by Thomas. Journal of the Warburg and Courtauld Institutes 33:52-69.score: 15.0
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  23. Claude Abraham (1973). Tristan and Calderon. Revue Belge de Philologie Et D'Histoire 51 (3):556-559.score: 15.0
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  24. Marie-cécile Benassy (2004). Flora Tristan, la Paria Et Son Rêve, Correspondance Établie Par Stéphane Michaud, Préface de Mario Vargas Llosa, Presses Sorbonne Nouvelle, Paris, 2003, 342 P. ; Mario Vargas Llosa, El Paraíso En la Otra Esquina, Madrid, Alfaguara, 2003, 485 P. / le Paradis Un Peu Plus Loin, Trad. Albert Bensoussan Et Anne-Marie Cases, Paris, Gallimard, 2003, 530 P. [REVIEW] Clio 18:294-296.score: 15.0
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  25. Thomas Kerth (1992). Alois Wolf, Gottfried von Strassburg und die Mythe von Tristan und Isolde. Darmstadt: Wissenschaftliche Buchgesellschaft, 1989. Pp. vii, 337. [REVIEW] Speculum 67 (1):237-239.score: 15.0
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  26. Merritt R. Blakeslee (1986). Sven Sandqvist, Notes Textuelles Sur le “Roman de Tristan” de Béroul. (Etudes Romanes de Lund, 39.) Malmö: LiberFörlag, 1984. Paper. Pp. 169. SKr 135. [REVIEW] Speculum 61 (1):202-204.score: 15.0
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  27. D. R. Brothwell & R. G. Harvey (1965). Facial Variation, with Special Reference to the People of Tristan Da Cunha. The Eugenics Review 57 (4):167.score: 15.0
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  28. Alex J. Denomy (1956). Tristan and the Morholt: David and Goliath. Mediaeval Studies 18 (1):224-232.score: 15.0
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  29. Ernst S. Dick (1995). Mark Chinca, History, Fiction, Verisimilitude: Studies in the Poetics of Gottfried's “Tristan.”(Modern Humanities Research Association Texts and Dissertations, 35; Bithell Series of Dissertations, 18.) London: Modern Humanities Research Association, for the Institute of Germanic Studies, University of London, 1993. Paper. Pp. Viii, 134. [REVIEW] Speculum 70 (2):354-356.score: 15.0
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  30. Robert Glendinning (1992). Eros, Agape, and Rhetoric Around 1200: Gervase of Melkley's Ars Poetica and Gottfried von Strassburg's Tristan. Speculum 67 (4):892-925.score: 15.0
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  31. Eckhard Heftrich (1985). Nietzsches ‚Tristan'. Nietzsche-Studien 14 (1).score: 15.0
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  32. James W. Hutchison (1977). Some Preliminary Hypotheses on the Semiotic Microcosm of Gottfried's Tristan. Semiotica 20 (1-2).score: 15.0
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  33. Margaret Talbot (forthcoming). An Emancipated Voice: Flora Tristan and Utopian Allegory. Feminist Studies.score: 15.0
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  34. Jane H. M. Taylor (2011). Laurence Harf-Lancner, Laurence Mathey-Maille, Bénédicte Milland-Bove, and Michelle Szkilnik, Eds., Des “Tristan” En Vers au “Tristan” En Prose: Hommage à Emmanuèle Baumgartner. (Colloques, Congrès Et Conférences Sur le Moyen Âge, 8.) Paris: Honoré Champion, 2009. Pp. 439; 1 Black-and-White Figure. €80. [REVIEW] Speculum 86 (4):1076-1077.score: 15.0
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  35. David Bernstein (1989). Georg Capellen on “Tristan Und Isolde”: Analytical Systems in Conflict at the Turn of the Twentieth Century. Theoria 4:34-62.score: 15.0
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  36. Matilda Tomaryn Bruckner (1992). Merritt R. Blakeslee, Love's Masks: Identity, Intertextuality, and Meaning in the Old French Tristan Poems.(Arthurian Studies, 15.) Cambridge, Eng.: DS Brewer, 1989. Pp. I, 165. $56. [REVIEW] Speculum 67 (1):114-116.score: 15.0
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  37. Magee Bryan (2007). The Secret of Tristan and Isolde. Philosophy 82 (2).score: 15.0
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  38. Fernando Carvallo (1992). Flora Tristan : exil et pérégrination. Hermes 10:245.score: 15.0
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  39. Mark Chinca (2008). Martin Baisch, Textkritik Als Problem der Kulturwissenschaft: Tristan-Lektüren.(Trends in Medieval Philology, 9.) Berlin and New York: Walter de Gruyter, 2006. Pp. Viii, 400; 11 Black-and-White Figures.€ 100.93. [REVIEW] Speculum 83 (4):949-950.score: 15.0
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  40. Maria E. Cybulska (1968). Tristan- rodowód namiętności ( Denis de\' Rougemont, \"Miłość a świat kultury zachodniej\", PAX 1968, wyd.I. s.308). Człowiek I Światopogląd 6 (6):138-143.score: 15.0
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  41. Rosemarie Deist (2000). Mark Chinca, Gottfried von Strassburg:“Tristan.”(Landmarks of World Literature.) Cambridge, Eng.: Cambridge University Press, 1997. Pp. Vii, 119. $44.95 (Cloth); $12.95 (Paper). [REVIEW] Speculum 75 (1):165-166.score: 15.0
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  42. Ernst S. Dick (1987). Hans Unterreitmeier, Tristan als Retter. (Centro Internazionale di Studi di Filosofia della Religione, Saggi, 13.) Perugia: Benucci, 1984. Paper. Pp. 274. [REVIEW] Speculum 62 (2):487-489.score: 15.0
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  43. Nancy Vine Durling (2011). Jean-François Kosta-Théfaine, Ed., Istoire de la Chastelaine du Vergier Et de Tristan le Chevalier.(MHRA Critical Texts, 9.) London: Modern Humanities Research Association, 2009. Paper. Pp. Vii, 112; Black-and-White Figures.£ 12.99. [REVIEW] Speculum 86 (1):234-235.score: 15.0
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  44. Nicole Edelman (1996). Flora Tristan, la paria et son rêve, correspondance établie par Stéphane MICHAUD, Fontenay / Saint-Cloud, E. N. S. Editions, 1995, 302 p. ; Flora Tristan, George Sand, Pauline Roland, les femmes et l'invention d'une nouvelle morale, textes réunis pa. [REVIEW] Clio 1:21-21.score: 15.0
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  45. L. Gallois (2009). Tristan DAGRON, Toland et Leibniz. L'invention du néo-spinozisme. Archives de Philosophie 72 (4):662.score: 15.0
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  46. Joan Tasker Grimbert (2009). Dominique Demartini, Miroir d'amour, miroir du roman: Le discours amoureux dans le “Tristan” en prose. (Nouvelle Bibliothèque du Moyen Âge, 75.) Paris: Honoré Champion, 2006. Pp. 519. €117.76. Distributed outside France by Éditions Slatkine, Geneva. [REVIEW] Speculum 84 (1):135-136.score: 15.0
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  47. Will Hasty (2011). Andreas Hammer, Tradierung und Transformation: Mythische Erzählelemente im “Tristan” Gottfrieds von Straßburg und im “Iwein” Hartmanns von Aue. Stuttgart: S. Hirzel, 2007. Paper. Pp. ii, 298.€ 48. [REVIEW] Speculum 86 (3):761-762.score: 15.0
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  48. Jacques Horrent (1946). La Composition de la Folie Tristan de Berne [FB]. Revue Belge de Philologie Et D'Histoire 25 (1):21-38.score: 15.0
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  49. C. Stephen Jaeger (1987). Tomas Tomasek, Die Utopie im “Tristan” Gotfrids von Strassburg. (Hermaea, Germanistische Forschungen, n.f. 49.) Tübingen: Max Niemeyer, 1985. Paper. Pp. ix, 305. DM 82. [REVIEW] Speculum 62 (3):736-739.score: 15.0
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  50. Tadeusz Kobierzycki (2009). Tristan - miłość jako strata i marzenie (rec. R. Wagner, Henk de Vliger, \"Tristan\" - Balet Krzysztofa Pastora w dwóch aktach do muzyki \"Tristana i Izoldy, pasji orkiestrowej\"). Humanistyka I Przyrodoznawstwo 15.score: 15.0
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