Search results for 'Valery Kirzhner' (try it on Scholar)

767 found
Sort by:
  1. Valery Kirzhner, Eviatar Nevo, Abraham Korol & Alexander Bolshoy (2003). A Large-Scale Comparison of Genomic Sequences: One Promising Approach. Acta Biotheoretica 51 (2).score: 240.0
    We introduce a novel, linguistic-like method of genome analysis. We propose a natural approach to characterizing genomic sequences based on occurrences of fixed length words from a predefined, sufficiently large set of words (strings over the alphabet {A, C, G, T} ). A measure based on this approach is called compositional spectrum and is actually a histogram of imperfect word occurrences. Our results assert that the compositional spectrum is an overall characteristic of a long sequence i.e., a complete genome or (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  2. Paul Valéry (2011). Obstinado rigor: La teoría de la acción poética de Paul Valéry Bogotá: Pontificia Universidad Javeriana, 2008 300 páginas. [REVIEW] Eidos 14:253-256.score: 180.0
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  3. Grinevich Valery (2013). Co-Interaction Between Central Oxytocin and Corticotropin Releasing Hormone Systems. Frontiers in Human Neuroscience 7.score: 30.0
  4. M. Tsourikov Valery (1993). Inventive Machine: Second Generation. AI and Society 7 (1):62-77.score: 30.0
  5. Emanuele Crescimanno (2012). Corpo, sensibilità ed esperienza: la riflessione di Valéry alla luce dell'estetica pragmatista. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).score: 24.0
    Body, sensibility and experience: Paul Valéry’s reflection and pragmatist aesthetic The pragmatist aesthetic of Dewey and Shusterman can be useful to understand the complexity of the Valéry’s thought: this paper aims to highlight a pragmatist attitude on the Valéry’s aesthetic through the links of the triad Corps, Esprit, Monde and underline the crucial role that the body and the senses play in experience.
    No categories
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  6. Benedetta Zaccarello (2012). Paul Valéry: per un'estetica della composizione. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).score: 24.0
    Valéry’s conceptions of mind, literature and even philosophy often stress the importance of an effort against heterogeneity that should be led in the name of what the author himself calls pureté. On the other hand, the theories that Valéry develops about composition - which is intended both as an aesthetic and a theoretical concept - show the importance of complexity in his representation of the esprit and allows to compare Valéry’s descriptions of the self with the way he represents creative (...)
    No categories
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  7. Massimo Baldi (2012). Creaturalità: Celan e Valéry. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).score: 24.0
    Subject of this essay is the relationship between Celan’s and Valéry’s theory on language, aesthetic and history. Resorting to the importance of some passages of Valéry’s Cahiers for the conception of Celan’s theoretical doctrine of the poetry, the author underwrites the centrality of this philosophical heritage for the explanation and the justification of Celan’s linguistic choices and of their historical and political meaning.
    No categories
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  8. Anne Élisabeth Sejten (2012). Écarts léonardiens de Paul Valéry: l'esprit sensible. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).score: 24.0
    Demonstrating the importance of the circumstantial writings by Paul Valéry, the present essay points out his very first “commission” on Leonardo da Vinci as emblematic of a new sensitive philosophical reflexiveness. In fact, Valéry kept returning to the great renaissance phenomenon of Leonardo, in his twisted Introduction à la Méthode de Léonard de Vinci (1894), rewritten some 25 years later with Note et digression (1919), as well in his staging of philosophers and artists in Léonard et les philosophes (1929). The (...)
    No categories
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  9. Benedetta Zaccarello, Jean-Michel Rey & Fabrizio Desideri (2012). Editoriale–Paul Valéry: strategie del sensibile. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).score: 24.0
    Sensibilité is in Valéry’s theory the name of a large grasp of functions, involving both perception and creation, and involved both in art and in experience. So far, this key word of Valéry’s aesthetics can be read as the bridge between his conceptions of art and his idea of the self in order to understand the way this author writes and conceives what philosophy can aim to.
    No categories
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  10. Martijn Boven (2008). Wat vastgelegd is, misleidt ons: de Cahiers van Paul Valéry. Deus Ex Machina 127:5-6.score: 24.0
    Paul Valéry is de dichter die zwijgt; de denker die weigert filosoof te zijn; de schrijver die de taal in staat van beschuldiging stelt; de expert die volhoudt een amateur te zijn; de mysticus die zijn heil zoekt bij de wiskunde; de stamelaar die aan een kwaal van precisie lijdt; de Narcissus die misschien toch liever Orpheus had willen zijn. Hij is de chroniqueur van het denken en de meester van de tegenspraak. Ik probeer me hem voor te stellen. Het (...)
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  11. William Marx (2012). Valéry: une poetique du sensible. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).score: 24.0
    Contrary to the prevailing view, there is not one, but at least two poetic theories in Paul Valéry: the intellectual, formalist and technical poetics Valéry is usually associated to conflicts with another poetics, which highlights sensitivity, lyricism and subjectivity. The constitutive duplicity of Valéry’s literary theory has probably something to do with the ambiguity of his relationship with Stéphane Mallarmé.
    No categories
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  12. Giovanni Matteucci (2012). “Der Artist Valéry” nella teoria estetica di Adorno. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).score: 24.0
    This paper aims to outline the importance of Valéry with respect to some cornerstones of Adorno’s aesthetic theory as a negative-dialectical thought. Adorno’s concept of aesthetic experience finds in Valéry as an “Artist” (not simply as a “Künstler”) a sort of lieutenant: he helps to specify notions like “apparition”, “form”, “configuration”, and above all the idea of the aesthetic as a relation by which something happens in the field of human experience without being a determinate, or determinable, content of it.
    No categories
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  13. Ciro Felice Papparo (2012). Un rimedio esasperato dal male. Ovvero i due corpi di Valéry. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).score: 24.0
    In his Cahiers , Valéry says that writing two of his major dialogues, Eupalinos and L’âme et la danse , was an antidote to his ravaging mood: literature and spirituality are the remedy generated by a necessary and not eliminable evil, particularly the one that shows itself as ‘rage’ in love. The essay investigates thoroughly this contradictory logic and focuses on the problem of sensitiveness in Valéry’s work, pointing out a twofold presence of the ‘body’. Preserving these two presences, the (...)
    No categories
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  14. Thomas Vercruysse (2012). De Descartes ą Athikté: métamorphoses du sensible chez Valéry. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 5 (1).score: 24.0
    In this contribution, we shall examine how Valéry leaves Descartes, and the paradigm of sight, in favor of the dancer Athiktè, typical of the paradigm of hearing and touch. If Descartes offers the pattern of an analytic mapping, that method reveals itself irrelevant to take into account what Valéry calls the C.E.M (Corps Esprit Monde). On the other side, a dancer, like Athiktè appears as the model of poiesis, showing the natura naturans in progress.
    No categories
    Translate to English
    | Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  15. Barbara Scapolo (2009). Approfondire «il difficile del linguaggio». Paul Valéry e l'analisi del rapporto tra parola, sensibilità ed emozioni. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 2 (1).score: 21.0
    No categories
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  16. Simone Weil (2014). Some Reflections Around the Concept of Value: On Valéry's Claim That Philosophy is Poetry. Philosophical Investigations 37 (2):105-112.score: 18.0
    In response to Paul Valéry's claim that “philosophy is poetry,” Simone Weil set out to examine the nature of philosophical thinking. She argues that it is above all concerned with value. In the course of her argument, she lays out the grammatical differences between thinking about value, and other epistemological endeavours. These differences mean that inconsistencies are not to be avoided in philosophy, and that philosophy is not a matter of system building. In the end, she also believes that thinking (...)
    No categories
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  17. Pierre Taminiaux (2009). Paul Valéry on Photography: A Poetic Writing of Light and Time. The European Legacy 14 (6):685-695.score: 18.0
    This article studies Paul Valéry's personal reflection on photography, as it appears in his essay ?Le Discours du Centenaire de la Photographie,? based on a speech given at the Sorbonne in 1939 to members of the French Academy. It stresses the relationship between this essay and the French poet's writings on painting and aesthetics, in particular his work on Corot. Moreover, it analyzes the synthetic character of Valéry's critical approach, which attempts to bring together the language of poetry, philosophy and (...)
    No categories
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  18. K. Dowden (1996). A. Moreau (Ed.): L'Initiation. Actes du Colloque International de Montpellier, 11-14 Avril 1991. Montpellier: Universite Paul Valery III, 1992. [REVIEW] The Classical Review 46 (1):113-115.score: 15.0
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  19. Rémy G. Saisselin (1960). Paul Valéry: The Aesthetics of the Grand Seigneur. Journal of Aesthetics and Art Criticism 19 (1):47-52.score: 15.0
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  20. Steven Cassedy (1986). Paul Valéry's Modernist Aesthetic Object. Journal of Aesthetics and Art Criticism 45 (1):77-86.score: 15.0
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  21. E. Kayra (1993). Poetic Translation Examples Taken From Paul Valery and Yunus Emre. Diogenes 41 (164):73-87.score: 15.0
    No categories
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  22. Daniel Ogden (2002). MAGIC M. W. Dickie: Magic and Magicians in the Greco-Roman World . Pp. Viii + 380. London and New York: Routledge, 2001. Cased, £55. ISBN: 0-415-24982-1. A. Moreau, J. C. Turpin (Edd.): La Magie. Actes de Colloque International de Montpellier 25–27 Mars 1999. Tome I. Du Monde Babylonien au Monde Hellénistique. Tome II. La Magie Dans l'Antiquité Grecque Tardive. Les Mythes. Tome III. Du Monde Latin au Monde Contemporain. Tome IV. Bibliographie Générale . Pp. 328, 336, 353, 169. Montpellier: Publications de la Recherche Université Paul Valéry, 2000. Paper, Frs. 150 (Tomes I–III), 100 (Tome IV). ISBN: 2-84269-389-1, 2-84269-399-X, 2-84269-400-7, 2-84269-401-. [REVIEW] The Classical Review 52 (01):129-.score: 15.0
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  23. A. F. Garvie (1995). Aeschylus' Persae P. Ghiron-Bistagne, A. Moreau, J.-C. Turpin (edd.): Les Perses dďeschyle. (Cahiers du GITA, 7.) Pp. 258. 19 figs. Montpellier: Université Paul Valéry, 1993. Paper, Fr. 150. [REVIEW] The Classical Review 45 (01):5-7.score: 15.0
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  24. Emma M. Griffiths (2001). A. Moreau: Mythes Grecs I, Origines. Publié Avec le Concours du Centre d'Études Et de Recherches Sur les Civilisations Antiques de la Méditerranée Et du Conseil Scientifique de l'Université Paul-Valéry. Pp. 264, Ills. Montpellier: Université Paul-Valéry, 1999. Paper, Frs. 120. ISBN: 2-84269-239-X. O. Strid: Die Dryoper. Eine Untersuchung der Überlieferung . Pp. 126, Map, Figs. Uppsala: Uppsala University Library, 1999. Paper. ISBN: 91-554-4497-. [REVIEW] The Classical Review 51 (01):175-.score: 15.0
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  25. Alan Bailey, Sextus Empiricus, Marialuisa Baldi, Non Vero Verisimile, Henri Bergson, Key Writings, Meir Buzaglo & Solomon Maimon Monism (2002). ALLEN Michael JB and Valery Rees (Eds): Marsilio Ficino: His. British Journal for the History of Philosophy 10 (4):697-699.score: 15.0
    Direct download  
     
    My bibliography  
     
    Export citation  
  26. Mauriio Di Bartolo (forthcoming). Tempo e conoscenza nei Cahiers di Paul Valéry. Rivista di Storia Della Filosofia.score: 15.0
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  27. John Fredy Ramírez Jaramillo (2013). Paul Valéry and His Biologicist Reflections About Restructuring, Fragility and Contingency of Life. Estudios de Filosofía 47:135-153.score: 15.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  28. Elizabeth Sewell (1962). Precept or Example: Paul Valéry. British Journal of Aesthetics 2 (3):267-269.score: 15.0
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  29. Julio Alberto Bejarano (2011). Reseña de" Obstinado rigor: La teoría de la acción poética de Paul Valéry" de Anna María Brigante. Eidos: Revista de Filosofía de la Universidad Del Norte 14:253-256.score: 15.0
    No categories
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  30. Jacques Bouveresse, Christian Fournier & Sandra Laugier (1995). Philosophy From an Antiphilosopher: Paul Valery. Critical Inquiry 21 (2):354.score: 15.0
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  31. Richard Buxton (2001). (A.) Moreau Mythes grecs I: Origines. Montpellier: Publications de la Recherche, Université Paul-Valéry, 1999. Pp. 270. FF 120. 284269239X. [REVIEW] Journal of Hellenic Studies 121:177-178.score: 15.0
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  32. Frank M. Chambers (1984). Frank R. Hamlin, with l'Abbé André Cabrol, Les noms de lieux du département de l'Hérault: Nouveau dictionnaire topographique et étymologique. Mèze: Abbé A. Cabrol, 1983. Paper. Pp. xxxvi, 437. May be ordered from Centre d'Etudes Occitanes, Université Paul-Valéry, B.P. 5043, Montpellier. [REVIEW] Speculum 59 (3):719-720.score: 15.0
    No categories
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  33. Eva L. Corredor (1984). Four Critics: Croce, Valéry, Lukács, and Ingarden (Review). Philosophy and Literature 8 (1):134-135.score: 15.0
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  34. Marco Della Greca (2007). Abstract: Maurice Merleau-Ponty as Interpreter of Paul Valéry. Chiasmi International 9:330-330.score: 15.0
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  35. Stefan Kristensen (2007). Valéry, Proust et la Vérité de l'Écriture Littéraire. Chiasmi International 9:331-349.score: 15.0
    Translate to English
    | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  36. Claude Thérien (2002). Valéry et le statut « poïétique » des sollicitations formelles de la sensibilité. Les Etudes Philosophiques 3 (3):353-369.score: 15.0
    Translate to English
    | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  37. Catherine Wilson & Christiane Schildknecht (1988). The Cogito Meant 'No More Philosophy': Valéry's Descartes. History of European Ideas 9 (1):47-62.score: 15.0
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  38. Julio Alberto Bejarano (2011). Paul Valéry and His Poetic (Theoretical) Bets. Reviewed Work: Obstinado Rigor: La Teoría de la Acción Poética de Paul Valéry, by Anna María Brigante.[Spanish]. [REVIEW] Eidos 14:253-256.score: 15.0
    No categories
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  39. Julio Alberto Bejarano (2011). Paul Valéry y sus apuestas (teorías) poéticas: Obstinado rigor: La teoría de la acción poética de Paul Valéry. Eidos 14:253-256.score: 15.0
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  40. Roberto Sanchez Benitez (1996). Paul Valéry y la conciencia humana. Ludus Vitalis 4 (7):89-102.score: 15.0
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  41. Paolo Calegari (2012). Cognizione E Democrazia: Le Metamorfosi in Atto: Letture da Martin Buber, Cornelius Castoriadis, Noam Chomsky, Isabel Compiègne, Ronald Creagh, Mireille Delmas-Marty, Viviane Forrester, Yves Lacroix, Serge Latouche, Gotthold Lessing, Ernst Mach, Armand Mattelart, Edgar Morin, Luigina Mortari, Giorgio Napolitano, Pierre Rosanvallon, Lucien Sève, Susan Sontag, Henry Thoreau, Dmitri Uznadze, Paul Valéry, Simone Weil, Wilhelm Wundt. Liguori.score: 15.0
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  42. C. Cesa (1988). Valery, Paul and His Philosophical Thought. Giornale Critico Della Filosofia Italiana 8 (2):309-311.score: 15.0
    No categories
     
    My bibliography  
     
    Export citation  
  43. Fabio Ciaramelli (1991). Felice Ciro Papparo, L'inquieto senso del possibile. Saggio sui «Cahiers» di Paul Valéry. Presentazione di Aldo Masullo. [REVIEW] Revue Philosophique De Louvain 89 (84):677-679.score: 15.0
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  44. James K. Coleman (2013). Laus Platonici Philosophi: Marsilio Ficino and His Influence Ed. By Stephen Clucas, Peter J. Forshaw, Valery Rees (Review). Journal of the History of Philosophy 51 (3):484-485.score: 15.0
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  45. Montserrat Cots (2006). VALÉRY, Paul. Teoría poética y estética. Enrahonar: Quaderns de Filosofía 19:105-107.score: 15.0
    No categories
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  46. Marco Della Greca (2007). Maurice Merleau-Ponty Interprete di Paul Valéry. Chiasmi International 9:307-328.score: 15.0
    Translate to English
    | Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  47. Marco Della Greca (2007). Résumé: Maurice Merleau-Ponty, interprete de Paul Valéry. Chiasmi International 9:329-329.score: 15.0
    Translate to English
    | Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  48. Jed Deppman (2003). Re-Presenting Paul Valery's Monsieur Teste. Symploke 11 (1):197-211.score: 15.0
    No categories
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  49. M. DiBartolo (1997). Time and Knowledge in the Cahiers of Paul Valery. Rivista di Storia Della Filosofia 52 (2):321-353.score: 15.0
    No categories
     
    My bibliography  
     
    Export citation  
  50. Stewart Duncan & Daniel Eggers (2011). Timo Airaksinen is Professor of Moral and Social Philosophy, University of Helsinki. Luc Borot Holds the Chair of Early Modern British Civilisation at Université Paul-Valéry Montpellier III. He Currently Works as Director of the Research Centre of the Maison Française d'Oxford. He has Published Extensively On. [REVIEW] Hobbes Studies 24:217-219.score: 15.0
     
    My bibliography  
     
    Export citation  
1 — 50 / 767