Through an exchange that is both intimate and enlightening, Vattimo and Girard share their unparalleled insight into the relationships among religion, modernity, and the role of Christianity, especially as it exists in our multicultural ...
This book is both a concise and lucid introduction to Nietzsche and an original contribution to critical debates concerning Nietzsche interpretation and reception. This overview takes issue with the prevailing tendency to focus on Nietzsche’s later work, which reaches its extreme with Heidegger’s almost exclusive focus on the group of late notes posthumously collected as The Will to Power. Vattimo aims to mediate between two prominent hermeneutic readings of Nietzsche: Wilhelm Dilthey’s view that Nietzsche’s work fits into the nineteenth-century tradition (...) of the philosophy of life and Heidegger’s belief that Nietzsche is best understood as the author of a pair of ontological doctrines, the will to power and the eternal return of the same. Vattimo aims to show that Nietzsche’s early interest in cultural and historical criticism can be found throughout his corpus and that it informs, and helps to explain, Nietzsche’s later doctrines and writings. This allows us to understand these later doctrines in a deeper way, to see their connections with his wider concerns, and thus to make greater sense of Nietzsche’s philosophy as a whole. This working hypothesis guides Vattimo through his elegant exposition of the basic views of the early and late Nietzsche, from the philological beginnings and the musings on Dionysus through the so-called positivist phase of the middle period up to the philosophy of Zarathustra and the fragmented insights that bespeak the will to power. Throughout, Vattimo’s intellectual agenda is to present the philosophical relevance of a cultural criticism that does not let itself be reduced to a merely literary presentation of the psychology of decadence and nihilism, or to the grand ontological-metaphysical finale that Heidegger had in mind in his monumental Nietzsche studies. As an appendix, Vattimo provides a history of Nietzsche reception in Europe that counters the narrow Anglo-American bias of much English-language Nietzsche scholarship. (shrink)
Hermeneutics has had a pervasive influence on contemporary philosophy, social and cultural theory, literary criticism, and aesthetics. In this book one of Europe's foremost contemporary philosophers provides hermeneutics with a fresh relevance and a substantive account of its philosophical meaning for science, ethics, religion, and art. Vattimo argues for a reading of hermeneutics that radicalises it according to what the author calls its 'nihilistic vocation', a term referring to the interpretive character of truth and taken from Nietzsche's statement that there (...) are, in the modern period, no facts, only interpretations. Modernity, for Vattimo, is conceived as the advent of nihilism, and the central question of the book is to ask what it means to take this nihilistic vocation seriously. This involves not simply accepting the current status of hermeneutics, but evaluating why it appears when, and where, it does. (shrink)
In this book, Gianni Vattimo examines the notion of "difference" in scientific knowledge and contemporary mass society and illustrates the importance of Nietzsche and Heidegger in both formulating the concept and exploring its implications for current debates on the nature of modernity.
"This book is of major importance to the debate on the postmodern question."--Jean François Lyotard. "This is Vattimo at his best--and at his best he is very, very good, which is to say, erudite, witty, engaging, and precise. I do not think anyone comes close to Vattimo in his ability to correlate complex philosophical issues and arguments, such as those of Heidegger or Benjamin on such topics as &.
Gianni Vattimo reexamines the roots of modernism and postmodernism in Nietzsche, Benjamin, and Heidegger. Exploring the links between concepts of nihilism and destiny in nineteenth-century humanism, Vattimo follows these trends in aesthetic and scientific theory from Benjamin to Bloch, Ricoeur, and Kuhn.