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Veronique M. Foti [31]Véronique Marion Fóti [5]
  1.  2
    Veronique M. Foti (2003). Vision's Invisibles: Philosophical Explorations. State University of New York Press.
    Examines the construction of vision in the works of Heraclitus, Plato, Descartes, Heidegger, Merleau-Ponty, Foucault, Nancy, and Derrida.
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  2.  6
    Véronique M. Foti (2009). Résumé : Expression, altérité et philosophie de la nature dans le dialogue de Merleau-Ponty avec les rationalistes. Chiasmi International 11:290-291.
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  3.  23
    Veronique M. Foti (1986). The Cartesian Imagination. Philosophy and Phenomenological Research 46 (4):631 - 642.
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  4.  42
    Véronique M. Fóti (1998). Heidegger and 'the Way of Art:' The Empty Origin and Contemporary Abstraction. [REVIEW] Continental Philosophy Review 31 (4):337-351.
    With a focus on the question of visuality in Heidegger's sustained involvement with Daoist and Zen thought, this paper discusses the interchange between Heidegger and Hisamatsu at a 1958 colloquium. In light of the key concerns – visuality, art, and the empty origin of manifestation – it interrogates three texts,The Origin of the Work of Art,Parmenides, andArt and Space,concerning visuality, the play of the glance, writing, space and place, and the Graeco-Asian though of phainesthai. In conclusion, it addresses the opening (...)
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  5.  7
    Veronique M. Foti (1991). Politics and the Limits of Metaphysics: Heidegger, Ferry and Renaut, and Lyotard. Graduate Faculty Philosophy Journal 14 (2/1):323-334.
  6.  32
    Véronique M. Fóti (1983). On Truth/Untruth in Heidegger and Merleau-Ponty. Research in Phenomenology 13 (1):185-198.
    Relate to Heidegger On the Essence of Truth Relate to Merleau-Ponty The Visible and the Invisible.
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  7.  3
    Véronique M. Fóti (2014). Revisiting Greek Tragedy in Dialogue with Jacques Taminiaux. Epoché: A Journal for the History of Philosophy 19 (1):49-64.
    In Le théatre des philosophes, Taminiaux suggests that both German Idealism and Heidegger understand Greek tragedy as ontological in its import. So does Plato who, however, censures it for the inadequacy of its ontological vision, which he seeks to correct by means of the aesthetic education of the guardians of the ideal city. Taminiaux stresses that Aristotle understands tragedy as a mimēsis of action which is pluralistic, willing to engage with appearances, and oriented toward phronēsis. A key question concerns his (...)
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  8.  5
    Véronique M. Foti (2009). Riassunto: Espressione, alterità e filosofia della natura nel dialogo di Merleau-Ponty con i razionalisti. Chiasmi International 11:291-292.
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  9.  6
    Veronique M. Fóti (2008). Rethinking Parmenides in Dialogue with Reiner Schürmann. Graduate Faculty Philosophy Journal 29 (2):115-127.
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  10.  4
    Véronique M. Fóti (1990). The Dimension of Color. International Studies in Philosophy 22 (3):13-28.
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  11.  4
    Véronique M. Fóti (1981). Loneliness in Philosophy, Psychology and Literature. History of European Ideas 1 (3):281-284.
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  12.  15
    Véronique M. Fóti (1986). The Cartesian Imagination. Philosophy and Phenomenological Research 46 (4):631-642.
  13.  5
    Veronique M. Foti (1985). Representation and the Image: Between Heidegger, Derrida, and Plato. [REVIEW] Man and World 18 (1):65-78.
  14.  3
    Veronique M. Foti (1990). The Dimension of Color. International Studies in Philosophy 22 (3):13-28.
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  15.  8
    Véronique M. Foti (2009). Expression, Alterity, and the Philosophy of Nature in Merleau-Ponty's Dialogue with the Rationalists. Chiasmi International 11:279-290.
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  16.  15
    Véronique M. Foti (1989). Textuality, Totalization, and the Question of Origin in Heidegger's Elucidation of Andenken. Research in Phenomenology 19 (1):43-58.
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  17.  3
    Véronique M. Fóti (1985). In the Shadow of the Immigrant's Dream. History of European Ideas 6 (3):341-347.
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  18.  7
    Véronique M. Fóti (2007). Time's Agonal Spacing in Hölderlin's Philosophy of Tragedy. The Proceedings of the Twenty-First World Congress of Philosophy 12:39-42.
    This paper interrogates Hölderlin's effort to deconstruct the speculative matrix of tragedy, with a particular focus on his "Remarks on Antigone," which are appended to his translation of the Sophoclean tragedy. In focus are, firstly, the separative force of the caesura, which stems tragic transport and is here analyzed, in terms of Hölderlin's understanding of Greece in relation to "Hesperia," as an incipiently Hesperian poetic gesture. Secondly, Hölderlin's key thought of the mutual "unfaithfulness" of God and man is at issue: (...)
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  19.  1
    Véronique M. Fóti (2014). Sensuous Presencing and Artistic Creation. Comparative and Continental Philosophy 6 (2):203-210.
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  20.  6
    Véronique M. Fóti (2007). Gottfried Wilhelm Leibniz: The Art of Controversies. Review of Metaphysics 61 (2):410-412.
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  21.  2
    Véronique M. Fóti (1986). Presence and Memory. Graduate Faculty Philosophy Journal 11 (1):67-81.
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  22.  6
    Véronique M. Fóti (1979). Spinoza's Doctrine of Immortality and the Unity of Love. Southern Journal of Philosophy 17 (4):437-442.
  23.  4
    Véronique M. Fóti (1979). Spinoza's Doctrine of Immortality and the Unity of Love. Southern Journal of Philosophy 17 (4):437-442.
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  24.  1
    Véronique M. Fóti (1987). Beyond hermeneutics: zur philosophie der literatur und geisteswissenschaften. History of European Ideas 8 (3):367-372.
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  25.  4
    Véronique Marion Fóti (1995). Book Review: Holocaust Visions: Surrealism and Existentialism in the Poetry of Paul Celan. [REVIEW] Philosophy and Literature 19 (2):382-384.
  26. Veronique M. Foti (2006). Epochal Discordance: Holderlin's Philosophy of Tragedy. State University of New York Press.
    Examines the German poet Hölderlin’s philosophical insights into tragedy.
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  27.  0
    Veronique M. Foti (1993). Mortals Within the Fourfold and the Holderlinian Figure of Man. Philosophy Today 37 (4):392-401.
  28. Véronique M. Foti (1996). The Evidences of Paintings: Merleau-Ponty and Contemporary Abstraction. In Véronique Fóti (ed.), Merleau-Ponty: Difference, Materiality, Painting. 137--138.
     
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  29.  0
    Véronique M. Fóti (1993). Ladelle McWhorter, Ed., Heidegger and the Earth: Essays in Environmental Philosophy Reviewed By. Philosophy in Review 13 (4):171-172.
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  30. Véronique Marion Fóti (ed.) (1996). Merleau-Ponty: Difference, Materiality, Painting. Humanities Press.
  31.  0
    Véronique M. Fóti (1980). Painting and the Re-Orientation of Philosophical Thought in Merleau-Ponty. Philosophy Today 24 (2):114-120.
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  32.  0
    Véronique M. Fóti (1996). Robert Bernasconi., Heidegger in Question: The Art of Existing. International Studies in Philosophy 28 (2):111-115.
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  33. Véronique Marion Fóti (2013). Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology. Northwestern University Press.
    Part 1. Expression in Merleau-Ponty's aesthetics -- 1. Primordial perception and artistic expression: Merleau-Ponty and Cezanne -- 2. Expression, institution, and the field: a searching itinerary -- 3. Painterly and phenomenological interrogation in "Eye and mind" -- Part 2. Expression in animal life -- 4. The expressivity of animal behavior: embryogenesis and environing worlds -- 5. The expressivity of animal appearance and of directive and instinctual activities -- Part 3. Expression in Merleau-Ponty's ontology -- 6. The role of expression in (...)
     
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  34. Michel Haar & Véronique M. Foti (1996). Painting, Perception, Affectivity. In Véronique Fóti (ed.), Merleau-Ponty: Difference, Materiality, Painting.
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