Search results for 'Visual perception History' (try it on Scholar)

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  1. Nicholas Pastore (1971). Selective History Of Theories Of Visual Perception, 1650-1950. Oxford University Press.score: 453.0
  2. Rolf A. George (1974). Book Review:Selective History of Theories of Visual Perception: 1650-1950 Nicholas Pastore. [REVIEW] Philosophy of Science 41 (3):296-.score: 435.0
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  3. Henning Schmidgen (2004). Pictures, Preparations, and Living Processes: The Production of Immediate Visual Perception (Anschauung) in Late-19th-Century Physiology. [REVIEW] Journal of the History of Biology 37 (3):477 - 513.score: 279.0
    This paper addresses the visual culture of late-19th-century experimental physiology. Taking the case of Johann Nepomuk Czermak (1828-1873) as a key example, it argues that images played a crucial role in acquiring experimental physiological skills. Czermak, Emil Du Bois-Reymond (1818-1896) and other late-19th-century physiologists sought to present the achievements and perspective of their discipline by way of "immediate visual perception (unmittelbare Anschauung)." However, the images they produced and presented for this purpose were strongly mediated. By means of (...)
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  4. Assimina Kaniari, Marina Wallace & Martin Kemp (eds.) (2009). Acts of Seeing: Artists, Scientists and the History of the Visual: A Volume Dedicated to Martin Kemp. Artakt & Zidane Press.score: 264.0
     
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  5. Michael J. Morgan (1977). Molyneux's Question: Vision, Touch, and the Philosophy of Perception. Cambridge University Press.score: 225.0
     
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  6. Craig French (2012). Visual Perception as a Means of Knowing. Dissertation, UCLscore: 224.0
    This thesis falls into two parts, a characterizing part, and an explanatory part. In the first part, I outline some of the core aspects of our ordinary understanding of visual perception, and how we regard it as a means of knowing. What explains the fact that I know that the lemon before me is yellow is my visual perception: I know that the lemon is yellow because I can see it. Some explanations of how one knows (...)
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  7. Haluk Ögmen & Bruno G. Breitmeyer (2006). The First Half Second: The Microgenesis and Temporal Dynamics of Unconscious and Conscious Visual Processes. MIT Press.score: 219.0
  8. M. D. Grmek (1985). An Exemplary Scientific Debate: Mariotte, Pecquet and Perrault in Search of the Site of Visual Perception]. History and Philosophy of the Life Sciences 7 (2).score: 219.0
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  9. Zenon W. Pylyshyn (1999). Is Vision Continuous with Cognition? The Case for Cognitive Impenetrability of Visual Perception. Behavioral and Brain Sciences 22 (3):341-365.score: 216.0
    Although the study of visual perception has made more progress in the past 40 years than any other area of cognitive science, there remain major disagreements as to how closely vision is tied to general cognition. This paper sets out some of the arguments for both sides (arguments from computer vision, neuroscience, Psychophysics, perceptual learning and other areas of vision science) and defends the position that an important part of visual perception, which may be called early (...)
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  10. Philip A. Glotzbach (1992). Determining the Primary Problem of Visual Perception: A Gibsonian Response to the Correlation' Objection. Philosophical Psychology 5 (1):69-94.score: 216.0
    Fodor & Pylyshyn (1981) criticize J. J. Gibson's ecological account of perception for failing to address what I call the 'correlation problem' in visual perception. That is, they charge that Gibson cannot explain how perceivers learn to correlate detectable properties of the light with perceptible properties of the environment. Furthermore, they identify the correlation problem as a crucial issue for any theory of visual perception, what I call a 'primary problem'—i.e. a problem which plays a (...)
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  11. Joel Norman (2001). Two Visual Systems and Two Theories of Perception: An Attempt to Reconcile the Constructivist and Ecological Approaches. Behavioral and Brain Sciences 25 (1):73-96.score: 204.0
    The two contrasting theoretical approaches to visual perception, the constructivist and the ecological, are briefly presented and illustrated through their analyses of space and size perception. Earlier calls for their reconciliation and unification are reviewed. Neurophysiological, neuropsychological, and psychophysical evidence for the existence of two quite distinct visual systems, the ventral and the dorsal, is presented. These two perceptual systems differ in their functions; the ventral system's central function is that of identification, while the dorsal system (...)
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  12. Wei Ji Ma, Fred Hamker & Christof Koch (2006). Neural Mechanisms Underlying Temporal Aspects of Conscious Visual Perception. In Haluk Ögmen & Bruno G. Breitmeyer (eds.), The First Half Second: The Microgenesis and Temporal Dynamics of Unconscious and Conscious Visual Processes. Mit Press. 275-294.score: 202.0
  13. Claudio Babiloni, Fabrizio Vecchio, Alessandro Bultrini, Gian Luca Romani & Paolo Maria Rossini (2006). Pre- and Poststimulus Alpha Rhythms Are Related to Conscious Visual Perception: A High-Resolution EEC Study. Cerebral Cortex 16 (12):1690-1700.score: 196.0
  14. Daniel A. Pollen (2003). Explicit Neural Representations, Recursive Neural Networks and Conscious Visual Perception. Cerebral Cortex 13 (8):807-814.score: 196.0
  15. K. W. Braly (1933). The Influence of Past Experience in Visual Perception. Journal of Experimental Psychology 16 (5):613.score: 196.0
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  16. Daniel Kahneman & Joel Norman (1964). The Time-Intensity Relation in Visual Perception as a Function of Observer's Task. Journal of Experimental Psychology 68 (3):215.score: 196.0
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  17. I. Krechevsky (1938). An Experimental Investigation of the Principle of Proximity in the Visual Perception of the Rat. Journal of Experimental Psychology 22 (6):497.score: 196.0
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  18. Thomas Schmidt (2000). Visual Perception Without Awareness: Priming Responses by Color. In Thomas Metzinger (ed.), Neural Correlates of Consciousness. MIT Press. 157--179.score: 196.0
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  19. Hans Wallach, D. N. O'Connell & Ulric Neisser (1953). The Memory Effect of Visual Perception of Three-Dimensional Form. Journal of Experimental Psychology 45 (5):360.score: 196.0
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  20. Seymour Wapner, Heinz Werner & Kenneth A. Chandler (1951). Experiments on Sensory-Tonic Field Theory of Perception: I. Effect of Extraneous Stimulation on the Visual Perception of Verticality. Journal of Experimental Psychology 42 (5):341.score: 196.0
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  21. Stuart Appelle & Jacqueline J. Goodnow (1970). Haptic and Visual Perception of Proportion. Journal of Experimental Psychology 84 (1):47.score: 196.0
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  22. Brant Clark & Ashton Graybiel (1962). Visual Perception of the Horizontal During Prolonged Exposure to Radial Acceleration on a Centrifuge. Journal of Experimental Psychology 63 (3):294.score: 196.0
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  23. Charles W. Eriksen & Terry Spencer (1969). Rate of Information Processing in Visual Perception: Some Results and Methodological Considerations. Journal of Experimental Psychology 79 (2p2):1.score: 196.0
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  24. Charles W. Eriksen & James F. Collins (1965). Reinterpretation of One Form of Backward and Forward Masking in Visual Perception. Journal of Experimental Psychology 70 (4):343.score: 196.0
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  25. Robert Fried & Richard G. Lathrop (1965). Effect of Extraneous Stimulation on the Visual Perception of Verticality: A Failure to Replicate. Journal of Experimental Psychology 69 (3):327.score: 196.0
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  26. Ralph Norman Haber (1964). A Replication of Selective Attention and Coding in Visual Perception. Journal of Experimental Psychology 67 (4):402.score: 196.0
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  27. Charles S. Harris & Ralph Norman Haber (1963). Selective Attention and Coding in Visual Perception. Journal of Experimental Psychology 65 (4):328.score: 196.0
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  28. G. D. Higginson (1926). Visual Perception in the White Rat. Journal of Experimental Psychology 9 (4):337.score: 196.0
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  29. Jacques Kaswan & Stephen Young (1963). Stimulus Exposure Time, Brightness, and Spatial Factors as Determinants of Visual Perception. Journal of Experimental Psychology 65 (2):113.score: 196.0
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  30. F. P. Kilpatrick & W. H. Ittelson (1951). Three Demonstrations Involving the Visual Perception of Movement. Journal of Experimental Psychology 42 (6):394.score: 196.0
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  31. Koiti Motokawa (1953). Retinal Traces and Visual Perception of Movement. Journal of Experimental Psychology 45 (6):369.score: 196.0
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  32. Seymour Wapner, Heinz Werner & Ricardo B. Morant (1951). Experiments on Sensory-Tonic Field Theory of Perception. III. Effect of Body Rotation on the Visual Perception of Verticality. [REVIEW] Journal of Experimental Psychology 42 (5):351.score: 196.0
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  33. Heinz Werner, Seymour Wapner & Kenneth A. Chandler (1951). Experiments on Sensory-Tonic Field Theory of Perception: II. Effect of Supported and Unsupported Tilt of the Body on the Visual Perception of Verticality. Journal of Experimental Psychology 42 (5):346.score: 196.0
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  34. Arnold Wilkins & Anne Stewart (1974). The Time Course of Lateral Asymmetries in Visual Perception of Letters. Journal of Experimental Psychology 102 (5):905.score: 196.0
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  35. Charles W. Eriksen & Richard A. Steffy (1964). Short-Term Memory and Retroactive Interference in Visual Perception. Journal of Experimental Psychology 68 (5):423.score: 196.0
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  36. J. Vincent Filoteo, Frances J. Friedrich, Catherine Rabbel & John L. Stricker (2002). Visual Perception Without Awareness in a Patient with Posterior Cortical Atrophy: Impaired Explicit but Not Implicit Processing of Global Information. Journal of the International Neuropsychological Society 8 (3):461-472.score: 196.0
  37. R. O. Van Waters (1934). Visual Perception of Horizontal Movement. Journal of Experimental Psychology 17 (2):223.score: 196.0
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  38. Harry Heft (1989). Affordances and the Body: An Intentional Analysis of Gibson's Ecological Approach to Visual Perception. Journal for the Theory of Social Behaviour 19 (1):1–30.score: 194.0
    In his ecological approach to perception, james gibson introduced the concept of affordance to refer to the perceived meaning of environmental objects and events. this paper examines the relational and causal character of affordances, as well as the grounds for extending affordances beyond environmental features with transcultural meaning to include those features with culturally-specific meaning. such an extension is seen as warranted once affordances are grounded in an intentional analysis of perception. toward this end, aspects of merleau-ponty's treatment (...)
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  39. Farid Masrour, Space Perception, Visual Dissonance and the Fate of Standard Representationalism.score: 192.0
    This paper argues that a common form of representationalism has trouble accommodating empirical findings about visual space perception. Vision science tells us that the visual system systematically gives rise to different experiences of the same spatial property. This, combined with a naturalistic account of content, suggests that the same spatial property can have different veridical looks. I use this to argue that a common form of representationalism about spatial experience must be rejected. I conclude by considering alternatives (...)
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  40. Thomas Sturm (2011). Historical Epistemology or History of Epistemology? The Case of the Relation Between Perception and Judgment. Erkenntnis 75 (3):303-324.score: 192.0
    This essay aims to sharpen debates on the pros and cons of historical epistemology, which is now understood as a novel approach to the study of knowledge, by comparing it with the history of epistemology as traditionally pursued by philosophers. The many versions of both approaches are not always easily discernable. Yet, a reasoned comparison of certain versions can and should be made. In the first section of this article, I argue that the most interesting difference involves neither the (...)
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  41. Jeff Coulter (1990). The Praxiology of Perception: Visual Orientations and Practical Action. Inquiry 251 (September):251-272.score: 192.0
    A range of arguments are presented to demonstrate that (1) human visual orientations are conceptually constituted (concept?bound); (2) the concept?boundedness of visual orientations does not require a cognitivist account according to which a mental process of ?inference? or of ?interpretation? must be postulated to accompany a purely ?optical? registration of ?wavelengths of light?, ?photons?, or contentless ?information'; (3) concept?bound visual orientations are not all instances of ?seeing as?, contrary to some currently prominent cognitivist accounts; (4) the dispute (...)
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  42. [deleted]Thomas Busigny Bruno Rossion, Laurence Dricot, Rainer Goebel (2010). Holistic Face Categorization in Higher Order Visual Areas of the Normal and Prosopagnosic Brain: Toward a Non-Hierarchical View of Face Perception. Frontiers in Human Neuroscience 4.score: 192.0
    How a visual stimulus is initially categorized as a face in a network of human brain areas remains largely unclear. Hierarchical neuro-computational models of face perception assume that the visual stimulus is first decomposed in local parts in lower order visual areas. These parts would then be combined into a global representation in higher order face-sensitive areas of the occipito-temporal cortex. Here we tested this view in fMRI with visual stimuli that are categorized as faces (...)
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  43. Matthew Winn, Ariane Rhone, Monita Chatterjee & William Idsardi (2013). The Use of Auditory and Visual Context in Speech Perception by Listeners with Normal Hearing and Listeners with Cochlear Implants. Frontiers in Psychology 4.score: 192.0
    There is a wide range of acoustic and visual variability across different talkers and different speaking contexts. Listeners with normal hearing accommodate that variability in ways that facilitate efficient perception, but it is not known whether listeners with cochlear implants can do the same. In this study, listeners with normal hearing (NH) and listeners with cochlear implants (CIs) were tested for accommodation to auditory and visual phonetic contexts created by gender-driven speech differences as well as vowel coarticulation (...)
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  44. Peter De Bolla (2003). The Education of the Eye: Painting, Landscape, and Architecture in Eighteenth-Century Britain. Stanford University Press.score: 189.0
    The Education of the Eye examines the origins of visual culture in eighteenth-century Britain. It claims that at the moment when works of visual art were first displayed and contemplated as aesthetic objects two competing descriptions of the viewer or spectator promoted two very different accounts of culture. The first was constructed on knowledge, on what one already knew, while the second was grounded in the eye itself. Though the first was most likely to lead to a socially (...)
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  45. Gustav Frank (2007). Layers of the Visual: Towards a Literary History of Visual Culture. In Karin Leonhard & Silke Horstkotte (eds.), Seeing Perception. Cambridge Scholars Publishing. 76.score: 189.0
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  46. Roger Krohn (1997). Tufte, Perception and Visual Representation: Some Bio-Social Context. [REVIEW] History and Philosophy of the Life Sciences 19 (2):285 - 290.score: 189.0
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  47. Matthew Soteriou (2000). The Particularity of Visual Perception. European Journal of Philosophy 8 (2):173-189.score: 188.0
  48. John J. Drummond (1979). On Seeing a Material Thing in Space: The Role of Kinaesthesis in Visual Perception. Philosophy and Phenomenological Research 40 (September):19-32.score: 188.0
  49. Ralph Schumacher (1998). Visual Perception and Blindsight: The Role of the Phenomenal Qualities. Acta Analytica 20 (20):71-82.score: 188.0
     
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  50. James A. Knapp (2011). Image Ethics in Shakespeare and Spenser. Palgrave Macmillan.score: 183.0
    Introduction: image ethics -- Harnessing the visual: from illustration to ekphrasis -- From visible to invisible: Spenser's Aprill and messianic ethics -- Looking for ethics in Spenser's Faerie queene -- "To look, but with another's eyes": translating vision in A midsummer night's dream -- The ethics of temporality in Measure for measure -- "Ocular proof" and the dangers of the perceptual faith -- "Disliken the truth of your own seeming": visual and ethical truth in The winter's tale.
     
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