67 found
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  1.  10
    W. Beare (1954). The Dramatic Festivals of Athens A. W. Pickard-Cambridge, The Dramatic Festivals of Athens. Pp. Xxi+334; 207 Figs. Oxford: Clarendon Press, 1953. Cloth, 50s. Net. [REVIEW] The Classical Review 4 (3-4):225-227.
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  2.  2
    W. Beare (1928). The Priority of the Mercator. The Classical Review 42 (06):214-215.
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  3.  18
    W. Beare (1929). T. Maccio Plauto, La Mostellaria. Introduzione, testo critico e commento. Per cura di Nicola Terzaghi. Pp. xl + 240. Turin, etc.: Paravia, 1929. L. 16. [REVIEW] The Classical Review 43 (6):241-242.
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  4.  7
    W. Beare (1940). When Did Livius Andronicus Come to Rome? Classical Quarterly 34 (1-2):11-.
    In the middle of September, 47 b.c., Cicero obtained a copy of Atticus' recently published Liber Annalis, which he was consequently able to use in preparing his Brutus and his Tusculans and De Senectute . Atticus himself had consulted Varro's works on questions of literary history . Cicero, reading his friend's work, found himself in the thick of a controversy about the beginnings of Latin literature.
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  5.  5
    W. Beare (1949). Naevius and the Alimonium Remi Et Romuli. The Classical Review 63 (02):49-.
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  6.  1
    W. Beare (1954). An Italian Terence Alessandro Pratesi : Terenzio, Commedie. Volume Secondo: Formione, La Suocera, I Due Fratelli. Pp.335. Rome: Tumminelli, 1952. Cloth, L. 2500. [REVIEW] The Classical Review 4 (3-4):258-260.
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  7.  8
    W. Beare (1929). P. Terenzio Afro, I Due Fratelli. Traduzione di L. Arata. Pp. 115. Turin, etc: Paravia, 1929. L. 7.50. The Classical Review 43 (06):242-.
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  8.  3
    W. Beare (1939). A New Volume of the Budé Plautus Plaute: Tome VI: Pseudolus, Rudens, Stichus. Texte Établi Et Traduit Par A. Ernout. (Collection des Universités de France.) Pp. 273. Paris: 'Les Belles Lettres', 1938. Paper, 40 Fr. [REVIEW] The Classical Review 53 (04):130-.
  9.  3
    W. Beare (1926). Aeschylean Tragedy Aeschylean Tragedy. By Herbert Weir Smyth. One Vol. Pp. 234. Berkeley, California: University of California Press, 1924. 18s. Net. [REVIEW] The Classical Review 40 (06):197-198.
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  10.  9
    W. Beare (1961). Giacomo Caputo: Il teatro di Sabratha e l'architettura teatrale africana. (Monografie di Archaeologia Libica, vi.) Pp. 90; 93 plates. Rome: L'Erma di Bretschneider, 1959. Paper, L. 10,000. [REVIEW] The Classical Review 11 (02):170-171.
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  11.  3
    W. Beare (1955). The Fragments of Latin Tragedy Scaenicorum Romanorum Fragmenta Edidit Alfredus Klotz. Vol. I: Tragicorum Fragmenta. Pp. 376. Munich: Oldenbourg, 1953. Paper, DM. 40. [REVIEW] The Classical Review 5 (02):170-171.
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  12.  2
    W. Beare (1933). Plautus. With an English Translation. By P. Nixon. Vol. IV. Pp. Vii + 438. London: Heinemann, 1932. Cloth, 10s. (Leather, 12s. 6d.). [REVIEW] The Classical Review 47 (06):241-242.
  13.  2
    W. Beare (1930). La Poesia di Virgilio. By Tommaso Flork. Pp. 311. Bari: Laterza e Figli, 1930. L. 20. The Classical Review 44 (05):202-.
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  14.  2
    W. Beare (1933). Nicola Terzaghi. Prolegomena a Terenzio. Pp. 107. Turin: 'L' Erma,' 1931. Paper, L. 10. The Classical Review 47 (05):206-.
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  15.  2
    W. Beare (1936). Philip Whaley Harsh: Studies in Dramatic 'Preparation' in Roman Comedy. Pp. V + 103. Chicago: University Press, 1935. Paper. [REVIEW] The Classical Review 50 (06):238-.
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  16.  2
    W. Beare (1927). Sophocles, Electra, Ll. 17–19. The Classical Review 41 (03):111-112.
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  17.  2
    W. Beare (1934). The Budé Plautus Plaute, Comédies. Tome I (Amphitryon, Asinaria, Aulularia). Tome II (Bacchides, Captiui, Casino). Texte Établi Et Traduit Par A. Ernout. Paris: 'Les Belles Lettres,' 1932, 1933. Paper, 30 Francs Each. [REVIEW] The Classical Review 48 (05):185-186.
  18.  2
    W. Beare (1949). Slave Costume in New Comedy. Classical Quarterly 43 (1-2):30-.
    The article by Professor Webster on ‘South Italian Vases and Attic Drama' in C.Q. xlii, pp. 15–27, raises problems for the reader of Roman comedy. Professor Webster takes the view that the Latin plays are good evidence for the costumes worn on the Greek stage; he even says that ‘the Greek original of Sceparnio in the Rudens certainly wore the phallus’, thus reviving a suggestion of Skutsch which Marx thought sehr k's argument that ancient works of art, in particular Italian (...)
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  19.  2
    W. Beare (1934). Trinvmmvs Plautus, Trinummus (Brix-Niemeyer). Sechste Auflage Neubearbeitet F. Von Conrad. Pp. 168. Leipzig and Berlin: Teubner, 1931. Boards, RM. 5.60 (Stitched, 4.80). [REVIEW] The Classical Review 48 (01):23-.
  20.  2
    A. Andrewes, D. R. Bailey, J. W. B. Barns, W. Beare, D. E. Eichholtz, I. M. Glarmlle, G. F. Hourani, A. Hudson-Williams, H. Hudson-Williams & H. Klos (unknown). Index L0c0rum. Diogenes 17 (1):140.
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  21.  2
    W. Beare (1935). H. E. Wilhelm: De Codice B Plautino. Dissertatio Inauguralis. Pp. 29. Würzburg: Printed by Conrad Triltsch, 1932. Paper. The Classical Review 49 (05):207-208.
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  22.  5
    W. Beare (1927). Morphologie Historique du Latin. By A. Ernout. Second Edition. Pp. Xiv + 404. Paris: Klincksieck, 1927. 24 Fr. The Classical Review 41 (06):243-.
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  23.  5
    W. Beare (1930). P. Terenzio Afro, Il Punitor di se stesso (Heautontimorumenos). Traduzione di Emanuele Cesareo. Pp. xvi + 119. Turin, etc.: Paravia, 1930. Paper, L.8.50. [REVIEW] The Classical Review 44 (05):188-.
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  24.  5
    W. Beare (1959). Aristophanic Costume: A Last Word. Classical Quarterly 9 (1-2):126-.
    In my second article on this subject I asked Professor Webster to clarify his previous statements. My article was shown to him before publication, and his reply will be found immediately following it. I will confine my remarks here to a single point, because it is simple and decisive. The only passage in ancient literature explicitly connecting the phallus with Old Comedy is Clouds 537 f. There Aristophanes says that his play does not wear ‘any stitched-on leather, hanging down, red-tipped, (...)
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  25.  1
    W. Beare (1939). Crepidata, Palliata, Tabernaria, Togata. The Classical Review 53 (5-6):166-168.
  26.  5
    W. Beare (1954). The Costume of the Actors in Aristophanic Comedy. Classical Quarterly 4 (1-2):64-.
    t is generally believed that the actors of Aristophanic comedy wore phallic dress. For example Mr. James Laver tells us that ‘in Old Comedy the actors all wore clothes grotesquely padded, and each was provided with an enormous phallus of red leather. The female characters too were padded, and over the padding wore the long chiton if they belonged to the upper classes, and the short one if they belonged to the lower.‘ Similarly Haigh says that ‘the Old Comedy was (...)
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  27.  2
    W. Beare (1928). Plautus, M.G. 843. The Classical Review 42 (01):20-.
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  28.  2
    W. Beare (1959). Contaminatio. The Classical Review 9 (01):7-11.
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  29.  4
    W. Beare (1957). Aristophanic Costume Again. Classical Quarterly 7 (3-4):184-.
    Professor Webster has replied briefly to my article on this subject, and has dealt elsewhere with the works of art. One point I will gladly concede. In referring the phlyakes-vases to ‘the fourth or third century’ I was quoting Pickard-Cambridge's words in Dithyramb, etc. , p. 267. But in Dramatic Festivals , Pickard-Cambridge, perhaps influenced by Trendall, speaks of the fourth century only.
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  30.  3
    W. Beare (1941). The Chronology of the Plays of Plautus Charles Henry Buck Jr: A Chronology of the Plays of Plautus. Pp. 112. Baltimore, 1940. Paper. [REVIEW] The Classical Review 55 (02):86-87.
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  31.  3
    W. Beare (1934). A New Edition of the Pseudolus T. Macci Plauti Pseudolus. Edited, with Introduction and Notes, by E. H. Sturtevant, in Collaboration with F. E. Brown, F. W. Schaeffer and J. P. Showerman. Pp. 122. New Haven: Yale University Press (London: Milford), 1932. Cloth, 10s. 6d. [REVIEW] The Classical Review 48 (02):74-.
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  32.  3
    W. Beare (1938). New Texts and Versions of Plautus P. Nixon: Plautus, with an English Translation. Vol. V: Stichus, Trinummus, Truculetitus, Vidularia, and Fragments. Pp. Ix + 368. (Loeb Classical Library.) London: Heinemann, 1938. Cloth, 10s. (Leather, 12s. 6d.). A. Ernout: Plaute. Tome V: Mostellaria— Persa—Poenulus. Pp. 270. (Collection des Universités de France.) Paris: 'Les Belles Lettres', 1938. Paper, 40 Fr. [REVIEW] The Classical Review 52 (05):181-182.
  33.  1
    W. Beare (1936). The Budé Plautus, Volume IV A. Ernout: Plaute, Tome IV: Menaechmi-Mercator-Miles Gloriosus. Pp. 280. Paris: ' Les Belles Lettres', 1936. Paper, 30 Fr. [REVIEW] The Classical Review 50 (06):223-224.
  34.  2
    W. Beare (1939). Masks on the Roman Stage. Classical Quarterly 33 (3-4):139-.
    The statement that masks were not introduced on the Roman stage until after the time of Terence is still repeated by editors and has the support of Pauly Wissowa as well as Daremberg and Saglio ; it may, in fact, be regarded as generally accepted. Yet so long ago as 1912 A. S. F. Gow put forward strong arguments on the opposite side; his article, though mentioned with respect in Bursian and referred to by Schanz-Hosius , has not yet been (...)
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  35.  1
    W. Beare (1949). Ruth Mildred Keller: Iste Deiktikon in the Early Roman Dramatists. (Transactions and Proceedings of the American Philological Association, Vol. Lxxvii.) Pp. 261–316. 1946. [REVIEW] The Classical Review 63 (02):72-73.
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  36.  1
    W. Beare (1937). Recent Work on the Roman Theatre. The Classical Review 51 (03):105-111.
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  37.  1
    W. Beare (1930). Responsion in Plautus Die Responsion in den Plautinischen Cantica. Von Friedrich Crusius. (Philologus, Supplementband XXL, Heft I.) Pp. 143 (Including Indices). Leipzig: Dieterich, 1929. [REVIEW] The Classical Review 44 (01):24-25.
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  38.  1
    W. Beare (1938). The Prosody of Terence W. A. Laidlaw: The Prosody of Terence. A Relational Study. Pp. Vii + 138. (St. Andrews University Publications, No. XL.) London: Milford, 1938. Boards, 5s. [REVIEW] The Classical Review 52 (06):224-225.
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  39.  1
    W. Beare (1938). Rhythm and Metre Eirik Vandvik: Rhythmus Und Metrum; Akzent Und Iktus. (Symbolae Osloenses, Fasc. Supplet. VIII.) Oslo: Brøigger, 1937. Paper. [REVIEW] The Classical Review 52 (01):18-19.
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  40.  1
    W. Beare (1929). Syntax of Terence. By J. T. Allardice, M.C., D.Litt. Pp. 152. (St. Andrews University Publications.) London: Milford, 1929. Boards, 3s. 6d. Net. [REVIEW] The Classical Review 43 (06):242-.
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  41.  1
    W. Beare (1935). The Budé Plautus, Volume III A. Ernout: Plaute, Tome III. Paris: 'Les Belles Lettres,' 1935. Paper, 30 Fr. The Classical Review 49 (05):188-189.
  42.  1
    W. Beare (1930). P. Vergili Maronis Opera. Post Ribbeckium tertium recognouit Gualtherus Ianell. Editio maior iterum recognita. Pp. xxviii + 428. Leipzig : Teubner, 1930. Cloth, R.M. 7 (unbound, 5.60). [REVIEW] The Classical Review 44 (05):202-203.
  43.  3
    W. Beare (1952). Marvin T. Herrick: Comic Theory in the Sixteenth Century. Pp. Viii + 248. Urbana: University of Illinois Press, 1950. Cloth, $3.50. [REVIEW] The Classical Review 2 (3-4):232-233.
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  44.  2
    W. Beare (1954). The Angiportum. The Classical Review 4 (01):6-8.
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  45.  2
    W. Beare (1930). Plautus and the Fabula Atellana. The Classical Review 44 (05):165-168.
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  46.  2
    W. Beare (1940). The Delivery of Cantica on the Roman Stage. The Classical Review 54 (02):70-72.
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  47.  1
    W. Beare (1928). Plautus and His Public. The Classical Review 42 (03):106-111.
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  48.  2
    W. Beare (1955). Władysław Madyda: De Donato Histrionum Praeceptore. (Archiwum Filologiczne, iii.) Pp. 58. Warsaw: Polska Akademia Nauk, 1953. Paper, zł. 10. [REVIEW] The Classical Review 5 (3-4):319-320.
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  49.  1
    W. Beare (1957). The Originality of Plautus Raffaele Perna: L'Originalitá di Plauto. Pp. Xiv+496. Bari: Leonardo da Vinci, 1955. Paper, L. 2,800. [REVIEW] The Classical Review 7 (01):38-39.
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  50.  1
    W. Beare (1935). Exits and Entrances in Roman Comedy Mary Johnston: Exits and Entrances in Roman Comedy (Plautus and Terence). Pp. Vii+152. Geneva, New York: W. F. Humphrey Press, 1933. Paper. [REVIEW] The Classical Review 49 (01):27-.
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