Drawing on Aristotle’s notion of “ultimate responsibility,” Robert Kane argues that to be exercising a free will an agent must have taken some character forming decisions for which there were no sufficient conditions or decisive reasons.1 That is, an agent whose will is free not only had the ability to develop other dispositions, but could have exercised that ability without being irrational. To say it again, a person has a free will just in case her character is the product (...) of decisions that she could have rationally avoided making. That one’s character is the product of such decisions entails ultimate responsibility for its manifestations, engendering a free will. (shrink)
For over thirty years, Robert Audi has produced important work in ethics, epistemology, and the theory of action. This volume features thirteen new critical essays on Audi by a distinguished group of authors: Fred Adams, William Alston, Laurence BonJour, Roger Crisp, Elizabeth Fricker, Bernard Gert, Thomas Hurka, Hugh McCann, Al Mele, Walter Sinnott-Armstrong, Raimo Tuomela, Candace Vogler, and Timothy Williamson. Audi's introductory essay provides a thematic overview interconnecting his views in ethics, epistemology, and philosophy of action. The volume (...) concludes with his comprehensive response essay that yields an illuminating dialog with all his critics and often extends his previous work. (shrink)
In this paper I argue that Robert Kane’s defense of event-causal libertarianism, as presented in Responsibility, Luck, and Chance: Reflections on Free Will and Indeterminism, fails because his event-causal reconstruction is incoherent. I focus on the notions of efforts and self-forming actions essential to his defense.
In the early twentieth century Walter Benjamin introduced the idea of epochal and ongoing progression in interaction between mind and the built environment. Since early antiquity, the present study suggests, Benjamin’s notion has been manifest in metaphors of gender in city-form, whereby edifices and urban voids have represented masculinity and femininity, respectively. At the onset of interaction between mind and the built environment are prehistoric myths related to the human body and to the sky. During antiquity gender projection can (...) be detected in western perceptions linking natural and built environments, commencing with Plato’s Atlantis and his Myth of Er, and later as a likely import of the Chinese yin-yang mythology. Culminating with the Age of Discovery, alongside advances in experiential awareness of the Earth’s sphericity, respective feminine and masculine earmarks can be detected in early modern perspicacity of the Earth’s southern and northern hemispheres. Our conceptions of natural and built environments inherently continue to contain gender traits. Yet urban voids, as the feminine face of city-form, have been severely understated in the built environment. Through design and configuration of urban voids, allegories of femininity in city-form ought to be celebrated, not discarded. (shrink)
For the last several decades, philosophers have wrestled with the proper place of religion in liberal societies. Usually, the debates among these philosophers have started with the articulation of various conceptions of liberalism and then proceeded to locate religion in the context of these conceptions. In the process, however, too little attention has been paid to the way religion is conceived. Drawing on the work of Robert Audi and Nicholas Wolterstorff, two scholars who are often read as holding opposing (...) views on these issues, I argue that, for the purposes of their argument about liberalism, both have implicitly accepted a concept of religion that has come under severe attack in recent work on the subject. Namely, they have accepted a concept of religion that identifies religion primarily with belief, ritual practice, and ecclesial institutions. Following recent scholarship, I suggest that religion is better conceived as a kind of culture. To conclude the essay, I gesture toward what the beginnings of a re-visioned debate about religion and liberal society might look like if one started from this revised conception of religion. (shrink)
Robert Adams’s Finite and Infinite Goods is one of the most important and innovative contributions to theistic ethics in recent memory. This article identifies two major flaws at the heart of Adams’s theory: his notion of intrinsic value and his claim that ‘excellence’ or finite goodness is constituted by resemblance to God. I first elucidate Adams’s complex, frequently misunderstood claims concerning intrinsic value and Godlikeness. I then contend that Adams’s notion of intrinsic value cannot explain what it could mean (...) for countless finite goods to be intrinsically valuable. Next, I articulate a criticism of his Godlikeness thesis altogether unlike those he has previously addressed: I show that, on Adams’s own account of Godlikeness, a diverse myriad of excellences could not possibly count as resembling God. His theory thus fails to account for a whole world of finite goods. I defend my two criticisms against objections and briefly sketch a more Aristotelian and Christian way forward. (shrink)
Hegel’s aesthetic ideal is the perfect integration of form and content within a work of art. This ideal is incompatible with the predominant 20th-century principle of formalist criticism, that form is the sole important factor in a work of art. Although the formalist dichotomy between form and content has been criticized on philosophical grounds, that does not suffice to justify Hegel’s ideal. Justifying Hegel’s ideal requires detailed art criticism that shows how form and content are, and why they should be, (...) integrated in good works of art. This essay provides some of this criticism. By focusing on the work of the contemporary artist, Robert Turner, this criticism further suggests that Hegel’s aesthetic ideal is still relevant. Moreover, the nature of Turner’s work suggests that art is still relevant in our day in ways Hegel did not expect. (shrink)
Kane's ambitious and bold book presents a sustained argument for an ethical theory that gives an account of right action and the good life. The general structure of the main argument is presented and specific points are critically discussed.
This Article is a short response to Anders Tolland's "Iterated Non-Refutation: Robert Lockie on Relativism", International Journal of Philosophical Studies Vol. 14, no. 2, 245-254, 2006. Tolland's article was itself a response to Lockie, R (2003) "Relativism and Reflexivity", International Journal of Philosophical Studies Vol. 11, no. 3, 319-339.
Austrian economics - the school of thought associated with Carl Menger, Frederick von Weiser, Eugen von Bohm-Bawerk, and in this century, Ludwig von Mises, Friedrich Hayek, Murray N. Rothbard, and Israel Kirzner - is based on a framework of methodological principles and assumptions much at variance with those of traditional or 'orthodox' economists. Robert Nozick, in his 'On Austrian Methodology', focuses attention on the most fundamental features of this framework, and subjects them to a thoroughgoing and scathing analysis. Singled (...) out for detailed and critical review are: (1) the praxeological concepts of methodological individualism; (2) the claim that economics is an a priori science of human action; (3) the nature of preference and its relation to choice and action; and (4) the assumptions of time-preference theory. Although Nozick does not consider Austrian views on business cycles, market process analysis, the coordinative and informational effects of the price system, competition, and several other fundamental aspects of praxeology, his criticism strikes at the very root of the praxeological school. This paper attempts to refute each criticism made of the praxeological school by Nozick on a point-by-point basis. It thus follows the same pattern as the original paper, and scrutinizes in detail the arguments made by its author. (shrink)
Although the title Realism in Religion suggests that this collection of essays might be narrowly focused, this work is an ideal entry to Robert Neville's wide-ranging thought as a whole. All but two of the essays were written as lectures, and consequently, Neville states, "the necessity of writing so as to be understood on first reading makes this book more accessible than my more numbingly nuanced monographs" (xiii). Most of the essays date from the past decade, although two were (...) published in 1967. The lectures have quite successfully been rewritten so as to cut down on repetition of content and increase continuity of argumentation. All but two of the fourteen essays are organized to have exactly four .. (shrink)
In this collection, a wide variety of American philosophers attempt to explain why they were drawn to philosophy and the difference it has made in their lives. Among the contributors are: Henry E. Kyburg, Jr., Joel Feinberg, Alfred Mele, Walter B. Gulick, Robert Solomon, Robert G. Shoemaker, and David D. Karnos.
Robert Owen was one of the most extraordinary Englishmen who ever lived and a great man. In a way his history is the history of the establishment of modern industrial Britain, reflected in the mind and activities of a very intelligent, capable and responsible industrialist, alive to the best social thought of his time. The organisation of industrial labour, factory legislation, education, trade unionism, co-operation, rationalism: he was passionately and ably engaged in all of them. His community at New (...) Lanark was the nearest thing to an industrial heaven in the Britain of dark satanic mills; he tried to found a rational co-operative community in the USA. In everything he contemplated, he saw education as a key. This selection of his writings on education illustrates his rationalist concept of the formation of character and its implications for education and society; also his growing utopian concern with social reorganisation; and third, his impact on social movements. Silver's introduction shows Owen's relationship to particular educational traditions and activities and his long-term influence on attitudes to education. (shrink)
In Moral Knowledge? New Readings in Moral Epistemology, editors Walter Sinnott-Armstrong and Mark Timmons bring together eleven specially commissioned essays by distinguished moral philosophers exploring the nature and possibility of moral knowledge. Each essay represents a major position within the exciting field of moral epistemology in which a proponent of the position presents and defends his or her view and locates it vis-a-vis competing views. The authors include established philosophers such as Peter Railton, Robert Audi, Richard Brandt, and (...) Simon Blackburn, as well as newer voices in the field. Topics covered include moral skepticism, moral truth, projectivism, contractarianism, coherentism, feminist views, quasi-realism, and pragmatism. The lively and clear selections do not presuppose specialized knowledge of philosophy, and the philosophical vocabulary used throughout the anthology is uniform, in order to facilitate understanding by those not familiar with the field. The first chapter includes a sustained critical discussion of the major views represented in the following chapters, thereby furnishing beginning students with appropriate background to understand the selections. The volume is further enhanced by an index and an extensive bibliography. An excellent text for undergraduate and graduate courses, Moral Knowledge provides the most up-to-date work on moral knowledge and justification. (shrink)
This book collects essays considering the full range of Robert Sokolowski's philosophical works: his vew of philosophy; his phenomenology of language and his account of the relation between language and being; his phenomenology of moral action; and his phenomenological theology of disclosure.
Here I review Robert Trivers' 2011 book _The Folly of Fools_, in which he advocates the evolutionary theory of deceit and self-deception that he pioneered in his famous preface to Richard Dawkins' _Selfish Gene_. Although the book contains a wealth of interesting discussion on topics ranging from warfare to immunology, I find it lacking on two major fronts. First, it fails to give a proper argument for its central thesis--namely, that self-deception evolved to facilitate deception of others. Second, the (...) book lacks conceptual clarity with respect to the focal term "self-deception.". (shrink)
Robert Audi’s The Good in the Right undertakes the magisterial work of reviving the intuitionism of W.D. Ross, rescuing Ross from the overlapping shadows of Henry Sidgwick, G. E. Moore, and, to a lesser extent, H. A. Prichard, marrying Ross to Kant, and so working to produce "a full-scale moral philosophy providing both an account of moral principles and judgments—a metaethical account—and a set of basic moral standards" that might be employed in moral reasoning. The book is magnificent in (...) ambition and impressive in detail. (shrink)
Robert Rupert is well-known as an vigorous opponent of the hypothesis of extended cognition (HEC). His Cognitive Systems and the Extended Mind is a first-rate development of his “systems-based” approach to demarcating the mind. The results are impressive. Rupert’s account brings much-needed clarity to the often-frustrating debate over HEC: much more than just an attack on HEC, he gives a compelling picture of why the debate matters.
Critical notice of Robert Audi's The Good in the Right in which doubts are raised about the epistemological and ethical doctrines it defends. It doubts that an appeal to Kant is a profitable way to defend Rossian normative intuitionism.
Metaethics, understood as a distinct branch of ethics, is often traced to G. E. Moore's 1903 classic, Principia Ethica. Whereas normative ethics is concerned to answer first-order moral questions about what is good and bad, right and wrong, metaethics is concerned to answer second-order non-moral questions about the semantics, metaphysics, and epistemology of moral thought and discourse. Moore has continued to exert a powerful influence, and the sixteen essays here (most of them specially written for the volume) represent the most (...) up-to-date work in metaethics after, and in some cases directly inspired by, the work of Moore. Contributors include Robert Audi, Stephen Barker, Paul Bloomfield, Panayot Butchvarvov, Jonathan Dancy, Stephen Darwall, Jamie Dreier, Allan Gibbard, Brad Hooker, Terry Horgan, Connie Rosati, Russ Shafer-Landau, Walter Sinnott-Armstrong, Michael Smith, Philip Stratton-Lake, Sigrun Svavarsdottir, Mark Timmons, and Judith Jarvis Thompson. (shrink)
This paper traces a rather peculiar debate between William Ockham, Walter Chatton, and Robert Holcot over whether it is possible for God to know more than he knows. Although the debate specifically addresses a theological question about divine knowledge, the central issue at stake in it is a purely philosophical question about the nature and ontological status of propositions. The theories of propositions that emerge from the discussion appear deeply puzzling, however. My aim in this paper is to (...) show that there is a way of making sense of these views (and, by implication, of much of what is puzzling about medieval theories of propositions). The key, I argue, lies in getting clear about the precise theoretical roles these thinkers assign to propositions in their accounts of propositional attitudes. (shrink)
The relationship of the author's intention to the meaning of a literary work has been a persistently controversial topic in aesthetics. Anti-intentionalists Wimsatt and Beardsley, in the 1946 paper that launched the debate, accused critics who fueled their interpretative activity by poring over the author's private diaries and life story of committing the 'fallacy' of equating the work's meaning, properly determined by context and linguistic convention, with the meaning intended by the author. Hirsch responded that context and convention are not (...) sufficient to determine a unique meaning for a text; to avoid radical ambiguity we must appeal to the author's intention, which actualizes one of the candidate meanings. Subsequent writers have defended refined versions of these views, and a variety of positions on the spectrum between them, in a debate that remains central to philosophical aesthetics. While much of the debate has focused on literature, similar questions arise with respect to the interpretation of visual artworks. Some of the readings listed below address this matter explicitly. Author Recommends: William K. Wimsatt and Monroe C. Beardsley, 'The Intentional Fallacy', Sewanee Review 54 (1946): 468–88. Locus classicus of the anti-intentionalist position: Wimsatt and Beardsley hold that appeal to the author's intention is always extraneous, since intention cannot override the role of linguistic convention and context in determining meaning. Criticism, they argue, should thus proceed by careful examination of the literary work rather than by sifting through biographical material that might hint at the author's intentions. E. D. Hirsch, Jr., Validity in Interpretation (New Haven, CT: Yale University Press, 1967). The seminal statement of actual intentionalism: Hirsch holds that 'meaning is an affair of consciousness and not of physical signs or things' (23), though he allows that linguistic convention constrains the meanings the author can intend for a particular utterance. He argues that the author's intention is necessary to fix meaning, since the application of conventions alone would typically leave a text wildly indeterminate. Alexander Nehamas, 'The Postulated Author: Critical Monism as a Regulative Ideal', Critical Inquiry 8 (1981): 133–49. Nehamas argues for a version of hypothetical intentionalism according to which interpretation is a matter of attributing an intended meaning to a hypothetical author, distinct from the historical writer. This view allows the interpreter to find meaning even in features of the work that may have been mere accidents on the part of the historical writer. Gary Iseminger, ed., Intention and Interpretation (Philadelphia, PA: Temple University Press, 1992). Intention and Interpretation is an outstanding collection including both classic and new essays representing most of the major viewpoints in the debate. Noël Carroll, 'Art, Intention, and Conversation', Intention and Interpretation , ed. Gary Iseminger (Philadelphia, PA: Temple University Press, 1992), 97–131. The essay defends modest actual intentionalism, according to which the work's meaning is one compatible both with the author's meaning intentions and with the conventionally allowable meanings of the text. Carroll holds that literature is on a continuum with ordinary conversation, to which an intentionalist analysis is apt; for this reason he rejects anti-intentionalism and hypothetical intentionalism, which emphasize the purported autonomy of literary works from their authors. Daniel Nathan, 'Irony, Metaphor, and the Problem of Intention', Intention and Interpretation , ed. Gary Iseminger (Philadelphia, PA: Temple University Press, 1992), 183–202. Nathan argues that even irony and metaphor, which are often thought to require an analysis in terms of the author's actual intentions, are in fact best understood on an anti-intentionalist approach. Jerrold Levinson, 'Intention and Interpretation in Literature', The Pleasures of Aesthetics: Philosophical Essays (Ithaca, NY: Cornell University Press, 1996), 175–213. Revised version of 'Intention and Interpretation: A Last Look', Intention and Interpretation , ed. Gary Iseminger (Philadelphia, PA: Temple University Press, 1992), 221–56. The essay defends a version of hypothetical intentionalism according to which the meaning of a literary work is the meaning that would be attributed to the actual author by members of the ideal audience. Levinson argues that literary works should be treated differently from everyday utterances, since it is a convention of literature that its works are substantially autonomous from their authors. Paisley Livingston, Art and Intention: A Philosophical Study (Oxford: Clarendon Press, 2005). Livingston examines competing accounts of the nature of intentions as they pertain to a variety of issues in the philosophy of art, including the ontology of art, the nature of authorship, and art interpretation. In chapter 6, Livingston argues for partial intentionalism, according to which some, but not all, of a work's meanings are non-redundantly determined by the author's intentions. Stephen Davies, 'Authors' Intentions, Literary Interpretation, and Literary Value', British Journal of Aesthetics 46 (2006): 223–47. Davies defends the value-maximizing view, according to which, when there is more than one conventional meaning consistent with the work's features, the meaning that should be attributed to the work is the one that makes the work out to be most aesthetically valuable. He allows for the attribution of multiple meanings when more than one candidate (approximately) maximizes the work's value. Online Materials: http://plato.stanford.edu/entries/beardsley-aesthetics/ Beardsley's Aesthetics (Michael Wreen) http://plato.stanford.edu/entries/conceptual-art/ Conceptual Art (Elisabeth Schellekens) http://plato.stanford.edu/entries/speech-acts/ Speech Acts (Mitchell Green) http://plato.stanford.edu/entries/hermeneutics/ Hermeneutics (Bjørn Ramberg and Kristin Gjesdal) Sample Syllabus: Week 1: Foundations 1. Wimsatt and Beardsley, 'The Intentional Fallacy'. 2. Livingston, 'What Are Intentions?', Art and Intention , 1–30. Weeks 2–3: Actual Intentionalism 1. Hirsch, Validity in Interpretation , ch. 1–2, 1–67. 2. Gary Iseminger, 'An Intentional Demonstration?', Intention and Interpretation , ed. Iseminger, 76–96. Optional reading: 1. Stephen Knapp and Walter Benn Michaels, 'Against Theory', Critical Inquiry 8 (1982): 723–742. 2. Stephen Knapp and Walter Benn Michaels, 'Against Theory 2: Hermeneutics and Deconstruction', Critical Inquiry 14 (1987): 49–58. Weeks 4–5: Modest, Moderate and Partial Intentionalism 1. Carroll, 'Art, Intention, and Conversation'. 2. Robert Stecker, Interpretation and Construction: Art, Speech, and the Law (Malden, MA: Blackwell, 2003), ch. 2, 29–51. 3. Livingston, 'Intention and the Interpretation of Art', Art and Intention , 135–74. Optional reading: 1. Carroll, 'Interpretation and Intention: The Debate between Hypothetical and Actual Intentionalism', Metaphilosophy 31 (2000): 75–95. 2. Stecker, 'Moderate Actual Intentionalism Defended', Journal of Aesthetics and Art Criticism 64 (2006): 429–38. Weeks 6–7: Hypothetical Intentionalism 1. William E. Tolhurst, 'On What a Text Is and How It Means', British Journal of Aesthetics 19 (1979): 3–14. 2. Nehamas, 'Postulated Author'. 3. Levinson, 'Intention and Interpretation in Literature'. Optional reading: 1. Nehamas, 'What an Author Is', Journal of Philosophy 83 (1986): 685–91. 2. Nehamas, 'Writer, Text, Work, Author', Literature and the Question of Philosophy , ed. A. J. Cascardi (Baltimore, MD: Johns Hopkins University Press, 1987), 265–91. 3. Levinson, 'Hypothetical Intentionalism: Statement, Objections, and Replies', Is There a Single Right Interpretation? , ed. M. Krausz (University Park, PA: Pennsylvania State University Press, 2002), 309–18. Week 8: The Value-Maximizing View 1. Davies, 'The Aesthetic Relevance of Authors' and Painters' Intentions', Journal of Aesthetics and Art Criticism 41 (1982): 65–76. 2. Davies, 'Authors' Intentions, Literary Interpretation, and Literary Value'. Weeks 9–10: Anti-Intentionalism 1. Beardsley, 'The Authority of the Text,' The Possibility of Criticism (Detroit: Wayne State University Press, 1970), 16–37. 2. Nathan, 'Irony, Metaphor, and the Problem of Intention'. 3. Nathan, 'Art, Meaning, and Artist's Meaning', Contemporary Debates in Aesthetics and the Philosophy of Art , ed. M. Kieran (Malden, MA: Blackwell, 2006), 282–95. Optional reading: 1. Beardsley, 'Intentions and Interpretations: A Fallacy Revived', The Aesthetic Point of View: Selected Essays , ed. M. J. Wreen and D. M. Callen (Ithaca, NY: Cornell University Press, 1982), 188–207. 2. Nathan, 'Irony and the Author's Intentions', British Journal of Aesthetics 22 (1982): 246–56. Sample Mini-Syllabus: Week 1: Foundations 1. Wimsatt and Beardsley, 'The Intentional Fallacy'. 2. Livingston, 'What Are Intentions?', Art and Intention , 1–30. Week 2: Actual and Modest Intentionalism 1. Hirsch, Validity in Interpretation , ch. 1–2, 1–67. 2. Carroll, 'Art, Intention, and Conversation'. Week 3: Hypothetical Intentionalism and Anti-Intentionalism 1. Levinson, 'Intention and Interpretation in Literature'. 2. Nathan, 'Irony, Metaphor, and the Problem of Intention'. Focus Questions 1. Is the difficulty of ascertaining the author's intentions a good reason to reject actual intentionalism? 2. Should literary works be seen as largely autonomous from their authors, even if we think that interpretation of ordinary utterances is properly a matter of ascertaining the speaker's intentions? 3. Are linguistic context and convention sufficient to determine the meaning of a literary work, or is the author's intention required to stave off an unacceptable degree of ambiguity? 4. Should the author's intentions about the genre or category to which the work belongs have a different status than intentions about the work's meaning? 5. Can the author's intentions have a non-redundant role to play in fixing meaning even if we take the role of context and linguistic convention seriously? 6. Should we expect the author's intention to play the same role (if any) in the interpretation of visual artworks that it plays in the interpretation of literature, or do differences between these two art forms require distinct approaches? (shrink)
Insieme a John McDowell, Robert Brandom è uno dei filosofi emergenti della reazione al naturalismo filosofico; seguace Wilfrid Sellars, è l'autore americano che più si avvicina al dialogo con la filosofia continentale e propone una rivalutazione di Kant e Hegel nella filosofia analitica. Già allievo di Richard Rorty, Brandom è diventuo famoso con la pubblicazione di Making it Explicit. Questo ponderoso volume di 900 pagine non ha avuto però ancora una sufficiente attenzione nel dibattito filosofico italiano (a parte alcuni (...) inteventi pubblicati su Iride). Forse questo dipende in parte dalla peculiarità e difficoltà del suo approccio, in parte dalla mole stessa del citato volume. Anche per questo motivo Brandom ha presentato una serie di lezioni2 ove riprende i temi del libro maggiore e ne approfondisce alcune parti. In quanto segue si presentano i temi fondamentale di Making it Explicit, arricchiti con elementi presi dal nuovo approfondimento. (shrink)
: This article focuses on one aspect of the late mediaeval debate over divine power, as it was discussed by Oxford philosophers Walter Chatton (d. 1343) and William Ockham (d. 1347). Chatton and Ockham would have agreed, for example, that God is ultimately responsible for the existence of the works of Pablo Picasso, but they would not agree over wheher it violates God's omnipotence to say that he cannot make something that Picasso made, for example, the painting Guernica, without (...) using Picasso himself as an intermediate cause. The context of their dispute was a larger debate regarding the ontological status of relations. This article (1) explains how these two issues, omnipotence and relations, became so interestingly tangled together, (2) tries to see which of the two men mentioned above got the better of their exchange, and finally (3) draws out some important consequences for fourteenth-century discussions of causality, occasionalism, and omnipotence. (shrink)
The two main challenges of the theory of conceptual content presented by Robert Brandom in Making It Explicit are to account for a referential dimension of conceptual content and to account for the objectivity of conceptual norms. Brandom tries to meet both these challenges in chapter 8 of his book. I argue that the accounts presented there can only be understood if seen against the background of Brandom's theory of communication developed in chapter 7. This theory is motivated by (...) the well-known problem that semantic holism threatens the possibility of communication because it has the consequence that words mean different things in different mouths. Brandom offers a solution to this problem in terms of what he calls recurrence commitments. I show that chapter 8 of Making It Explicit should be understood as arguing that a practice that includes acknowledging interpersonal recurrence commitments institutes both conceptual contents with a referential dimension and objective conceptual norms. I close by raising the objection that Brandom's argument can only show that conceptual norms are communally shared and not that they are objective. I propose an emendation of this argument, having recourse to a practice Brandom refers to as rational rectification in his new book Between Saying and Doing. (shrink)
This article discusses the theories of perception of Robert Kilwardby and Peter of John Olivi. Our aim is to show how in challenging certain assumptions of medieval Aristotelian theories of perception they drew on Augustine and argued for the active nature of the soul in sense perception. For both Kilwardby and Olivi, the soul is not passive with respect to perceived objects; rather, it causes its own cognitive acts with respect to external objects and thus allows the subject to (...) perceive them. We also show that Kilwardby and Olivi differ substantially regarding where the activity of the soul is directed to and the role of the sensible species in the process, and we demonstrate that there are similarities between their ideas of intentionality and the attention of the soul towards the corporeal world. (shrink)
In a recent study of astrophysical “fine-tunings” (or “coincidences”), Robert Klee critically assesses the support that such astrophysical evidence might be thought to lend to the design argument (i.e., the argument that our universe has been designed by some deity). Klee argues that a proper assessment indicates that the universe is not as “fine-tuned” as advertised by proponents of the design arguments. We argue (i) that Klee’s assessment of the data is, to a certain extent, problematic; and (ii) even (...) if Klee’s assessment of the data is correct, it provides a necessary but not a sufficient response to the design argument. However, an adequate skeptical rejoinder to the design argument can be made by appealing to the anthropic principle. (shrink)
Special issue. With contributions by Anouk Barberouse, Sarah Francescelli and Cyrille Imbert, Robert Batterman, Roman Frigg and Julian Reiss, Axel Gelfert, Till Grüne-Yanoff, Paul Humphreys, James Mattingly and Walter Warwick, Matthew Parker, Wendy Parker, Dirk Schlimm, and Eric Winsberg.
It is true for many disciplines within the humanities that there are numerous excellent works that introduce the beginner to the basic building blocks of the discipline, and also many advanced studies for the accomplished scholar, but few works that help the student get from the beginning stage to the advanced level. That has certainly been true of the discipline of Sanskrit. Once a student has devoted a couple of years to working through one of the excellent introductions to the (...) language by Ashok Aklujkar, Michael Coulson, Madhav Deshpande, Robert Goldman, or Walter Maurer, there have been hardly any intermediate texts to help the student systematically progress to more advanced levels. Now, however, with the publication of Scholastic Sanskrit, an important step has been taken toward filling that lacuna. This book assumes that the student has learned enough about Sanskrit grammar and syntax to be ready to begin plunging into the vast corpus comprising the many genres of Sanskrit literature. It is built on the conviction that even a student at the early stages of exploring Sanskrit literature can benefit from the work of traditional commentators; it is also built on the observation that until now there have not been reliable guides to help the student make intelligent use of Sanskrit commentaries. (shrink)
From the complete three-volume critical edition of Hegel's Lectures on the Philosophy of Religion , this edition extracts the full text and footnotes of the 1827 lectures, making the work available in a convenient form for study. Of the lectures that can be fully reconstructed, those of 1827 are the clearest, the maturest in form, and the most accessible to nonspecialists. In them, readers will find Hegel engaged in lively debates and in important refinements of his treatment of the concept (...) of religion, the Oriental religions and Judaism, Christology, the Trinity, the God-world relationship, and many other topics. This edition contains a new editorial introduction as well as critical annotations on the text and tables, bibliography, and glossary from the complete edition. The result of an international collaborative effort on the part of Walter Jaeschke, Ricardo Ferrara, and Peter C. Hodgson, the new edition is appearing simultaneously in German, English, and Spanish. The English edition has been prepared by a team consisting of Robert F. Brown (University of Delaware), Peter C. Hodgson (Vanderbilt University), and J. Michael Stewart (Farnham, England), with the assistance of H. S. Harris (York University). (shrink)
Robert Cummins has recently used the program of Clark Hull to illustrate the effects of logical positivist epistemology upon psychological theory. On Cummins's account, Hull's theory is best understood as a functional analysis, rather than a nomological subsumption. Hull's commitment to the logical positivist view of explanation is said to have blinded him to this aspect of this theory, and thus restricted its scope. We will argue that this interpretation of Hull's epistemology, though common, is mistaken. Hull's epistemological views (...) were developed independently of, and in considerable contrast to, the principles of logical positivism. (shrink)
This article uses Walter Benjamin's theoretical claims in the 'Critique of violence' to shed light on some current conceptualisations of terrorism. It suggests an understanding of terrorism as an essentially contested concept. If the theorist uncritically adopts the state's account of terrorism, she occludes an important dimension of the phenomenon that allows for a rethinking of the state's claim to a monopoly on legitimate violence. Benjamin's essay conceptualises the state as resulting from a conjunction of violence, law, legitimacy and (...) power that rests on mythical ideas about nature and history. It shows why the state claims to be justified in taking exceptional measures when this link is challenged and when its prerogative to the legitimate use of force is called into question. This, I argue, is what terrorism does. Thus, Benjamin's essay adds to a more nuanced and less one-sided understanding of both terrorism and state violence. (shrink)
Even the briefest and most superficial perusal of leading mainstream economics journals will attest to the degree that mathematical formalism has captured the economics profession. Whereas up to the early 20th century virtually all of the output of the dismal scientists was in the literary format, by the early 21st century this is not at all any longer the case. Mathematical formalism is supposed to serve economics, and yet now true economic insight has been crowded out by the math. If (...) mainstream neoclassical economics is to come back to its proper path, a far less central role for mathematical economics, statistics and econometrics will have to be fashioned. (shrink)
In a famous experiment by Tversky and Kahneman (Psychol Rev 90:293–315, 1983), featuring Linda the bank teller, the participants assign a higher probability to a conjunction of propositions than to one of the conjuncts, thereby seemingly committing a probabilistic fallacy. In this paper, we discuss a slightly different example featuring someone named Walter, who also happens to work at a bank, and argue that, in this example, it is rational to assign a higher probability to the conjunction of suitably (...) chosen propositions than to one of the conjuncts. By pointing out the similarities between Tversky and Kahneman’s experiment and our example, we argue that the participants in the experiment may assign probabilities to the propositions in question in such a way that it is also rational for them to give the conjunction a higher probability than one of the conjuncts. (shrink)
Various early modern philosophers affirm the traditional distinction between ‘things above reason’ and ‘things contrary to reason.’ However, it is Robert Boyle who goes furthest to rework and defend the division, and to explore its ramifications in detail. My aim here is to examine the logical structure of Boyle’s version of the distinction, and his concomitant account of the sphere of truths beyond human understanding. I also weigh the philosophical merits of the account and clarify the relationship between Boyle’s (...) characterization of things above reason and his alleged dialethism. (shrink)
Formal axiology is based on the logical nature of meaning, namely intension, and on the structure of intension as a set of predicates. It applies set theory to this set of predicates. Set theory is a certain kind of mathematics that deals with subsets in general, and of finite and infinite sets in particular. Since mathematics is objective and a priori, formal axiology is an objective and a priori science; and a test based on it is an objective test based (...) on an objective standard.1. (shrink)
Eleven distinguished philosophers have contributed specially written essays on a set of topics much debated in recent years, including physicalism, qualia, semantic competence, conditionals, presuppositions, two-dimensional semantics, and the relation between logic and metaphysics. All these topics are prominent in the work of Robert Stalnaker, a major presence in contemporary philosophy, in honor of whom the volume is published. It also contains a substantial new essay in which Stalnaker replies to his critics, and sets out his current views on (...) the topics discussed. (shrink)
Robert Russell's theological work has been a helpful stimulus to the task of understanding the meaning of divine action and providence in the age of science. He relates God's direct action "fundamentally" to the hidden domain of quantum events, and his theology of nature deserves careful attention. It is questionable, however, whether the term fundamental as applied to quantum events by physical science may be taken over by theology without more careful qualification than Russell offers.
This review presents the principal themes of Robert Spaemann's Persons: The Difference between ‘Someone’ and ‘Something.’ To be a person is not to be identical with one's teleological nature, but rather, to have that nature. Personal consciousness is necessarily temporal consciousness. Persons have a range of distinctively personal acts, such as recognizing and respecting one another, understanding their lives as wholes, making judgments of conscience, promising, and forgiving. All members of the human species, whatever their stage of development or (...) limitations, are persons. The present review also briefly considers certain objections that have been raised against Spaemann's position. (shrink)
Throughout his philosophical career at Michigan, UCLA, Yale, and Oxford, Robert Merrihew Adams's wide-ranging contributions have deeply shaped the structure of debates in metaphysics, philosophy of religion, history of philosophy, and ethics. Metaphysics and the Good: Themes from the Philosophy of Robert Merrihew Adams provides, for the first time, a collection of original essays by leading philosophers dedicated to exploring many of the facets of Adams's thought, a philosophical outlook that combines Christian theism, neo-Platonism, moral realism, metaphysical idealism, (...) and a commitment to both historical sensitivity and rigorous analytic engagement. Tied together by their aim of exploring, expanding, and experimenting with Adams's views, these eleven essays are coupled with an intellectual autobiography by Adams himself that was commissioned especially for this volume. As the introduction to the volume explains, the purpose of Metaphysics and the Good is to explore Adams's work in the very manner that he prescribes for understanding the ideas of others. By experimenting with Adams's conclusions, "pulling a string here to see what moves over there, so to speak," as Adams puts it, our authors throw into greater relief what makes Adams such an original and stimulating philosopher. In doing so, these essays contribute not only to the exploration of Adams's continuing interests, but they also advance original and important philosophical insights of their own. (shrink)
You might think a simple “No” would suffice as an answer. But there are features of Kant’s ethics that appear to be strikingly similar to virtue oriented views, so striking that some Kantians themselves have argued that Kant’s ethics in fact shares these features with virtue ethics. In what follows, I will argue against this view, though along the way I will acknowledge the features of Kant’s view that make it appear more like a kind of virtue ethics than it (...) really is. (shrink)
Part of Robert Kane’s response to the contemporary cultural condition of pluralism is to attempt to ground morality in the _search_ for wisdom about how to live. With regard to the right, Kane argues, roughly, that a new principle capturing what all morally permissible actions have in common warrants belief on the part of all inquirers, even in the face of reasonable uncertainty, because it is justified as an essential means to ascertaining wisdom. Upon embarking for wisdom, one quickly (...) discovers an important chunk of it about right action, namely, that wisdom will not be found unless one treats others in a particular kind of way. Although, as I discuss, this rationale has some similarities with transcendental arguments to be found in the literature, it is novel and merits careful attention from meta-ethicists. In this critical notice, I focus largely on Kane’s interesting justification of a principle of right action, paying somewhat less attention to the content of this principle, which is akin to Kant’s Formula of Humanity, and the not-merely-mental account of the good that Kane also advances; however, these elements of Kane’s intricate worldview about how to live should also be of interest to normative ethicists. (shrink)
Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
On 9 December 1930, Walter Benjamin sent a copy of his book The Origin of German Tragic Drama to Carl Schmitt, accompanied by a letter in which he expressed his indebtedness to Schmitt: "You will very quickly recognize how much my book is indebted to you for its presentation of the doctrine of sovereignty in the seventeenth century. Perhaps I may say, in addition, that I have also derived from your later works, especially Die Diktatur, a confirmation of my (...) modes of research in the philosophy of art from yours in the philosophy of the state. If the reading of my book allows this feeling to emerge in an intelligible fashion, then the purpose of my sending it to you will be achieved" (qtd. in Weber 1992, 5). As .. (shrink)
The point of departure of this study is Walter Benjamin’s last text, “Theses on the Philosophy of History.” Benjamin appeals to the significance of theology for historical materialism in order to overcome one of the decisive reasons why Marx’s unique theoretical project, in its positivistic interpretations, was not understood with the necessary radicality and had been in danger of losing its explanatory power and revolutionary impulse. The necessity of looking back to the past constitutes the basic theme of the (...) study, and it is analyzed at the epistemological, ontological and political levels. The view backwards is also necessary because the past shows how all its atrocities, which we think have been overcome, may at any time return in a way which we are unable to imagine. (shrink)
This essay discusses Walter Benjamin's development of 'dream' as a model for understanding 19th- and 20th-century urban culture. Following Bergson and surrealist poetics, Benjamin used 'dream' in the 1920s as an heuristic analogy for investigating child hood memories, kitsch art and literature; during the early 1930s, he also developed it into an historiographic concept for studying 19th- century Parisian culture. Benjamin's interpretative use of the dream cuts across Ricoeur's distinction between the hermeneutics of 'recol lection' and the hermeneutics of (...) 'suspicion'. The political dream analyst seeks to discharge the 'fatal powers' of the ideological dream, while at the same time fostering the experience of waking in which dream elements may recollectively be grasped. Benjamin extends this dialectic of dreaming, interpreting and waking to the relation between historical epochs and the tasks of the materialist historian. Puzzling out the recent past's dreamlike rebuses may serve in the task of a present historical awakening. Key Words: Walter Benjamin city dream hermeneutics surrealism. (shrink)
The purpose of this paper is to examine the ateleological moment of learning through imitation. In general, we can learn something new through imitating models we are given, which embody the values of our own society, culture and institutions. This means that imitation is understood in terms of the representation or reproduction of original models. In this understanding of imitation, however, the creative aspect of imitation is missed. In relation to this I shall, first, consider learning through imitation in terms (...) of Walter Benjamin's theory of mimesis discussed in his essay, ‘On the Mimetic Faculty.’ It begins by examining general understanding of the concepts of experience and writing. Second and third, while reconsidering the idea of imitation, I shall bring out the difference between mimesis and copying, based on Plato and Aristotle, and I shall examine the former, especially its involuntary aspect. Fourth, in order to consider the ateleological moment of learning through imitation as mimesis, I discuss the relation between mimesis and the chance event. Fifth, Benjamin's allegorical ‘anti-autobiography’ entitled ‘A Berlin Childhood around 1900’, which ponders the idea of childhood as otherness is considered in order to explore what is happening in the very moment of writing, driven by the chance event. To conclude, I shall show how the very moment of writing involves an unceasing transformation of the self. (shrink)
In this paper I argue that Robert Kane’s defense of event-causal libertarianism, as presented in Responsibility, Luck, and Chance: Reflections on Free Will and Indeterminism, fails because his event-causal reconstruction is incoherent. I focus on the notions of efforts and self-forming actions essential to his defense.
Walter Thorson's two articles on the legitimacy and scope of naturalism within science attempt to identify a mediating position between the reductive naturalism of thinkers like Richard Dawkins and the complete rejection of naturalism by thinkers like Phillip Johnson. Thorson rightly notes that the purely mechanistic approach to science characteristic of reductive naturalism is inadequate. Nonetheless, he argues that science still needs naturalism as a methodological or regulative principle. Thorson's methodological naturalism leaves room for teleology in nature, though (...) a teleology that falls short of full intelligent agency. (shrink)