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  1. Warren Buckland (2012). Film Theory: Rational Reconstructions. Routledge.
    Introduction -- An improbable alliance : Peter Wollen's "The auteur theory" -- Visual stylometry : Barry Salt's "Statistical style analysis of motion pictures" -- Between Shakespeare and Sirk : Thomas Elsaesser's "Tales of sound and fury: observations on the family melodrama" -- From iconicity to semiotic articulation : Christian Metz's "cinema: language or language system?" and language and cinema -- Film as a specific signifying practice : Stephen Heath's "On screen, in frame: film and ideology" -- Against theories of reflection (...)
     
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  2. Warren Buckland (2011). Film as Specific Signifying Practice: A Rational Reconstruction of Stephen Heath's “On Screen, in Frame: Film and Ideology”. Semiotica 2011 (187):49-81.
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  3. Warren Buckland (ed.) (2009). Film Theory and Contemporary Hollywood Movies. Routledge.
    This volume offers a representative sampling of current research generated by both young and established film scholars from the different schools of thought ...
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  4. Warren Buckland (2009). Introduction: Puzzle Plots. In , Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley-Blackwell. 1--12.
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  5. Warren Buckland (2009). Making Sense of Lost Highway. In , Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley-Blackwell. 42.
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  6. Warren Buckland (ed.) (2009). Puzzle Films: Complex Storytelling in Contemporary Cinema. Wiley-Blackwell.
    Drawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, ...
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  7. Warren Buckland (2003). A New Cultural History of Film. Semiotica 2003 (145).
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  8. Warren Buckland (2001). Black Cats, Dark Rooms, and Paper Tigers: A Reply to Petric and Grodal. Film-Philosophy 5 (1).
    Mirko Petric 'Both Semiotics and Cognitivism?' _Film-Philosophy_, vol. 5 no. 11, April 2001 Torben Grodal 'Old Wine in Old Bottles' _Film-Philosophy_, vol. 5 no. 12, April 2001.
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  9. Warren Buckland (2001). Problem Formation in the Analytic Philosophy of Film. Film-Philosophy 5 (1).
    _Film Theory and Philosophy_ Edited by Richard Allen and Murray Smith Oxford: Clarendon Press, 1997; pbk 1999 ISBN 0-19-815921-8 (hbk); 0-19-815988-9 (pbk) 474 pp.
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  10. Warren Buckland (2001). The Last Word on Filmic Enunciation? Semiotica 2001 (135).
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  11. Warren Buckland (1998). The Practice of Filmic Interpretation: On Noel Carroll, Interpreting the Moving Image. Film-Philosophy 2 (1).
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  12. Warren Buckland (1995). Michel Colin and the Psychological Reality of Film Semiology. Semiotica 107 (1-2):51-80.
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