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  1. Wendy Steiner (2008). Intertextuality in Painting. American Journal of Semiotics 3 (4):57-67.
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  2. Peter Brooks, Paul H. Fry, W. B. Carnochan, Jonathan Culler, Seth Lerer, Donald G. Marshall, Barbara Johnson, Wendy Steiner, Susan Haack & Martha C. Nussbaum (2002). Symposium: A Beginning in the Humanities. Journal of Aesthetic Education 36 (3):1-49.
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  3. Wendy Steiner (1996). Book Review: The Scandal of Pleasure: Art in an Age of Fundamentalism. [REVIEW] Philosophy and Literature 20 (1).
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  4. Wendy Steiner (1995). The Scandal of Pleasure: Art in an Age of Fundamentalism. University of Chicago Press.
    Surveying a wide range of cultural controversies, from the Mapplethorpe affair to Salman Rushdie's death sentence, from canon-revision in the academy to the scandals that have surrounded Anthony Blunt, Martin Heidegger, and Paul de Man, Wendy Steiner shows that the fear and outrage they inspired are the result of dangerous misunderstanding about the relationship between art and life. "Stimulating. . . . A splendid rebuttal of those on the left and right who think that the pleasures induced by art are (...)
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  5. Wendy Steiner (1979). The Case for Unclear Thinking: The New Critics Versus Charles Morris. Critical Inquiry 6 (2):257.
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  6. Wendy Steiner (1977). The Semiotics of a Genre: Portraiture in Literature and Painting. Semiotica 21 (1-2).
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