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  1. Wessel Stoker (2010). The Place of Art in Kierkegaard's Existential Aesthetics. Bijdragen 71 (2):180-196.
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  2. Wessel Stoker (2008). The Rothko Chapel Paintings and the 'Urgency of the Transcendent Experience'. International Journal for Philosophy of Religion 64 (2):89 - 102.
    Since the Romantic period, painters have no longer made use of traditional Christian iconography to express religious transcendence. Taking their cue from Schleiermacher’s Reden Über die Religion , painters have sought for new, personal ways to express religious transcendence. One example is Caspar David Friedrich’s Monk by the Sea . Rosenblum argues, in his Modern Painting and the Northern Romantic Tradition , that there is a parallel between Friedrich and the abstract expressionist Rothko with respect to the expression to religious (...)
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  3. Wessel Stoker (2007). God, Master of Arts: On the Relation Between Art and Religion. Ars Disputandi 7:1566-5399.
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  4. Wessel Stoker (2005). Are Human Beings Religious by Nature? Bijdragen 61 (1):51-75.
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  5. Wessel Stoker (2000). Are Human Beings Religious by Nature? Schleiermacher's Generic View of Religion and The Contemporary Pluralistic, Secular Culture. Bijdragen 61 (1):51-75.
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