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  1. William Allan & Adrian Kelly (2013). Listening to Many Voices: Athenian Tragedy as Popular Art. In Anna Marmodoro & Jonathan Hill (eds.), The Author's Voice in Classical and Late Antiquity. Oup Oxford. 77.
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  2. William Allan (2008). Egli (F.) Euripides im Kontext zeitgenössischer intellektueller Strömungen. Analyse der Funktion philosophischer Themen in den Tragödien und Fragmenten. (Beiträge zur Altertumskunde 189.) Pp. 334. Munich and Leipzig: K.G. Saur, 2003. Cased, €90. ISBN: 978-3-598-77801-. [REVIEW] The Classical Review 58 (01):14-16.
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  3. William Allan (2008). Kyriakou (P.) A Commentary on Euripides' Iphigenia in Tauris. (Untersuchungen Zur Antiken Literatur Und Geschichte 80.) Pp. X + 504. Berlin and New York: Walter de Gruyter, 2006. Cased, €98, US$118.95. ISBN: 978-3-11-019099-. [REVIEW] The Classical Review 58 (01).
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  4. William Allan (2006). Divine Justice and Cosmic Order in Early Greek Epic. Journal of Hellenic Studies 126:1-35.
    This article examines the ethical and theological universe of the Homeric epics, and shows that the patterns of human and divine justice which they deploy are also to be found throughout the wider corpus of early Greek hexameter poetry. Although most scholars continue to stress the differences between the Iliad and Odyssey with regard to divine justice, these come not (as is often alleged) from any change in the gods themselves but from the Odyssey's peculiar narrative structure, with its focus (...)
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  5. William Allan (2005). Arms and the Man: Euphorbus, Hector, and the Death of Patroclus. Classical Quarterly 55 (01):1-16.
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  6. William Allan (2002). B. Gentili, F. Perusino (edd.): Medea nella letteratura e nell' arte . Pp. 215, 12 pls. Venice: Marsilio, 2000. Paper, L. 35,000. ISBN: 88-317-7508-. [REVIEW] The Classical Review 52 (01):170-.
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  7. William Allan (2002). D. Susanetti (ed.): Euripide: Alcesti . Pp. 301. Venice: Marsilio, 2001. Paper, L. 30,000. ISBN: 88-317-7589-. The Classical Review 52 (01):151-.
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  8. William Allan (2002). F. Rosslyn: Tragic Plots. A New Reading From Aeschylus to Lorca . Pp. 248. Aldershot, Burlington, Singapore, and Sydney: Ashgate, 2000. Cased, £45. ISBN: 0-7546-0247-. [REVIEW] The Classical Review 52 (01):164-.
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  9. William Allan (2001). (R.) Krumeich,(N.) Pechstein and (B.) Seidensticker Das Griechische Satyrspiel.(Texte Zur Foschung 72). Darmstadt: Wissenschaftliche Buchgesellschaft, 1999. Pp. Xii+ 676+ 30 Plates. 3534145933. DM 148. [REVIEW] Journal of Hellenic Studies 121:186-187.
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  10. William Allan, R. Krumeich, N. Pechstein & B. Seidensticker (2001). Das griechische Satyrspiel. Journal of Hellenic Studies 121:186.
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  11. William Allan & N. Pechstein (2000). Euripides Satyrographos. Ein Kommentar zu den Euripideischen Satyrspielfragmenten. Journal of Hellenic Studies 120:155.
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  12. William Allan (1999). J. Davie (Trans.): Euripides , Electra and Other Plays . Introduction and Notes by R. Rutherford. Pp. L + 265. London: Penguin Press, 1998. Paper, £6.99. ISBN: 0-14-044668-. [REVIEW] The Classical Review 49 (2):559.
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  13. William Allan (1999). Roman Spectacle W. J. Slater (Ed.): Roman Theater and Society . (E. Togo Salmon Papers, I.) Pp. Xii + 186, 24 Pls. Ann Arbor: University of Michigan Press, 1996. $42.50. ISBN: 0-472-10721-. [REVIEW] The Classical Review 49 (01):98-.
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  14. William Allan (1998). The Greek Stage. The Classical Review 48 (2):265-266.
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