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Profile: William P. Seeley (Bates College)
  1.  1
    Jason B. Castro & William P. Seeley (2014). Olfaction, Valuation, and Action: Reorienting Perception. Frontiers in Psychology 5.
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  2.  22
    Noël Carroll & William P. Seeley (2013). Kinesthetic Understanding and Appreciation in Dance. Journal of Aesthetics and Art Criticism 71 (2):177-186.
    The idea that choreographic movements communicate to audiences by kinetic transfer is a commonplace among choreographers, dancers, and dance educators.1 Moreover, most dance lovers can cite their own favorite examples—the bounciness of the Royal Danish Ballet, the stomping of Bharata Natyam performers, the stag leaps in the thundering Greek chorus in Martha Graham’s Night Journey, or the contagious rhythmic transfer that takes over our feet when we watch classic tap dancers like Buster Brown. The perceptual capacity for kinetic transfer was (...)
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  3.  42
    William P. Seeley (2010). Imagining Crawling Home: A Case Study in Cognitive Science and Aesthetics. Review of Philosophy and Psychology 1 (3):407-426.
    Philosophical accounts of narrative fiction can be loosely divided into two types. Participant accounts argue that some sort of simulation, or 1st person perspective taking plays a critical role in our engagement with narratives. Observer accounts argue to the contrary that we primarily engage narrative fictions from a 3rd person point of view, as either side participants or outside observers. Recent psychological research suggests a means to evaluate this debate. The perception of distance and slope is influenced by the energetic (...)
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  4.  14
    William P. Seeley (2008). Philosophy and Conceptual Art Edited by Goldie, Peter, and Elisabeth Schellekens. Journal of Aesthetics and Art Criticism 66 (2):203–205.
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