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  1. Maria Lukasiewicz, Stanislaw Ossowskis & Wladyslaw Tatarkiewicz (2001). Klemens Szaniawski-Rationality and Statistical Methods. In Władysław Krajewski (ed.), Polish Philosophers of Science and Nature in the 20th Century. Rodopi 3--169.
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  2. Wladyslaw Tatarkiewicz & Christopher Kasparek (1981). A History of Six Ideas: An Essay in Aesthetics. Journal of Philosophy 78 (1):56-58.
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  3. Wladyslaw Tatarkiewicz (1979). Analysis of Happiness, La Haye, Martinus Nijhofî, Melbourne International Philosophy series, n° 3. Revue de Métaphysique et de Morale 84 (3):427-428.
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  4. Wladyslaw Tatarkiewicz (1979). Romantyczny koniec XVI wieku. Roczniki Filozoficzne 27 (1):245.
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  5. Wladyslaw Tatarkiewicz (1979). The Romantic End of 16th Century. Roczniki Filozoficzne 27 (1):257.
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  6. Wladyslaw Tatarkiewicz (1977). Analysis of Happiness. Philosophy and Phenomenological Research 38 (1):139-140.
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  7. Wladyslaw Tatarkiewicz (1974). Notes sur la perfection de l'art. Revue Internationale de Philosophie 28 (3=109):266.
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  8. Wladyslaw Tatarkiewicz (1973). Um die Definition der Kunst. Studia Philosophica 33:185.
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  9. Wladyslaw Tatarkiewicz (1972). History of Aesthetics. I: Ancient Aesthetics. II: Medieval Aesthetics. Journal of Aesthetics and Art Criticism 31 (1):129-130.
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  10. Wladyslaw Tatarkiewicz (1972). The Great Theory of Beauty and its Decline. Journal of Aesthetics and Art Criticism 31 (2):165-180.
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  11. Wladyslaw Tatarkiewicz (1971). Notes and News. Philosophy and Phenomenological Research 31 (3):463.
     
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  12. Wladyslaw Tatarkiewicz (1971). Roman Ingarden. Philosophy and Phenomenological Research 31 (3):460.
     
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  13. Wladyslaw Tatarkiewicz (1971). Recent Publications. Philosophy and Phenomenological Research 31 (3):465.
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  14. Wladyslaw Tatarkiewicz (1971). What is Art? The Problem of Definition Today. British Journal of Aesthetics 11 (2):134-153.
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  15. Wladyslaw Tatarkiewicz (1970). Did Aesthetics Progress? Philosophy and Phenomenological Research 31 (1):47-59.
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  16. Wladyslaw Tatarkiewicz (1968). Historia Estetyki, III. Estetyka Nowożytna. Journal of Aesthetics and Art Criticism 27 (2):246-247.
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  17. Wladyslaw Tatarkiewicz (1967). The Romantic Aesthetics of 1600. British Journal of Aesthetics 7 (2):137-149.
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  18. Wladyslaw Tatarkiewicz (1966). Happiness and Time. Philosophy and Phenomenological Research 27 (1):1-10.
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  19. Wladyslaw Tatarkiewicz (1964). "A History of Literary Criticism in the Italian Renaissance": Bernard Weinberg. [REVIEW] British Journal of Aesthetics 4 (3):277.
     
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  20. Wladyslaw Tatarkiewicz (1964). Honesty and Goodness. Pacific Philosophical Quarterly 45 (4):481.
     
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  21. Wladyslaw Tatarkiewicz (1963). Objectivity and Subjectivity in the History of Aesthetics. Philosophy and Phenomenological Research 24 (2):157-173.
  22. Wladyslaw Tatarkiewicz (1963). Two Philosophies and Classical Art. Journal of Aesthetics and Art Criticism 22 (1):3-8.
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  23. Wladyslaw Tatarkiewicz (1962). Abstract Art and Philosophy. British Journal of Aesthetics 2 (3):227-238.
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  24. Wladyslaw Tatarkiewicz (1962). "Art History Today": L. D. Ettlinger. [REVIEW] British Journal of Aesthetics 2 (4):370.
     
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  25. Wladyslaw Tatarkiewicz (1962). Book Reviews. [REVIEW] British Journal of Aesthetics 2 (4):370-372.
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  26. Wladyslaw Tatarkiewicz (1962). Les variétés de l'expression. Revue Internationale de Philosophie 16 (1=59):75.
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  27. Wladyslaw Tatarkiewicz (1961). Aristoteles, ein moderner Aesthetiker. Filosofia 12 (4 Supplemento):653.
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  28. Wladyslaw Tatarkiewicz (1960). Nomological and Typological Sciences. Journal of Philosophy 57 (7):234-240.
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  29. Wladyslaw Tatarkiewicz (1958). Les quatre significations du mot "classique". Revue Internationale de Philosophie 12 (1):5.
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  30. Wladyslaw Tatarkiewicz (1949). Psychological Hedonism. Synthese 8 (1):409-425.
  31. Wladyslaw Tatarkiewicz (1948). O Szczesciu. Synthese 7 (4):297-299.
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