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  1. Wolfgang Stechow (1955). The Baroque: A Critical Summary of the Essays by Bukofzer, Hatzfeld, and Martin. Journal of Aesthetics and Art Criticism 14 (2):171-174.
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  2.  53
    Denton Beal, Wolfgang Stechow & Victor S. Yarros (1954). Letters Pro and Con. Journal of Aesthetics and Art Criticism 12 (4):522-526.
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  3.  9
    Wolfgang Stechow (1953). Problems of Structure in Some Relations Between the Visual Arts and Music. Journal of Aesthetics and Art Criticism 11 (4):324-333.
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  4.  12
    Wolfgang Stechow (1946). Definitions of the Baroque in the Visual Arts. Journal of Aesthetics and Art Criticism 5 (2):109-115.
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  5.  10
    Wolfgang Stechow (1953). Heliodorus' Aethiopica in Art. Journal of the Warburg and Courtauld Institutes 16 (1/2):144-152.
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  6.  9
    Wolfgang Stechow (1941). The Myth of Philemon and Baucis in Art. Journal of the Warburg and Courtauld Institutes 4 (1/2):103-113.
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  7.  5
    Wolfgang Stechow (1949). Justice Holmes' Notes on Albert Durer. Journal of Aesthetics and Art Criticism 8 (2):119-124.
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  8.  1
    Wolfgang Stechow (2005). Über »schöpferische Kopien«. In Michael Weingarten (ed.), Eine »Andere« Hermeneutik: Georg Misch Zum 70. Geburtstag - Festschrift Aus Dem Jahr 1948. Transcript Verlag 298-307.
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  9. Wolfgang Stechow (1962). The GothicPaul Frankl. Speculum 37 (1):123-126.
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