Search results for 'Zachary Elkins' (try it on Scholar)

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  1. Thomas E. Elkins (1994). Dissent By Thomas E. Elkins, M.D. Thoughts on Cloning. Kennedy Institute of Ethics Journal 4 (3):281-282.score: 180.0
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  2. James Elkins (2007). James Elkins. In Diarmuid Costello & Jonathan Vickery (eds.), Art: Key Contemporary Thinkers. Berg. 63.score: 180.0
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  3. James Elkins (2008). Six Stories From the End of Representation: Images in Painting, Photography, Astronomy, Microscopy, Particle Physics, and Quantum Mechanics, 1980-2000. Stanford University Press.score: 60.0
    James Elkins has shaped the discussion about how we—as artists, as art historians, or as outsiders—view art. He has not only revolutionized our thinking about the purpose of teaching art, but has also blazed trails in creating a means of communication between scientists, artists, and humanities scholars. In Six Stories from the End of Representation , Elkins weaves stories about recent images from painting, photography, physics, astrophysics, and microscopy. These images, regardless of origin, all fail as representations: they (...)
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  4. James Elkins (2012). Whitney Davis's General Theory of Visual Culture. [REVIEW] College Art Association Books Reviews.score: 30.0
    This is a brief essay on Whitney Davis's book. A shorter version, edited down by the College Art Association, is on their online book reviews site (protected by a paywall).
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  5. James Elkins (2003). What Does Peirce's Sign System Have to Say to Art History? Culture, Theory, and Critique 44 (1):5-22.score: 30.0
    Peirce is far too strange for the uses to which he is put in art history. This is a plea to art historians for a moratorium on Peirce citations.
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  6. James Elkins (1995). Book Review: The Poetics of Perspective. [REVIEW] Philosophy and Literature 19 (2).score: 30.0
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  7. James Elkins & Maja Naef (eds.) (2011). What is an Image? Pennsylvania State University Press.score: 30.0
    Issues discussed include concepts such as "image" and "picture" in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing"--Provided by publisher.
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  8. James Elkins (1999). Logic and Images in Art History. Perspectives on Science 7 (2):151-180.score: 30.0
    : This essay is an attempt to see how some of Galison's ideas and analyses look from the vantage of art history. If there's to be dialogue between the history of science and the history of art, it will be necessary to find historically recognizable senses for words like "logic" and "homologous." I also propose how Galison's kinds of images might fit into larger classifications of images known to the history of art.
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  9. James Elkins (1988). Did Leonardo Develop a Theory of Curvilinear Perspective?: Together with Some Remarks on the 'Angle' and 'Distance' Axioms. Journal of the Warburg and Courtauld Institutes 51:190-196.score: 30.0
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  10. Tepper L. Gill, W. W. Zachary & J. Lindesay (2001). The Classical Electron Problem. Foundations of Physics 31 (9):1299-1355.score: 30.0
    In this paper, we construct a parallel image of the conventional Maxwell theory by replacing the observer-time by the proper-time of the source. This formulation is mathematically, but not physically, equivalent to the conventional form. The change induces a new symmetry group which is distinct from, but closely related to the Lorentz group, and fixes the clock of the source for all observers. The new wave equation contains an additional term (dissipative), which arises instantaneously with acceleration. This shows that the (...)
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  11. Gerard Casey, Dermot Moran, Manuel de Pinedo, Gary Elkins & Rom Harr (1995). Books Briefly Noted. International Journal of Philosophical Studies 3 (1):217 – 224.score: 30.0
    Educating the Virtues David Carr Routledge, 1991. Pp. 304. ISBN 0?415?05746?9. £35. The Philosophical Theology of St Thomas Aquinas By Leo J. Elders E. J. Brill, 1990. Pp. 332. ISBN 0?04?09156?4. $74.36. The State and Justice: An Essay in Political Theory By Milton Fisk Cambridge University Press, 1990. Pp. x + 391. ISBN 0?521?38966?6. £10.95 pbk. Perspectives on Language and Thought: Interrelations in Development Edited by S. A. Gelman and J. P. Byrnes Cambridge University Press, 1992. Pp. xii + 524. (...)
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  12. James Elkins (1993). From Original to Copy and Back Again. British Journal of Aesthetics 33 (2):113-120.score: 30.0
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  13. James Elkins (2003). Four Ways of Measuring the Distance Between Alchemy and Contemporary Art. Hyle 9 (1):105 - 118.score: 30.0
    Alchemy has always had its ferocious defenders, and a small minority of artists remain interested in alchemical meanings and substances. In this essay I will suggest two reasons why alchemy is marginal to current visual art, and two more reasons why alchemical thinking remains absolutely central. Briefly: alchemy is irrelevant because (1) it is has been a minority interest from early modernism to the present, and therefore (2) it is outside the principal conversations about modernism and postmodernism; but alchemy is (...)
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  14. Tepper L. Gill & Woodford W. Zachary (2011). Two Mathematically Equivalent Versions of Maxwell's Equations. Foundations of Physics 41 (1):99-128.score: 30.0
    This paper is a review of the canonical proper-time approach to relativistic mechanics and classical electrodynamics. The purpose is to provide a physically complete classical background for a new approach to relativistic quantum theory. Here, we first show that there are two versions of Maxwell’s equations. The new version fixes the clock of the field source for all inertial observers. However now, the (natural definition of the effective) speed of light is no longer an invariant for all observers, but depends (...)
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  15. James Elkins (1992). The "Fundamental Concepts" of Pictures. Journal of Speculative Philosophy 6 (2):143 - 151.score: 30.0
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  16. James Elkins (2004). Theoretical Remarks on Combined Creative and Scholarly Phd Degrees in the Visual Arts. Journal of Aesthetic Education 38 (4):22-31.score: 30.0
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  17. James Elkins (forthcoming). A Thought Experiment, for a Book to Be Called" Failure in Twentieth-Century Art". Journal of Aesthetic Education.score: 30.0
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  18. James Elkins (1996). What Do We Want Pictures to Be? Reply to Mieke Bal. Critical Inquiry 22 (3):590.score: 30.0
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  19. A. Zachary (2001). Informed Consent: Response. Journal of Medical Ethics 27 (1):65-a-66.score: 30.0
    SIRI would like to acknowledge with regret that my sentence, of which Ms Stevens quotes half, is convoluted. A book review1 is necessarily condensed and perhaps if it creates a problem it is best to read the book. But, in the complex legal, moral and ethical dilemmas arising in subjects such as confidentiality, it is highly dangerous to take half a sentence out of context and use it to discuss a separate agenda, ie secrecy within the National Health Service .I (...)
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  20. D. Brown, D. Rosen & T. E. Elkins (1992). Sedating Women with Mental Retardation for Routine Gynecologic Examination: An Ethical Analysis. Journal of Clinical Ethics 3 (1):68.score: 30.0
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  21. T. E. Elkins, D. Brown, M. Barclay & H. F. Andersen (1990). Maternal-Fetal Conflict: A Study of Physician Concerns in Court-Ordered Cesarean Sections. Journal of Clinical Ethics 1 (4):316.score: 30.0
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  22. James Elkins (1993). On Monstrously Ambiguous Paintings. History and Theory 32 (3):227-247.score: 30.0
    Certain artworks appear to have multiple meanings that are also contradictory. In some instances they have attracted so much attention that they are effectively out of the reach of individual monographs. These artworks are monstrous.One reason paintings may become monstrous is that they make unexpected use of ambiguation. Modern and postmodern works of all sorts are understood to be potentially ambiguous ab ovo, but earlier--Renaissance and Baroque--works were constrained to declare relatively stable primary meanings. An older work may have many (...)
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  23. Jeremy Elkins (2006). Revolutionary Politics. Theory and Event 9 (4).score: 30.0
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  24. Gary Stephen Elkins (2008). Rethinking Religious Epistemology. Proceedings of the Xxii World Congress of Philosophy 45:101-108.score: 30.0
    Philosophers of religion propose an assortment of epistemic preferences with reference to the extent and limits of knowledge of God, ranging from moderate fideism to robust rationalism. In the past two decades, a seismic shift has occurred away from more classical strategies to movements that reflect the current Zeitgeist (e.g. postmodernism and pseudo-modernism). In my paper, I will argue for rational confidence and epistemic modesty in an attempt to find some balance between faith and reason.
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  25. Ralph L. Elkins & Stephen H. Hobbs (1982). Taste Aversion Proneness: A Modulator of Conditioned Consummatory Aversions in Rats. Bulletin of the Psychonomic Society 20 (5):257-260.score: 30.0
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  26. G. Pascal Zachary (1990). Beyond the Limits. Acm Sigcas Computers and Society 20 (1):34-39.score: 30.0
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  27. D. Brown, H. F. Andersen & T. E. Elkins (1991). An Analysis of the ACOG and AAP Ethics Statements on Conflicts in Maternal-Fetal Care. Journal of Clinical Ethics 2 (1):19.score: 30.0
  28. Douglas Brown, Thomas E. Elkins & David B. Larson (1993). Prolonged Grieving After Abortion: A Descriptive Study. Journal of Clinical Ethics 4 (2):118.score: 30.0
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  29. Thomas E. Elkins, Carson Strong, Alan R. Wolfe & Douglas Brown (1986). An Ethics Committee in a Reproductive Health Clinic for Mentally Handicapped Persons. Hastings Center Report 16 (3):20-22.score: 30.0
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  30. James Elkins (1988). Art History Without Theory. Critical Inquiry 14 (2):354.score: 30.0
    The theories I have outlined suggest that by displacing but not excluding theory, art historical practice at once grounds itself in empiricism and implies an acceptance of theory’s claim that it cannot be so grounded. But beyond descriptions like this, the theories are not a helpful way to understand practice because they cannot account for its persistence except by pointing to its transgressions and entanglements in self-contradiction. Nor does it help to say, pace Steven Knapp, Walter Benn Michaels, and Stanley (...)
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  31. James Elkins (1992). Art School Critiques as Seductions. Journal of Aesthetic Education 26 (1):105-107.score: 30.0
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  32. Sharon Elkins (2001). Berenice M. Kerr, Religious Life For Women, C. 1100–C. 1350: Fontevraud in England.(Oxford Historical Monographs.) Oxford: Clarendon Press; New York: Oxford University Press, 1999. Pp. Xix, 299; Black-and-White Figures, Maps, and Tables. $75. [REVIEW] Speculum 76 (3):754-755.score: 30.0
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  33. James Elkins (2005). Critical Response: What Do We Want Photography to Be? A Response to Michael Fried. Critical Inquiry 31 (4):938-956.score: 30.0
  34. James Elkins (1995). Marks, Traces, "Traits," Contours, "Orli," and "Splendores": Nonsemiotic Elements in Pictures. Critical Inquiry 21 (4):822.score: 30.0
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  35. Ralph L. Elkins & William Harrison (1983). Rotation-Induced Taste Aversions in Strains of Rats Selectively Bred for Strong or Weak Acquisition of Drug-Induced Taste Aversions. Bulletin of the Psychonomic Society 21 (1):57-60.score: 30.0
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  36. J. R. Elkins (1985). The Examined Life: A Mind in Search of Heart. American Journal of Jurisprudence 30 (1):155-187.score: 30.0
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  37. Jeremy Elkins (2010). The Model of War. Political Theory 38 (2):214 - 242.score: 30.0
    During the past half-century, the United States has declared war on (among else) poverty, cancer, crime, drugs, and terrorism. This essay examines, in the context of these, war as a model for responding to domestic political problems and focuses on the role that that model has played in representing the state and its relation to those evils identified as the enemy.
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  38. Gary Elkins (1992). The Non-Reality of Freewill. Philosophical Studies 33:347-348.score: 30.0
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  39. James Elkins (2009). Ten Reasons Why E. H. Gombrich is Not Connected to Art History. Human Affairs 19 (3).score: 30.0
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  40. Stephen H. Hobbs, Paul A. Walters, Elizabeth F. Shealy & Ralph L. Elkins (1993). Radial-Maze Learning by Lines of Taste-Aversion-Prone and Taste-Aversion-Resistant Rats. Bulletin of the Psychonomic Society 31 (3):171-174.score: 30.0
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  41. Stephen H. Hobbs, Paul A. Walters Iii, Elizabeth F. Shealy & Ralph L. Elkins (1993). Radial-Maze Learning by Lines of Taste-Aversion-Prone and Taste-Aversion-Resistant Rats. Bulletin of the Psychonomic Society 31 (3):171-174.score: 30.0
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  42. James Elkins (2009). Aesthetics and the Two Cultures : Why Art and Science Should Be Allowed to Go Their Separate Ways. In Francis Halsall, Julia Jansen & Tony O'Connor (eds.), Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice. Stanford University Press.score: 30.0
     
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  43. Irene J. Elkins & Rue L. Cromwell (1991). A Focalized Deficit Within an Elegant System. Behavioral and Brain Sciences 14 (1):27-28.score: 30.0
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  44. Stephen Elkins (2003). Awesome God: A Very Special Story for Children Based on the Dove Award Song by Rich Mullins. Broadman & Holman Publishers.score: 30.0
    One of three books based on Dove Award winning songs of the same title with a story based on each song's lyrics. Each book includes a CD with The Wonder Kids Choir performing the song and the original artist or a celebrity narrator reading the story. Ages 5 and up. Awesome God read by Steve Green.
     
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  45. Nathan T. Elkins (2014). Ancient Sculpture. (J.) Siapkas,(L.) Sjögrendisplaying the Ideals of Antiquity. The Petrified Gaze. Pp XII + 242, Ills.New York and London:Routledge,2014. Cased, £80, Us$125. Isbn:978-0-415-52916-7. [REVIEW] The Classical Review 64 (2):577-579.score: 30.0
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  46. J. Elkins (2005). Book Review: Constitutional Enactment. [REVIEW] Political Theory 33 (2):280-297.score: 30.0
  47. James Elkins & Harper Montgomery (eds.) (2013). Beyond the Aesthetic and the Anti-Aesthetic. Penn State University Press.score: 30.0
     
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  48. J. Elkins (1998). Critical Response I-Precision, Misprecision, Misprision (Manet, A'Bar at the Folies-Bergere'). Critical Inquiry 25 (1):169-180.score: 30.0
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  49. James Elkins (1998). Different Horizons for the Concept of the Image. Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 43 (1):29-46.score: 30.0
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  50. Jeremy Elkins (1999). Frederick Schauer on the Force of Rules. In Frederick F. Schauer & Linda Meyer (eds.), Rules and Reasoning: Essays in Honour of Fred Schauer. Hart Pub.. 79--108.score: 30.0
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