Search results for 'Zsófia Zvolenszky' (try it on Scholar)

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  1. Zsófia Zvolenszky, Naming with Necessity.score: 120.0
    Despite all the attention philosophers have been paying to Naming and Necessity, they have not realized just how apt the title is: naming and necessity are intimately connected, even more intimately then Saul Kripke has led us to believe. The conception of necessity clarified by Kripke—metaphysical or counterfactual necessity—helps us understand what our ordinary practice of using proper names is about; and proper-name usage in turn helps us understand what counterfactual situations (possible worlds) are about. My aim is to propose (...)
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  2. Zsófia Zvolenszky (2006). Analytic Truths and Kripke's Semantic Turn. Croatian Journal of Philosophy 6 (2):327-341.score: 120.0
    In his influential Naming and Necessity lectures, Saul Kripke made new sense of modal statements: “Kant might have been a bachelor”, “Königsberg is necessarily identical with Kaliningrad”. Many took the notions he introduced-metaphysical necessity and rigid designation -- to herald new metaphysical issues and have important consequences. In fact, the Kripkean insight is at bottom semantic, rather than metaphysical: it is part of how proper names work that they purport to refer to individuals to whom modal properties can be ascribed. (...)
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  3. Z. Zvolenszky (2008). Situations and Individuals. Philosophical Review 117 (2):314-316.score: 30.0
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  4. Zsófia Kacsuk (2011). The Mathematics of Patent Claim Analysis. Artificial Intelligence and Law 19 (4):263-289.score: 3.0
  5. Zsófia Ruttkay (2009). Cultural Dialects of Real and Synthetic Emotional Facial Expressions. AI and Society 24 (3):307-315.score: 3.0
    In this article we discuss the aspects of designing facial expressions for virtual humans (VHs) with a specific culture. First we explore the notion of cultures and its relevance for applications with a VH. Then we give a general scheme of designing emotional facial expressions, and identify the stages where a human is involved, either as a real person with some specific role, or as a VH displaying facial expressions. We discuss how the display and the emotional meaning of facial (...)
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  6. Zoltán Fejős, Zsófia Frazon & Hermann Bausinger (eds.) (2005). Jelentésteli Tárgyak. Neprajzi Múzeum.score: 3.0
     
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