In The Decline of the West Spengler puts forward a type of philosophical anthropology, an account of the structures of human experiential consciousness and a method of “physiognomic” analysis, which I argue has dimensions that can be understood as akin to existential phenomenology. Humanity, for Spengler, is witness to the creative flux of “Becoming” and constructs a world of phenomena bounded by death, underpinned by the two prime feelings of dread and longing and structured by the two forms of (...) Destiny (Time) and Direction (Space). Human existence, Spengler argues, is future-directed and open in the sense that there is a certain degree of freedom in the ways in which humanity can actualize its existential possibilities. In the course of elaborating the existential implications of this future-orientation, Spengler introduces the concept of care (Sorge), the fundamental experiential structure. (shrink)

In this paper I describe a specific emotional reaction to the fact that we will cease to exist, namely existential dread, and I argue that the B-theory of time, according to which reality contains a four-dimensional spacetime manifold and the present time is metaphysically on a par with past and future times, cannot accommodate it. Some may see this as an advantage of the B-theory; some may see it as a problem for the view. My aim is not to (...) argue either for or against the B-theory, but merely to show that it is incompatible with a certain common emotion. The paper is split into three sections. I begin by introducing existential dread. Next, I show how existential dread fits into a widely accepted theory of emotion according to which emotions are intentional states susceptible of being both intelligible and correct, where an emotion is intelligible if, roughly, it makes sense; and is correct if, roughly, it fits its object. The core of the paper is the third section: in that section, I introduce the B-theory of time and I argue that it is incompatible with existential dread. (shrink)

_The rapid progress of AI technology prompts British novelists to speculate what a technologically advanced Britain will be like: a utopia or a dystopia? Or somewhere in between? Ian McEwan shows his concern over these questions in Machines Like Me (2019). It is suggested that this novel mainly reveals people’s technophobia and presents a techno-dystopian world, for which many people are ill-prepared. Technophobia and techno-dystopia represented in the selected novel echo the debates among the Neo-Luddites, especially the thoughts of Stephen (...) L. Talbott. From the theoretical angle of Neo-Luddism, the present study aims to explore people’s multifaceted technophobia and the features of techno-dystopia in Machines Like Me, so as to disclose people’s values behind their attitudes to technological advancements. Technophobia as depicted in this novel basically includes people’s dread of AI replacement of humans. Moreover, the world presented in the novel is characteristic of a techno-dystopia: the technological replacement of humans results in people’s obsolete status and poses security risks to human beings. The objective of the research is to arouse people’s awareness about adverse technological impacts and provide some insights into how to handle the tension between technophobia and technological development in the real world._ _The study concluded that to some degree, such technophobia and techno-dystopia disillusion technophiles who fervently believe that advances in technology will bring about a utopia or at least help to fulfill a utopian ideal. Serving as a warning alarm for the dystopian future, this novel counters cyber-hype in contemporary society and reflects the real world of profit-fueled technology._. (shrink)

Illustrates the similarities between the enslavement of Black people and the enslavement of animals in both the past and the present.

Hunting ducks with a firearm has become increasingly contested in industrialized and urbanized contemporary societies. In southern New Zealand, an area that maintains strong connections to rural life ways, duck shooting is still a very popular activity. However, even duck shooters living in this region are increasingly finding that they must justify an activity their grandparents practiced without compunction. This paper considers ethical discourses associated with the killing of ducks, particularly the ways in which people who shoot ducks construct the (...) act of killing as an activity that can be ethically justified. As this paper will show, duck hunters assert that they have a more realistic and appropriate view of nature and animal life cycles than the average antihunter who might criticize them. New Zealand duck hunters also embed their hunting activities within a discourse of wetland conservation, arguing that they do far more to preserve and develop wetlands than do non-hunters. This paper concludes that duck hunters' understandings of nature are intrinsic to the ethical discourses that underpin duck hunting activities in New Zealand. (shrink)

This article presents Paul Ricœur’s hermeneutic of the productive imagination as a methodological tool for understanding the innovative social function of texts that in exceeding their semantic meaning, iconically augment reality. Through the reasoning of Rastafari elder Mortimo Planno’s unpublished text, Rastafarian: The Earth’s Most Strangest Man, and the religious and biblical signification from the music of his most famous postulate, Bob Marley, this article applies Paul Ricœur’s schema of the religious productive imagination to conceptualize the metaphoric transfer from text (...) to life of verbal and iconic images of Rastafari’s hermeneutic of word, sound and power. This transformation is accomplished through what Ricœur terms the phenomenology of the iconic augmentation of reality. Understanding this semantic innovation is critical to understanding the capacity of the religious imagination to transform reality as a proclamation of hope in the midst of despair. (shrink)

In his pioneering Caliban's Reason: Introducing Afro-Caribbean Philosophy, Paget Henry points out that because of the region's colonial history, Caribbean philosophy is far more often found ‘embedded’ in other discourses, such as literature, than in explicit theorising. Following Henry's lead, I seek to find the philosophical ‘moral of the story’ of Voices Under the Window, the 1955 first novel of the late Jamaican writer John Hearne, which some critics regard as his best work. In a novel with significant autobiographical elements, (...) Hearne, a ‘high-brown’ or ‘red’ Jamaican, recounts the story of Mark Lattimer, likewise a ‘red man’ positioned at the upper edge of the ‘brown’ stratum of the white/brown/black Jamaican social pyramid. Lattimer moves from a race-denying attempt to ‘pass’ in World War II Britain to a Marxist social activism upon his later return to post-war Jamaica, but is killed in a black protest riot. His tragic fate raises important philosophical questions about race, colour, class, and personal and social transformation that remain very relevant today, especially considering the failure of 1970s Anglo-Caribbean radicalism to fulfil its revolutionary promise. (shrink)

Research on bodies and sexualities has long debated ideas about choice, agency, and power, particularly as women conform to, or rebel against, traditional social scripts about femininity and heterosexuality. In this study, I have used responses from 34 college women who completed an extra credit assignment in a women’s studies class that asked them to reject social norms and grow out their leg and underarm hair for a period of 10 weeks. Responses reveal that women confronted direct and anticipated homophobia (...) and heterosexism from others as well as hostility for rejecting traditional norms of femininity. Heterosexual women regularly encountered demands that they acquire permission to grow body hair from their male partners, while queer and bisexual women expressed reluctance about further “outing” themselves via their body hair. I consider implications for linking sexual identity discrimination and body hair practices, and for imagining bodies as sites of resistance inside and outside of pedagogical settings. (shrink)

Jablonka & Lamb (J&L) reject but memetics can explain human uniqueness and culture (as a product of the ability to imitate) without depending on their slippery notion of symbolism. Modern memes show the beginnings of a division into replicators and vehicles, and the replacement of reconstructive processes with systems of blind copying, variation, and selection.

This chapter contains sections titled: Introduction Tales of Dread: Some Examples from The Twilight Zone The Nature and Function of Tales of Dread Horror Fictions and Tales of Dread: A Brief Note Notes.

The triumvirate of HIV/AIDS, tuberculosis, and malaria have dominated our public health focus in the developing world. Having claimed millions of lives, these infectious diseases have prompted a large-scale response. Concomitant with these efforts has been a burgeoning bioethics literature examining global health and distributive justice. A scholarly waste-land only a decade ago, there is now a growing and rich literature that aims to unpack our moral obligations when it comes to diseases that affect the majority of the world (many (...) living in absolute poverty). Now, added to the persistent challenges posed by infectious diseases is the growing burden of diseases such as cancer, which disproportionately affect .. (shrink)

Why existentialism ? -- Søren Kierkegaard: The self against the system. -- Sartre and Heidegger: The free resolve. -- Sartre and Heidegger: The self and other selves. -- French existentialism and politics: The new revolutionary. -- Jaspers and Marcel: The new revelation. -- Postscript. -- Bibliographical note (p. 150).

In Kafka’s unfinished story, The Burrow, an unidentified subterranean creature struggles while digging in a burrow, constantly engulfed in anxiety for potential intruders. His obsessive anxiety starts to be materialised in his hearing of a noise everywhere and at constant intensity. Incessantly speculating the cause of this noise, his dreadful imagination first finds it as a swarm of small fries, eventually growing into a single gigantic monster threatening his burrow, as if desiring an irresistible entity that goes beyond the idea (...) of the individual. Inspired by this story of a creature suffocating from his lonesome effort of nesting, this paper discusses how an individual sensation of dread could potentially transcend to an ability to imagine social totality, drawing on the philosophical readings of Kafka’s other character Odradek by Benjamin and Adorno. I further argue that this process is aesthetic, correlating Freud’s idea of the uncanny with Adorno’s theory of aesthetic experience which examine the negotiation between individuation and socialisation in an experience of desubjectification. By sketching out the anxious hearing in The Burrow in reference to the disturbing seeing of object-creature Odradek, I discuss the feeling of dread that marks the transformation of individual entities into a transcendent social/collective being. (shrink)

‘Tales of dread’ is a genre that has received scant attention in aesthetics. In this paper, I aim to elaborate an account of tales of dread which effectively distinguishes these from horror stories, and helps explain the close affinity between the two, accommodating borderline cases. I briefly consider two existing accounts of the genre – namely, those of Noël Carroll and of Cynthia Freeland – and show why they are inadequate for my purposes. I then develop my own (...) account of tales of dread, drawing on two theoretical resources: Freud’s ‘The “Uncanny”’, and Tzvetan Todorov’s The Fantastic. In particular, I draw on Freud to help distinguish tales of dread from horror stories, and I draw on Todorov to help explain the fluidity between the genres. I argue that both horror stories and tales of dread feature apparent impossibilities which are threatening; but whereas in horror stories the existence of the monster is confirmed, tales of dread are sustained by the audience’s uncertainty pertaining to preternatural objects or events. Where horror monsters pose an immediate, concrete danger to the subject’s physical well-being, these preternatural objects or events pose a psychological threat to the subject’s grasp of reality. (shrink)

In this essay I examine the idea that evil is to be understood as a kind of absence or a privation. I put forward two arguments against this idea. The first claims that if evil is an absence it becomes causally powerless, which seems strongly contradicted by experience and revelation. The other argument says that the idea that evil is an absence cannot do justice to the evil of depression. Depression is a set of feelings which are all too real, (...) and so cannot be understood as literally identical with a set of absences. (shrink)

Some contractualist egalitarians try to accommodate a concern for numbers by embracing a pluralist strategy. They incorporate the belief that the number of people affected matters for what distribution one ought to bring about by arguing that their primary contractualist concern for justifiability to each may be outweighed by aggregative considerations. The present contribution offers two arguments against such a pluralist strategy. First, I argue that advo- cates of the pluralist strategy are forced to abandon the rationale behind the criterion (...) of universal acceptability. Second, I show that pluralist contractualists will be unable to avoid the dreaded conclusion that originally motivated their contractualism. Ultimately, these arguments matter for the nature of egalitarian- ism. They should give those in search of sound distributive principles a reason to make sense of their egalitarian commitment in a non-contractualist way. If a sound set of distributive principles includes comparative and relational princi- ples, while contractualist egalitarianism does not lend itself to being pluralistically combined with non-individualist principles, telic egalitarianism may after all be part of the truth in distributive ethics. (shrink)

Seán O’Casey’s play _The Plough and the Stars_ presents audiences with a view of life in Dublin’s poverty-stricken tenements during the 1916 Easter Rising. Critical consensus holds that it is a play primarily concerned with the Easter Rising set against a backdrop of tenement life. This paper argues instead that this is a play about tuberculosis in Ireland set against the backdrop of the 1916 Easter Rising. The characters in the play place far more importance on tuberculosis and their impoverished (...) state than on politics or even the violence erupting in the streets. The fears and concerns regarding this infectious disease and its impact on poor communities appear in contrast to the characters’ annoyance and dismissal of the political events leading up to and including the Rising. (shrink)

LIST OF ILLUSTRATIONS Soeren Kierkegaard ... ... ... frontispiece (By permission of the Danish Royal Library) Martin Heidegger ... ... ... facing page 80 ...

In the years around 1900 one of the most significant practical consequences of new styles of bacteriological thought and practice was the development of preventive vaccines and therapeutic sera. Historical scholarship has highlighted how approaches rooted in the laboratory methods of Robert Koch, Louis Pasteur and their collaborators were transformed in local contexts and applied in diverse ways to enable more effective disease identification, prevention and treatment. Amongst these, the anti-anthrax serum developed by the Italian physician Achille Sclavo (1861–1930) has (...) received little to no attention from historians. This article positions Sclavo's serum as a neglected but significant presence in British microbiology, which achieved widespread uptake amidst a wave of optimism, despite prolonged uncertainty about its mechanism of action and dosage. After being introduced to Britain in 1904 by the enterprising first medical inspector of factories Thomas Morison Legge, within a matter of months the serum became regarded by medical practitioners as an effective treatment of cutaneous anthrax, though access to ‘fresh’ serum and the necessary speedy diagnosis remained problematic. Like the disease anthrax itself, discussion of ‘Sclavo's serum’ was out of all proportion to the relatively low number of cases, reflecting a deep-seated fascination with the wider possibilities afforded by effective serum therapy. (shrink)

Hannah Arendt was fearful not only of a populist President speaking in the name of the people and unbound by legality. She was also concerned that popular support could be harnessed by those responsible for limiting it. In other words, she was fearful of the American Supreme Court relying on popular support. This is the meaning of her obscure depiction of the American Supreme Court as “the true seat of authority in the American Republic” but unfit to power. I argue (...) that Arendt's characterization of authority as requiring “neither coercion nor persuasion” means that the Court's source of legitimacy is expertise rather than public support. Yet the current dominant understanding among American Justices as well as scholars is that public support is the source of the Court's authority. In Arendt's mind, such an understanding means that the Court has become the seat of power. The corruption of the Court's authority and constitutional law as a language of expertise capable of resisting public opinion will inevitably follow. (shrink)