The Difference between Belief and Knowledge. The assumption that knowledge can be defined in terms of belief is considered to be mistaken. Since Gettier problems are shown to be misconstrued, the question cannot arise whether his conditions for knowledge are sufficient for claiming ``knowledge is justified true belief''. Ayers' conditions for knowledge in addition with a specific stipulation proof to be instructive for elaborating the differences between knowledge and belief.

The aim of this article is to take up three closely connected questions. First, does consciousness essentially involve subjectivity? Second, what is the connection, if any, between pre-reflective self-consciousness and subjectivity? And, third, does consciousness necessarily involve an ego or self? I will draw on the Yogācāra–Madhyamaka synthesis of Śāntarakṣita to develop an account of the relation between consciousness, subjectivity, and the self. I will argue, first, that phenomenal consciousness is reflexive or self-illuminating. Second, I will argue that consciousness (...) necessarily involves minimal subjectivity. Third, I will argue that neither the reflexivity nor the subjectivity of consciousness implies that there is any entity such as the self or ego over and above reflexive consciousness. Fourth, I will argue that what we normally think of as ‘the self’ is best understood as a complex, multi-layered process that emerges within the pre.. (shrink)

Si Leibniz a souvent présenté une analogie entre la substance et l’ ego, la détermination de la substantialité à partir de l’ ego ne relève cependant ni d’une analogie, ni d’un transfert de substantialité ni d’une « déduction égologique ». Il s’agit plutôt d’une hypotypose, ancrée dans l’expérience du sujet en première personne, qui est toujours l’expérience d’un corps associé. Sans cette expérience réflexive, le concept même de substance, qu’il soit identifié à la subjectité ou à la perséité, n’aurait aucun (...) sens. Par cette expérience réflexive, c’est toujours l’expérience d’un corps substantié et d’une infinité de substantiés qui est en jeu. En somme : la voie égologique de la substance est toujours en même temps celle du substantié. (shrink)

_The Phantom of the Ego _is the first comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, Nidesh Lawtoo starts with Friedrich Nietzsche’s antimetaphysical diagnostic of the ego, his realization that mimetic reflexes—from sympathy to hypnosis, to contagion, to crowd behavior—move the soul, and his insistence that psychology informs philosophical reflection. Through a transdisciplinary, comparative (...) reading of landmark modernist authors like Nietzsche, Joseph Conrad, D. H. Lawrence, and Georges Bataille, Lawtoo shows that, before being a timely empirical discovery, the “mimetic unconscious” emerged from an untimely current in literary and philosophical modernism. This book traces the psychological, ethical, political, and cultural implications of the realization that the modern ego is born out of the spirit of imitation; it is thus, strictly speaking, not an ego, but what Nietzsche calls, “a phantom of the ego.” _The Phantom of the Ego _opens up a Nietzschean back door to the unconscious that has mimesis rather than dreams as its _via regia,_ and argues that the modernist account of the “mimetic unconscious” makes our understanding of the psyche new. (shrink)

...entre la conscience et le psychique il etablissait une distinction qu'il devait toujours maintenir; alors que la conscience est une immediate et evidente presence a soi, le psychique est un ensemble d'objets qui ne se saisissent que par une operation reflexive et qui, comme les objets de la perception, ne se donnent que par profils... S. de Beauvoir, La force de l'age, p. 189-190.

A genesis of the ideas concerning Husserl’s concepts of time and reflective structure of consciousness is analysed in this article. There will be taken into account in the article three main texts: ”Vorlesungenzur Phanomenologie des inneren Zeitbewusstseins”, ”Bernauer Manuskripte” and ”C-Manuskripte”. Next topics will be discussed: reflexive structure of consciousness as genetic problem, Ego as an emanate cen-ter of time construction, possibility of the achievement of hyletical, non-reflexive consciousness structure.

Studies investigating the COVID-19 pandemic from a psychological point of view have mostly focused on psychological distress. This study adopts the framework of existential positive psychology, a second wave of positive psychology that emphasizes the importance of effective coping with the negative aspects of living in order to achieve greater wellbeing. Trait emotional intelligence (trait EI) can be crucial in this context as it refers to emotion-related personality dispositions concerning the understanding and regulation of one’s emotions and those of others. (...) The present study investigated the relationship between trait EI and both wellbeing and psychological distress (i.e., depression, anxiety, and stress), while exploring the mediating role of meaning-centered coping (proactive transformative strategies based on meaning in life) and maladaptive coping (i.e., behavioral disengagement and self-blame) during the first few months of the COVID-19 pandemic. A sample of 326 Lebanese adults completed measures of trait EI, wellbeing, psychological distress, coping, and meaning-centered coping. Results showed a strong positive correlation between trait EI and meaning-centered coping. Trait EI also correlated positively with wellbeing and negatively with psychological distress. Structural equation modeling showed that meaning-centered coping partially mediated the relationship between trait EI and wellbeing. Maladaptive coping fully mediated the relationship between trait EI and psychological distress. Findings indicate that trait EI is positively related to dealing with a stressful situation such as the pandemic in positive ways at both the cognitive level, by reformulating the situation to see something valuable in it, and behavioral level, by being proactive about it. Trait EI was positively linked to seeing the situation as an opportunity for personal growth, finding personal meaning in this situation, maintaining an attitude of hope and courage, and acting more responsibly with one’s self and others during the current crisis. In turn, this coping formula was related to lower psychological distress and improved mental health. These results are consistent with the existential positive psychology framework and can inform implementation programs and policies aiming at raising awareness and promoting healthy and successful coping during the pandemic. (shrink)

Dans cette contribution, il s’agit de montrer que le champ transcendantal a-subjectif, en deçà de la dualité sujet/objet, caractérise de façon essentielle l’idéalisme transcendantal de Fichte – en amont des découvertes husserliennes et des élaborations sartriennes dans La transcendance de l’ego. Ce champ qui témoigne d’une « désubjectivation du transcendantal » s’exprime en particulier à travers l’idée d’une « réflexivité a-subjective » qui fait apparaître, en même temps, le caractère an-objectif du fondement de l’apparaître et par là la « loi (...) de l’auto-apparition de l’apparition » avec sa dimension affective et morale. L’article se termine avec une brève esquisse de ce que l’auteur appelle le « nihilisme phénoménologique » de Fichte.This article aims to show that the transcendental a-subjective field, well short of the duality subject/object, is what essentially distinguishes the Fichtean transcendental idealism – before the Husserlian discoveries and the Sartrian elaborations of The Transcendence of the Ego. This field – which testifies to a desubjectivation of the concept of transcendental – particularly expresses through the idea of an a-subjective reflexivity. In the same time, the last one makes the an-objective character of the ground of the appearance appear and so the ‘law of the self-appearance of the appearance’ with its affective and moral dimension. The article ends with an outline of what the author calls the Fichtean ‘phenomenological nihilism’. (shrink)

The process of reflection is analysed into three components ‐an ego‐driven purpose, a restructuring capability, and a transforming perspective. Different types of reflection are argued to be instances of cognitive restructuring determined by purpose and by context. Procedures for resolving contradictions in the literature concerning ways in which ‘reflective teaching’ can be fostered are also suggested. It is argued that adopting any single model of ‘reflective practice’ can be unnecessarily restrictive given the ubiquity of the reflective process. Finally, the danger (...) of claiming too much for a ‘reflective practitioner’ model is set beside clear benefits gained from promoting it. (shrink)

According to Husserl’s so-called Exhibition Principle, the propositions “x exists” and “The exhibition of x’s existence is possible” are equivalent. The overall aim of this paper is to debate EP. First, I raise the question whether EP can properly be said to be a principle. Second, I give a general formulation of EP. Third, I examine specific formulations of EP, namely those regarding eidetic and individual objects. Fourth, I identify the readings of EP I hold to be exegetically plausible, that (...) is the transcendental reading, the metaphysical reading, and the hybrid reading. Fifth, I present Husserl’s refutation of Berkeleyan idealism developed in 1902/03 lectures, and I argue that under certain assumptions, both esse est percipi and the metaphysical EP engender an infinite regress. In this regard, I claim there are two options for avoiding such a regress: either to commit oneself to reflexive exhibition of the ego’s actuality or to deny the universality of EP. I show that Husserl has a good argument for rejecting the first option, and I conclude that if the Husserlian idealist chooses the second option while affirming the ego’s actuality, he turns out to be as “dogmatic” as the realist. (shrink)

The article analyzes a wide range of philosophical and anthropological subjects in the works of the French philosopher Paul Ricoeur. Rejecting the idea of system-creation, Ricoeur creates a generalized image of a person in the form of polemical, sometimes marginal notes in relation to other European thinkers. His works reveal an original view on the problems of human subjectivity, Ego, personality, selfness, identity, etc. The author of the article shows that all the variety of anthropological topics in Ricoeur can be (...) clarified through the phenomenon of human subjectivity, which the philosopher connects with spirituality, which is born in pre-reflexive forms of life and culture. Special attention is paid to the consideration of the personality as an individuality of a special kind and to the process of identification of the person as an individual. P. Ricoeur managed to give a new interpretation to the concept of identity through a complex dialectic of internal and external self-identity. (shrink)

Hesitation is a phenomenological moment. One is disturbed when, unexpectedly, someone else is there. There is that sharp intake of breath which accompanies being taken by surprise, and even a suspension of time, before one exhales. The other person takes us by surprise and often jolts us out of self-complacency and self-contentment, but also introduces us and invites us into a situation of responsibility in which the ego is no longer for itself but for the other. This is declining subjectivity (...) otherwise and in terms of the other. This short article takes as its point of departure a simple incident: one halts or gives way before someone pushing a child's pram. One says, 'after you.' With Levinas and Blanchot, this moment of 'giving way' needs to be phenomenologically frozen in that very moment of giving way, for hesitation is a hesitation in being. 'To be' is a reflexive verb, and existence is already fissured. Into this wound within existence, an other may enter, and provide an exit from ontology to ethics. (shrink)

Hesitation is a phenomenological moment. One is disturbed when, unexpectedly, someone else is there. There is that sharp intake of breath which accompanies being taken by surprise, and even a suspension of time, before one exhales. The other person takes us by surprise and often jolts us out of self-complacency and self-contentment, but also introduces us and invites us into a situation of responsibility in which the ego is no longer for itself but for the other. This is declining subjectivity (...) otherwise and in terms of the other. This short article takes as its point of departure a simple incident: one halts or gives way before someone pushing a child's pram. One says, 'after you.' With Levinas and Blanchot, this moment of 'giving way' needs to be phenomenologically frozen in that very moment of giving way, for hesitation is a hesitation in being. 'To be' is a reflexive verb, and existence is already fissured. Into this wound within existence, an other may enter, and provide an exit from ontology to ethics. (shrink)

In his earlier work on the System of Transcendental Idealism, which combined Naturphilosophie and transcendental philosophy, Schelling argued that it is only by becoming-art that philosophy can complete itself as a discipline. He proposed this formulation in response to Kant’s critical inventory of reason offering to reclaim philosophy from its entanglement in pre-critical or dogmatic traditions. But Kant avoided to ground reason in the notion of externality, the in-itself, which, owing to its pre-critical derivation, must give way to the a (...) prioris and categories of the understanding. Meanwhile, by renewing the problem of the in-itself via the self-positing ego, Fichte was the first to challenge the Kantian legacy. But the emphasis on subjectivity through its power of self-positing gave way to what in principle negates nature as the true ground of the initself; in Schelling’s description, the equivalent of the annihilation of nature. Comparatively, Schelling proposed to demonstrate the reverse, which is the extinction of the subject that has continued to nourish the reflexive standpoint of reason. To accomplish this end, Schelling invoked in his Philosophy of Art, one of the places in which he extended his discussion of the so-called identity-system, the concept of the ideal type, or rather, the destroyer of known world established by critical reason. (shrink)

The nature of the self is qualified in varying ways in philosophy but, as we shall see in detail, one thing is constant: the self is the object of a subjective reflexivity or self-involvement. By this inner folding, a person maintains not only a relationship with himself, but also ascribes a reality value to what he relates to. The self is seen, for example, as the genuine deeper reality of the ego, as that which underlies every relation to the external (...) world. Or just the opposite: it is nothing but a part of that external world, I relate to that self as to a thing in the world. Some thinkers even doubt the existence of such a self: for them, the belief in something like a self is created by certain peculiarities of language. For instance, to what does `self' refer in a statement like “I wasn't myself”, “I will help myself”, “I should give myself some rest”, etc?I will discuss two opposed conceptions of the nature of the self and indicate the shortcomings of each approach, in order to go on to show something about self-involvement and singularity that is often overlooked. The two opposed conceptions deal with the self in different ways because they also deal differently with the relation between consciousness and the self as such. In the first conception, this relation remains external: reflection is not of the same order as the self and, conversely, the self is something that always falls outside of reflection, something against which a position can be occupied and a distance taken. Here, the self is an object whose nature does not in the least affect the nature of reflection. To the contrary, the ego must explicitly identify with that object if there is to be any trace of a connection with it at all. I will refer to this position as that of individualism.The second conception sees the self and reflection as forming an organic unity preceding any conscious identifications.They are both fused into an organic totality in such a manner that any reflection becomes an expression of the self and is affected by it. There already exists, between the self and reflection, a pre-objective relationship by virtue of which the self can never be considered as an object of identification. It is not an object: I have a link with myself that is more intimate, not the result of an identification but of an intuition, a feeling or a creativity. This is the personalistic conception of the self. The self and reflection share one and the same nature, and the relation between them is internal. I am always already myself without needing to identify with a self, and without needing to take a position with respect to a self.Moreover, I can never take the same position with respect to the self as I would take with respect to an object. If I did, I would have misconceived the authentic reality of that self, or of my `person' and the intimate relationship that I maintain with it. What is original in the individualistic conception appears, from a personalistic viewpoint, to be only derived and inauthentic. Individualism confuses the deeper self with a social marionette . Personalism, as we shall see, also developed in reaction to an individualistic conception of the person . In this article, I will draw a distinction between the two approaches on the basis of their differing descriptions of the problem of freedom. (shrink)

Running back then, we can collect a few salient facts about the Invisible World:While things in it are visible, the World itself upon which they are conditioned is not and can not be in principle.Among things in the world, contingency or surprize is a central feature, making possible both the content of perception and the possibility of action, and is in effect some sort of synonym for life. The contingency means both the nondeducibility of what happens as well as the (...) dependence of each thing upon the others in varying degrees of relevance.The World of events and things, certainly ourselves, is composed of singulars, unrepeatable and unique occurrences or things; singularity also derives from the World Itself, the invisible singular condition of Fact.Within the world, each thing appears within a horizon, a last limit of visibility for us wherever we are, but that horizon is itself movable as we move our existential point of view. Beyond one horizon there are other things not too unlike ontologically the ones we see, and so emerges what Jaspers calls a ‘horizon of horizons.’ In short, we remeet that famous ‘etc.’ almost invariably bound up with what the world of things is for us. This ‘horizon of horizons’ itself derives from another aspect of the World as Invisible: its absolute self-enclosed infinity. How else could such an absolute cause or condition express itself seriatim except through endlessness?The last feature we noted was the fracture within the world of things: to wit, that while complete in one sense, in another our world is far from constituting a whole. We are there, too, and are not members of it no matter how much some would like to be so.Singular, unique condition of what is in the world, a world of essential surprize, interdependence, increasingly the Invisible World begins to take on the characteristics of the old philosopher's God, something of the order of Spinoza's God, natura naturans, the world of things being the same substance but taken bit by bit, natura naturata. And if this identity of God and the World seems and has always seemed slightly blasphemous, since God is usually opposed to the World, to soften the blow we might only consider their point of resolution: the Soul, or Transcendental Ego, has the possibility of knowing all this, or at least exploring their unity. To revert to Spinoza again, each Attribute, in his case Extention and Thought, is infinite, but infinite in its own kind. The world of things appears to us indeed infinite, but then it is only a ‘kind’; there is also Thought, or infinite Subjectivity, also infinite in its own kind. And what does thought think about? Well, most usually the world into which it was born; but then it is not long before it perceives the absolute condition of that, and then also there is its reflexivity upon itself. Together, though not by way of summation, the Absolute Source as described is the philosopher's God. Spinoza also said that our Idea of God is identical with God's idea of Himself. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Seeking the Everyday Meaning of Autonomy in Neurologic DisordersGeorge J. Agich (bio)The Socratic aphorism that the unexamined life is not worth living and dictums like "Know thyself" remind us of the centrality of self-understanding in the history of philosophical reflections on autonomy. These traditional concerns with autonomy may seem far removed from the neurologic impairments to which Joel Anderson and Warren Lux draw our attention. Nonetheless, Anderson and Lux (...) have provided an important discussion that links the traditional philosophical commitment to self-knowledge with an account that parses these concepts in the context of neurologic disorders. Theirs is a potentially productive approach for improving our understanding of autonomy, one that Emilio Mordini and I advocated in a paper entitled, "Autonomy and the Ethics of Neurosurgery" (Agich and Mordini 1998, 54). We argued that the focus of bioethics on issues such as informed consent misses the more challenging and potentially fruitful collaboration that neurosurgery and neurology affords for advancing the philosophical understanding of the conditions of autonomy. The challenge is in the integration of concepts used in one context of meaning with other domains of discourse. A good example of the challenges embedded in pursuing this kind of project can be found in Anderson and Lux's discussion of the concept of accurate self-assessment.Anderson and Lux argue that accurate self-assessment is a requirement for one to act autonomously. On first hearing, this phrase sounds unsurprising and consistent with standard approaches that assume a higher degree of awareness of one's capacities. Their characterization, however, derives from their observations of cases involving severe neurologic impairments, which point to more basic processes than the reflective awareness or knowledge that is often assumed. Paradoxically, the language of accurate self-assessment sounds remarkably like an intellectual function. It appears to fall squarely within the traditional philosophical tendency to define autonomy in terms of ego-centered, intellectual functions involving relatively high-level reflective capacities. Despite their terminology, Anderson and Lux stress that their account requires a type of reflexivity that is not the same as self-conscious reflection understood in the highest degree. They stress this in a number of places. For example, they see the neurologic concept of executive function as involving basic feedback mechanisms that are "broadly isomorphic with capacities associated [End Page 295] with autonomy;" these include anticipation, goal seeking, planning, initiation, sequencing, monitoring, error detection, self-correction, as well as initiation of novel responses, a clearly heterogenous set of capacities (Anderson and Lux 2004, 285). These capacities are not capacities of the "mind," but basic neurologic functions of the intact embodied agent who is actively engaged in the world. Thus, these concepts capture or express a practical (or clinical) as opposed to a theoretical understanding of the basic conditions or capacities defining autonomy. Similarly, their talk of "self-assessment" does not need to be understood as explicit or conscious; rather, it typically operates in the background (Anderson and Lux 2004). They term this character of self-assessment "mundane" (Anderson and Lux 2004, 289), which strikes me as exactly the right way to characterize this key feature of autonomy (Agich 1995). Their phenomenological and clinically based insights are quite sound, but the reader struggles with a terminology that seems to run in a different direction. To be sure, they stress that they intend their language of "autonomy" and "accurate self-assessment" to involve ordinary, background, and everyday functions that do not require high levels or significant capacities for reflective self-assessment, but their very insistence underscores the problem inherent in this terminology.Anderson and Lux argue that the capacity for self-assessment has a task-relative dimension that requires a degree of "accuracy." They characterize accuracy in a way that may promote rather than forestall misunderstanding. They state that "an adequate degree of precision" (281) is required in such assessment. For example, in assessing whether one is able to jump a hurdle, they say "one must accurately estimate not only the strength of one's legs but also the height of the hurdle" (Anderson and Lux 2004, 281). They further characterize their account of "accuracy" as involving an epistemological externalism, which might lead some readers to assume... (shrink)

The theory of the appearance of the Absolute is the last theme of Fichte’s Science of Knowledge. Since he lectured the theory of appearance with that of truth in his Systemconcept of the Transcendentalphilosophy in 1804, he said that the Absolute exists, and that the Absolute appears. In the lecture in 1812, he explains the necessity of appearance, criticizing Spinoza’s Monismus. It is denied by the fact that a concept exists outside the only one substance, while the latter is thought (...) about. There is a Nonabsolute outside the Absolute. Fichte names it ›appearance‹, which is synonym with ›image‹ and ›scheme‹ of the Absolute. The appearance has a life to appear to itself. Because it is a concept and knowledge of the Absolute, it knows itself as such. Between two appearances is a difference, through which the manifold springs. The earlier question against Schelling’s philosophy of identity, how the finite can be deduced from the infinite or the Absolute, is solved here. Fichte calls the self-appearance of the appearance ›Seeing‹ and ›reflection‹. Also the ego as subject-object is born in it. The task of Science of Knowledge is to analyze it, through which the appearance appears to itself not only as appearing to itself, but also as appearing to itself as appearing to itself. Fichte calls this the formula of Science of Knowledge. In the appearance is a reflexibility, whose ground is the visibility of the Absolute, the absolute evidence or the light. Even the image-making act of ego is in fact that of the Absolute. The Absolute intuits itself. Ego, as a representant of it, should stand under the law of the Absolute and devote its freedom and will to this. Standing upon the will to obey the law Science of Knowledge can gain the total scope of knowledge and open the way to God and the morality.Die Lehre der Erscheinung des Absoluten ist der letzte Schritt der Entwicklung der Wissenschaftslehre bei Fichte. Nachdem er in seinem Systementwurf von 1804 die Erscheinungslehre neben die Wahrheitslehre gestellt hat, äußerte Fichte, »Das Absolute existiert« und »Das Absolute erscheint«. Im Vortrag von 1812 erklärt er die Notwendigkeit der Erscheinung des Absoluten in der Auseinandersetzung mit Spinozas Monismus. Dieser sei schon widerlegt, weil das Denken der Substanz als das Sein außerhalb derselben ist. Dies Nicht-Absolute heißt ›Erscheinung‹, welche als Bild oder Schema des Absoluten genommen wird. Die Erscheinung hat das Leben, sich selbst zu erscheinen. Da sie der Begriff oder das Wissen vom Absoluten ist, weiß sie zugleich sich selbst als solches. Zwischen zwei Erscheinungen ist eine Disjunktion, womit das Entspringen des Mannigfaltigen erklärt wird. Die früher gegen Schellings Identitätsphilosophie gerichtete Frage, wie aus dem Absoluten das Endliche abgeleitet werden könne, wird hier aufgelöst. Das Sicherscheinen der Erscheinung nennt Fichte ›Sehen‹ und ›Reflexion‹, und sieht die Aufgabe der Wissenschaftslehre in dessen Analyse. Dabei gehört diese selbst der Erscheinung an. In ihr erscheint die Erscheinung sich selbst als sich selbst erscheinend. Außerdem erscheint sie sich selbst als sich selbst erscheinend als sich selbst erscheinend, welches die Formel der Wissenschaftslehre ist. In ihr liegt die Reflexibilität, wodurch eben das Ich als Subjekt-Objekt entsteht. Dahinter aber ist die Sichtbarkeit des Absoluten, die absolute Evidenz oder das Licht. Die Bildungskraft des Ich ist in Wahrheit die des Absoluten. Das Absolute selbst schaut sich selbst an, und das Ich ist bloß sein Repräsentant. Es soll unter dem Gesetz des Absoluten stehen und seine Freiheit und den Willen diesem übertragen. Die Wissenschaftslehre macht den ganzen Umkreis des Wissens klar und öffnet den Weg zu Gott und zur Sittlichkeit, indem sie auf dem Willen als ihrem Standpunkt steht. (shrink)

The status of being a subject, a self and being self-aware of it, is to be interpreted here through the process of the child‘s role play with the doll: By speaking to the doll, this inanimate being is seen as animate and becoming the alter ego of the child. Communicating with it thus means that the child speaks to it- self. It has thus established a — so to speak 'tautological‘ — self-relationship, a behavior in which it encounters only figures (...) of itself. This effect of reflexive tautologization, as I would like to say briefly, is decisive: The individual does not gain a self be- cause he puts himself in the other´s place — think of G.H. Mead — but because he rather eliminates the moment of otherness by means of reflexive tautologization and thus, in tautological self-execution, constitutes himself as self and ultimately as self- consciousness: role-playing as the self-fulfilling design of self- hood. Implicated thereby is, according to my argument, that the self-interpretation of the subject as free or as determined is essentially to be conceived as a self-fulfilling design — free is he who (with all conditionalities) 'designs' himself as free. And in turn, the demand for mutual recognition of the subjects results from this as well. ************************************************************************************************* Der Status, ein Subjekt, ein Selbst und dessen sich selbst bewusst zu sein, soll hier am Vorgang des kindlichen Rollenspiels mit der Puppe gedeutet werden: lndem das Kind zur Puppe spricht, kann dieses an sich Leblose begeistet und zum Alter Ego werden. Mit ihm kommunizieren bedeutet somit, dass das Kind vielmehr zu sich selbst spricht. Es hat damit ein — gleich- sam 'tautoIogisches‘ — Selbstverhältnis hergestellt, ein Verhal- ten, in dem ihm nur Gestalten seiner selbst begegnen. Dieser Effekt reflexiver Tautologisierung, wie ich kurz sagen möchte, ist entscheidend: Das lndividuum gewinnt nicht deshalb ein Selbst, weil es sich in den Andern versetzt — man denke an G.H. Mead —, sondern weil es vermittels reflexiver Tautologi- sierung das Moment der Andersheit vielmehr eliminiert und sich so, im tautologischen Selbstvollzug, als Selbst und letztlich als Selbst-Bewusstsein konstituiert: Rollenspiel als sich selbst er- füllender Entwurf von Selbstsein. lmpliziert ist damit, so mein Argument, dass die Selbstdeutung des Subjekts als frei oder als determiniert, essentiell als selbsterfüllender Entwurf zu be- greifen ist — frei ist, wer sich (bei allen Bedingtheiten) als frei 'entwirft'. Und im Gegenzug ergibt sich die Forderung wechsel- seitiger Anerkennung der Subjekte ebenso daraus. (shrink)

This paper aims at showing the fecundity of the notion of ipseity or self in the domain of psychopathology. The notions of subject or ego which have been used since Descartes to describe the being of man have led to thing it on the model of a substantial and unalterable being. Contemporary philosophy, especially with Heidegger, has on the contrary elaborated a quite other conception of man as an essentially temporal and relational being. What constitutes fundamentally the being of man (...) is no the presence of an invariable nucleus of personality, but it is on the contrary the relations that he is able to establish with the world and the others which defines it in return. The notion of self defines therefore the reflexive character of the being of man.As Paul Ricoeur also shows, the identity of the human being is fundamentally a narrative identity, i.e. an identity that constitutes itself through the hazards of a history. What is deeply altered in the different forms of mental diseases is precisely this openness and receptivity that defines the self. What has therefore to be restores by means of therapy is the capacity of the human being to constitute himself as a self in time and to open itself to the unforeseeable character of what happens to him. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 31.4 (2001) 85-102 [Access article in PDF] Culture in the Disk Drive Computationalism, Memetics, and the Rise of Posthumanism Stephen Dougherty Ever since Descartes argued that there are striking similarities between a man and a clock, humanism has been in a state of crisis. To put it more pointedly, humanism has always been in a state of crisis, ever since it emerged in the sixteenth and seventeenth centuries (...) as a constellation of beliefs that made man rather than God the measure of all things. Thus, since we are arguably witnesses now to the eclipse of the humanist tradition, we might take some comfort (if any is desired) in considering that if we have failed the ideal of humanism, it has also failed us. From the beginning its borders were too porous, its boundaries too ill defined. For even as man turned himself into a god, he increasingly began to resemble a machine.In terms of bodily representation, our machinic evolution through the last four centuries culminates in the figure of the cyborg; and if we have already become posthuman, as N. Katherine Hayles suggests, then the cyborg stands as the iconic pop culture figure of our epochal transformation. But you don't need electronic prosthetic devices attached to your body or silicon chips implanted in your head to be posthuman. As Hayles argues, "[w]hether or not interventions have been made on the body, new models of subjectivity emerging from such fields as cognitive science and artificial life imply that even a biologically unaltered Homo sapiens counts as posthuman" [4]. What counts especially, according to Hayles, is not the body/machine interface but how we conceptualize the workings of the mind/brain.In the humanist tradition signalled by Descartes, the subject is an I, an ego that is master of itself, a unified consciousness thinking itself. Before it is anything else, the Cartesian subject is a function of thought—ineffable and immaterial, and partaking in its nature of the divine and ineffable spirit that guarantees its communication with the material world. Thus, even though God has always been in the process of disappearing through the centuries since the Renaissance, spirit hasn't. Humanism never abandoned the concept of a spiritualized man, registering at the least a dissatisfaction with science's conventional claim to the possession of special and superior knowledge, and until quite recently dualism of one variety or another has been the normative philosophical attitude.But in posthumanism matters are different. To begin with, as Hayles puts it, "computation rather than possessive individualism is taken as the ground of being" [34]. Human consciousness is no longer that which thinks itself into its own unity, a mysterious phenomenon of infinite reflexivity that would become the central subject of, and the central problem for, modern philosophy. In fact, in the posthumanist regime human consciousness is no longer primarily a matter for philosophy, since questions regarding ontology and epistemology are displaced by the question of functionality. Cognitive processes are turned into syntactical operations similar to those that computers perform, 1 [End Page 85] and consciousness is reduced to mere epiphenomena of those machinic operations. 2Further, the cognitive functions of posthuman subjectivity are dispersed among a complex network of interrelated systems and subsystems (modules) responsible for receiving and interpreting data. 3 Consciousness thus loses the holistic unity it had possessed with a considerable degree of consensus from Descartes up to the behavioralists. Just as significantly, it loses its ineffability. The computationalists do not interrogate the mind as something beyond the grasp of scientific rationality because they do not approach thought as immaterial. Insofar as the brain has become a machine, mind is reduced to matter. In the new posthuman dispensation, then, philosophical dualism gives way to monism.Such an outcome would seem to suggest that the onset of posthumanism represents the ultimate victory for positivism and scientific rationalism in explaining human behavior. As Francis Crick explains in The Astonishing Hypothesis: The Scientific Search for the Soul, "the aim of science is to explain all aspects of the behavior of our brains, including... (shrink)

In this article, I will explore the archeology of the concept of attestation in Ricoeur’s work. In a brief discussion of his early reflections on Husserl’s concept of the ego (as an example of reflexive philosophy), I show how the dialectic of trust and suspicion enters Ricoeur’s hermeneutic concerns. I argue that this dialectics remains present in his account of attestation. By a brief confrontation with Heidegger’s notion of attestation as developed in Being and Time, I show that the (...) uniqueness of Ricoeur’s account of attestation is to be found in this dialectic of trust and suspicion that he reinterprets in his later work in light of the concept of attestation. (shrink)

In this book, Ben Lazare Mijuskovic uses both an interdisciplinary and History of Ideas approach to discuss four forms of intertwined theories of human consciousness and reflexive self-consciousness (Plato, Augustine, Descartes, Leibniz, Kant, and Hegel; Schopenhauer’s subconscious irrational Will; Brentano and Husserl’s transcendent intentionality; and Freud’s dynamic ego). Mijuskovic explores these theories within the context of psychological issues, where the discussion is undergirded by the conflict between loneliness and intimacy. He also explores them in the context of ethics, where (...) the dynamic is between the values of good and evil. The book historically traces these issues in both a personal as well as a political framework. (shrink)

continent. 1.2 (2011): 70-75. cartography of ghosts . . . And as a way to talk . . . of temporality the topography of imagination, this body whose dirty entry into the articulation of history as rapturous becoming & unbecoming, greeted with violence, i take permission to extend this grace —Akilah Oliver from “An Arriving Guard of Angels Thusly Coming To Greet” Our disappearance is already here. —Jacques Derrida, 117 I wrestled with death as a threshold, an aporia, a bandit, (...) a part of life. —Akilah Oliver Moraine in geological lingo is that which is left behind. Moraine- a euphemism for the de-stabilizing referent of the writer-ly body as a “troubled and troubling landscape marked by cultural and historical signifiers, the body as flesh memory [...] the body as transitory” (Oliver, Author Statement). Moraine— a geological metaphor of the poet as a holder of memory, as an accumulation of rocks and debris carried along the edge, terminal, dropped at the foot of language (in language). “Flesh Memory” according to Akilah Oliver is "that which my body recalls [...] everything has to do with the task of remembrance and its narrative reinvention [...] I was always translating an idea of the world as it presented itself at any given time. To write was a choice about how to be seen, how to enter the world as translator, actor, participant, in the dialogues that apparently made the real 'real'" (Levitsky). Flesh. Memory. The stuff some poems are made from. The stuff that gets abandoned, gleaned, and picked up by more flesh and memory. "My body, my life has always felt like a kaleidoscopic rip in the dominant fabric [...] has always been a dialogue with the impossible and the apparent” (Levitsky). The impossible-body or poet's body anticipates and performs (through language) an irretrievable death. IN APORIA I realized everything I must have been doing must have been Death. It was Christmas or Labor Day—a holiday—and every time you turned on the radio they said something like ‘four million’ or ‘going to die’.” — Andy Warhol I’m trying on egos, [a justification for the planet’s continuance]. Oh hello transgressor, you’ve come to collect utilitarian debts, humbling narrative space. Give me condition and wheatgrass, I his body disintegrating. I his body is ossification. Death my habit radius, yeah yeah. I his body can’t refuse this summons. I can’t get out this fucking room. Tell me something different about torture dear Trickster. Tell me about the lightness my mother told me to pick the one i love the best how it signals everything I ever wish to believe true just holy on my ship. I jump all over this house. this is it [what I thought is thought only, nothing more deceptive than]: I his body keeps thinking someone will come along, touch me. As like human or lima bean. I’m cradling you to my breast, you are looking out. A little wooden lion you & Peter carve on Bluff Street is quieting across your cheekbone. Not at all like the kind of terror found in sleep, on trembling grounds. It is yesterday now. I have not had a chance to dance in this century. Tonight I shall kill someone, a condition to remember Sunday morning. To think of lives as repetitions [rather than singular serial incarnations]. To understand your death is as exacerbating as trying to figure out why as schoolchildren in mid-nineteen-sixties Southern California we performed reflexive motions: cutting out lace snowflakes, reading Dick and Jane search for their missing mittens, imagining snow. Disintegrat ing . The -ing gerund catapults from the non-finite verb into past, present, future. The -ing as a tail pinned to death, a dog spinning to bite and never fully reaching itself, always shy of the end, circumreferential; a double copulative: deathing. Possessively AO calls it “habit radius” (a virtual fetish attribute) or an inescapable death presence that “confronts us with the paradox of an unattainable object [...] through it’s being unattainable” (Agamben, 27). A flirtation or dialogue with an unknowable thing and aporia utilized as investigative instrument to engage (death) while (in Southern California) we “perform reflexive motions,” cut lace snowflakes, imagine snow, and pay rent like “yeah, yeah” what else is new. And this too, fiction. The book I wish to right. The restored fallen, heroic. Did you expect a different grace from the world? Or upon exit? I’m working on “tough.” They think I am already. All ready. Who is the dead person? Is "I'm sorry" real to a dead person? Browning grass. My hands on this table. A contentious century. A place to pay rent. Redemptive moments. Am I now the dead person? Dead person, dead person, will you partake in my persimmon feast? The body inside the body astounds, confesses sins of the funhouse. I too have admired the people of this planet. Their frilly, orderly intellects. The use they’ve made of cardamom, radiation as well. How they’ve pasteurized milk, loaned surnames to stars, captured tribes, diseases, streets, and ideas too. The living-body as archive: is it possible to experience the living-body as archive without a (kind of) death? Sifting the rubble, rummaging through hoarded debris, skin sheds, memory-napping, and re-awoken (in flesh and) on terrain. “An investigative poetics seeks to unravel staid communities of thought and grasp at what might always be just beyond reach; a poetics of inquiry that lies between language as meaning, and language as rapturous entry into the world of posited ideas and idealism”( Levitsky). Something snaps. Lights blow out prior to embarking upon an investigative poetics. It begins with a question (often a sexy aporia) that leads to openings. "Every politics of memory [...] implies an intervention of the state. It's a state that legislates and acts with regard to the nonfinite mass of materials to be stored, materials which must be collected, preserved” (Derrida & Stiegler, 62). It seems poetic investigation already contains the potentiality of an (invisible) archive if the writer is “always writing” especially when not. Here’s my stupid digital romantic inclination: the living-body (of a poet) is a self-sustaining archive of non-finite memories. But not even I really believe that. AO innovated and sculpted an investigative poetic praxis. In a conversation with poet Rachel Levitsky, poetic-voice is viewed not as a precious identifier, but as a means to think through/about form, concluding that form is linked to framing. While poetic-voice may have tendency to precede form, it also erupts as a result of framing techniques. “They are frames that hold the shape of thinking (which is also to say of imagining) [...].”7 This reminds me of my rabbit who symmetrically chewed the corners of his hutch, which makes me wonder if it’s an expression of the shape of some animal anxiety tick I won’t ever have access to. Beyond the form/frame, death is an unoriginal yet unique limit; death is a damn deathless thing. It functions as a source of poetic investigation; that thing always “just beyond reach.” And how is death not a fetish (in this case an obsessive reverence for something non-material)? “Insofar as it [death] is a presence, a fetish [...] it is in fact something concrete and tangible; but insofar as it is the presence of an absence, it is, at the same time, immaterial and intangible, because it alludes continuously beyond itself to something that can never really be possessed [...] The fetish is [...] a sign of an absence, it is not an unrepeatable unique object; on the contrary, it is something infinitely capable of substitution, without any successive incarnations ever succeeding in exhausting the nullity of which it is the symbol” (Agamben, 33). AO utilized absence (the absent body [catapulted by the death of a beloved]) as an apparatus to investigate. In the process of conversing with absence or that which is absent, the absent body is affectionately objectified, incessantly summonsed back to a place of recognition, of objects, a desire for the absent body to remain intact while exiting the structural limits of grammar and syntax by moving into chant forms “to say what cannot be said” (Levitsky). from AN ARRIVING GUARD OF ANGELS THUSLY COMING TO GREET dear oluchi- the light is blinking rapidly on the black boxy machine. your room seems bigger than before and i am still planning to read some of those robert jordan books of yours. yesterday at the used bookstore where i was browsing the mysteries to “stall reality” (they are really not mysteries at all, they just employ death as the plot mistress but are unable to grasp its mystery at all)—well the point is, things were calm down here for a while and the world was little. i want to be big like you. or i want you not vast, not dead, not gone, but human small and here. i am so selfish. that is what i really want. to see you again. to oil your scalp. to hear you walk in the door, say ma i’m home . give me a chance to say welcome home son. or when leaving, don’t forget your hat . what do you wear out there? i wish you could have taken your new shoes with you. i’m so proud of you. i’m sorry for the way you died. i miss you all the time. even before, i missed you. out there, one time, some different men said: “shake for me girl, i wanna be your backdoor man.” who dat you love. 5/18/03 A letter-poem in sixteen lines “dear oluchi-” is safe-housed in epistolary form. Poetic voice is rendered as internal thought meanderings, a not-so-much confession, private/(pillow?) talk in the desire to be heard/witnessed by the referent and reader with an intent to absolve. The diminutive “i” bears a relation to poet Fanny Howe’s “little g God” in that “One of the (many) things I like about little g God is that you can have a vodka tonic while you talk to little g God, sing along to Bowie’s “I’m Afraid Of Americans,” and hum Coltrane’s “A Love Supreme,” though maybe not all at the same time” (Oliver, 2009). Towards the middle of the poem AO is at a used bookstore and remarks on the funny employment of death as a ‘plot mistress’ that ‘they’ (the dubious employed mystery authors) are ‘unable to grasp’, thereby giving death a mouthpiece, a modeling job, something to do to pass the time. from THE VISIBLE UNSEEN When I first saw graffiti, I recognized in it an ugly aesthetic, a dialectics of violence, a distortion of limbs, a hieroglyph. It was only later when I read the names of the dead that I then saw the path of ghosts charted there; its narrative of loss for the visible unseen whose place in history has been fictionalized and rendered unseen under the totalizing glare of history. Inscriptions, traces, specters. Graffiti begs a public face just as ghosts require non-ghosts (humans) to sense them. The “visible unseen” is a game of hide-and-seek between public viewer and graffiti-inscriber, an ephemeral-violent aesthetic on an ephemeral-policed canvas. Graffiti-inscribers already submit to being forgotten, expect to be washed away; perhaps it’s a holy urban mandala created by gangster-type monks without Buddhism. [...] in its refusal to disappear it forces a discourse in the public imagination we are forced to see what we would rather not, to make sense of an encoded language that we cannot read on the level of meaning. it irritates, forces its agency on us, speaks outside and beyond semiotic reach. An epic font-size pervading the public’s imagination, illegible, I could just close my eyes, remain passive, drive past, abandon it beyond reach, push it further away beyond death walls. In Barcelona I watched a clean up crew wash walls with an awesome water hose but I was more intrigued by their bodies; not a distortion of limbs, not hieroglyph but also not entirely legible; the laboring body permanently erasing specters of the city, and of course they knew it was also an invitation for the ghosts to return. Graffiti is death’s little sister, is also an aporia. [...] Graffiti (fr GK -graph(os), something drawn or written, to diagram or chart) attempts to stage the impossible: to erase the essence of its own subjectivity. Graffiti is a cartography of ghosts, a mapping of elegiac rapture (the transporting of a person from one place to another, as in heaven) and rupture (the state of being broken open.) Dwelling is a fiction stasis. [...] The notion of the past as being something done with, a look-back event, inhibits the possibility of reading graffiti as rapture, as rupture. If graffiti posits history as always in the process of becoming undone. [...] Because what is the body, if not also a complex temple, an unstable site through which to negotiate subjects, materiality, economies, gods, and modes of representations? The site where we are all already belated. Graphein meaning “to write.” “Derrida says every archive makes a law, and the law of genre is its own rupture” (Bloch, 39). However, graffiti is an (non/anti)-archive of erasure due to (the politics of) washing out its subjectivity, which only adds onto (or is symptomatic of) its character. The inhibition of “reading graffiti as rapture, as rupture” is partly due to it being a “look-back” event in that it’s process involves scratching through layers to reveal previous specters underneath. Graffiti (as an ancient genre) has always been a thing of ‘becoming undone’, and therefore ‘belated and always in arrival’ (Levitsky). It’s a Dionysian activity done at night with it’s back turned toward us. "The specter [...] is of the visible, but of the invisible visible, it is the visibility of a body which is not present in flesh and blood [...] appearing for vision, to the brightness of day [...] something becomes almost visible which is visible only insofar as it is not visible in flesh and blood. It is a night visibility. As soon as there is a technology of the image, visibility brings night. It incarnates in a night body, it radiates in a night light" (Derrida & Stiegler, 115). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Cultural Transactions: Nature, Self, SocietyRoger SeamonCultural Transactions: Nature, Self, Society, by Paul Hernadi; ix & 156 pp. Ithaca: Cornell University Press, 1995, $27.50 paper.Thinkers have often found the world rather Gaulish—or, if you prefer, have carved it up to make it so. In Cultural Transactions Paul Hernadi starts from the premise that “We typically experience ourselves as objectively existing organisms, players of intersubjectively assigned and evaluated roles, or (...) as subjective selves” (p. 3), which correspond to the nature, society, and self of his subtitle. He then collects and creates triads which are meant to be homologous with the foundational trio. Some of these are traditional (truth, justice, beauty), others are cobbled out of folk psychology (desire with, desire that, desire for), some are taken from other thinkers (Martin Buber’s It, Thou, and I), but most are based on linguistic concepts. Thus, Hernadi sums up at one point by saying, “In the preceding sections I suggest that all discourse involves action, production, and signification, and that doing, making, and meaning tend respectively to predominate in speaking, writing, and thinking—the prime vehicles of communication, expression, and representation in our culture” (p. 28). The process culminates in the postulation of three triangles (discourse, awareness, and value) whose apices and sides constitute two triads. Each side is itself then divided into three, which makes for a total of five triads per triangle (pp. 111, 120, 130), to which we should add about twenty or so spelled out earlier. This is an argument by accumulation for a triadic human universe.Hernadi sees life (and Cultural Transactions is about nothing less) as a complex dance both within and between these cooperative triads: “Yet the natural domain of Its (to be individuated as such by one of Buber’s two Is) and the social domain of Buber’s I-Thou relations would not be what they are without self-conscious individuals who are able to pick out themselves as [George Herbert] Meadian Mes and other particulars as Its or Thous from what [End Page 535] thereby becomes someone’s natural and social environment” (p. 88). Again: “Consensus, coherence, and correspondence have sometimes been invoked as rival criteria of truth. From the present book, they should emerge rather as mutually supportive goals in our lifelong pursuit of interactive doing, self-expressive making, and world-oriented meaning” (p. 109). Sometimes the triads run parallel to each other, and at other times they are nested. Thus, the triad within beauty consists of Dionysian “world-absorbed engulfment” (nature), “ludic” imitation (the social dimension of art), and Apollonian “self-controlled detachment” (self) (pp. 130–31). In the next triad up, Beauty is parallel to self, goodness is the value analogous to society, and truth corresponds to the world.Some of the triads are indeed “quite clever” (p. 142) (Hernadi’s own phrase from a self-reflexive “Epilogue”), as when he writes, “Natural must gives way to social should only to make room, eventually, for personal may as well” (p. 99). This nicely captures our sense that freedom has degrees, but more often there are dubious appropriations and stretched similes. For example, Hernadi uses a mere pronoun to make his case for the possibility of a seamless blending of the three realms—“the ecumenical ‘we’ recombines the first-, second-, and third person perspectives of communication”—and he continues with a very unpersuasive simile—“just as a rapidly spinning top turns the three cardinal colors painted on it into the whitish hue of unrefracted light” (p. 75). This is not an argument, but the expression of a wish.Although each triad is meant to be homologous with the foundational trio, there are quite a few uncomfortable fits. For example, I don’t see how “being with” is the apex formed by truth and beauty, while “being of” comes between justice and beauty, and “being toward” belongs between beauty and truth (p. 130). There are also odd omissions. Hernadi rejects Freud’s id, ego, and superego as insufficiently fine-grained to capture our complex subjectivity (p. 90) (which they were never meant to do), but the parallel to his major triad of nature, self and society seems... (shrink)

A revision of the author's thesis, Z'urich, 1973.