Search results for 'emotional expression' (try it on Scholar)

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  1. C. Landis (1924). Studies of Emotional Reactions. I. 'A Preliminary Study of Facial Expression.". Journal of Experimental Psychology 7 (5):325.score: 120.0
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  2. Norman P. Li & Daniel Balliet (2009). Emotional Expression of Capacity and Trustworthiness in Humor and in Social Dilemmas. Behavioral and Brain Sciences 32 (5):396-397.score: 120.0
    Humor and social dilemmas are two disparate areas that have been linked to emotions. However, they tend to have been studied apart from considerations of emotion and emotional expression. We provide an overview of how such areas might be illuminated by Vigil's socio-relational framework, and how capacity and trustworthiness are communicated in humor and social dilemmas.
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  3. A. P. Bayliss, A. Frischen, M. J. Fenske & S. P. Tipper (2007). Affective Evaluations of Objects Are Influenced by Observed Gaze Direction and Emotional Expression. Cognition 104 (3):644-653.score: 120.0
    Gaze direction signals another person’s focus of interest. Facial expressions convey information about their mental state. Appropriate responses to these signals should reflect their combined influence, yet current evidence suggests that gaze-cueing effects for objects near an observed face are not modulated by its emotional expression. Here, we extend the investigation of perceived gaze direction and emotional expression by considering their combined influence on affective judgments. While traditional response-time measures revealed equal gaze-cueing effects for happy and (...)
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  4. David J. Elliott (2005). Musical Understanding, Musical Works, and Emotional Expression: Implications for Education. Educational Philosophy and Theory 37 (1):93–103.score: 114.0
  5. Klaus R. Scherer, Lucy Schaufer, Bruno Taddia & Christoph Prégardien (2013). The Singer's Paradox: On Authenticity in Emotional Expression on The. In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oup Oxford.score: 114.0
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  6. Geoff Hammond Michelle Marneweck, Andrea Loftus (2013). Psychophysical Measures of Sensitivity to Facial Expression of Emotion. Frontiers in Psychology 4.score: 108.0
    We report the development of two simple, objective, psychophysical measures of the ability to discriminate facial expressions of emotion that vary in intensity from a neutral facial expression and to discriminate between varying intensities of emotional facial expression. The stimuli were created by morphing photographs of models expressing four basic emotions, anger, disgust, happiness and sadness with neutral expressions. Psychometric functions were obtained for 15 healthy young adults using the Method of Constant Stimuli with a two-interval forced-choice (...)
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  7. Sue Campbell (1994). Being Dismissed: The Politics of Emotional Expression. Hypatia 9 (3):46 - 65.score: 102.0
    My intent is to bring a key group of critical terms associated with the emotions-bitterness, sentimentality, and emotionality-to greater feminist attention. These terms are used to characterize emoters on the basis of how we express ourselves, and they characterize us in ways that we need no longer be taken seriously. I analyze the ways in which these terms of emotional dismissal can be put to powerful political use.
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  8. Graham Murdock (1971). Differential Reactions to the Regulation of Emotional and Physical Expression Among Third‐Year Pupils in Secondary Schools. Journal of Moral Education 1 (1):53-60.score: 96.0
    (1971). Differential reactions to the regulation of emotional and physical expression among third‐year pupils in secondary schools. Journal of Moral Education: Vol. 1, No. 1, pp. 53-60.
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  9. Tuomas Eerola, Anders Friberg & Roberto Bresin (2013). Emotional Expression in Music: Contribution, Linearity, and Additivity of Primary Musical Cues. Frontiers in Psychology 4.score: 94.0
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  10. Jessika Golle, Fred W. Mast & Janek S. Lobmaier (2014). Something to Smile About: The Interrelationship Between Attractiveness and Emotional Expression. Cognition and Emotion 28 (2):298-310.score: 92.0
  11. A. K. Anderson (2009). Emotional Expression. In David Sander & Klaus R. Scherer (eds.), The Oxford Companion to Emotion and the Affective Sciences. Oxford University Press. 165--167.score: 92.0
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  12. Kathleen C. Burns & Stacy L. Friedman (2012). The Benefits of Emotional Expression for Math Performance. Cognition and Emotion 26 (2):245-251.score: 92.0
  13. Fabrice Clément, Stéphane Bernard, Didier Grandjean & David Sander (2013). Emotional Expression and Vocabulary Learning in Adults and Children. Cognition and Emotion 27 (3):539-548.score: 92.0
  14. Robbie M. Cooper, Jayne E. Bailey, Alison Diaper, Rachel Stirland, Lynne E. Renton, Christopher P. Benton, Ian S. Penton-Voak, David J. Nutt & Marcus R. Munafò (2011). Effects of 7.5% CO2 Inhalation on Allocation of Spatial Attention to Facial Cues of Emotional Expression. Cognition and Emotion 25 (4):626-638.score: 92.0
  15. Paula M. Niedenthal, Markus Brauer, Jamin B. Halberstadt & Åse H. Innes-Ker (2001). When Did Her Smile Drop? Facial Mimicry and the Influences of Emotional State on the Detection of Change in Emotional Expression. Cognition and Emotion 15 (6):853-864.score: 92.0
  16. Jonathan Cole (2009). Impaired Embodiment and Intersubjectivity. Phenomenology and the Cognitive Sciences 8 (3):343-360.score: 90.0
    This paper considers the importance of the body for self-esteem, communication, and emotional expression and experience, through the reflections of those who live with various neurological impairments of movement and sensation; sensory deafferentation, spinal cord injury and Möbius Syndrome (the congenital absence of facial expression). People with severe sensory loss, who require conscious attention and visual feedback for movement, describe the imperative to use the same strategies to reacquire gesture, to appear normal and have embodied expression. (...)
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  17. A. H. Pierce (1906). Emotional Expression and the Doctrine of Mutations. Journal of Philosophy, Psychology and Scientific Methods 3 (21):573-575.score: 90.0
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  18. Kairi Kreegipuu, Nele Kuldkepp, Oliver Sibolt, Mai Toom, Jüri Allik & Risto Näätänen (2013). vMMN for Schematic Faces: Automatic Detection of Change in Emotional Expression. Frontiers in Human Neuroscience 7.score: 90.0
  19. Vuilleumier Patrik (2011). Modulation of Face Processing by Emotional Expression During Intracranial Recordings in Right Fusiform Cortex and Amygdala. Frontiers in Human Neuroscience 5.score: 90.0
  20. Klaus R. Scherer, W. J. Perrig & A. Grob (2000). Emotional Expression: A Royal Road for the Study of Behavior Control1. In Walter J. Perrig & Alexander Grob (eds.), Control of Human Behavior, Mental Processes, and Consciousness: Essays in Honor of the 60th Birthday of August Flammer. Erlbaum. 227--244.score: 90.0
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  21. Anna Wierzbicka (1998). Russian Emotional Expression. Ethos 26 (4):456-483.score: 90.0
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  22. Viorica Barbu-Iuraşcu (2008). Emotional Expression and Complexity in Music. Linguistic and Philosophical Investigations 7.score: 90.0
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  23. J. D. Eastwood, D. Smilek & P. M. Merikle (2000). Attentional Guidance Based on a Preattentive Analysis of Emotional Expression. Consciousness and Cognition 9 (2):S53 - S53.score: 90.0
     
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  24. Edwin N. Gorsuch (1991). Emotional Expression in a Manuscript of Bede's Historia Ecclesiastica: British Library Cotton Tiberius A XIV. Semiotica 83 (3-4):227-250.score: 90.0
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  25. Recio Guillermo (2008). Effect of Face Motion on Emotional Expression Recognition: An ERP Study. Frontiers in Human Neuroscience 2.score: 90.0
  26. Fabiani Marco (2009). Enabling Emotional Expression and Interaction with New Expressive Interfaces. Frontiers in Human Neuroscience 3.score: 90.0
  27. Ann T. Phillips, Henry M. Wellman & Elizabeth S. Spelke (2002). Infants' Ability to Connect Gaze and Emotional Expression to Intentional Action. Cognition 85 (1):53-78.score: 90.0
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  28. Scherer, K. R. & Bänziger, & T. (2010). On the Use of Actor Portrayals in Research on Emotional Expression. In Klaus R. Scherer, Tanja Bänziger & Etienne Roesch (eds.), A Blueprint for Affective Computing: A Sourcebook and Manual. Oup Oxford.score: 90.0
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  29. Walentowska W. (2008). Attention and Early Stages of Emotional Expression Processing: Study with ERP and LORETA. Frontiers in Human Neuroscience 2.score: 90.0
  30. Michela Balconi & Claudio Lucchiari (2007). Consciousness and Emotional Facial Expression Recognition: Subliminal/Supraliminal Stimulation Effect on N200 and P300 ERPs. [REVIEW] Journal of Psychophysiology 21 (2):100-108.score: 88.0
  31. Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.) (2013). The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. OUP Oxford.score: 84.0
    How can an abstract sequence of sounds so intensely express emotional states? In the past ten years, research into the topic of music and emotion has flourished. This book explores the relationship between music and emotion, bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers .
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  32. Isidora Stojanovic (2012). Emotional Disagreement: The Role of Semantic Content in the Expression of, and Disagreement Over, Emotional Values. Dialogue 51 (1):99-117.score: 78.0
    ABSTRACT: When we describe an event as sad or happy, we attribute to it a certain emotional value. Attributions of emotional value depend essentially on an agent (and on his or her emotional responses); and yet, people readily disagree over such values. My aim in this paper is to explain what happens in the case of , and, more generally, to provide some insight into the semantics of value-attributions.
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  33. Susan M. Letourneau & Teresa V. Mitchell (2013). Visual Field Bias in Hearing and Deaf Adults During Judgments of Facial Expression and Identity. Frontiers in Psychology 4.score: 78.0
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  34. Patrik N. Juslin (2013). What Does Music Express? Basic Emotions and Beyond. Frontiers in Psychology 4.score: 76.0
    Numerous studies have investigated whether music can reliably convey emotions to listeners, and - if so - what musical parameters might carry this information. Far less attention has been devoted to the actual contents of the communicative process. The goal of this article is thus to consider what types of emotional content are possible to convey in music. I will argue that the content is mainly constrained by the type of coding involved, and that distinct types of content are (...)
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  35. Daniel D. Hutto (2006). Unprincipled Engagement: Emotional Experience, Expression and Response. In Richard Menary (ed.), Radical Enactivism: Intentionality, Phenomenology and Narrative: Focus on the Philosophy of Daniel D. Hutto.score: 76.0
  36. Pascal Vrticka, Samanta Simioni, Eleonora Fornari, Myriam Schluep, Patrik Vuilleumier & David Sander (2013). Neural Substrates of Social Emotion Regulation: A fMRI Study on Imitation and Expressive Suppression to Dynamic Facial Signals. Frontiers in Psychology 4.score: 74.0
    Emotion regulation is crucial for successfully engaging in social interactions. Yet, little is known about the neural mechanisms controlling behavioral responses to emotional expressions perceived in the face of other people, which constitute a key element of interpersonal communication. Here, we investigated brain systems involved in social emotion perception and regulation, using functional magnetic resonance imaging (fMRI) in 20 healthy participants who saw dynamic facial expressions of either happiness or sadness, and were asked to either imitate the expression (...)
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  37. Rebecca Jürgens, Kurt Hammerschmidt & Julia Fischer (2011). Authentic and Play-Acted Vocal Emotion Expressions Reveal Acoustic Differences. Frontiers in Psychology 2.score: 72.0
    Play-acted emotional expressions are a frequent aspect in our life, ranging from deception to theatre, film and radio drama, to emotion research. To date, however, it remained unclear whether play-acted emotions correspond to spontaneous emotion expressions. To test whether acting influences the vocal expression of emotion, we compared radio sequences of naturally occurring emotions to actors’ portrayals. It was hypothesized that play-acted expressions were performed in a more stereotyped and aroused fashion. Our results demonstrate that speech segments extracted (...)
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  38. Paul Pauli Antje B. M. Gerdes, Matthias J. Wieser, Andreas Mühlberger, Peter Weyers, Georg W. Alpers, Michael M. Plichta, Felix Breuer (2010). Brain Activations to Emotional Pictures Are Differentially Associated with Valence and Arousal Ratings. Frontiers in Human Neuroscience 4.score: 72.0
    Several studies have investigated the neural responses triggered by emotional pictures, but the specificity of the involved structures such as the amygdala or the ventral striatum is still under debate. Furthermore, only few studies examined the association of stimuli’s valence and arousal and the underlying brain responses. Therefore, we investigated brain responses with functional magnetic resonance imaging of 17 healthy subjects to pleasant and unpleasant affective pictures with comparable arousal levels and afterwards assessed ratings of valence and arousal. As (...)
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  39. Jeesun Kim Bronson Harry, Mark A. Williams, Chris Davis (2013). Emotional Expressions Evoke a Differential Response in the Fusiform Face Area. Frontiers in Human Neuroscience 7.score: 72.0
    It is widely assumed that the fusiform face area (FFA), a brain region specialised for face perception, is not involved in processing emotional expressions. This assumption is based on the proposition that the FFA is involved in face identification and only processes features that are invariant across changes due to head movements, speaking and expressing emotions. The present study tested this proposition by examining whether the response in the human FFA varies across emotional expressions with functional magnetic resonance (...)
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  40. Krzysztof Guczalski (2012). Henryk Elzenberg as a Forerunner of Anglo-American Concepts of Expression; Emotional Colouring as an Aesthetic Phenomenon. Estetika: The Central European Journal of Aesthetics:191-231.score: 72.0
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  41. Astikainen Piia (2011). Face-Sensitive N170 Responses Are Modulated by the Emotional Congruency Between Facial Expression and Preceding Affective Picture. Frontiers in Human Neuroscience 5.score: 72.0
  42. James E. Swain (2009). Brain-Based Sex Differences in Parenting Propagate Emotion Expression. Behavioral and Brain Sciences 32 (5):401-402.score: 72.0
    Parent-infant emotional expressions vary according to parent and infant gender. Such parent-infant interactions critically affect infant development. Neuroimaging research is exploring emotion-related brain function that varies according to gender, and regulates parenting thoughts and behaviors in the early postpartum. Through specific brain functions, parenting serves to program the infant brain for the next generation of sex-specific emotional expression.
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  43. Christy Mag Uidhir (2012). Getting Emotional Over Contours: Response to Seeley. Essays in Philosophy 13 (2):518-521.score: 70.0
    Bill Seeley suggests that what follows from research into crossmodal perception for expression and emotion in the arts is that there is an emotional contour (i.e., a contour constitutive of the content of an emotion and potentially realizable across a range of media). As a response of sorts, I speculate as to what this might hold for philosophical and empirical enquiry into expression and emotion across the arts as well as into the nature of the emotions themselves.
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  44. Andrew J. Calder Michael P. Ewbank, Elaine Fox (2010). The Interaction Between Gaze and Facial Expression in the Amygdala and Extended Amygdala is Modulated by Anxiety. Frontiers in Human Neuroscience 4.score: 70.0
    Behavioural evidence indicates that angry faces are seen as more threatening, and elicit greater anxiety, when directed at the observer, whereas the influence of gaze on the processing of fearful faces is less consistent. Recent research has also found inconsistent effects of expression and gaze direction on the amygdala response to facial signals of threat. However, such studies have failed to consider the important influence of anxiety on the response to signals of threat; an influence that is well established (...)
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  45. Silvia Rigato & Teresa Farroni (2013). The Role of Gaze in the Processing of Emotional Facial Expressions. Emotion Review 5 (1):36-40.score: 68.0
    Gaze plays a fundamental role in the processing of facial expressions from birth. Gaze direction is a crucial part of the social signal encoded in and decoded from faces. The ability to discriminate gaze direction, already evident early in life, is essential for the development of more complex socially relevant tasks, such as joint and shared attention. At the same time, facial expressions play a fundamental role in the encoding of gaze direction and, when combined, expression and gaze communicate (...)
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  46. Linda A. Camras & Jennifer M. Shutter (2010). Emotional Facial Expressions in Infancy. Emotion Review 2 (2):120-129.score: 68.0
    In this article, we review empirical evidence regarding the relationship between facial expression and emotion during infancy. We focus on differential emotions theory’s view of this relationship because of its theoretical and methodological prominence. We conclude that current evidence fails to support its proposal regarding a set of pre-specified facial expressions that invariably reflect a corresponding set of discrete emotions in infants. Instead, the relationship between facial expression and emotion appears to be more complex. Some facial expressions may (...)
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  47. Michael Lewis (2011). Inside and Outside: The Relation Between Emotional States and Expressions. Emotion Review 3 (2):189-196.score: 68.0
    The association between emotional expression and physiological emotional states is at best, modest. Using data from the autonomic nervous system (ANS), central nervous system (CNS), and hormonal systems there appears to be an association which accounts for approximately 10—20% of the variance between them. Excluding measurement error, it is proposed that the need for action and regulation accounts for the low levels of synchrony. Understanding system responses allows for the study of individual differences as a way of (...)
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  48. Edoardo Zamuner (2011). A Theory of Affect Perception. Mind and Language 26 (4):436-451.score: 66.0
    What do we see when we look at someone's expression of fear? I argue that one of the things that we see is fear itself. I support this view by developing a theory of affect perception. The theory involves two claims. One is that expressions are patterns of facial changes that carry information about affects. The other is that the visual system extracts and processes such information. In particular, I argue that the visual system functions to detect the affects (...)
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  49. Robert R. Provine (2008). Notation and Expression of Emotion in Operatic Laughter. Behavioral and Brain Sciences 31 (5):591-592.score: 66.0
    The emotional expression of laughter in opera scores and performance was evaluated by converting notation to temporal data and contrasting it with the conversational laughter it emulates. The potency of scored and sung laughter was assayed by its ability to trigger contagion in audiences.
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  50. Nicole Flaig & Edward W. Large (forthcoming). Dynamic Musical Expression of Core Affect. Frontiers in Psychology.score: 66.0
    Is there something special about the way music communicates feelings? Theorists since Meyer (1956) have attempted to explain how music could stimulate varied and subtle affective experiences, for example by violating learned expectancies, or by mimicking other forms of social interaction. Our proposal is that music speaks to the brain in its own language; it need not imitate any other form of communication. We review recent theoretical and empirical literature, which suggests that all conscious processes consist of dynamic neural events, (...)
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