Results for 'music piracy'

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  1. The Antecedents of Music Piracy Attitudes and Intentions.Jyh-Shen Chiou, Chien-yi Huang & Hsin-hui Lee - 2005 - Journal of Business Ethics 57 (2):161-174.
    Piracy is the greatest threat facing the music industry worldwide today. This study developed and empirically tested a model examining the antecedents of consumer attitude and behavioral intention toward music piracy behavior. Two types of music piracy behavior, unauthorized duplication/download and pirated music product purchasing, were examined. Based on a field survey in Taiwan, the results showed that attributive satisfaction, perceived prosecution risk, magnitude of consequence, and social consensus are very important in influencing (...)
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  2.  30
    The association of moral development and moral intensity with music piracy.Darryl J. Woolley - 2015 - Ethics and Information Technology 17 (3):211-218.
    Prior research has not found a meaningful relationship between digital piracy and moral development, possibly because students do not recognize digital piracy as a moral issue. Rather than measure moral development as an individual characteristic, this study tests which components of moral development are seen as relevant to digital piracy. If some of the stages of moral development are applicable to music piracy behavior, people are more likely to pirate than to engage in other more (...)
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  3.  32
    Predicting Accounting Students’ Intentions to Engage in Software and Music Piracy.Philmore Alleyne, Sherlexis Soleyn & Terry Harris - 2015 - Journal of Academic Ethics 13 (4):291-309.
    The purpose of this study is to investigate the salient factors that influence accounting students to engage in software and music piracy. This study uses the theory of reasoned action and the theory of planned behavior, and extends these models to incorporate other variables to predict individuals’ behavioral intentions. Specifically, we hypothesize that attitudes toward the behavior, subjective norms, perceived behavioral control, moral obligation and perceived prosecution risk influence intentions to engage in software and music piracy. (...)
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  4.  84
    Deconstructing the RIAA's Litigious Solution to Online Music Piracy.Katherine Andrews Henderson - 2004 - Journal of Information Ethics 13 (2):24-37.
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  5.  25
    From Corporate Governance to Mutual Funds and IPOs to Music Piracy to Value Statements: Contemporary Ethical Issues as Identified by the Business Academic Community.A. E. Tenbrunsel - 2005 - Journal of Business Ethics 62 (2):99-100.
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  6. Ethical Issues in the Music Industry Response to Innovation and Piracy.Robert F. Easley - 2005 - Journal of Business Ethics 62 (2):163-168.
    The current conflict between the recording industry and a portion of its customers who are involved in illicit copying of music files arose from innovations involving the compression and electronic distribution of files over the internet. This paper briefly describes some of the challenges faced by the recording industry, and examines some of the ethical issues that arise in various industry and consumer responses to the opportunities and threats presented by these innovations. The paper concludes by highlighting the risks (...)
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  7. The Ethics of Piracy in the Music Industry.S. R. Ponelis & J. J. Britz - 2009 - Journal of Information Ethics 18 (2):14-26.
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  8. Student attitudes on software piracy and related issues of computer ethics.Robert M. Siegfried - 2004 - Ethics and Information Technology 6 (4):215-222.
    Software piracy is older than the PC and has been the subject of several studies, which have found it to be a widespread phenomenon in general, and among university students in particular. An earlier study by Cohen and Cornwell from a decade ago is replicated, adding questions about downloading music from the Internet. The survey includes responses from 224 students in entry-level courses at two schools, a nondenominational suburban university and a Catholic urban college with similar student profiles. (...)
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  9. Is music downloading the new prohibition? What students reveal through an ethical dilemma.Shoshana Altschuller & Raquel Benbunan-Fich - 2009 - Ethics and Information Technology 11 (1):49-56.
    Although downloading music through unapproved channels is illegal, statistics indicate that it is widespread. The following study examines the attitudes and perceptions of college students that are potentially engaged in music downloading. The methodology includes a content analysis of the recommendations written to answer an ethical vignette. The vignette presented the case of a subject who faces the dilemma of whether or not to download music illegally. Analyses of the final reports indicate that there is a vast (...)
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  10.  25
    Online Music Consumption in Today’s Technological Context: Putting the Influence of Ethics in Perspective.Bert Weijters, Frank Goedertier & Sofie Verstreken - 2014 - Journal of Business Ethics 124 (4):1-14.
    Whereas in the past ‘free’ and ‘illegal’ were nearly synonymous in the music industry, consumers nowadays face a myriad of music platforms with widely different characteristics in terms of business model (advertising supported, fee based, etc.), delivery mode (streaming, downloading, etc.), and others. The current research examines music consumption preferences in this new context. In order to break with the outmoded free-illegal versus paid-legal dichotomy, the present research studies consumer preferences for a broader range of music (...)
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  11.  96
    Ethical Decisions About Sharing Music Files in the P2P Environment.Rong-An Shang, Yu-Chen Chen & Pin-Cheng Chen - 2008 - Journal of Business Ethics 80 (2):349-365.
    Digitized information and network have made an enormous impact on the music and movie industries. Internet piracy is popular and has greatly threatened the companies in these industries. This study tests Hunt-Vitell’s ethical decision model and attempts to understand why and how people share unauthorized music files with others in the peer-to-peer (P2P) network. The norm of anti-piracy, the ideology of free software, the norm of reciprocity, and the ideology of consumer rights are proposed as four (...)
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  12.  61
    The Effects of Artist Adoration and Perceived Risk of Getting Caught on Attitude and Intention to Pirate Music in the United States and Taiwan.Jyh-Shen Chiou, Hsiao-I. Cheng & Chien-Yi Huang - 2011 - Ethics and Behavior 21 (3):182 - 196.
    Piracy is the greatest threat facing the global music industry today. This study explores the effects of artist adoration and the perceived risk of being caught on the attitude and intention to engage in pirating a digital song among college students. The moderating effect of cultural environment factor is also examined. Experiments using between-group factorial designs were conducted in the United States and Taiwan. The results show that perceived risk of getting caught and cultural environment are important factors (...)
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  13. “I like bad music.” That's my usual response to people who ask me about my musi.Rock Critics Need Bad Music - 2004 - In Christopher Washburne & Maiken Derno (eds.), Bad Music: The Music We Love to Hate. Routledge.
     
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  14.  61
    Pirate or Buy? The Moderating Effect of Idolatry.Chia-Chen Wang, Chin-ta Chen, Shu-Chen Yang & Cheng-Kiang Farn - 2009 - Journal of Business Ethics 90 (1):81-93.
    Due to the development of information technology, music piracy has become an escalating problem. This study attempts to employ the theory of planned behavior (TPB) and the social identity theory to investigate the antecedents of downloading pop music illegally from the Internet, the relationship between the intention to illegally download music and the intention to buy music, and the moderating effects of idolatry. Data were collected from 350 teenagers in Northern Taiwan through questionnaire interviews conducted (...)
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  15. Music critics and aestheticians are, on the surface, advocates and guardians of good music. But what exactly is “good”.Pop Music - 2004 - In Christopher Washburne & Maiken Derno (eds.), Bad Music: The Music We Love to Hate. Routledge. pp. 62.
     
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  16.  20
    A systematic review of comorbidity in PTSD using eye tracking and MEG.Music Selma, Rossell Susan & Ciorciari Joseph - 2015 - Frontiers in Human Neuroscience 9.
  17.  7
    Mapping dreams in a computational space: A phrase-level model for analyzing Fight/Flight and other typical situations in dream reports.Maja Gutman Music, Pavan Holur & Kelly Bulkeley - 2022 - Consciousness and Cognition 106 (C):103428.
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  18.  10
    Filozofija umjetnosti u mišljenju Anande Kentisha Coomaraswamyja.Lejla Mušić - 2007 - Filozofska Istrazivanja 27 (1):213-234.
    Filozofija umjetnosti u mišljenju Anande Kentisha Coomaraswamyja povezana je tradicionalnom filozofijom. Estetika, u modernom smislu, nema veze s tradicionalnom filozofijom umjetnosti, čiji temeljni princip nije »umjetnik je posebna vrsta čovjeka«, nego »svaki je čovjek posebna vrsta umjetnika«. Coomaraswamy nastoji redefinirati suvremeni pristup umjetnosti. Suvremeni umjetnici ne stvaraju svoja djela u skladu s Vječnim Istinama. Apstraktna umjetnost nije ikonografija transcendentalnih formi nego stvarna slika razjedinjenog uma. U cilju redefiniranja pristupa umjetnosti, temeljni se jezik umjetnosti mora promijeniti; edukatori i kustosi moraju biti (...)
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  19.  7
    Philosophy of Art in the Thinking of Ananda Kentish Coomaraswamy.Lejla Mušić - 2007 - Filozofska Istrazivanja 27 (1):213-234.
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  20. Reviewed by Peter Kaminsky.Engaging Music - 2006 - Theoria 13:127.
     
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  21.  19
    Effect of External Force on Agency in Physical Human-Machine Interaction.Satoshi Endo, Jakob Fröhner, Selma Musić, Sandra Hirche & Philipp Beckerle - 2020 - Frontiers in Human Neuroscience 14.
  22.  17
    Community Experiments in Public Health Law and Policy.Angela K. McGowan, Gretchen G. Musicant, Sharonda R. Williams & Virginia R. Niehaus - 2015 - Journal of Law, Medicine and Ethics 43 (S1):10-14.
    Community-level legal and policy innovations or “experiments” can be important levers to improve health. States and localities are empowered through the 10th Amendment of the United States Constitution to use their police powers to protect the health and welfare of the public. Many legal and policy tools are available, including: the power to tax and spend; regulation; mandated education or disclosure of information, modifying the environment — whether built or natural ; and indirect regulation. These legal and policy interventions can (...)
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  23.  18
    Associating Vehicles Automation With Drivers Functional State Assessment Systems: A Challenge for Road Safety in the Future.Christian Collet & Oren Musicant - 2019 - Frontiers in Human Neuroscience 13:408476.
    In the near future, vehicles will gradually gain more autonomous functionalities. Drivers’ activity will be less about driving than about monitoring intelligent systems to which driving action will be delegated. Road safety, therefore, remains dependent on the human factor and we should identify the limits beyond which driver’s functional state (DFS) may no longer be able to ensure safety. Depending on the level of automation, estimating the DFS may have different targets, e.g. assessing driver’s situation awareness in lower levels of (...)
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  24. What is sociological about music?William G. Roy, Timothy J. Dowd505 0 $A. I. I. Experience of Music: Ritual & Authenticity : - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Boulder, CO: Paradigm Publishers.
     
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  25.  51
    Ahern, Daniel R. The Smile of Tragedy: Nietzsche and the Art of Virtue. University Park, PA: Pennsylvania State University Press, 2012. Pp. xi+ 168. Cloth, $64.95. Alican, Necip Fikri. Rethinking Plato: A Cartesian Quest for the Real Plato. Value Inquiry Book Series. Amsterdam-New York: Rodopi, 2012. Pp. xxv+ 604. Cloth, $176.00. Allison, Henry E. Essays on Kant. Oxford-New York: Oxford University Press, 2012. Pp. xiv+ 289. [REVIEW]Fine Music - 2013 - Journal of the History of Philosophy 51 (1):145-147.
  26. Tatjana Markovic.Serbian Music Romanticism - 2003 - In Eero Tarasti, Paul Forsell & Richard Littlefield (eds.), Musical Semiotics Revisited. International Semiotics Institute. pp. 468.
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  27.  18
    The Scope Argument, MICHAEL O'ROURKE.Against Musical Ontology & Aaron Ridley - 2003 - Journal of Philosophy 100 (3).
  28. The jazz solo as ritual: conforming to the conventions of innovation.Roscoe C. Scarborough505 0 $A. Iii Experience Of Music: Stratification & Identity : - 2013 - In Sara Horsfall, Jan-Martijn Meij & Meghan D. Probstfield (eds.), Music sociology: examining the role of music in social life. Boulder, CO: Paradigm Publishers.
     
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  29.  22
    Ethical pharmaceutical promotion and communications worldwide: codes and regulations.Jeffrey Francer, Jose Z. Izquierdo, Tamara Music, Kirti Narsai, Chrisoula Nikidis, Heather Simmonds & Paul Woods - 2014 - Philosophy, Ethics, and Humanities in Medicine 9:7.
    The international pharmaceutical industry has made significant efforts towards ensuring compliant and ethical communication and interaction with physicians and patients. This article presents the current status of the worldwide governance of communication practices by pharmaceutical companies, concentrating on prescription-only medicines. It analyzes legislative, regulatory, and code-based compliance control mechanisms and highlights significant developments, including the 2006 and 2012 revisions of the International Federation of Pharmaceutical Manufacturers and Associations (IFPMA) Code of Practice.
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  30.  86
    Illegal Downloading, Ethical Concern, and Illegal Behavior.Kirsten Robertson, Lisa McNeill, James Green & Claire Roberts - 2012 - Journal of Business Ethics 108 (2):215-227.
    Illegally downloading music through peer-topeer networks has persisted in spite of legal action to deter the behavior. This study examines the individual characteristics of downloaders which could explain why they are not dissuaded by messages that downloading is illegal. We compared downloaders to non-downloaders and examined whether downloaders were characterized by less ethical concern, engagement in illegal behavior, and a propensity toward stealing a CD from a music store under varying levels of risk. We also examined whether downloading (...)
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  31.  9
    The Tanagra Project: Investigations at an Ancient Boeotian City and in its Countryside (2000-2002).John L. Bintliff, Emeri Farinetti, Kostas Sbonias, Kalliope Sarri, Vladimir Stissi, Jeroen Poblome, Ariane Ceulemans, Karlien De Craen, Athanasios Vionis, Branko Music, Dusan Kramberger & Bozidar Slapsak - 2004 - Bulletin de Correspondance Hellénique 128 (21):541-606.
    John Bintliff et alii Le Tanagra Project : recherches dans une cité antique de Béotie et son territoire (2000-2002) p.541-606 Cet article présente les résultats préliminaires du Leiden-Ljubljana Field Project dans la cité antique de Tanagra, en Béotie orientale, et dans ses environs immédiats. Les travaux ont débuté en 1999, avec une vaste équipe de chercheurs et d'étudiants des Pays-Bas, de Belgique, de Slovénie et de Grèce, sous la direction de John Bintliff et Bozidar Slapsak et la sous-direction de Kostas (...)
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  32. Digital Piracy: Factors that Influence Attitude Toward Behavior.Sulaiman Al-Rafee & Timothy Paul Cronan - 2006 - Journal of Business Ethics 63 (3):237-259.
    A new form of software piracy known as digital piracy has taken the spotlight. Lost revenues due to digital piracy could reach $5 billion by the end of 2005.Preventives and deterrents do not seem to be working – losses are increasing. This study examines factors that influence an individual’s attitude toward pirating digital material. The results of this study suggest that attitude toward digital pirating is influenced by beliefs about the outcome of behavior (cognitive beliefs), happiness and (...)
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  33.  50
    Software Piracy in Research: A Moral Analysis.Gary Santillanes & Ryan Marshall Felder - 2015 - Science and Engineering Ethics 21 (4):967-977.
    Researchers in virtually every discipline rely on sophisticated proprietary software for their work. However, some researchers are unable to afford the licenses and instead procure the software illegally. We discuss the prohibition of software piracy by intellectual property laws, and argue that the moral basis for the copyright law offers the possibility of cases where software piracy may be morally justified. The ethics codes that scientific institutions abide by are informed by a rule-consequentialist logic: by preserving personal rights (...)
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  34. Software piracy: Is it related to level of moral judgment?Jeanne M. Logsdon, Judith Kenner Thompson & Richard A. Reid - 1994 - Journal of Business Ethics 13 (11):849 - 857.
    The possible relationship between widespread unauthorized copying of microcomputer software (also known as software piracy) and level of moral judgment is examined through analysis of over 350 survey questionnaires that included the Defining Issues Test as a measure of moral development. It is hypothesized that the higher one''s level of moral judgment, the less likely that one will approve of or engage in unauthorized copying. Analysis of the data indicate a high level of tolerance toward unauthorized copying and limited (...)
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  35.  46
    Piracy and the Venetian State: The Dilemma of Maritime Defense in the Fourteenth Century.Irene B. Katele - 1988 - Speculum 63 (4):865-889.
    The favored economic position that Venice enjoyed in the eastern Mediterranean and the Black Sea following the Fourth Crusade lasted only until the fall of the Latin Empire of Constantinople in 1261. During the next century the republic sought to reinstate its hegemony over the waterways and engaged in a prolonged struggle for maritime supremacy with its Ligurian rival, Genoa. The two cities were unable to resolve their debates over commercial privileges in key ports until 1381, following the conclusion of (...)
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  36.  19
    War, Piracy and Religion: Godfried Udemans' Spiritual Helm (1638).Joris van Eijnatten - 2007 - Grotiana 26 (1):192-214.
    The Calvinist minister Godfried Udemans is generally considered to be one of the more important seventeenth-century theologians from the province of Zeeland. He specialized in writings for a broader public, including, in particular, publications on ethical and religious codes in trade and seafaring. Of his various writings on moral theology, 't Geestelyck roer van 't coopmans schip, first published in 1638, is the most important.The Spiritual helm appeared in print some thirty years after Grotius occupied himself with De jure praedae (...)
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  37.  96
    Extended music cognition.Luke Kersten - 2017 - Philosophical Psychology 30 (8):1078-1103.
    Discussions of extended cognition have increasingly engaged with the empirical and methodological practices of cognitive science and psychology. One topic that has received increased attention from those interested in the extended mind is music cognition. A number of authors have argued that music not only shapes emotional and cognitive processes, but also that it extends those processes beyond the bodily envelope. The aim of this paper is to evaluate the case for extended music cognition. Two accounts are (...)
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  38.  39
    'Piracy' on the high seas: An analysis of Bratton's sea ethic.Denise Russell - 2007 - Ethics and the Environment 12 (2):93-115.
    : In "Thinking Like a Mackerel," Susan Power Bratton attempts to develop a sea ethic based on the writings of Rachel Carson. This article critically evaluates Bratton's position using an analysis of a contemporary problem on the high seas as a basis: the theft of the Patagonian tooth fish in the Southern Ocean. Various possibilities for providing philosophical and legal bases for the protection of the sea realm are explored.
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  39.  94
    Fighting Software Piracy: Which Governance Tools Matter in Africa?Antonio R. Andrés & Simplice A. Asongu - 2013 - Journal of Business Ethics 118 (3):667-682.
    This article integrates previously missing components of government quality into the governance-piracy nexus in exploring governance mechanisms by which global obligations for the treatment of IPRs are effectively transmitted from international to the national level in the battle against piracy. It assesses the best governance tools in the fight against piracy and upholding of intellectual property rights (IPRs). The instrumentality of IPR laws (treaties) in tackling piracy through good governance mechanisms is also examined. Findings demonstrate that: (...)
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  40.  9
    Property, Piracy and Punishment: Hugo Grotius on War and Booty in de Iure Praedae: Concepts and Contexts.Hans W. Blom (ed.) - 2009 - Brill.
    Sixteen essays discuss _De iure praedae_ – Hugo Grotius’s 1604-1605 commentary on booty –, its sources, circumstances and consequences, and explore how Grotius the humanist, the theologian, the jurist and the politician concur in this his first exercise in natural law and rights.
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  41.  15
    Piracy and the Origins of Universal Jurisdiction: On Stranger Tides?, written by Mark Chadwick.Ioannis D. Evrigenis - 2019 - Grotiana 40 (1):165-172.
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  42.  11
    Harmonizing IPRs on Software Piracy: Empirics of Trajectories in Africa.Simplice A. Asongu - 2013 - Journal of Business Ethics 118 (1):45-60.
    In the current efforts of harmonizing the standards and enforcement of IPRs protection worldwide, this paper explores software piracy trajectories and dynamics in Africa. Using a battery of estimation techniques that ignore as well as integrate short-run disturbances in time-dynamic fashion, we answer the big questions policy makers are most likely to ask before harmonizing IPRs regimes in the battle against software piracy. Three main findings are established. (1) African countries with low software piracy rates are catching-up (...)
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  43.  59
    Global Software Piracy: Searching for Further Explanations.Deli Yang, Mahmut Sonmez, Derek Bosworth & Gerald Fryxell - 2008 - Journal of Business Ethics 87 (2):269-283.
    This paper identifies that Information and Communication Technology (ICT) has a negative effect on software piracy rates in addition to consolidating prior research that economic development and the cultural dimension of individualism also negatively affect piracy rates. Using data for 59 countries from 2000 to 2005, the findings show that economic well-being, individualism and technology development as measured by ICT expenditures explain between 70% and 82% of the variation in software piracy rates during this period. The research (...)
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  44.  19
    Allowing digital piracy for strategic benefits to businesses.Halimin Herjanto, Sanjaya S. Gaur, Chayanin Saransomrurtai & Wee Hock Quik - 2014 - Journal of Information, Communication and Ethics in Society 12 (4):314-322.
    Purpose– The purpose of this paper is to review the digital piracy literature and present the positive impacts of digital piracy and its benefit to businesses. A great deal of the literature discusses the consequences of digital piracy, but, in most cases, the focus is on the negative consequences.Design/methodology/approach– The authors draw on both the theoretical and empirical academic literature on digital piracy so as to analyze the ways in which digital piracy positively contributes to (...)
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  45.  86
    The music instinct: how music works and why we can't do without it.Philip Ball - 2010 - New York: Oxford University Press.
    The Music Instinct Philip Ball provides the first comprehensive, accessible survey of what is known--and what is still unknown--about how music works its magic, and why, as much as eating and sleeping, it seems indispensable to humanity. --from publisher description.
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  46.  29
    Musical works, types and modal flexibility reconsidered.Nemesio García-Carril Puy - forthcoming - Journal of Aesthetics and Art Criticism 80 (3):295–308.
    Guy Rohrbaugh and Allan Hazlett have provided two arguments against the thesis that musical works are types. In short, they assume that, according to our modal talk and intuitions, musical works are modally flexible entities; since types are modally inflexible entities, musical works are not types. I argue that Rohrbaugh’s and Hazlett’s arguments fail and that the type/token theorist can preserve the truth of our modal claims and intuitions even if types are modally inflexible entities. First, I consider two alternatives (...)
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  47.  8
    Musical practice as a form of life: how making music can be meaningful and real.Eva-Maria Houben - 2019 - Bielefeld: Transcript.
    Is musical practice 'real' - and how is it connected with everyday life? Eva-Maria Houben shows that making music changes as soon as its meaning is not sought in a purpose-oriented production of results, but in performing music as an activity - indeed, as play. Musical practice, Eva-Maria Houben contends, should be understood as open and never finished. Such an emphasis on repetition can free us from perfection, productivity, and purpose, allowing meaning to unfold in specific situations, places, (...)
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  48.  4
    Music-dance: sound and motion in contemporary discourse.Patrizia Veroli & Gianfranco Vinay (eds.) - 2018 - New York, NY: Routledge.
    Music-Dance explores the identity of choreomusical work, its complex authorship and its modes of reception as well as the cognitive processes involved in the reception of dance performance. Scholars of dance and music analyse the ways in which a musical score changes its prescriptive status when it becomes part of a choreographic project, the encounter between sound and motion on stage, and the intersection of listening and seeing. As well as being of interest to musicologists and choreologists considering (...)
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  49.  23
    Caribbean piracy and youth restiveness in Niger delta: A comparative analysis.O. O. Asukwo - 2006 - Sophia: An African Journal of Philosophy 8 (1).
  50. Impurely Musical Make-Believe.Eran Guter & Inbal Guter - 2015 - In Alexander Bareis & Lene Nordrum (eds.), How to Make-Believe: The Fictional Truths of the Representational Arts. De Gruyter. pp. 283-306.
    In this study we offer a new way of applying Kendall Walton’s theory of make-believe to musical experiences in terms of psychologically inhibited games of make-believe, which Walton attributes chiefly to ornamental representations. Reading Walton’s theory somewhat against the grain, and supplementing our discussion with a set of instructive examples, we argue that there is clear theoretical gain in explaining certain important aspects of composition and performance in terms of psychologically inhibited games of make-believe consisting of two interlaced game-worlds. Such (...)
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