The article starts from the question of where the theses that we are ruled by sadists today come from, both in conspiracy theories and in explanations of the prevalence of violence and cruelty in modern society. The article first highlights some important recent changes in politics, economics, and society (the fall of the Berlin Wall; victimisation; the crisis of politics and the rise of neoliberalism; the changing dynamics of capitalism, which appropriates and valorises affect and favours the bizarre; the new (...) social media; the shift of obscenity from the margins to the centre; the paradoxes of the “end of history” and historical stagnation; the pandemic; the change in the general mood from anxiety to nightmare, in which the main problem is the enjoyment of the Other). The article then looks at the historical changes in the term “sadism”, which in the 19 th and 20 th centuries reduced Sade’s work to a clinical category, defined the meaning of “sadism” as the pleasure of torturing others, and constructed the term “sadomasochism” in Freud, the Freudians, and the Frankfurt School. The latter was used to analyse Nazism, and was later rightly criticised by Deleuze as something that had nothing to do with Sade and Masoch. War propaganda, clichés, and other processes play a special role in this process of forming the general conception of sadism; they are also responsible for the fact that “sadomasochism” as a sexual practice and as a fashion has recently become something socially acceptable, although, on the other hand, it has played a part in the “pornification” of society and in the recent enforcement of extremely violent forms of pornography. Notwithstanding all these distortions of sadism and notwithstanding the uselessness of sadomasochism in a concrete analysis of the functioning of modern social bonds, a certain form of sadism in general, especially in the face of all the social and political changes mentioned above (trolls, haters), retains its power over society. To analyse this in more detail, one must include the ubiquitous but little analysed phenomenon of _schadenfreude_, especially on the part of the public, and cruelty as a phenomenon to which society is both distanced and fascinated. The third step is to explain what _schadenfreude_ and cruelty are and how they relate to Lacan’s concept of _objet petit a_. (shrink)

The paper offers a theory of cruelty that includes the following claims: First, cruelty is best understood as a disposition to take delight in the very infliction of suffering on others. Thus understood, cruelty is the same phenomenon as that studied and operationalized by psychologists in the last decade or so under the heading of everyday sadism. Second, for people to be cruel, they need not have proper understanding of the moral standing of their victims. Third, ascriptions of cruelty (...) do not depend on judgments regarding the moral wrongness of the assumed cruel act. Fourth, since cruelty is primarily a property of agents rather than of actions, and since actions are not always a reliable indication of cruelty, identifying cruelty is a more challenging task than usually thought. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MIMETIC SADISM IN THE FICTION OF YUKIO MISHIMA Jerry Piven New York University Mishima Yukio (1925-1970) was one ofthe mostenigmatic authors of the 20th century. Novelist, playwright, actor, exhibiionist —his novels are rife with homoerotic and violent imagery, while his fanatical and nihilistic philosophy calls for a return to a Samurai ethos. Mishima thus attained infamy in Japan and in the West, as his shocking novels inspired hordes (...) ofyoung Japanese into a cult ofMishima worship, while critics who acknowledge his genius are still nervous about his sadistic homosexuality and his suicide. Mishima's works are suffused with erotic bloodshed and misogyny, and Mishima finally ended his life by ritually disemboweling himself. I will make the case that Mishima was incessantly plagued by torturous mimetic frustrations, and that his final act of spilling his blood and intestines can be interpreted as the result of mimetic hatred against his rivals. I also argue that Mishima was fundamentally schizoidal; in Girardian terms, a man whose hypocrisy for the sakeofdesire rendered him an exhibitionistic maskdisguisingmimetic rage and fear. Having previously written about Mishima from a psychoanalytic perspective, I believe that a Girardian approach would often yield drastically different interpretations of identical biographical and literary materials. ' 1I initially wrote on Mishima for several diagnostic assignments at my psychoanalytic institute, the National Psychological Association for Psychoanalysis (NPAP). After considering the psychoanalytic and Girardian approaches, I expanded these original essays using identical material to determine whetherthe interpretations orconclusions would differ; I was struck by the way the same details could provide both remarkable congruences and vast divergences ofperspective. Read side by side, one can find compatible conclusions, but one also finds perceptions ofthe same details that would be difficultto conceive or articulate 70Jeremy Piven Mimesis, misogyny, and maculacy Kimitake Hiraoka was a frail, sickly child before he became the muscular and exhibitionistic novelist Yukio Mishima. His brutal and helpless childhood inaugurated his mimetic complexes: his need to escape the suffocating and diseased environment of his grandmother, his rivalry with her, and his mimetic ideal ofbeauty and muscular invulnerability. Mishima was an unhealthy youth, taken from the arms of his mother before he was two months old, and confined to the sickroom of his grandmother for the first twelve years ofhis life. Under the auspices ofhis tyrannical and ostensively psychotic grandmother, Mishima lived in the dark, could play only female friends (becausetheywere deemed harmless), and could eat only gentle foods. He thus lived an imprisoned life away from his parents, amid the excrescences of his sick and hysterical grandmother until adolescence, when his father "reclaimed him." Mishima later rebelled against this sickly nature, sculpting himself into a statuesque ideal of masculine beauty. He became obsessed with martial arts and the eroticism ofhis own engraved body. His fiction and philosophy were permeated by misogyny, glorification ofGrecian male sexuality and aesthetics, and the repudiation ofanything weak or feminine. He finally killed himselfbefore age could wither his masculine beauty. Mishima's fiction prominently features protagonists who mirror his sickly youth. The autobiographical Confessions of a Mask (Kamen no Kokuhaku) describes the homoerotic development ofthis frail child. Such fraiIcharacters inMishima'sfiction arealwaysdrawneroticallytobeautiful males as both mimetic rivals and models. The narrator of Confessions describes his sexual attraction to a sewage collector, a "ladler of excrement"(8). Thehandsomemanwith "ruddycheeks" and "shiningeyes" fascinates the narrator, and he is filled with desire lookingathistightjeans. using psychoanalytic perspectives andjargon. Two ofthe original essays will be published inthePsychoanalyticReview in comingmonths: "PhallicNarcissism, Anal Sadism, and Oral Discord: The Case ofYukio Mishima (part I)," and "Narcissistic Revenge and Suicide: The Case ofYukio Mishima (part H)." I am currently translating these articles for publication in Japan. I included a brief discussion of Mishima in the introduction to Psychological Undercurrents ofHistory (Piven and Lawton, eds.), to explore the complex methodological and psychological dynamics of the field of psychohistory. A commentary on Mishima's traumaticchildhood entitled "The Pathology ofGenius," will appearin aforthcomingedition ofTapestry: TheJournalofHistoricalMotivations andtheSocialFabric, and afinal article, "Voyeurism and Rage in The Sailor Who Fellfrom Grace with the Sea," will appear in Psychological Undercurrents ofHistory, Volume II (2002). Mimetic Sadism in the Fiction ofYukio Mishima71 The narrator thus emerges into a burgeoning homosexuality, but he also fantasizes about dying dramatically. His... (shrink)

There has recently been a plethora of attempts to understand the key differences that separate the analytic and continental traditions of philosophy, often involving either painstaking descriptions of the divergent argumentative techniques and methodologies that concern them, or comparatively examining in detail the work of certain major theorists in both traditions (e.g. Rawls and Derrida, Lewis and Deleuze). While partly drawing on these two approaches, in this particular essay I instead propose a rather more speculative way of teasing out the (...) differences between them, interpreting them through the lens of Gilles Deleuze’s non-oppositional typology of sadism and masochism, as it is expressed in Difference and Repetition and ‘Coldness and Cruelty’. (shrink)

Understanding the origins of evil behaviour is one of our most important intellectual tasks. A distinction can perhaps be drawn between overt sadistic cruelty and the lack of empathy to suffering that is a hallmark of evil. There is increasing data available on the prevalence, proximal psychobiological underpinnings, and distal evolutionary basis for these contrasting phenomena.

This article considers how poetry features in Pasolini’s cinema. It argues that the manner in which Pasolini films poetry provides insight into his theory of an affinity between poetry and film, and into more general judgements concerning social reality. The article begins with an analysis of the final sequence of Salò (1975) where I argue that Ezra Pound’s poetry provides a soundtrack for the spectacle of torture in which the film’s libertines engage. Following this, I consider Pasolini’s 1965 text “The (...) Cinema of Poetry” and use this text as a way of reading the role played by a copy of Rimbaud’s collected poems in Teorema ( Theorem, 1968). I then move to consider the relationship between oral recitation and text in Il decameron ( The Decameron, 1971) and Il fiore della mille e una notte ( The Arabian Nights, 1974). In doing this, I argue that one can observe a shift across these films whereby poetry and orality move from being a foundational moment for reciprocal community to being a vehicle for an ambiguous and violent fate. The article then considers the conspicuous presence of reading and writing within Salò before ending with a consideration of one scene towards the end of the film in which Pasolini appears to invest a recitation of the Gospel with a disruptive force that is otherwise lacking in his final film. (shrink)

The article discusses the structural dynamics of the Covid 19 pandemic and defines it as an essentially finite crisis. However, this definition does not simply come down to the abstract necessity that the pandemic must end at some point, but rather to the fact that the idea of an end has determined the entire course of the pandemic. From the outset, this idea took two antagonistic forms: From the first perspective, the pandemic can only be ended by eliminating the source (...) of the intrusion; from the second perspective, ending the pandemic amounts to society finding a way to adapt to the intrusion. Apart from analyzing the often paradoxical implications of this essentially antagonistic idea for the “objective” evolution of the pandemic in its various phases, the article also demonstrates the inherently sadistic structure of the prevailing societal response. Precisely because this response was aimed at an impossible total normalization, it prepared the ground for the pandemic to possibly mutate into a genuine Anthropocene crisis, the endemic pandemic. (shrink)

(2009). Recovering Difference in the Deleuzian Dichotomy of Masochism-Without-Sadism. Angelaki: Vol. 14, shadows of cruelty sadism, masochism and the philosophical muse – part one, pp. 27-43.

In lieu of an abstract, here is a brief excerpt of the content:Kant’s SadismErmanno BencivengaIn The Ethics Of Psychoanalysis, Lacan says: “So as to produce the kind of shock or eye-opening effect that seems to me necessary if we are to make progress, I simply want to draw your attention to this: if The Critique of Practical Reason appeared in 1788, seven years after the first edition of The Critique of Pure Reason, there is another work which came out six (...) years [!] after The Critique of Practical Reason, a little after Thermidor in 1795, and which is called Philosophy in the Boudoir.” 1 What is supposed to produce the shock effect is not the simple juxtaposition of dates, of course, but the implicitly Hegelian reading of history which makes those dates significant, and which comes out in full strength when Lacan says, in Kant avec Sade: “The Philosophy in the Boudoir comes eight years [!] after the Critique of Practical Reason. If, after seeing that the former agrees with the latter, we prove that it completes it, we will say that it gives the truth of the Critique.” 2 Lacan’s “proof,” however, is anything but rigorous or systematic; so his provocative statement will probably sound inspiring to Lacan enthusiasts and gratuitous to virtually anyone else. Which is a pity, because the statement is absolutely correct: it is indeed the case that Sade brought to their extreme consequences the characteristic premises of Kant’s ethics, thus unfolding their truth in ways which the man Kant might even have vehemently resisted, but which were nonetheless necessary. Here I would like to provide more of a systematic and rigorous defense of this statement, though I make no claim as to how faithful my reconstruction might be to Lacan’s “intentions” (the irrelevance of this issue from the point of view espoused here will soon become apparent; hence it will also become apparent that it is an issue this point of view need not be concerned with). [End Page 39]According to Kant, a moral duty cannot be based on any inclination or feeling—including feelings of compassion or sympathy for another human being. Any dependence on such feelings would represent a pathology of reason, a case of reason being guided by something other than itself, of it not being practical, and hence of heteronomous behavior. Making the well-being of some other human, or of one’s community, or of humankind, the goal of one’s action would be relegating rationality to (at best) an instrumental role, and thus denying any ethical value to that action. Kant says that “kindness done from duty—although no inclination impels us, and even although natural and unconquerable disinclination stands in our way—is practical, and not pathological, love, residing in the will and not in the propensions of feeling, in principles of action and not of melting compassion; and it is this practical love alone which can be an object of command.” 3This independence of any empirical conditioning is further articulated in the distinction between acting in conformity with duty and acting from the motive of duty: “When... disappointments and hopeless misery have quite taken away the taste for life; when a wretched man, strong in soul and more angered at his fate than faint-hearted or cast down, longs for death and still preserves his life without loving it—not from inclination or fear but from duty; then indeed his maxim has a moral content.” 4 But now the problem is how exactly to understand this distinction. Kant’s talk of motives suggests that it’s one’s intentional state that makes the difference: that the very same behavior may have only the appearance of morality, or instead be truly moral, depending on what one’s goals are. If, say, I promote the well-being of my neighbor because it makes me feel good, or because I empathize with him, then there is nothing moral to what I do. If, on the other hand, I do exactly the same thing because it is rational to do so, then there will be moral content to it. And indeed this position is often identified with Kant, and sometimes suggested by Kant himself—from now... (shrink)

Workplace productivity is badly affected by many negative factors such as narcissism, and sadism. In addition, paranoia and antagonism play an important role in increasing workplace incivility. Through emotional intelligence, such negative behaviors could be addressed by managers and their junior colleagues. The current study aims to investigate the parallel mediating role of paranoia, antagonism, and emotional intelligence on the relationship between narcissism, sadism, and workplace incivility. A survey approach was used. Primary data was collected in PLS-SEM. The (...) population of the study was all faculty members in higher education institutions in the Khyber Pakhtunkhwa region. A measurement model and structural model were developed. The measurement model demonstrated that convergent and discriminant validities were established. The structural model's findings revealed that narcissism, antagonism, and emotional intelligence were not mediated between narcissism and workplace incivility. Similarly, emotional intelligence did not play any mediating role between sadism and workplace incivility. This implied that emotional intelligence has no role in decreasing or reducing workplace uncivil behavior. (shrink)

This paper establishes a new impossibility result for welfaristic evaluations when the population varies. We consider a weak version of the repugnant conclusion instead of the commonly used version. It is shown that if a population principle satisfying two reasonable properties avoids the sadistic conclusion, then the weak repugnant conclusion must hold. We use a general variable-population setting where the identities of individuals can matter.

Population axiology includes two major arguments. The first is the repugnant conclusion, which was originally formulated by Derek Parfit to criticize total utilitarianism. The second is the sadistic conclusion. In this study, I demonstrate that no additively separable principle can avoid both repugnant and sadistic conclusions if individual moral values have no upper bound. This impossibility holds not only for utilitarian principles but also for any population principles that guarantee the separability of people’s well-being. I emphasize the importance of examining (...) non-separable principles in population ethics. (shrink)

Aggressive-sadistic personality disorder (SPD) involves derivation of pleasure from another's physical or emotional suffering, or from control and domination of others. Findings from a head-injured sample indicate that SPD traits are associated with neuropsychological deficits in executive function and language, suggesting difficulties in frontal-lobe-mediated self-regulation of aggressive and emotional impulses. Implications for rehabilitation of aggressive offenders are discussed.

The author of the article addresses sadism as an ontological problem and analyses the primordial way of solving the problem of human existence in the works of the Marquis de Sade, citing similarities and differences. To substantiate his thesis, the author analyses the correlation between corporeality and the ontological place of libertines and victims, proving that the ontological status is located in the body. Through the consideration of sadism and masochism, the author shows the transition of sadism (...) into masochism, the transfusion of energy flows of pain and pleasure, which are constituted by the will to power. This transfusion became the basis for the formation of the superbody. The superbody is formed as a result of the union of true and semi-real bodies. Accordingly, the author compares the World Female with the sadistic macrocosm, primordial man with the character of the Marquis de Sade, to demonstrate the coincidences in primordial and sadistic types of thinking. The author concludes that it is important for the Sade's character to transcend any corporeality, and his cosmos is completely subordinated to Thanatos. (shrink)

The nearly omnipotent character known only as “Q” dramatically enters the Star Trek universe when he puts all humanity in the person of Captain Jean‐Luc Picard, on trial in the first episode of TNG. Acting as self‐professed prosecutor, judge, and jury, Q promises Picard an “absolutely equitable” trial, only to coerce Picard into pleading “guilty” by threatening to kill his crew. Q could be like the “Leviathan” of Thomas Hobbes (1588‐1679), an absolute sovereign who has the power to keep people (...) from warring with each other, but who can't be held accountable or subject to any civil law in the use of that power. Enlisting Hobbes and Locke, this chapter examines the motives behind Q's enigmatic actions and sees what Q, deep down, might believe about justice. Hobbes begins with a basic right of nature that all people possess: our liberty to ensure the preservation of our own life. (shrink)

The late Richard Rorty has sometimes been described as a controversial, or even outrageous, thinker. Yet the reasons that stand behind such a reputation are obviously quite different from in the ca...

Much has been written about the puzzling aesthetic appeal of horror films that include scenes of brutal, graphic violence. More recently, however, some philosophers have proposed that viewing certain horror films as a source of entertainment is morally problematic because of the impact they might have on our moral psychology. By contrast, Ian Stoner argues that viewing fictional depictions of violence in horror films is not morally problematic because horror films do not present violence in ways that risk damaging the (...) kinds of reactive attitudes required to exhibit a well-functioning moral psychology. In this paper I note some the ways in which Stoner is correct about horror films, yet I argue that he has overstated his case for the permissibility of viewing all instances of horrific violence as entertainment. (shrink)

And it is known that some remain for ever inconsolable at human woe; so that even God Himself cannot warm them. So from time to time the Creator, Blessed be his Name, sets the clock of the Last Judgement forward by one minute.

Critical-Range Utilitarianism is a variant of Total Utilitarianism which can avoid both the Repugnant Conclusion and the Sadistic Conclusion in population ethics. Yet Standard Critical-Range Utilitarianism entails the Weak Sadistic Conclusion, that is, it entails that each population consisting of lives at a bad well-being level is not worse than some population consisting of lives at a good well-being level. In this paper, I defend a version of Critical-Range Utilitarianism which does not entail the Weak Sadistic Conclusion. This is made (...) possible by a fourth category of absolute value in addition to goodness, badness, and neutrality. (shrink)

This commentary provides a critique of Žižek’s 2021 article on the catastrophe of the U.S. military withdrawal from Afghanistan with a focus on Zizek’s nostalgic moment of the fully engaged subject. The commentary deploys the actual and possible scenarios of the form of subjectivity in association with the cynical subject and the sadistic superego; and suggests the possibility of an alternative ethical subjectivity.

We examine a general class of variable-value population principles. Our particular focus is on the extent to which such principles can avoid the repugnant and sadistic conclusions. We show that if a mild limit property is imposed, avoidance of the repugnant conclusion implies the sadistic conclusion. This result generalizes earlier observations by showing that they apply to a substantially larger class of principles. Our second theorem states that, under the limit property, the axiom of mere addition also conflicts with avoidance (...) of the repugnant conclusion. This result is a consequence of a similar observation that appears in the earlier literature. (shrink)

Hegel’s famous analyses of the ‘master-slave dialectic’, and the more general struggle for recognition which it is a part of, have been remarkably influential throughout the nineteenth and twentieth centuries. Bound up with the dominance of this idea, however, has been a corresponding treatment of sadism and masochism as complicit projects that are mutually necessary for one another in a manner that is structurally isomorphic with the way in which master and slave depend on one another. In clinical diagnoses (...) it is almost invariably asserted that sadism and masochism are causally connected, with one of these ‘pathologies’ being seen to derive from an inversion or displacement of the other. Deleuze, however, in Difference and Repetition, ‘Coldness and Cruelty’, and elsewhere, rejects the primacy of the master-slave dialectic for understanding social relations, at least insofar as it relies upon the themes of negativity, contradiction, opposition, and he also rejects the resultant treatment of sadism and masochism. Moreover, if his symptomatology of the latter (especially masochism) convinces us that the master-slave dialectic not only does not understand these ways of existing, but necessarily could not, then we are faced with an important challenge to any conception of social relations that is too closely tied to the dialectic of lordship and bondage as it is sometimes known. This paper, then, is composed of four sections: 1. an exposition of Hegel’s treatment of the master-slave dialectic; 2. a selective account of later understandings of social relations that are indebted to it; 3. a recital of Deleuze’s objections to the master-slave dialectic and its reliance upon three key components: contradiction, opposition, and negativity; and 4. an argument, extending Deleuze’s work, for the manner in which the master-slave dialectic has also been bound up with, and made possible, the belief in a ‘sado-masochistic’ unity (i.e. the way in which they are envisaged as complementary opposites, or as causally connected symptoms). (shrink)

Terrorism researchers have long discussed the role of psychology in the radicalization process. This work has included research on the respective roles of individual psychological traits and responses to terrorist propaganda. Unfortunately, much of this work has looked at psychological traits and responses to propaganda individually and has not considered how these factors may interact. This study redresses this gap in the literature. In this experiment (N = 268), participants were measured in terms of their narcissism, Machiavellianism, subclinical psychopathy, and (...) everyday sadism—collectively called the Dark Tetrad. Participants were then exposed to a vivid or nonvivid terrorist narrative (or a control message). Results indicate that Machiavellianism interacts with both narrative exposure and narrative vividness to amplify the persuasive effect of terrorist narratives. Neither narcissism, subclinical psychopathy, nor everyday sadism had such an effect. These results highlight the importance of considering the psychological traits of audiences when evaluating proclivity for radicalizationviapersuasion by terrorist narratives. (shrink)

Ainslie argues that our responses to the threat of our own inconsistency determine the basic fabric of human culture. He suggests that individuals are more like populations of bargaining agents than like the hierarchical command structures envisaged by cognitive psychologists. The forces that create and constrain these populations help us understand so much that is puzzling in human action and interaction: from addictions and other self-defeating behaviors to the experience of willfulness, from pathological over-control and self-deception to subtler forms of (...) behavior such as altruism, sadism, gambling, and the 'social construction' of belief. This book integrates approaches from experimental psychology, philosophy of mind, microeconomics, and decision science to present one of the most profound and expert accounts of human irrationality available. It will be of great interest to philosophers and an important resource for professionals and students in psychology, economics and political science. (shrink)

What distinguishes evils from ordinary wrongs? Is hatred a necessarily evil? Are some evils unforgivable? Are there evils we should tolerate? What can make evils hard to recognize? Are evils inevitable? How can we best respond to and live with evils? Claudia Card offers a secular theory of evil that responds to these questions and more. Evils, according to her theory, have two fundamental components. One component is reasonably foreseeable intolerable harm -- harm that makes a life indecent and impossible (...) or that makes a death indecent. The other component is culpable wrongdoing. Atrocities, such as genocides, slavery, war rape, torture, and severe child abuse, are Card's paradigms because in them these key elements are writ large. Atrocities deserve more attention than secular philosophers have so far paid them. They are distinguished from ordinary wrongs not by the psychological states of evildoers but by the seriousness of the harm that is done. Evildoers need not be sadistic:they may simply be negligent or unscrupulous in pursuing their goals. Card's theory represents a compromise between classic utilitarian and stoic alternatives (including Kant's theory of radical evil). Utilitarians tend to reduce evils to their harms; Stoics tend to reduce evils to the wickedness of perpetrators: Card accepts neither reduction. She also responds to Nietzsche's challenges about the worth of the concept of evil, and she uses her theory to argue that evils are more important than merely unjust inequalities. She applies the theory in explorations of war rape and violence against intimates. She also takes up what Primo Levi called "the gray zone", where victims become complicit in perpetrating on others evils that threaten to engulf themselves. While most past accounts of evil have focused on perpetrators, Card begins instead from the position of the victims, but then considers more generally how to respond to -- and live with -- evils, as victims, as perpetrators, and as those who have become both. (shrink)

Who would the Saviour have to be, what would the Saviour have to do to rescue human beings from the meaning-destroying experiences of their lives? This book offers a systematic Christology that is at once biblical and philosophical. Starting with human radical vulnerability to horrors such as permanent pain, sadistic abuse or genocide, it develops what must be true about Christ if He is the horror-defeater who ultimately resolves all the problems affecting the human condition and Divine-human relations. Distinctive elements (...) of Marilyn McCord Adams' study are her defence of the two-natures theory, of Christ as Inner Teacher and a functional partner in human flourishing, and her arguments in favour of literal bodily resurrection and of a strong doctrine of corporeal Eucharistic presence. The book concludes that Christ is the One in Whom, not only Christian doctrine, but cosmos, church, and the human psyche hold together. (shrink)

_A compelling guide to the fundamental place of humour and comedy within Western culture—by one of its greatest exponents_ Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit? Packed with illuminating ideas and a good (...) many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries. (shrink)

Are there things that we must never do, no matter how untypical the circumstances and “unorthodox” our deontic ideas might be? In this essay I try to make evident that acts I call “pure sadist acts” satisfy this description. I discuss several examples of such acts and alert to their being not always easy to distinguish from certain others. Norms prohibiting such acts I call “true”, and I suggest that other, less suggestive, norms might also be (derivatively) true, if the (...) pertinent acts stand in certain relations with the former ones. I incorporate some ideas from Hume, as well as from elementary model theory, to make mine clearer. (shrink)

Critics of empathy argue that empathy is exhausting, easily manipulated, exacerbates rather than relieves conflict, and is too focused on individual experiences. Apparently, empathy not only fails to stop negative acts like sadism, bullying, and terrorism, it motivates and promotes such acts. These scholars argue that empathy will not save us from partisanship and division. In fact, it might make us worse off. I will argue that empathy exhibits bias in the ways critics describe because empathy is motivated. Conceiving (...) of empathy as motivated leads to surprising conclusions about our tools for moral decision‐making. (shrink)

The paper discusses the possibility of a cinematic image which represents future catastrophes, while avoiding ideological entrapments and self-serving fantasies. Taking a Japanese ghost story and a brief note by Walter Benjamin as his dual starting point, the author first attempts to define the possible dangers inherent to the very idea of showing the future, the most important being the danger of the premature, cathartic discharge of the spectator’s anxiety in a sadistic/voyeuristic show. After discussion of the mechanisms of this (...) discharge, the author offers an analysis of a positive example, namely Michael Haneke’s Time of the Wolf. According to the analysis, Haneke manages to avoid the traps by constructing reflective images that make the spectators watch themselves as they are searching in vain for the cathartic images of the catastrophe. (shrink)

In his stunning essay, Coldness and Cruelty, Gilles Deleuze provides a rigorous and informed philosophical examination of the work of the late 19th-century German novelist Leopold von Sacher-Masoch. Deleuze's essay, certainly the most profound study yet produced on the relations between sadism and masochism, seeks to develop and explain Masoch's "peculiar way of 'desexualizing' love while at the same time sexualizing the entire history of humanity." He shows that masochism is something far more subtle and complex than the enjoyment (...) of pain, that masochism has nothing to do with sadism; their worlds do not communicate, just as the genius of those who created them - Masoch and Sade - lie stylistically, philosophically, and politically poles a part.Venus in Furs, the most famous of all of Masoch's novels was written in 1870 and belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. The cycle was to treat a series of themes including love, war, and death. The present work is about love. Although the entire constellation of symbols that has come to characterize the masochistic syndrome can be found here - fetishes, whips, disguises, fur-clad women, contracts, humiliations, punishment, and always the volatile presence of a terrible coldness - these do not eclipse the singular power of Masoch's eroticism. (shrink)