Search results for 'tr During, Lisabeth' (try it on Scholar)

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  1. Catherine Malabou & tr During, Lisabeth (2000). The Future of Hegel: Plasticity, Temporality, Dialectic. Hypatia 15 (4):196-220.score: 87.0
    : At the center of Catherine's Malabou's study of Hegel is a defense of Hegel's relation to time and the future. While many readers, following Kojève, have taken Hegel to be announcing the end of history, Malabou finds a more supple impulse, open to the new, the unexpected. She takes as her guiding thread the concept of "plasticity," and shows how Hegel's dialectic--introducing the sculptor's art into philosophy--is motivated by the desire for transformation. Malabou is a canny and faithful reader, (...)
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  2. Lisabeth During (2000). Catherine Malabou and the Currency of Hegelianism. Hypatia 15 (4):190-195.score: 28.0
    : Catherine Malabou is a professor of philosophy at Paris-Nanterre. A collaborator and student of Jacques Derrida, her work shares some of his interest in rigorous protocols of reading, and a willingness to attend to the undercurrents of over-read and "too familiar" texts. But, as she points out, this orientation was shared by Hegel himself. Arguing against Heidegger, Kojève, and other critics of Hegel, the book in which this Introduction appears puts Hegel back on the map of the present.
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  3. Lisabeth During & Lisa Trahair (2012). Belief in Cinema. Angelaki 17 (4):1 - 8.score: 28.0
    This paper takes issue with the idea recently promulgated by film-philosophers that the relationship between philosophy and film is untroubled by the encounter between reason and art. To do this I consider how in Je vous salue, Marie Jean-Luc Godard uses allegory, cinematic automatism and montage not to provide rational arguments but to raise questions about the legacy of the Christian aesthetics for contemporary cinema.
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  4. Lisabeth During (2002). Review of John D. Caputo, Mark Dooley, Michael J. Scanlon (Eds.), Questioning God, Indiana Series in the Philosophy of Religion. [REVIEW] Notre Dame Philosophical Reviews 2002 (4).score: 28.0
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  5. Lisabeth During (1988). Hegel's Critique of Transcendence. Man and World 21 (3):287-305.score: 28.0
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  6. Lisabeth During (2012). “What Does It Matter? All is Grace”. Angelaki 17 (4):157 - 177.score: 28.0
    Admirers of Robert Bresson often remark on the commitments he shares with the philosopher and activist Simone Weil. Both stubbornly idiosyncratic, they subscribe to what modernists call ?a poetics of impersonality?: a deep desire to shed the ego and find some space empty of will, intention and even consciousness. Bresson pursued this ideal through his anti-theatrical practice, his resistance to expression and interpretation, and his war against ?acting.? In Weil's religious thinking, the possibility of achieving a state of automatism in (...)
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