This volume presents vernacular knowledge as a realm of discourses and beliefs that challenge institutional authorities and official truths. It draws attention to various genres as expressions of alternative knowledge in relation to authority, including traditional and personal experience narratives, life stories, ditties, and jokes. These are transmitted through a wide range of vehicles of expression including online, face to face, social media, forums, networks, and conferences, which are shared and shaped communally but individually articulated and actualised. Vernacular (...) knowledge and vernacular authority also underpin a variety of material culture, rituals and other practices. The volume covers various realms of the supernatural, such as ghosts, saints, spirits, magic, energy lines, and divinations. However, it also discusses beliefs that do not involve the supernatural such as conspiracy theories, politically and ideologically determined creeds, stereotypes and other cases where beliefs appear as socially compelling ideas and challenge prevailing received wisdom. Vernacular religion is examined not only in relation to institutional religion but also to secularism, state sponsored atheism, scientific rationalism and official medicine. Vernacular Knowledge proceeds from the premise that in contrast to institutionally established discourses with monological voicing, the expressive field of vernacular is always heteroglot; it eludes regulation and supervision. (shrink)

Architectural style is a medium for the promotion of cultural identities and cohesion. South Asian Association for Regional Cooperation nations provide a prism through which all forms of vernacular architecture can be viewed. This study is presented through the lens of the soul of the eye coupled with the power of technological probing. This synthesis affords a most appealing and lyrical exploration of the course of the development of cities within the SAARC nations. It showcases research results combining the (...) above stated synergy—starting from some of SAARC’s sophisticated historic cultures, cultures that ebbed and flowed along its shores and valleys. This paper shall touch upon unique cultural roots stretching back to the Dravidian civilization that flourished over 3500 years ago and also look at the grouping of houses within the Indus Valley Civilization in Lothal and the Sarasvati Valley Civilization in Kalibangan. The sensitivity underlying SAARC architecture and its traditions are seen in many communal settlements, profoundly so in the Indian subcontinent and in Sri Lanka. The paper shall showcase two specific, but nevertheless, distinct styles of communal functioning within unique architectural strongholds in the ancient Ratnagiri University in Odisha, India, and also touch upon a unique blend of styles of landscape architecture in Sri Lanka. The overarching emphasis of this study is that throughout SAARC’s history, architecture has been creatively adopted to the need of its users and the characteristics of its climate and location. It has always fulfilled the needs and nourished the spirit of its people, promoting cultural cohesion even today. In this context, it is interesting to explore traditional techniques of vernacular architecture in houses in Andhra, Tamil Nadu and Kerala. The common thread linking mass housing in Lothal, Kalibangan, Anuradhapura and Ratnagiri about 2 millennia ago, with present day housing patterns, is in the application of sustainable building practices using intelligent building forms, fabric and orientation. This paper explores this commonality from a modern perspective using CFD. As the SAARC countries still struggle to get a fuller understanding of their unique ecology and the complexity of their diverse cultures, revisiting the architectural legacy of their indigenous societies might prove insightful. The need for this revisit becomes even more relevant in the wake of the Paris Agreement and more recently the Kigali Agreement. The discourse on providing indoor thermal comfort to the SAARC people cannot be decoupled from the climate change story—heating, ventilation and cooling consume a large amount of energy and have a deep underlying link with the targets set at Paris and Kigali. The onus will be on a large number of stakeholders to meet these targets—engineers, architects, manufacturers, policy-makers, researchers and consumers. This paper aims at reminding the stakeholders of the richness and the usefulness of their vernacular architecture in upholding the ideal of sustainability. (shrink)

Modern public relations practices have been dominated by appeals to impulses, desires, and images that affect publics defined predominantly in demographic terms. This paper argues that abandoning basic rhetorical assumptions about the ability of ordinary people to engage in practical reason has serious ethical implications for the marketplace as well as for society in general. The study applies recent rhetorical scholarship on issues of public discourse and rhetorical culture to public relations practices, considering how rhetoric can contribute to more (...) effective and ethical public discourse in our dominant modes of marketplace communication. (shrink)

Though causality seems to have a natural place in chemical thought, the analysis of the underlying causal concepts requires attention to two different research styles. In Part One I attempt a classification and critical analysis of several philosophical accounts of causal concepts which appear to be very diverse. I summarize this diversity which ranges from causality as displayed in regular concomitances of types of events to causality as the activity of agents. Part Two is concerned with the analysis of contrasting (...) chemical discourses, comparing the classical atomist style of Boyle, and Lavoisier and von Liebig with the later energeticist style of van’t Hoff and Hinshelwood. In detail different clusters of causal concepts can be abstracted from these discursive styles, yet they all approximate the Realist format for causal discourse. By way of summary I make an attempt to map the vernacular distinctions of Part Two onto the philosophical territory of Part One. The argument is rounded off with a brief analysis of a chemical publication of 2008. (shrink)

'I concluded that I was a substance whose whole essence or nature resides only in thinking, and which, in order to exist, has no need of place and is not dependent on any material thing.' Descartes's A Discourse on the Method of Correctly Conducting One's Reason and Seeking Truth in the Sciences marks a watershed in European thought; in it, the author provides an informal intellectual autobiography in the vernacular for a non-specialist readership, sweeps away all previous philosophical (...) traditions, and sets out in brief his radical new philosophy, which begins with a proof of the existence of the self, next deduces from it the existence and nature of God, and ends by offering a radical new account of the physical world and of human and animal nature. This new translation is accompanied by a substantial introductory essay which draws on Descartes's correspondence to examine his motivation and the impact of his great work on his contemporaries. Detailed notes explain his philosophical terminology and ideas. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

In the first half of the eleventh century, a group of scholars in southwest India did something new. They began composing systematic texts about everyday life in a register of language sometimes called New Kannada. While looking back toward earlier texts composed in Sanskrit – and even translating portions of them – these scholars centered their poetic ability and their personal experiences as opposed to prior authoritative texts. They described themselves as authoring “worldly sciences” that were “useful to the people (...) of the world,” and they provided extensive reflections on the systematics of knowledge. Epistemic, linguistic, and political concerns were significantly renegotiated in this moment as local context was turned into a virtue for the production of technical treatises. This article uses this moment to interrogate recent discussions of useful knowledge and vernacular science. Usefulness can mean different things at different times and vernacular sciences change according to their language. This article argues for a usage of both terms that is more attuned to historical particulars. A history of useful knowledge from a place that now appears under the double effacement of the non-modern and non-West offers an opportunity to think through central concepts of the history of science without relying on economic or utilitarian discourses. This paper presents one possible example of what a more global history of useful knowledge might look like. (shrink)

This article explores how older adults negotiate and partially counter normative expectations of “health citizenship” that stress individual responsibility for maintaining health and preventing health problems. Based on interviews with 55 participants in Canada and the U.K. about what healthy living means to them in their everyday lives, we examine how the dominant discourse of personal responsibility in participants’ responses is counterpointed by a more muted, yet significant, alternative critical perspective on the relative roles and responsibilities of government and (...) citizens in making healthy living possible. Drawing on Hauser’s (1999) concept of vernacular rhetoric along with recent theories of environmental citizenship, we analyze how participants exercise their civic-political judgment by using a logic of dissociation to argue that what government says about the importance of healthy living is incompatible with what government does to support citizens’ abilities to eat healthily and live actively. By deploying this technique of argumentation to address structural-political-economic dimensions of healthy living, participants enact, in modest ways, an alternative, critical-collective mode of health citizenship that complicates and, at least partially, disrupts neoliberal constructions of the individually responsible, “good” health citizen. (shrink)

In the wake of discourses in Trinitarian Theology, one can see that the debates still centre around male theologians, past and present. This study explores a theological voice from the margins of power through the thought of the thirteenth-century Beguine mystic Hadewijch of Brabant. I contend that Hadewijch can be seen on par with those great male theologians. Through her reading of William of St. Thierry and her fluency in Latin, she attained great knowledge of scripture and of the doctors (...) of the church, and, as such, she can be seen as one of the creative theologians of her time. I will focus on her view of the Trinity and how such a view was deemed dangerous by those at the centre of power. Finally, I will show aspects of her Trinitarian view which can be appreciated by theologians of today. (shrink)

Since the publication of his influential book The Discourse of "Revolution" and Chinese Modernity in 2000, Chen Jianhua, who currently teaches at the Hong Kong University of Science and Technology, has been acknowledged as a leading scholar in the study of modern Chinese literary culture and thought. The current issue includes three essays taken from the three chapters in his latest book, From Revolution to the Republic: Literary, Cinematic, and Cultural Transformations in the Late Qing and Republican Period, originally (...) written in Chinese. Inspired by Western theory, yet firmly rooted in the modern Chinese cultural context, Chen's inquiry into the dominant modern Chinese discourse of revolution (geming;) demonstrates how the ideology of revolution was formed through a complex translation process and is extremely instructive in redirecting contemporary Chinese thought for those seeking alternatives to such dominant ideas as "revolution.". (shrink)

The article examines two forms of public pedagogies in a rural region of Southwest China—tourism and ethnic songs—to illustrate their contested roles in transforming local relations with natural and built environment. While tourism development daily alters the village landscape by spatial intervention, demolition, and construction, the ‘landscaping’ is both a visual and conceptual device that produces a pleasurable environment as the ‘other’ and signifies what is tourable and what is to be seen. On the other hand, the echoes of the (...) environment and human-nature relations are central elements in ethnic songs that have been sung for centuries as a major music genre to transmit ancestral, historical, and cultural understandings. Indigenous worldviews and ecological awareness are expressed in songs through imitation of nature and worship of various nonhuman forms of life. The paper argues that a nascent environmentalism and ecological significance of the ethnic songs are increasingly oriented towards instrumental development rationality, while at the same time revived and choreographed in staged tourism performances. Both tourism and ethnic songs offer powerful forms of public pedagogies through which to rethink how incommensurable discourses generate new environmental crises by drastically altering not only the vernacular landscape but also local cosmological beliefs. The short-lived developmental zest and the longstanding local ecological consciousness play out complex dynamics in ‘teaching’ the locals and the tourists about the changing environment of rural ethnic China, and the ambiguities and tensions that exist within the notion of sustainable development. (shrink)

This article examines online identity practices of Chinese doctors mediated through borrowed linguistic resources in a leading medical app. Setting against rapid societal changes in China which open up traditionally ‘powerful’ professions to market competition, and the development of a booming digital economy, this app and its semiotic work drawing on Chinese Internet vernacular, I will argue, offer a fascinating lens to probe into the highly dynamic online discursive practices in contemporary China. Drawing on the notions of entextualization and (...) resemiotization, I will trace and analyse the patterned ways in which pre-existing linguistic resources are creatively reworked by the app to achieve new identity-making purposes. Situating the changes of the field of healthcare in China within a worldwide shift towards neoliberal ideologies and practices, I will also briefly discuss how the emergence of such new social space in digital settings may impact the production and communication of health knowledge and services in China. (shrink)

Journal Name: Semiotica Issue: Ahead of print.

This paper deals with the statue without female forms of Our Lady of Maidens, kept in the parish church of Civitella Roveto in the Abruzzo region, in Italy. After describing the religious rituals involving the statue of this Virgin in order to shed light on her title, the study goes on to analyze vernacular discourses about her and explore the prohibition regarding the touching of her body. The symbolic aspects of the shapeless body of the statue are then investigated (...) and discussed in the light of Marian, anthropological, sociological, and feminist literature, considering them a specific device for expelling female sexual desire from the domain of fertility. The article, focused on the body of the Madonna, hopes to contribute to studies in religious materiality as well as to studies in the social construction of gender inequality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Rhetoric, Hermeneutics, and Translation in the Middle AgesMichael CalabreseRhetoric, Hermeneutics, and Translation in the Middle Ages, by Rita Copeland; xiv & 295 pp. Cambridge: Cambridge University Press, 1991, $64.95 cloth, $22.95 paper.In this deeply learned book, Rita Copeland studies the history of rhetoric and grammar and their shifting roles in the history of translation, commentary, and interpretation from classical antiquity through the Middle Ages. Copeland examines the ideological (...) nexus of history, authority, and power in which commentary and vernacular translation function. “Vernacular writing,” she says, can “authorize itself by taking over the function of academic discourse” (p. 8). Her book then traces the history of this “authorization” and this “dis-placement” of Latin sources by the increasingly academically privileged vernacular. All in all, Copeland tells the story of how medieval literary culture articulated its translatio studii by confronting and preserving its Classical inheritance and also developing a role for the vernacular as an active, creative agent in the production of authoritative works. [End Page 413]Ultimately “rhetoric” is the star of Copeland’s book, and in essence she is telling its Roman and medieval life stories. By “rhetoric” we are to understand critical academic language that points toward ethics and practical action. Throughout the Middle Ages every modification or appropriation of critical tools expands the role of commentary and adds new forms of interpretive invention to the translation process. As Copeland puts it, “The medieval practice of translation as a form of appropriation and substitution will be conditioned, as in Roman contexts, by rhetorical theories of invention” (p. 36).The hermeneutical costar is grammar, for as part of the complex appropriation of classical practice, medieval readers recoup the “debased” Roman category of grammar, so that by the time of Martianus Capella it can “claim for itself the whole compass of literary activity” (p. 56). As grammar expands its power, so does rhetoric, a civic Roman art which gets “revalued in terms of service to theology” (p. 59). Medieval commentary now “assumes the character of rhetorical performance” (p. 86) and takes on a “primary productive character,” as it “continually refashions the [studied] text for changing conditions of understanding” (p. 64). What is emerging from all these developments is a medieval translation theory—and practice—which is informed by both academic and practical, ethical goals, that is, a hermeneutics forged by the link of grammar and rhetoric.The rest of the book studies the shifting status and the evolving role of the vernacular in this medieval hermeneutical drama. Copeland addresses the Ovide moralisé and the French translations of the Consolatio, and then Chaucer’s Legend of Good Women and Gower’s Confessio Amantis. We witness here how vernacular products take on authority by “inventing themselves” through authoritative discourse. In Gower’s Confessio we see the fusion of hermeneutics and rhetoric; the poem uses academic modes of discourse in the service of ethics or action. We thus see that by the late Middle Ages vernacular literature plays an authoritative role in the medieval translatio studii, as Gower seeks to “open the institution of learning to the widest possible audience and thereby empower it as a persuasive tool, leading to knowledge of the good” (p. 220). Overall, Copeland has told the story of the “leveling” of academic and vernacular discourse, so that the later, while not dispelling or overthrowing the former, can claim access to its traditional authority.Copeland’s prose is Latinate, at times pedantic and, at times, just plain Latin; reading the book can be a wearing experience. But it is all part of a history she knows in remarkable detail, a history that lies behind many assumptions we have about medieval ethical poetics. To have presented this history is a major scholarly feat. Copeland allows us to see medieval authors as both products and producers of methods of appropriation, imitation, conquest, and preservation—all strategies for “translating” the past and creating a present that can leave its intellectual mark on the future. One might now want to employ Copeland’s history of classical and medieval hermeneutics as a tool for [End Page 414] examining our own, contemporary academic rhetorics and for analyzing the “state of... (shrink)

Julian of Norwich (1342–ca.1416) as a post-scholastic theologian. This article positions the ‘first female English writer from the Middle Ages’, Julian of Norwich (1342–ca.1416), within the context of ‘post-scholasticism’, the very last period in late Medieval Philosophy, of which one feature was the final separation of theology and philosophy in the late Medieval index. Julian should in terms of this placing be engaged as a theologian proper, distinguished from the six other prominent female thinkers from the Medieval Latin West (Héloïse, (...) Hildegard, Mechtild, Hadewijch, Marguerite and Catherine), who were all philosopher-theologians. However, Julian’s epistemology and metaphysics were intertwined with her theology, as presented in her Book of Showings, to such an extent that it is impossible to isolate it from her theological output. She is within the socio-historical context of the third wave of the Black Plague in Norwich in 1369 henceforth profiled as a ‘post-scholastic theologian’ and presented on the basis of prominent theological features in Showings, including its immanent-mystical character (being a presentation of convent theology rather than scholastic theology), its vernacular (Middle English) originality and profound pastoral appeal, its maternal-Christological imagery (Moder Jhesu), its Trinitarian orientation (for the trinitie is god, god is the trinitie) and its deeply eschatological, open-ended engagement with a world devastated by the Plague (alle shalle be wele). Contribution: As a millennium-long discourse, Medieval philosophy functions in a Venn diagrammatical relationship with Medieval history, Church history, patristics and philosophy of religion. Whenever ‘mainstream’ or ‘canonised’ Medieval philosophy is impacted from specialist research, it may well have implications that these closely related disciplines could take note of. Such is the case in this reappraisal of Julian of Norwich’ theological and pastoral legacy from its original context of the Black Plague in the 14th century – and indeed within the context of the Covid-19 pandemic in 2020. (shrink)

This article studies the eugenic theories of Marathi sexological writer and novelist Narayan Sitaram Phadke, and his attempts to domesticate the modern ideal of the adult romantic couple as a yardstick of ‘emotional democracy’ in late colonial India. Locating Phadke's work against the backdrop of the Child Marriage Restraint Act (1929) and its eugenicist concerns, I argue that he conceptualized romantic love as an emotion and a form of sociability central to the state's biopolitical schemes of ensuring modern coupledom but (...) as exceeding the state's capacity to rationally order Indian sex life. Consequently, he crafted literary supplements like the bildungsroman to circulate ‘English’ idioms of emotional and corporeal intimacy in Marathi; his novels domesticated eugenic sexology for its ‘vernacular’ audiences by advocating caste-bound romantic love as the blueprint for Indian marital coupling. As exemplified by Phadke's work, an emerging Marathi discourse of love demarcated a space for the young couple to operate as a vehicle of interpersonal openness within the constraints of the upper-caste joint family. By outlining the parameters of this Brahmanical aesthetic discourse, I show that the couple became the locus of a self-styled ‘democratic’ form of emotional attachment aimed at developing a necessary dynamism within endogamous caste-based marital arrangements without radically transforming them. The science performed through the Marathi novel in the 1920s and 1930s consequently explains the increasing prominence of romantic love as a form of developmental ‘democratic’ discourse at a time when both romantic love and democracy-in-practice were widely experienced as absent from Indian society. (shrink)

This article examines the discourses of the Indian state and of community élites during battles for the custody of a young Muslim girl, Ameena, who was ‘rescued’ from a marriage with an elderly Arab. The battles for Ameena's custody were fought as much in news reports, opinion columns, and letters to the editor of metropolitan and vernacular newspapers, as in courts. Questions were raised about Ameena's age, the viability of her marriage, the applicability of secular laws to Muslim communities, (...) and the political economy of the sexuality of girl-children. In these representations, Ameena became a symbol of minority identity, and was transformed into an unwilling and unwitting object of protection. Why did Ameena's story attract so much attention? What were the different positions underlying the arguments made for Ameena's ‘protection’? Without dismissing the protection of children and the advocacy of their rights, this article analyses the agendas shaping the discourses of the Indian state and national and community élites during the battles for Ameena's custody. The article situates the controversies surrounding Ameena in the wider context of the increasing polarization between Hindu and Muslim communities in India in the early 1990s, and focuses on the relationship between notions of childhood and discourses of community, gender and nation. The article argues that there was a synecdochic relationship between the purity of girl-children and the purity of the Indian nation: far from being ‘pre-cultural’ or apolitical, discourses of childhood were profoundly implicated in the politics of gender, sexuality, community and nation. What are the implications of Ameena's predicament for feminist epistemology and praxis? In pointing to the ways in which feminist critiques of modernist regimes of power and knowledge can enable us to understand the multiple positionalities of children in the contemporary world, the article explores the spaces available for feminist theorists and activists to engage in a politics of vigilance and intervention with regard to the state's positions towards children. (shrink)

Hebrew and Arabic in Asymmetric Contact in Israel Israeli Hebrew and Palestinian Arabic 1 have existed side by side for well over a century in extremely close contact, accompanied by social and ideological tension, often conflict, between two communities: PA speakers, who turned from a majority to a minority following the establishment of the State of Israel in 1948, and IH speakers, the contemporary majority, representing the dominant culture. The Hebrew-speaking Jewish group is heterogeneous in terms of lands of origin (...) and includes a large community of Judeo-Arabic speakers. In this paper I discuss the ‘when,’ ‘where,’ how,' and especially ‘why’ of mutual borrowing2 between Hebrew and Arabic in Israel since the 1880s.I stress that the contact is asymmetric. The majority of Hebrew speakers today do not speak Arabic. They do, however, have access to borrowed lexicon in the domain of slang and vernacular speech that both enriches these registers and provides the speakers with a feeling of being ‘indigenous’ and ‘belonging’ to the social and cultural milieu of the larger environment. In contrast, most young adult PA-speakers are bilingual. For this minority, borrowing fulfills fundamental sociolinguistic and pragmatic needs. IH lexical items have permeated all areas of professional, educational, administrative, and social activities in everyday life discourse in all styles and registers of the spoken language and, to a lesser extent, written language. They fill lexical gaps and lacunae representing modern and western concepts that did not exist in PA. They also symbolize modernism, education, and social mobility. In other words, borrowing serves as a means of ‘stepping in’ for the Jewish majority and conversely as a means for ‘stepping out and up’ for the Arab minority. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Found in Translation: “New People” in Twentieth-Century Chinese Science Fiction by Jing JiangYingying HuangJing Jiang. Found in Translation: “New People” in Twentieth-Century Chinese Science Fiction. New York: Columbia University Press, 2021. 144 pp. Paperback, ISBN 9780924304941.One of the Association of Asian Studies’ Asia Shorts series, Jing Jiang’s monograph is a delightful 130-page read including notes and a bibliography. It contributes new and cross-cultural perspectives to the Chinese SF (...) scholarship that has recently been invigorated by a plethora of translations into English, animated discussions at conference panels and themed lectures, and book-length studies such as Nathaniel Isaacson’s Celestial Empire: The Emergence of Chinese Science Fiction (2017), which focuses on China’s early twentieth century, and Hua Li’s Chinese Science Fiction during the Post-Mao Cultural Thaw (2021), which deals with works published between 1978 and 1981, to name just a couple. Jiang’s book covers both periods and the time in between with a purpose to investigate “how Chinese science fiction participates and intervenes in Chinese conceptualizations of the modern at critical junctures over the last century” (1), which Jiang achieves through comparative readings of texts brought into dialogue via translation. A shared theme of the texts studied is, as the book title suggests, the creation of a “new people,” either through edification or high-tech means such as bioengineering. Therefore, the interventions by science fiction that this study is concerned with are chiefly in debates about modern citizenry, subjectivity, and humanity in China’s twentieth century, when science fiction enjoyed its first two “booms.”This book has an introduction, four chapters, and an epilogue. The introduction offers a brief history of Chinese science fiction and announces the author’s intention to “situate Chinese science fiction within a dynamic model of world literature” (2). Jiang makes two crucial points: first, Chinese science fiction is a product of translation and transculturation, which [End Page 591] requires an intertextual and comparative study; second, contrary to its designation as a popular genre in the West, science fiction in China has been a form of elite literature and even a part of statist thinking. While this introduction may seem a bit long for a short book with “conciseness” as one of its marketing guidelines—the account of Lu Xun’s early life and turn to literature, for example, may be a little too elaborate for its purpose (10–12)—it lays a solid foundation for discussions about science fiction’s translingual dimensions and role in China’s nation-building discourse to develop through the chapters.The expansive first chapter, “Medicine for the Mind, Panacea for the Nation: How Did the Stories of Science and Fiction Become One?” is yet another historical survey, occasionally repeating points from the introduction, but this time of the background, genesis, and early growth of science fiction in China from the mid-nineteenth to the early twentieth century (i.e., the late Qing dynasty [1644–1911] and early Republican era [1912–49]). Jiang gives a detailed account of occurrences deemed important to the rise and confluence of fiction and science within China’s nation-building discourse, including literati intellectuals’ promotion of “new fiction” and the dissemination of scientific knowledge, highlighting the roles played by central figures like Liang Qichao, Lu Xun, and John Fryer. Jiang makes the illuminating observation that Fryer’s stipulation of a “new novel” for a fiction contest he organized in Shanghai in 1895 foreshadowed China’s literary realism and the vernacular movement (30), and her remarks about translation, Chinese science fiction’s inherent hybridity, and its mission to cure the nation well echo the book’s central argument about the genre’s interventions.A shorter chapter follows, entitled “Scientifically Formed or Reformed: Bioengineering and Other Fantasies about a New Species of National Subjects,” which examines early science fiction stories about manufacturing humanity and argues that these texts “gave rise to a literary vision that believed literally in the malleability or programmability of the soul” (39). During the first boom of Chinese science fiction in the 1900s, translations of and sequels to Western stories showcase the debate about science’s power of shaping the soul... (shrink)

An outline topography of musical accessibility. What is musical accessibility? ; Society, atonality, psychology -- Accessibility discourse in rock, and cultural change. Case study 1 : 'Prog' rock/punk rock : sophistication, directness and shock ; Zeitgeist : accessibility in flux -- A valiant failure? : new art music and the people. Case study 2 : Vaughan Williams' national music in context ; Art music, vernacular music and accessibility -- Accessibility, identity and social action. Case study 3a : Accessibility (...) in action : Bahia, Brazil ; 3b : Samba in Wales : how is adopted music accessible? -- Part five. Themes. Some key concepts. (shrink)

Based on the Duffy Lectures, this book will be of interest to all theologians interested in doing vernacular, liberation, and postcolonial theologies. Brazal fills several gaps in theological research and ethics, such as the absence of postcolonial theological ethics in the Philippine context and the lack of attention in liberation-postcolonial discourse to structural and systemic dimensions of power.

What does it mean to "trust?" What makes us feel secure enough to place our confidence—even at times our welfare—in the hands of other people? Is it possible to "trust" an institution? What exactly do people mean when they claim to "distrust" their governments? As difficult as it may be to define, trust is essential to the formation and maintenance of a civil society. In Trust and Trustworthiness political scientist Russell Hardin addresses the standard theories of trust and articulates his (...) own new and compelling idea: that much of what we call trust can be best described as "encapsulated interest." Research into the roles of trust in our society has offered a broad range of often conflicting theories. Some theorists maintain that trust is a social virtue that cannot be reduced to strategic self-interest; others claim that trusting another person is ultimately a rational calculation based on information about that person and his or her incentives and motivations. Hardin argues that we place our trust in persons whom we believe to have strong reasons to act in our best interests. He claims that we are correct when we assume that the main incentive of those whom we trust is to maintain a relationship with us—whether it be for reasons of economic benefit or for love and friendship. Hardin articulates his theory using examples from a broad array of personal and social relationships, paying particular attention to explanations of the development of trusting relationships. He also examines trustworthiness and seeks to understand why people may behave in ways that violate their own self-interest in order to honor commitments they have made to others. The book also draws important distinctions between vernacular uses of "trust" and "trustworthiness," contrasting, for example, the type of trust (or distrust) we place in individuals with the trust we place in institutions Trust and Trustworthiness represents the culmination of important new research into the roles of trust in our society; it offers a challenging new voice in the current discourse about the origins of cooperative behavior and its consequences for social and civic life. A Volume in the Russell Sage Foundation Series on Trust. (shrink)

An essential guide to an essential book, this first anthology on Camera Lucida offers critical perspectives on Barthes's influential text. Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times (...) in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes. Photography Degree Zero, the first anthology of writings on Camera Lucida, goes beyond the usual critical orthodoxies to offer a range of perspectives on Barthes's important book. Photography Degree Zero includes essays written soon after Barthes's book appeared as well as more recent rereadings of it, some previously unpublished. The contributors' approaches range from psychoanalytical to Buddhist ; they include a history of Barthes's writings on photography and an account of Camera Lucida and its reception; two views of the book through the lens of race; and a provocative essay by Michael Fried and two responses to it. The variety of perspectives included in Photography Degree Zero, and the focus on Camera Lucida in the context of photography rather than literature or philosophy, serve to reopen a vital conversation on Barthes's influential work. (shrink)

The New Testament (NT) κύριος problem forms part of a larger interconnected network of challenges, which has the divine name Yhwh as the epicentre. To put it plainly, if the term κύριος is an equivalent for the divine name Yhwh and if the term κύριος in the Yhwh sense is applied to Jesus, the implication is that Jesus is put on par with Yhwh. This problem therefore, forms part of a matrix of interconnected issues in a constant push and pull (...) relation. There is no easy way to address this problem, but one must start somewhere. This study will attempt to introduce, illustrate and explain the complexity of the NT κύριος problem to contribute to a deeper understanding of the problem and to appreciate its intricacies. The aim is therefore to illustrate the intricacy of the problem by showing where the NT κύριος problem might have originated and how it evolved. These intricacies will then be pulled into a singular focus made possible by the explicit κύριος citations. These citations, in turn, will be categorised as Theos, Davidic and Jesus speeches and analysed in an attempt to contribute to a possible solution. Contribution: This article fits in well with the contestation of ‘historical thought’ and ‘source interpretation’. It deals with significant religious expressions found in the Hebrew Scriptures (in both the Hebrew and Greek vernacular). It not only interprets these sources, but it also aims to show the history of how these expressions were interpreted, thus, contributing to interdisciplinary discourses. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Renaissance Crisis of ExemplarityFrançois Rigolot“Every example is lame” (Tout exemple cloche), acknowledged Montaigne in the last chapter of his Essais. 1 Was this the moaning of a lone, disillusioned skeptic or the idiosyncratic formulation of a widely shared attitude of mistrust at the end of the sixteenth century? To answer this question one must first examine the epistemological status of examples at the end of the period we (...) still conventionally call the “Renaissance”; and this is the purpose of this group of papers. 2In his work on the notion of exemplum in early modern France and Italy John D. Lyons helped restore the concept of exemplarity to its central place in the history of rhetoric. 3 From Aristotle’s paradeigmata—simple case stories at the orator’s disposal (Rhetoric 1.2. 1356b)—to Montaigne’s “lame” exemples—contingent instances unfit for demonstrative purposes (Essais III, 13, 1070)—the rhetorical impulse has followed strangely circuitous ways. Part of the confusion is probably due to the transformation of technical language under the pressure of common usage. Throughout the early modern period, while the Latin word exemplum continued to refer to rhetorical practice (an illustrative anecdote with a moral point), its vernacular derivatives (esempio, ejemplo, exemple, etc.) generally had a broader, looser, and less didactic meaning, as the emphasis was displaced to the “narrative” aspect of instances, regardless of their intentionality. In other words, although examples were often used to illustrate a didactic point, they differed from exempla inasmuch as they were not always meant to serve a demonstrative purpose.Of course, to the extent that choosing an example necessarily involves some form of selective process from a larger quantity of material, every instance is [End Page 557] bound to entertain a metonymic relation with a greater whole. But, etymologically, an example (essample, in Old French spelling) is a sample, one thing merely alleged to resemble another one, not a demonstrative tool. Yet in his Dictionarie of the French and English Tongues (London, 1611), Randle Cotgrave gave polysemous English equivalents for exemple and exemplaire:Exemple: 1) An example, sample, patterne, or president [sic] to follow; 2) a copie, or counterpane of a writing; 3) one thing alledged to prove, or inforce another that resembles it.Exemplaire: 1) A patterne, sample, or sampler; 2) an example, president [sic] or precedent, for others to follow, or to take heed by; 3) also, the copie, or counterpane of a writing. 4There is an odd mixture of demonstrative and non-demonstrative connotations. The two seemingly interchangeable words receive tripartite definitions, with the three meanings of exemple corresponding to the three of exemplaire.In Renaissance humanistic oratory the evocation of examples was often a simple matter of style. For better elocutory purposes public speakers were encouraged to use graphic case stories to make their speeches more appealing and enjoyable, but orators also used what they called exemplars (Latin exemplaria) to provide their audience with models of conduct to imitate. Worthiness was the ultimate criterion for exemplarity. Cato and Socrates were living symbols of moral determination and courage. They became powerful exemplars of ancient “virtue,” or moral fortitude (Latin virtus; Italian virtù). In the selective process of arguments (inventio), they were chosen because they exemplified a specific attitude or line of conduct: they were, by definition, exemplary examples. 5In the Renaissance the uplifting reading of ancient exemplars was closely related to the doctrine of imitatio, the sacrosanct recourse to inherited cultural models. At the same time the appeal of mimesis, characterized by the actual experience of the real world in reaction to scholastic insularity, greatly problematized the reception of ancient models. Whereas a long-held reverence for the imitative power of traditional exempla offered compelling patterns of moral conduct, the new attractiveness of a more “natural” mimetic discourse [End Page 558] tended to turn the study of models away from duplication. 6 In the face of the inexhaustible diversity and unpredictability of human actions, how can we choose a proper model after which to pattern our own behavior? This is one of the many questions raised by the humanist’s disenchantment with imitative symbols of moral conduct.In recent years the concept... (shrink)

The philosophical problem of the utility andmeaning of essences for chemistry cannot beresolved by Wittgenstein's principle thatessence cannot explain use, because use isdisplayed in a field of family resemblances.The transition of chemical taxonomy fromvernacular and mystical based terms to theorybased terms stabilized as a unified descriptivetaxonomy, removes chemical discourse from itsconnection with the vernacular. The transitioncan be tracked using the Lockean concepts ofreal and nominal essences, and the changingpriorities between them. Analyzing propertiesdispositionally, initiating a search forgroundings strengthens the (...) case for a logicalasymmetry between descriptive and explanatorydiscourses. Taxonomy is now driven byexplanatory concepts, but not including thosefrom quantum chemistry. (shrink)

Notions of human rights as enshrined in international law have become the “idea of our time”; a “dominant moral narrative by which world politics” is organized; and a powerful “discourse of public persuasion.”1 With the rise of human rights discourse, we need to ask, how do protagonists make human rights claims? What sort of resources, techniques, and strategies do they use in order to publicize information about human rights abuses and stipulations set out in international law? With the (...) democratization of mapping practices, various individuals, organizations, and governments are increasingly using maps in order to put forth certain social and political claims. This article draws on the sociology of knowledge, science studies, critical cartography, cultural studies, and anthropological studies of law in order to analyze how various international, Palestinian, and Israeli organizations design maps of the West Bank Barrier in accord with assumptions embedded within international law as part of their political and new media activism. Qualitative sociological methods, such as in-depth interviewing, ethnography, and the collection of cartographic material pertaining to the West Bank Barrier, provide the empirical tools to do so. The maps examined here exemplify how universalistic notions of international law and human rights become a powerful rhetorical tool to make various and often incommensurable social and political claims across different maps. At the same time, international human rights law, rather than dictating local mapping practices, becomes inevitably “vernacularized” and combined with local understandings, cultural preferences, and political concerns. (shrink)

This article proposes that Goffman's "Frame Analysis" can be interpreted as a step toward unpacking the idea of context. His analysis implies a recursive model involving frames within frames. The key problem is that neither Goffman nor anyone else has clearly defined what is meant by a frame. I propose that it can be represented by a word, phrase, or proposition. A subjective context can be represented as an assembly of these items, joined together by operators such as and, since, (...) if, not, and then. Furthermore, this model can be combined with the recursive levels of mutual awareness in earlier approaches to consensus. The combination would represent the inter subjective context: it can be used to find the minimum amount of background that would allow consensual interpretations of discourse. It could also construct a chain that links discourse to the institutional level, the micro-macro pathway from word and gesture to social structure. Goffman hinted that mathematical notation might be used to represent a frame assembly. By adding levels of awareness to such notation, it could represent social facts. Because the use of vernacular words rather than concepts is a problem in social science, Goffman's approach has a general as well as a particular significance. (shrink)

A society and scholarly culture united in its use of one language dominates the general view of Late Imperial China’s sciences. Recent studies have suggested, however, that in the past, as in the present, multilingual practices might have been the norm. Asian-language historians have shown that Chinese script embraced many tongues, intonating the characters in different dialects and giving them new meanings in Japanese, Korean, or Vietnamese. Rather than assuming that a hegemonic approach to language was a given in historical (...) China, this essay suggests that we should ask why—or even if—this was the case, given that scientific knowledge was continuously transmitted to China from other learned traditions (Persian, Indian, European) and that new objects and practices entered Chinese learned discourse from diverse vernacular cultures that flourished on the local level throughout the empire. The essay discusses how to understand scientific and technological developments against changing views of Late Imperial China as a culture enmeshed in plurilingual practices. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Carnap’s Construction of the World. The Aufbau and the Emergence of Logical Empiricism by Alan W. RichardsonRolf GeorgeAlan W. Richardson. Carnap’s Construction of the World. The Aufbau and the Emergence of Logical Empiricism. Cambridge: Cambridge University Press, 1998. Pp. x + 242. Cloth, $49.95.According to the author, the “received view” of Carnap’s Kantian treatise of 1928, Der Logische Aufbau der Welt, promulgated mostly by Quine (10), takes it (...) to be a continuation of Russell’s “external world program,” an attempt at “providing a systematic reduction of empirical discourse generally to discourse involving only sense data” (21). One of Richardson’s aims is to show that this is wrong: while Carnap holds that our knowledge begins in sensation, our “elementary experiences” are not conscious and thus do not obey Russell’s “principle of acquaintance.” While we have no conscious access to the first elements of cognition, logical constructions based on them lead to sense qualities, phenomenal items, and eventually to physical and even cultural objects.These constructions are also meant to solve the problem of objectivity. According to Carnap, individual streams of experience are not comparable at all, but “certain structural properties agree for all streams of experience” (Aufbau §66, 32), a point that Kant had also made: “In the relation between sensations lies something that is generally valid, even though each sensation has only private validity” (Reflection 653).Richardson describes Carnap’s constructions in a couple of well written and accessible chapters (31–91), one of them an overview, the other a discussion of the problem of objectivity. Then comes the “Kantian Problematic,” (92–116), centered on the synthetic a priori. He repeats Michael Friedman’s now familiar but mistaken point that, due to the limitations of Aristotelian logic, Kant could not have formulated simple statements about order structures: “between any two points there lies another” could not be formulated in any logic he knew, and he therefore had to call in pure intuition to handle mathematical constructions. But he could, and in fact did, make just such claims in the vernacular, which was the sole vehicle for the pellucid formulations of the classical theory of the continuum, from Bolzano to Weyerstrass.The next chapter brings us the heart of Richardson’s concerns, which is to establish neo-Kantian antecedents of the Aufbau. There are some biographical details of doubtful merit. The neo-Kantian Bauch is identified as Carnap’s “dissertation director,” and, in a perhaps unconscious slight to Carnap’s intelligence, as “the philosopher from whom Carnap learned what he knew about Kant” (116). Ten years before Carnap had indeed taken a seminar in the Critique of Pure Reason from Bauch, but perusal of the latter’s work does not encourage the thought that he had much to do with the thesis “Der Raum” (1922). In the event, a German ordinarius did not usually have a hand in the construction of a thesis, and often did not even read it. His job was to accept it on behalf of the university. We now know, for example, that Bauch’s teacher Rickert had an assistant evaluate Heidegger’s Habilitationsschrift never reading it himself. (It passed.)Richardson’s reflection on the neo-Kantian project relies mostly on Cassirer. This points to another problem with the Bauch connection. Bauch was a zealous anti-Semite, and did not think much of Cassirer and the Marburg school in general. He gave up the editorship of Kantstudien in 1916 because of the Jewish presence in the Kant Society, and [End Page 179] founded his own group and journal. Carnap nonetheless chose Kantstudien to publish his dissertation, perhaps to put more distance between himself and Bauch. Space does not permit me to cite Bauch’s vicious remarks about Einstein; he could not have guided Carnap through the discussion of physical space in “Der Raum.”I return to Richardson’s reconstruction. According to the neo-Kantian, objective knowledge is found in mathematical physics, not in uninformed experience. He acknowledges that theoretical physics relies on conventions, and that these conventions go beyond mere experience to provide the mathematical structure necessary for objectivity (131). The responses to the problem this poses... (shrink)

In archival footage uploaded online of a concert at the University of the Western Cape in 1988 musician Robbie Jansen declared that the next composition to be performed was named 'Freedom Where Have You Been'.1 Before counting the band in, Jansen offered a short discourse on the meaning of the phrase hoya chibongo. Hearing the Afrikaans hoorie (meaning listen here) in the expression hoya, Jansen proceeded to split up the word chibongo to accentuate chi- as aurally reminiscent of the (...) suffix -tjie that is used in Afrikaans to mark the diminutive. bongo, in this context as Jansen remarked, is the drum, leading Jansen to exclaim that the phrase hoya chibongo means to 'listen to the (small) drum', the drum that is, according to Jansen, 'the truth'. In Jansen's exact words, 'the drum speaks the truth and the drum has always been our language before these funny words that we are speaking now'. Jansen's translation was markedly oral, not only in its expression of speech and languaging but also in its invocation of a historicity through the oral; an oral tradition, for all intents and purposes. In its locatedness in a musically expressive and performative moment, Jansen expressed a duality of sound that exceeds the oral itself: calling attention to how language might be a conduit for the instrument, and how in some sense the drum might speak across time and space. It usefully deepens the often cliché proclamation rehearsed in and out of music studies in particular that music is universal, or that sound might be thought of as a kind of connective tissue that allows a specific sense-making of the social.2 In Jansens invocation of 'before' in his statement about the drum as language, and in debates around the meaning of sound to the social, it is history - or, a representation of pastness - that is called upon to bring about a set of futures where sound mediates the experience of a temporal matrix where truth, or freedom, might be found. What Jansen does/did was not necessarily an act of translation into a local vernacular as it is the blurring of the oral and the aural in a moment that might express the relation between sound, its interpretation, and its social life, obliquely. The truth for Jansen was what the drum expressed; but it was also the drum itself. The oral is aural, as the aural is oral. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Unspoken Word: Negative Theology in Meister Eckhart's German SermonsOliver DaviesBruce Milem. The Unspoken Word: Negative Theology in Meister Eckhart's German Sermons. Washington, D. C.: Catholic University of America Press, 2002. Pp. ix + 192. Cloth, $44.95.Questions of meaning in Meister Eckhart's German sermons have prompted a series of recent studies by scholars interested in the dynamics of language and piety as they emerged in vernacular texts (...) written in Northern Europe in the late Middle Ages. Bruce Milem's book sits within this school of reflection and is to be distinguished by his decision to frame the discussion within the context of a theory of the image, as developed by Eckhart across a number of works. It is this hermeneutic which gives coherence to The Unspoken Word and which allows the author to build an understanding of the role of language in Eckhart's sermons that draws upon Brecht's theory of the Verfremdungseffekt. According to this, alienation of language, or the disruption of its ordinary meanings, acts as its objectification in such a way that the audience is prompted to reflect upon their own situatedness with respect to the meanings which are disclosed within it. Language, or narrative, of this kind acts as a hermeneutic of self-critique and enhanced self-understanding.Milem bases his argument concerning the image on a close reading of just four sermons: 52 (Beati pauperes spiritu), Sermon 2 (Intravit Iesus in quoddam castellum), Sermon 16B (Quasi vas auri solidum) and Sermon 6 (Iusti vivent in aeternum). In these texts, expressed in different ways, he discerns firstly a theoretical outworking of the image as something that is defined by virtue of its relation to its source. The classic discussion of this comes in Sermon 16B with its discourse on a reflection in a mirror, whereby the image is "at one" with its source. But Milem rightly extends this theory to mean that in so far as all created things are images, they can be defined with respect to their relation to their source in God, rather than that of which they are images. But created images can also be defined in terms of their dissimilarity to their source: their incompleteness and temporality. The particular place of the sermon is given with its capacity to enact this condition of the image in ways that make it explicit.Milem argues for the German sermon as "an event" which is at the same time a mode of self-knowing, whereby the self comes to a deeper realisation of its dependence upon the divine at every moment of its being and action. Being ourselves constituted as "image," we are conditioned by the dialectic of likeness and distinction which characterises the relation of all images to the Creator. In our case however this is a state which can be realised in an existential act of reflection as a possibility which is opened up for us by our entry into the very particular, disruptive linguistic world of the sermon. This is an advancement on Walter Haug's notion of the language of the sermon as "transformational" but it adds to it a nice distinction of the status of the human creature as "image" and therefore conditioned by dissimilarity as much as likeness.In The Unspoken Word, Bruce Milem offers us a careful and intelligent analysis of the four sermons as exemplifying a kind of linguistic alienation which serves the end of self-illumination, as we come into a new possession of ourselves as being both intensively "like" God and utterly distinct from Him. This is not merely a cognitive change in us but also an existential one, as Milem's analysis of the theme of justice and human action in Sermon 6 shows. To this extent, his use of the hermeneutic of the image as signaling both likeness and distinction at an existential level usefully opens up new avenues of understanding. To some extent however this trajectory would have been strengthened by taking into account the two areas of inquiry with which Milem chooses not to engage (15-18), namely the relation between the German and Latin works and the question of whether... (shrink)

High-quality education has been considered important for social justice, although what good education means is contested. A project aimed at identifying varieties of conceptions of ethical competence was presented as well as another that focused on a fiction-based approach to ethics education. A multidimensional ethical competence mediated through a multitude of narratives was shown as a strong contribution to EE. The aim was to discuss as to what extent such a multidimensional ethical competence mediated through a multitude of narratives could (...) be understood as powerful knowledge. Sweden, where national tests lately have been understood as a tool to increase achievements, but where an unclear understanding of desired knowledge in EE exists, was the setting. Methodologically, the article drew on Michael Young’s definition of powerful knowledge, a hermeneutic meta-study on the findings of EthiCo concerning conceptions of ethical competence, as well as Mark Tappan’s sociocultural perspective on moral development. These perspectives were brought together to discuss powerful knowledge in EE as a contribution to education for social justice. Whether a multidimensional ethical competence mediated through a multitude of narratives could be understood as powerful knowledge was shown to be dependent on the definition. Whilst Young’s powerful knowledge is restricted to an academic language, Tappan stresses vernacular language as characteristic for a functional moral discourse. One conclusion was the centrality of fiction in EE for the development of moral discourses that transcend reality and shape ‘knowledge of possibilities’ – powerful in the shaping of societal justice. (shrink)