Linked bibliography for the SEP article "History of the Ontology of Art" by Paisley Livingston
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- Abercrombie, Lascelles, 1922, An Essay Towards a Theory of
Art, London: Martin Secker. (Scholar)
- Addison, Joseph, 1712, ‘Pleasures of the Imagination’,
Spectator, nos. 411–421.
[available online.] (Scholar)
- Aldrich, Virgil C., 1963, Philosophy of Art, Englewood Cliffs, NJ: Prentice-Hall. (Scholar)
- Alexander, Samuel, 1925, Art and the Material,
Manchester: The University Press. (Scholar)
- Alward, Peter, 2004, ‘The Spoken Work’, The Journal of Aesthetics and Art Criticism, 62 (4): 331–337. (Scholar)
- Anderson, James, 1985, ‘Musical Kinds’, The British Journal of Aesthetics, 25 (1): 43–49. (Scholar)
- Angier, Tom, 2010, Technē in Aristotle’s Ethics: Crafting the Moral Life, London: Continuum. (Scholar)
- Aquinas, Thomas,1912, Summa Theologica, London: R. & T. Washbourne. (Scholar)
- Aristotle, Metaphysics, in The Complete Works of
Aristotle (Volume 2), Jonathan Barnes (ed.), Princeton: Princeton
University Press, 1984 (6th printing with corrections, 1995); the
passage cited in the text, 1046a36–1046b4, occurs on
p. 1652.
- –––, Nicomachean Ethics, in The
Complete Works of Aristotle (Volume 2), Jonathan Barnes (ed.),
Princeton: Princeton University Press, 1984 (6th printing with
corrections, 1995); the passage cited in the text, 1140a6–1140a11,
occurs on pp. 1799–1800.
- Bachrach, Jay E., 1971, ‘Type and Token and the Identification of a Work of Art’, Philosophy and Phenomenological Research, 31 (3): 415–420. (Scholar)
- Barthes, Roland, 1971, ‘De l’œuvre au
texte’, La Revue d’esthétique, 3,
225–232; trans. ‘From Work to Text’, in Textual
Strategies: Perspectives in Post-Structuralist Criticism,
Josué V. Harari (ed.), Ithaca, NY: Cornell University Press,
1979, 73–81. (Scholar)
- Baxandall, Michael, 1985, Patterns of Intention: On the Historical Explanation of Pictures, New Haven: Yale University Press. (Scholar)
- Beardsley, Monroe C., 1958, Aesthetics: Problems in the Philosophy of Criticism, New York: Harcourt, Brace and Company. (Scholar)
- Beiswanger, George W., 1939, ‘The Esthetic Object and the Work of Art’, Philosophical Review, 48 (6): 587–605. (Scholar)
- Benjamin, Walter, 1936, ‘L’œuvre d’art à
l’époque de sa reproduction mécanisée’,
Zeitschrift für Sozialforschung, 5: 40–66;
‘Das Kunstwerk im Zeitalter seiner technischen
Reproduzierbarkeit’, in Gesammelte Schriften, I:2, Rolf
Tiedemann and Hermann Schweppenhäuser (eds.), Frankfurt am Main,
Suhrkamp, 1980, 431–469; Michael W. Jennings, Brigid Doherty,
and Thomas Y. Levin (eds.), Edmund Jephcott, Rodney Livingstone,
Howard Eiland, et al. (trans.), The Work of Art in the Age of its
Technological Reproducibility and Other Writings on Media,
Cambridge, MA: Harvard University Press, 2008.
- Berall, Nathan, 1951, ‘A Note on Professor Pepper’s
Aesthetic Object’, The Journal of Philosophy, 48 (24):
750–754. (Scholar)
- Blaukopf, Kurt, 1996, Die Ästhetik Bernard Bolzanos, Sankt Augustin: Academia. (Scholar)
- Boas, George, 1937, A Primer for Critics, Baltimore: The Johns Hopkins University Press. (Scholar)
- Bolzano, Bernard, 1849, Über die Eintheilung der
schönen Künste. Eine ästhetische
Abhandlung. Prague: Haase; Untersuchungen zur Grundlegung
der Ästhetik, Dietfried Gerhardus (ed.), Frankfurt am Main:
Athenäeum, 1972, 119–173. (Scholar)
- Borges, Jorge Luis, 1939, ‘Pierre Menard, autor del
Quijote’, Sur, 56: 7–16; trans. ‘Pierre
Menard, Author of the Quixote’, in Ficciones, Andrew
Kerrigan (ed.), New York: Grove Press, 1962, 45–55. (Scholar)
- Cameron, Ross P., 2008, ‘There are No Things that Are Musical Works’, The British Journal of Aesthetics, 48 (3): 295–314. (Scholar)
- Caplan, Ben, and Carl Matheson, 2004, ‘Can a Musical Work be Created?’, The British Journal of Aesthetics, 44 (2): 113–134. (Scholar)
- Collingwood, Robin George, 1925, Outlines of a Philosophy of Art, London: Oxford University Press, H. Milford. (Scholar)
- –––, 1938, The Principles of Art,
Oxford: Clarendon. (Scholar)
- Conrad, Waldemar, 1908–9, ‘Der ästhetische Gegenstand: eine phänomenologische Studie’, Zeitschrift für Ästhetik und allegemeine Kunstwissenschaft, 3 (1): 71–118, 3 (4): 469–511; 4 (3): 400–455. (Scholar)
- Cox, Renée, 1985, ‘Are Musical Works Discovered?’, The Journal of Aesthetics and Art Criticism, 43 (4): 367–374. (Scholar)
- Croce, Benedetto, 1902, L’Estetica come scienza
dell’espressione e linguistica generale: Teoria e storia, Bari:
G. Laterza e figli; Colin Lyas (trans.), The Aesthetic as the
Science of Expression and of the Linguistic in General,
Cambridge: Cambridge University Press, 1992.
- –––, 1913, Breviario di estetica,
Bari: G. Laterza e figli; Patrick Romanell (trans.), Guide to
Aesthetics, Indianapolis: Bobbs-Merrill, 1965. (Scholar)
- –––, 1948, ‘On the Aesthetics of
Dewey’, The Journal of Aesthetics and Art Criticism, 6
(3): 203–207. (Scholar)
- Currie, Gregory, 1989, An Ontology of Art, London: Macmillan. (Scholar)
- –––, 1998, 2010, ‘Art works, ontology
of’, in The Routledge Encyclopedia of Philosophy,
Edward Craig (ed.), London: Routledge. (Scholar)
- Danto, Arthur, 1964, ‘The Artworld’, The Journal of Philosophy, 61 (19): 571–584. (Scholar)
- –––, 1976, ‘An Answer or Two for Sparshott’, The Journal of Aesthetics and Art Criticism, 35 (1): 80–82. (Scholar)
- –––, 1981, The Transfiguration of the Commonplace: A Philosophy of Art, Cambridge, MA: Harvard University Press. (Scholar)
- –––, 1993, ‘Responses and Replies’, in Danto and His Critics, Mark Rollins (ed.), Oxford: Blackwell, 193–216. (Scholar)
- Davies, David, 1991, ‘Text, Context, and Character: Goodman
on the Literary Artwork’, Canadian Journal of
Philosophy, 21: 331–345. (Scholar)
- –––, 2004, Art as Performance, Malden, MA: Blackwell. (Scholar)
- –––, 2005, ‘Reperforming and Reforming Art as Performance: Responses’, Acta Analytica, 20: 64–90. (Scholar)
- –––, 2008, ‘Collingwood’s
“Performance” Theory of Art’, The British
Journal of Aesthetics, 48 (2): 162–174. (Scholar)
- –––, 2009a, ‘The Primacy of Practice in the Ontology of Art’, The Journal of Aesthetics and Art Criticism, 67 (2): 159–171. (Scholar)
- –––, 2009b, ‘Dodd on the
“Audibility” of Musical Works’, The British
Journal of Aesthetics, 49 (2): 99–108. (Scholar)
- –––, 2011, Philosophy of the Performing Arts, Malden, MA: Wiley-Blackwell. (Scholar)
- –––, 2012, ‘What Type of
“Type” is a Film?’, in Art and Abstract
Objects, Christy Mag Uidhir (ed.), Oxford: Oxford University
Press, 263–283. (Scholar)
- Davies, Stephen, 1993, Musical Works and Performances: A Philosophical Exploration, Oxford: Oxford University Press. (Scholar)
- –––, 2003a, ‘Ontology of Art’, in The Oxford Handbook of Aesthetics, Jerrold Levinson (ed.), Oxford: Oxford University Press, 155–180. (Scholar)
- –––, 2003b, Themes in the Philosophy of Music, Oxford: Oxford University Press. (Scholar)
- –––, 2008, ‘Musical Works and Orchestral Colour’, The British Journal of Aesthetics, 48 (4): 363–375. (Scholar)
- De Clercq, Rafael, 2008, ‘Lopes on the Ontology of Japanese Shrines’, The Journal of Aesthetics and Art Criticism, 66 (2): 193–194. (Scholar)
- Dewey, John, 1934, Art as Experience, New York: Minton, Balch. (Scholar)
- Dilworth, John, 2005a, The Double Content of Art, Amherst, NY: Prometheus. (Scholar)
- –––, 2005b, Review of David Davies, Art as
Performance, The Journal of Aesthetics and Art
Criticism, 63 (1): 77–80. (Scholar)
- Dodd, Julian, 2000, ‘Musical Works as Eternal Types’, The British Journal of Aesthetics, 40 (4): 424–440. (Scholar)
- –––, 2007, Works of Music: An Essay in Ontology, Oxford: Oxford University Press. (Scholar)
- –––, 2010, ‘Confessions of an Unrepentant Timbral Sonicist’, The British Journal of Aesthetics, 50 (1): 363–375. (Scholar)
- Donagan, Alan, 1972, ‘Collingwood’s Debt to
Croce’, Mind, 81 (322): 265–266. (Scholar)
- Dutton, Denis, 1979, ‘Artistic Crimes’, The British Journal of Aesthetics, 19 (4): 302–314. (Scholar)
- Eaton, Marcia, 1969, ‘Art, Artifacts, and Intentions’, American Philosophical Quarterly, 6 (2): 165–169. (Scholar)
- Eco, Umberto, 1988 [1956, 1970], The Aesthetics of Thomas Aquinas, Hugh Bredin (trans.), Cambridge, MA: Harvard University Press. (Scholar)
- Ehrenfels, Christian von, 1986 [1896–1899],
‘Ästhetische Vorlesungen’,
in Ästhetik. Philosophische Schriften, vol. 2, Reinhard
Fabian (ed.), Munich and Vienna: Philosophia, 261–428. (Scholar)
- Else, Gerald, 1957, Aristotle’s Poetics: The Argument,
Cambridge, MA: Harvard University Press. (Scholar)
- Evnine, Simon, 2009, ‘Constitution and Qua Objects in the Ontology of Music’, The British Journal of Aesthetics, 49 (3): 203–217. (Scholar)
- –––, 2016, Making Objects and Events: A Hylomorphic Theory of Artifacts, Actions, & Organisms, Oxford: Oxford University Press. (Scholar)
- Fisher, John Andrew, 1991, ‘Discovery, Creation, and Musical Works’, The Journal of Aesthetics and Art Criticism, 49 (2): 129–136. (Scholar)
- Focillon, Henri, 1934, Vie des formes, Paris: E. Leroux. (Scholar)
- Genette, Gérard, 1994, L’Œuvre de
l’art (Volume 1: Immanence et transcendance),
Paris: Seuil; G.M. Goshgarian (trans.), The Work of Art,
Ithaca, NY: Cornell University Press, 1997.
- –––, 1997, L’Œuvre de
l’art (Volume 2: La relation esthétique,
Paris: Seuil; G.M. Goshgarian (trans.), The Aesthetic
Relation, Ithaca, NY: Cornell University Press, 1999.
- Gilson, Étienne, 1957, Painting and Reality, Princeton: Princeton University Press. (Scholar)
- Goodhart-Rendel, H. S., 1934, Fine Art, Oxford: Clarendon. (Scholar)
- Goodman, Nelson, 1968, Languages of Art: An Approach to a Theory of Symbols, Indianapolis: Bobbs-Merrill. (Scholar)
- –––, 1978, ‘Comments on Wollheim’s
Paper’, Ratio, 20: 49–51. (Scholar)
- –––, and Catherine Z. Elgin, 1988, ‘Can
the Work Survive the World?’, in Reconceptions in Philosophy
and Other Arts and Sciences, Indianapolis: Hackett,
49–65. (Scholar)
- Gracyk, Theodore, 2009, ‘Ontological Contextualism’,
in
A Companion to Aesthetics, 2nd edn., Stephen Davies et al.
(eds.), Malden, MA: Wiley-Blackwell, 449–453. (Scholar)
- Guyer, Paul, 1997, ‘From Jupiter’s Eagle to Warhol’s Boxes:
The Concept of Art from Kant to Danto’,
Philosophical Studies, 25 (1): 83–116. (Scholar)
- Hampshire, Stuart, 1952, ‘Logic and Appreciation’,
The World Review, 44 (October): 36–40, reprinted in
Aesthetics and Language, William Elton (ed.), Oxford: Basil
Blackwell, 1954, 161–169. (Scholar)
- Hanfling, Oswald, 1992, ‘The Ontology of Art’, in
Philosophical Aesthetics: An Introduction, Oswald Hanfling
(ed.), Oxford: Blackwell, Open University, 75–110. (Scholar)
- Harrison, Andrew, 1967–68, ‘Works of Art and Other
Cultural Objects’, Proceedings of the Aristotelian
Society, 68: 105–128. (Scholar)
- Harrison, Nigel, 1975, ‘Types, Tokens, and the Identity of the Musical Work’, British Journal of Aesthetics, 15 (4): 336–346. (Scholar)
- Hartmann, Eduard von, 1888, Ästhetik. Philosophie des
Schönen, 2nd edn., 2 vols., Leipzig: Wilhelm
Friedrich. (Scholar)
- Hartmann, Nicolai, 1927, ‘Über die Stellung der
ästhetischen Werte im Reich der Werte überhaupt’, in
Proceedings of the Sixth International Congress of Philosophy,
Edgar Sheffield Brightman (ed.), New York: Longmans, Green, and
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- –––, 1933, Das problem des geistigen Seins, Berlin: Walter de Gruyter. (Scholar)
- –––, 1953, Ästhetik, Berlin: De
Gruyter.
- Hazlett, Allan, 2012, ‘Against Repeatable Artworks’,
in Art and Abstract Objects, Christy Mag Uidhir (ed.),
Oxford: Oxford University Press, 161–178. (Scholar)
- Hein, Hilde, 1959, ‘Intermittent Existence and the Identity of Works of Art’, Review of Metaphysics, 12 (4): 633–638. (Scholar)
- Henze, Donald F., 1957, ‘The Work of Art’, The Journal of Philosophy, 54 (14): 429–442. (Scholar)
- –––, 1961, ‘The “Look” of a
Work of Art’, The Philosophical Quarterly, 11 (45):
360–365. (Scholar)
- Hick, Darren Hudson, 2011, ‘Toward an Ontology of Authored Works’, The British Journal of Aesthetics, 51 (2): 185–199. (Scholar)
- Hilpinen, Risto, 1992, ‘On Artifacts and Works of Art’, Theoria, 58 (1): 58–82. (Scholar)
- –––, 1993, ‘Authors and Artifacts’, Proceedings of the Aristotelian Society, 93: 155–178. (Scholar)
- Hoffman, Robert, 1962, ‘Conjectures and Refutations on the Ontological Status of the Work of Art’, Mind, 71 (284): 512–520. (Scholar)
- Howell, Robert, 2002a, ‘Types, Indicated and Initiated’, The British Journal of Aesthetics, 42 (2): 105–127. (Scholar)
- –––, 2002b, ‘Ontology and the Nature of the Literary Work’, The Journal of Aesthetics and Art Criticism, 60 (1): 67–79. (Scholar)
- Ingarden, Roman, 1931, Das literarische Kunstwerk: Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft, Halle: Max Niemeyer; George G. Grobowicz (trans.), The Literary Work of Art, Evanston, IL: Northwestern University Press, 1973. (Scholar)
- –––, 1962, Untersuchungen zur Ontologie der Kunst: Musikwerk, Bild, Architektur, Film, Tübingen: Max Niemeyer; Raymond Meyer with John T. Goldthwait (trans.), The Ontology of the Work of Art, Athens, OH: Ohio University Press, 1989. (Scholar)
- Irvin, Sherri, 2008, ‘The Ontological Diversity of Visual Artworks’, in New Waves in Aesthetics, Kathleen Stock and Katherine Thomson-Jones (eds.), Houndmills: Palgrave Macmillan, 1–19. (Scholar)
- Iseminger, Gary, 1973, ‘The Work of Art as Artifact’, The British Journal of Aesthetics, 13 (1): 3–15. (Scholar)
- Janaway, Christopher, 1992, ‘Borges and Danto: A Reply to Michael Wreen’, The British Journal of Aesthetics, 32 (1): 72–76. (Scholar)
- Jarrett, James L., 1952, ‘More on Professor Pepper’s Theory
of the Aesthetic Object’, The Journal of Philosophy, 49
(14): 475–478. (Scholar)
- Joad, C.E.M, 1936, Guide to Philosophy, London: Victor Gollancz. (Scholar)
- Kania, Andrew, 2005, Review of David Davies, Art as Performance, Mind, 114 (453): 137–141. (Scholar)
- –––, 2008a, ‘New Waves in Musical Ontology’, in New Waves in Aesthetics, Kathleen Stock and Katherine Thomson-Jones (eds.), Houndmills: Palgrave Macmillan, 20–40. (Scholar)
- –––, 2008b, Review of J. Dodd, Works of
Music, The Journal of Aesthetics and Art Criticism, 66
(2): 201–203. (Scholar)
- –––, 2012, ‘Platonism vs. Nominalism in Contemporary Musical Ontology’, in Art and Abstract Objects, Christy Mag Uidhir (ed.), Oxford: Oxford University Press, 197–222. (Scholar)
- Kant, Immanuel, 1902 [1790], Kritik der Urteilskraft. Kants
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the Power of Judgment, Cambridge: Cambridge University Press,
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- Khatchadourian, Haig, 1960, ‘Works of Art and Physical
Reality’, Ratio, 2 (2): 148–161. (Scholar)
- Kim, Jaegwon, 1976, ‘Events as Property Exemplifications’, in Myles Brand and Douglas Walton (eds.), Action Theory, Dordrecht: Reidel, 159–177. (Scholar)
- Kivy, Peter, 1983, ‘Platonism in Music: A Kind of Defense’, Grazer Philosophische Studien, 19: 109–129. (Scholar)
- –––, 1987, ‘Platonism in Music: Another Kind of Defense’, American Philosophical Quarterly, 24 (3): 245–252. (Scholar)
- Köstlin, Karl, 1869, Ästhetik, Tübingen:
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- Kot’átko, Petr, and Karel Císař (eds.),
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- Lamarque, Peter V., 1998, ‘Aesthetic Value, Experience, and Indiscernibles’, Nordisk estetisk tidskrift, 17: 61–78. (Scholar)
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- Lange, Carl Georg, 1899, Bidrag til Nydelsernes
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- Lange, Konrad von, 1895, Die bewusste Selbsttäuschung als
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- –––, 1901, Das Wesen der Kunst,
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- –––, 1912, ‘Der Zweck der Kunst’, Zeitschrift für Ästhetik und allegemeine Kunstwissenschaft, 7 (2): 177–193. (Scholar)
- –––, 1935, ‘Art as Play’, Max
Schertel and Melvin M. Rader (trans.), in A Modern Book of
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Holt and Company, 6–36. (Scholar)
- Leon, P., 1931, ‘The Work of Art and the Aesthetic Object’, Mind, 40 (159): 285–296. (Scholar)
- Levinson, Jerrold, 1980a, ‘What a Musical Work Is’, The Journal of Philosophy, 70 (1): 5–28. (Scholar)
- –––, 1980b, ‘Autographic and Allographic Art Revisited’, Philosophical Studies, 38 (4): 367–383. (Scholar)
- –––, 1987, ‘Zemach on Paintings’, The British Journal of Aesthetics, 27 (3): 278–283. (Scholar)
- –––, 1990, ‘What a Musical Work Is, Again’, in Music, Art, and Metaphysics, Ithaca, NY: Cornell University Press, 215–263. (Scholar)
- –––, 1992, Critical Notice of Gregory
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- –––, 1996, ‘The Work of Visual
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- –––, 2000, Review of Roger Scruton, The Aesthetics of Music, The Philosophical Review, 109 (4): 608–614. (Scholar)
- –––, 2005, ‘Contextualisme esthétique’, Philosophiques, 32 (1): 125–133; ‘Aesthetic Contextualism’ in The Postgraduate Journal of Aesthetics, 4:3 (2007): 1–12. (Scholar)
- –––, 2007, ‘Artworks as Artifacts’, in Creations of the Mind: Theories of Artifacts and Their Representation, Eric Margolis and Stephen Laurence (eds.), Oxford: Oxford University Press, 74–84. (Scholar)
- –––, 2012, ‘Indication, Abstraction, and Individuation’, in Art and Abstract Objects, Christy Mag Uidhir (ed.), Oxford: Oxford University Press, 49–61. (Scholar)
- Lewis, C.I., 1946, An Analysis of Knowledge and Valuation, La Salle, IL: Open Court. (Scholar)
- Lewis, David K., 1978, ‘Truth in Fiction’, American Philosophical Quarterly, 15 (1): 37–46. (Scholar)
- Livingston, Paisley, 2005a, Art and Intention: A Philosophical Study, Oxford: Clarendon. (Scholar)
- –––, 2005b, ‘L’ontologie et la valeur
artistique’, Philosophiques, 31 (1): 224–228.
- –––, 2012, ‘Itérabilité et
ontologie de l’art’, in La Pensée esthétique
de Gérard Genette, Joseph Delaplace, Pierre-Henry Frangne,
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- –––, 2013, ‘On Cinematic Genius: Ontology and Appreciation’, Philosophy and the Arts, Royal Institute of Philosophy Supplement, 71, Anthony O’Hear (ed.), Cambridge: Cambridge University Press, 85–104. (Scholar)
- –––, 2016, ‘Bolzano on Art’, The British Journal of Aesthetics, 56 (4): 335–345. (Scholar)
- –––, and Mikael Pettersson, 2016, ‘Thought Experiments in Aesthetics’, in Companion to Applied Philosophy, Kasper Lippert Rasmussen, Kimberley Brownlee, and David Coady (eds.), Malden, MA: Wiley-Blackwell, 501–513. (Scholar)
- Lopes, Dominic McIver, 2007, ‘Shikinen Sengu and
the Ontology of Architecture in Japan’, The Journal of
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- –––, 2008, ‘Reference, Ontology, and Architecture: Response to Rafael De Clercq’, The Journal of Aesthetics and Art Criticism, 66 (2): 194–196. (Scholar)
- Lord, Catherine, 1977, ‘A Kripkean Approach to the Identity of a Work of Art’, The Journal of Aesthetics and Art Criticism, 36 (2): 147–153. (Scholar)
- Lotze, Hermann, 1884, Grundzüge der Aesthetik, Leipzig: G. Hirzel. (Scholar)
- Lowe, E. J., 1983, ‘On the Identity of Artifacts’, The Journal of Philosophy, 80 (4): 220–232. (Scholar)
- MacDonald, Margaret, 1952–1953, ‘Art and Imagination’, Proceedings of the Aristotelian Society, 53: 205–226. (Scholar)
- Maitland, Jeffrey, 1975, ‘Identity, Ontology, and the Work of Art’, Southwestern Journal of Philosophy, 6 (3): 181–196. (Scholar)
- Margolis, Joseph, 1958, ‘The Mode of Existence of a Work of Art’, Review of Metaphysics, 12 (1): 26–34. (Scholar)
- –––, 1959, ‘The Identity of a Work of Art’, Mind, 68: 34–50. (Scholar)
- –––, 1961, ‘Rejoinder to W. D. L. Scobie on the Identity of a Work of Art’, Mind, 70 (280): 544–546. (Scholar)
- –––, 1998, ‘The Historical Ontology of
Art’, in Encyclopedia of Aesthetics (Volume 3), Michael
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- Matheson, Carl, and Ben Caplan, 2006, ‘Defending Musical Perdurantism’, The British Journal of Aesthetics, 46 (1): 59–69. (Scholar)
- –––, 2007, ‘Fine Individuation’, The British Journal of Aesthetics, 47 (2): 113–147. (Scholar)
- –––, 2008, ‘Modality, Individuation and the Ontology of Art’, Canadian Journal of Philosophy, 38 (4): 491–518. (Scholar)
- –––, 2011, ‘Ontology’, in The Routledge Companion to Philosophy and Music, Theodore Gracyk and Andrew Kania (eds.), London: Routledge, 38–47. (Scholar)
- Meager, Ruby, 1958–59, ‘The Uniqueness of a Work of Art’, Proceedings of the Aristotelian Society, 59: 49–70. (Scholar)
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- Morizot, Jacques, 1999, Sur le problème Borges,
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- Nussbaum, Charles, 2003, ‘Kinds, Types, and Musical Ontology’, The Journal of Aesthetics and Art Criticism, 61 (3): 273–291. (Scholar)
- O’Hear, Anthony, 1995, ‘Art and Technology: An Old Tension’, in Philosophy and Technology, Roger Fellows (ed.), Cambridge: Cambridge University Press, 1995, 143–158. (Scholar)
- Osborne, Harold, 1953, Theory of Beauty: An Introduction to Aesthetics, London: Routledge and Kegan Paul. (Scholar)
- Ostertag, Gary, 2012, ‘Critical Study. Julian
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- Peirce, Charles Sanders, 1931–1958, Collected Papers of Charles Sanders Peirce, Charles Hartshorne and Paul Weiss (eds.), Cambridge, MA: Harvard University Press. (Scholar)
- Pepper, Stephen C., 1937a, Aesthetic Quality: A Contextualist Theory of Beauty, New York: Charles Scribner and Sons. (Scholar)
- –––, 1937b, ‘The Individuality of a Work
of Art’,
University of California Publications in Philosophy, 20,
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- –––, 1946, The Basis of Criticism in the Arts, Cambridge. MA: Harvard University Press. (Scholar)
- –––, 1952, ‘Further Consideration of the Aesthetic Work of Art’, The Journal of Philosophy, 49 (8): 274–279. (Scholar)
- –––, 1955, The Work of Art, Bloomington: Indiana University Press. (Scholar)
- –––, 1965, ‘The Work of Art Described from a Double Dispositional Base’, The Journal of Aesthetics and Art Criticism, 23 (2): 421–427. (Scholar)
- –––, 1968, ‘The Development of
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- –––, 1970, ‘Autobiography of an Aesthetics’, The Journal of Aesthetics and Art Criticism, 28 (3): 275–286. (Scholar)
- Perry, John, 1974, Review of On Universals: An Essay in
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- Pillow, Kirk, 2003, ‘Did Goodman’s Distinction Survive
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- Pouivet, Roger, 2000, L’ontologie de l’œuvre
d’art, Nîmes: J. Chambon; 2nd edition, Paris:
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