Linked bibliography for the SEP article "Collingwood’s Aesthetics" by Gary Kemp
This is an automatically generated and experimental page
If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.
This experiment has been authorized by the editors of the Stanford Encyclopedia of Philosophy. The original article and bibliography can be found here.
Primary Literature
For a more complete bibliography of Collingwood’s writings, see
the Bibliography in the entry on
Collingwood.
- Collingwood, R. G., 1938, The Principles of Art, London: Oxford University Press. (Scholar)
- Collingwood, R. G., 1925, Outline of a Philosophy of Art, London: Oxford University Press. (Scholar)
- Croce, B., 1922, Aesthetic: As science of expression and general lingustic, D. Ainslie (trans.) Revised edition. New York: Macmillan. (Scholar)
Secondary Literature
- Allen, R., 1993, “Mounce and Collingwood on Art and Craft”, British Journal of Aesthetics, 33(2): 173–176. (Scholar)
- Anderson, D. R. and C. Hausman, 1992, “The Role of Aesthetic
Emotion in R G Collingwood’s Conception of Creative
Activity”, Journal of Aesthetics and Art Criticism,
50(4): 299–305. (Scholar)
- Burgin, G., 2015, “Danto’s error”,
Philosophy in the Contemporary World, 22(1):
37–49. (Scholar)
- Davidson, D., 2001, Subjective, Intersubjective, Objective, Oxford: Oxford University Press. (Scholar)
- Davies, D., 2008, “Collingwood’s
‘Performance’ Theory Of Art”, The British
Journal of Aesthetics, 48(2): 162–174. (Scholar)
- Dilworth, J., 1998, “Is Ridley Charitable to Collingwood?”, The Journal of Aesthetics and Art Criticism, 56(4): 393–396. (Scholar)
- –––, 2004, “Artistic Expression as Interpretation”, British Journal of Aesthetics, 44(1): 10–28. (Scholar)
- Dönmez, D., 2015, “Collingwood and Art Proper: From Idealism to Consistency”, Estetika: The Central European Journal of Aesthetics, 52(2): 152–164. (Scholar)
- Ducasse, C. J., 1929, The Philosophy of Art, New York: Dial. (Scholar)
- Grant, J., 1987, “On Reading Collingwood's Principles of Art”, The Journal of Aesthetics and Art Criticism, 46(2): 239–248. (Scholar)
- Guyer, P., 2018, “Re-enactment, Reconstruction and the Freedom of the Imagination: Collingwood on History and Art”, British Journal for the History of Philosophy, 26(4): 738–758. (Scholar)
- Hausman, C., 1998, “Aaron Ridley’s Defence of
Collingwood Pursued”, The Journal of Aesthetics and Art
Criticism, 56(4): 391–393. (Scholar)
- Hopkins, R., 2017, “Imaginative Understanding, Affective Profiles, and the Expression of Emotion in Art”, Journal of Aesthetics and Art Criticism, 75(4): 363–374. (Scholar)
- Hospers, J., 1954, “The Concept of Artistic
Expression”, Proceedings of the Aristotelian Society,
55: 313–44. (Scholar)
- Kemp, G., 2003, “The Croce-Collingwood Theory as Theory”, The Journal of Aesthetics and Art Criticism, 61(2): 171–193. (Scholar)
- –––, 2012, “Art as Expression: Croce and
Collingwood”, in A. Giovanelli (ed.), Aesthetics, The Key
Thinkers, London: Continuum. (Scholar)
- Kobayashi, C., 2008, “British Idealist Aesthetics, Collingwood, Wollheim, and the Origin of Analytic Aesthetics”, Baltic International Yearbook of Cognition, Logic and Communications (Volume 4), Riga: University of Latvia. (Scholar)
- Lord, T., 2011, “Anti-realism in R.G. Collingwood’s
Theory of Art as Imagination”, Idealistic Studies,
41(1–2): 45–54. (Scholar)
- Witsher, N., 2018, “Feeling, Emotion and Imagination: In
Defence of Collingwood’s Expression Theory of Art”,
British Journal for the History of Philosophy, 26(4):
759–781. (Scholar)
- Ridley, A., 1997, “Not Ideal: Collingwood’s Expression
Theory”, The Journal of Aesthetics and Art Criticism,
55(3): 263–272. (Scholar)
- –––, 1998a, R.G. Collingwood: A Philosophy of Art, London: Phoenix. (Scholar)
- –––, 1998b, “Collingwood’s Commitments: A Reply to Hausman and Dilworth”, The Journal of Aesthetics and Art Criticism, 56(4): 396–398. (Scholar)
- –––, 2002, “Congratulations, it’s a
Tragedy: Collingwood’s Remarks on Genre”, British
Journal of Aesthetics, 42(1): 52–63. (Scholar)
- Wertz, S., 1995, “The Role of Practice in
Collingwood’s Theory of Art”, Southwest Philosophy
Review: The Journal of The Southwestern Philosophical Society,
11(1): 143–150. (Scholar)
- Winchester, I., 2004, “Collingwood’s Notion of a Work
of Art”, Collingwood and British Idealism Studies, 10:
62–70. (Scholar)
- Wittgenstein, L., 1953, Philosophical Investigations, R. Rhees (ed.), G. E. M. Anscombe (trans.), Oxford: Blackwell. (Scholar)
- Wollheim, R., 1972, “On on Alleged Inconsistency in
Collingwood’s Aesthetics”, in Critical Essays on the
Philosophy of R.G. Collingwood, M. Krausz (ed.), Oxford: Oxford
University Press. (Scholar)
- –––, 1980, Art and Its Objects, 2nd edition, Cambridge: Cambridge University Press. (Scholar)