Linked bibliography for the SEP article "Feminist Aesthetics" by Carolyn Korsmeyer |
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If everything goes well, this page should display the bibliography of the aforementioned article as it appears in the Stanford Encyclopedia of Philosophy, but with links added to PhilPapers records and Google Scholar for your convenience. Some bibliographies are not going to be represented correctly or fully up to date. In general, bibliographies of recent works are going to be much better linked than bibliographies of primary literature and older works. Entries with PhilPapers records have links on their titles. A green link indicates that the item is available online at least partially.
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- Armstrong, Carol and Catherine de Zegher, eds. (2006). Women Artists at the Millennium, Cambridge MA: MIT Press. (Scholar)
- Armstrong, Meg. (1996). “'The Effects of Blackness': Gender, Race, and the Sublime in Aesthetic Theories of Burke and Kant,” Journal of Aesthetics and Art Criticism, 54: 213–36. (Scholar)
- Banes, Sally. (1998). Dancing Women: Female Bodies on Stage, London: Routledge. (Scholar)
- Battersby, Christine. (1989). Gender and Genius: Towards a Feminist Aesthetics, Bloomington: Indiana University Press. (Scholar)
- –––. (1998). The Phenomenal Woman: Feminist Metaphysics and the Patterns of Identity, New York: Routledge. (Scholar)
- –––. (2007). The Sublime, Terror and Human Difference, London: Routledge. (Scholar)
- Beauvoir, Simone de. (1949/2011). The Second Sex, Constance Borde and Sheila Malovany-Chevallier (trans.), New York: Vintage Books. (Scholar)
- Bindman, David. (2002). Ape to Apollo: Aesthetics and the Idea of Race in the 18th Century, Ithaca: Cornell University Press. (Scholar)
- Brand, Peg Zeglin, ed. (2000). Beauty Matters, Bloomington: Indiana University Press. (Scholar)
- –––. ed. (2013). Beauty Unlimited, Bloomington: Indiana University Press. (Scholar)
- Brand, Peg and Mary Devereaux, eds. (2003). Women, Art, and Aesthetics, Special issue of Hypatia, 18(4). (Scholar)
- Brand, Peg and Paula Granger. (2011). “The Aesthetics of Childbirth,” Philosophical Inquiries into Pregnancy, Childbirth, and Mothering: Maternal Subjects, Sheila Lintott and Maureen Sander-Staudt (eds.), New York: Routledge, 215-36. (Scholar)
- Brand, Peggy Zeglin and Carolyn Korsmeyer. Eds. (1995). Feminism and Tradition in Aesthetics, University Park, PA: Pennsylvania State University Press. (Scholar)
- Burke, Edmund. (1757/1968). A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, ed. James T. Boulton. Notre Dame: University of Notre Dame Press. (Scholar)
- Butler, Judith. (1993). Bodies That Matter: On the Discursive Limits of “Sex,”, New York: Routledge. (Scholar)
- –––. (1990). Gender Trouble: Feminism and the Subversion of Identity, New York: Routledge. (Scholar)
- Campbell, Sue. (1997). Interpreting the Personal: Expression and the Formation of Feelings, Ithaca: Cornell University Press. (Scholar)
- Carroll, Noël. (1995). “The Image of Women in Film: A Defense of a Paradigm,” Feminism and Tradition in Aesthetics, Peggy Zeglin Brand and Carolyn Korsmeyer (eds.), University Park, PA: Pennsylvania State University Press, 371–391. (Scholar)
- –––. (2000). Theories of Art Today, Madison: University of Wisconsin Press. (Scholar)
- Chadwick, Whitney. (1990). Women, Art, and Society, London: Thames and Hudson, Ltd. (Scholar)
- Chanter, Tina. (2008). The Picture of Abjection: Film, Fetish, and the Nature of Difference, Bloomington: Indiana University Press. (Scholar)
- Chicago, Judy and Edward Lucie-Smith. (1999). Women and Art: Contested Territory., New York: Watson-Guptill. (Scholar)
- Citron, Marcia J. (1993). Gender and the Musical Canon. Cambridge: Cambridge University Press. (Scholar)
- Cixous, Hélène. (1975/1981). “The Laugh of the Medusa,” trans. Keith Cohen and Paula Cohen. New French Feminisms, Elaine Marks and Isabelle de Courivron (eds.), New York: Schocken. (Scholar)
- Copjec, Joan. (2002). Imagine There's No Woman: Ethics and Sublimation, Cambridge, MA: MIT Press. (Scholar)
- Creed, Barbara. (1993). The Monstrous Feminine: Film, Feminism, Psychoanalysis, London: Routledge. (Scholar)
- Curran, Angela. (1998). “Feminism and the Narrative Structures of the Poetics,” Feminist Interpretations of Aristotle, Cynthia Freeland (ed.), University Park, Pa: Pennsylvania State University Press, pp. 289–326. (Scholar)
- Danto, Arthur. (1981), The Transfiguration of the Commonplace: A Philosophy of Art, Cambridge, MA: Harvard University Press. (Scholar)
- –––. (2003). The Abuse of Beauty: Aesthetics and the Concept of Art, Chicago: Open Court. (Scholar)
- Davies, Stephen. (1991). Definitions of Art, Ithaca: Cornell University Press. (Scholar)
- Deepwell, Katy. (2013). “Beauty and Its Shadow: A Feminist Critique of Disinterestedness,” Feminist Aesthetics and Philosophy of Art: The Power of Critical Visions and Creative Engagement, L. Ryan Musgrave (ed.), New York: Springer. (Scholar)
- Devereaux, Mary. (2003). “Feminist Aesthetics,” The Oxford Handbook of Aesthetics, Jerrold Levinson (ed.), New York: Oxford University Press, pp. 647–666. (Scholar)
- –––. (1998) “Autonomy and its Feminist Critics,” Encyclopedia of Aesthetics (Volume 1), Michael Kelly (ed.), New York: Oxford University Press, 179–182. (Scholar)
- –––. (1995). “Oppressive Texts, Resisting Readers, and the Gendered Spectator,” Feminism and Tradition in Aesthetics, Peggy Zeglin Brand and Carolyn Korsmeyer (eds.), University Park, Pa: Pennsylvania State University Press, pp. 121–41. (Scholar)
- –––. (2013). “Is Medical Aesthetics Really Medical?” Beauty Unlimited, Peg Zeglin Brand, ed. Bloomington: Indiana University Press, 175–91. (Scholar)
- Dickie, George. (1996). The Century of Taste: The Philosophical Odyssey of Taste in the Eighteenth Century, New York: Oxford University Press. (Scholar)
- Doane, Mary Ann. (1991). Femmes Fatales: Feminism, Film Theory, Psychoanalysis, New York: Routledge. (Scholar)
- Duran, Jane. (2007). Woman, Literature and Philosophy, Hampshire UK: Ashgate Publishing. (Scholar)
- Eaton, Anne. (2005). “Feminist Aesthetics and Criticism,” Encyclopedia of Philosophy, 2nd ed., London: Macmillan. (Scholar)
- –––. (2008). “Feminist Philosophy of Art,” Philosophy Compass, 3(4). (Scholar)
- –––. (2009). “Feminist Standpoint Aesthetics,”A Companion to Aesthetics, S. Davies et al, eds. Malden, MA: Wiley-Blackwell. (Scholar)
- –––. (2013a). “What's Wrong with the Female Nude?” Art and Pornography: Philosophical Essays, Jerrold Levinson and Hans Maes (eds.), New York: Oxford University Press. (Scholar)
- –––. (2013b). “Why Feminists Shouldn't Deny Disinterestedness,” Feminist Aesthetics and Philosophy of Art: The Power of Critical Visions and Creative Engagement, L. Ryan Musgrave (ed.), New York: Springer. (Scholar)
- Ecker, Gisela, ed. (1986). Feminist Aesthetics, Harriet Anderson (trans.), Boston: Beacon Press. (Scholar)
- Ettinger, Bracha. (2006). The Matrixial Borderspace, St. Paul, MI: University of Minnesota Press. (Scholar)
- Felski, Rita. (1989). Beyond Feminist Aesthetics: Feminist Literature and Social Change, Cambridge, MA: Harvard University Press. (Scholar)
- –––. (1998). “Critique of Feminist Aesthetics,” Encyclopedia of Aesthetics (Volume 2), Michael Kelly (ed.), New York: Oxford University Press: 170–72. (Scholar)
- –––, ed. (2006). The Feminine and the Beautiful, Special issue of Feminist Theory, 7:2. (Scholar)
- Florence, Penny and Nicola Foster. eds. (2000). Differential Aesthetics: Art Practices, Philosophy, and Feminist Understandings, Aldershot, UK: Ashgate. (Scholar)
- Freeland, Cynthia. (2001). But Is It Art? An Introduction to Art Theory, New York: Oxford University Press. (Scholar)
- –––. (1998a). “Film Theory,” A Companion to Feminist Philosophy, Malden, MA: Blackwell: 353–360. (Scholar)
- –––. (1998b). The Naked and the Undead, New York: Westview. (Scholar)
- Freeman, Barbara Claire. (1995). The Feminine Sublime: Gender and Excess in Women's Fiction, Berkeley and Los Angeles: University of California Press. (Scholar)
- –––. (1998). “Feminine Sublime,”Encyclopedia of Aesthetics (Volume 4), Michael Kelly (ed.), New York: Oxford University Press, 331–34. (Scholar)
- Gatens, Moira. (1991). Feminism and Philosophy: Perspectives on Difference and Equality, Bloomington: Indiana University Press. (Scholar)
- Grosz, Elizabeth. (1994).Volatile Bodies: Toward a Corporeal Feminism, Bloomington: Indiana University Press. (Scholar)
- –––. (2008). Chaos, Territory, Art: Deleuze and the Framing of the Earth, New York: Columbia University Press. (Scholar)
- Heartney, Eleanor. (2013). “Worldwide Women,” Beauty Unlimited, Peg Zeglin Brand (ed.), Bloomington: Indiana University Press, 126–34. (Scholar)
- Hein, Hilde. (2010). “Looking at Museums from a Feminist Perspective,” Gender, Sexuality, and Museums, Amy K. Levin (ed.), London: Routledge. (Scholar)
- –––. (2011). “The Responsibility of Representation: A Feminist Perspective,” The Routledge Companion to Museum Ethics: Redefining Ethics for the Twenty-First-Century Museum, Janet Marstine (ed.), London: Routledge. (Scholar)
- Hein, Hilde and Carolyn Korsmeyer, eds. (1993). Aesthetics in Feminist Perspective, Bloomington: Indiana University Press. (Scholar)
- hooks, bell. (1992). “The Oppositional Gaze,” Black Looks, Boston: South End Press, 1992. (Scholar)
- Howes, David, ed. (1991). The Varieties of Sensory Experience, Toronto: University of Toronto Press. (Scholar)
- Irigaray, Luce. (1974/85). Speculum of the Other Woman, Gillian C. Gill (trans.), Ithaca: Cornell University Press. (Scholar)
- Irvin, Sherri. (2011). “Motherhood and the Workings of Disgust,” Philosophical Inquiries into Pregnancy, Childbirth, and Mothering, Sheila Lintott and Maureen Sander-Staudt (eds.), New York: Routledge, 79–91. (Scholar)
- James, Robin. (2010). The Conjectural Body: Gender, Race, and the Philosophy of Music, Totowa NJ: Lexington Books. (Scholar)
- Kant, Immanuel. (1798/1978). Anthropology from a Pragmatic Point of View, Victor Lyle Dowdell (trans.), Carbondale: Southern Illinois University Press. (Scholar)
- –––. (1790/1987). Critique of Judgment, Werner Pluhar (trans.), Indianapolis: Hackett. (Scholar)
- Kaplan, E. Ann. (1990). Psychoanalysis and Cinema, New York: Routledge. (Scholar)
- Klinger, Cornelia. (1998). “Aesthetics,” A Companion to Feminist Philosophy, Alison M. Jaggar and Iris Marion Young (eds.), Malden, MA: Blackwell, 343–352. (Scholar)
- –––. (1997). “The Concepts of the Sublime and the Beautiful in Kant and Lyotard,” Feminist Interpretations of Immanuel Kant, Robin May Schott (ed.), University Park, Pa: Pennsylvania State University Press, 191–211. (Scholar)
- Kneller, Jane. (1993). “Discipline and Silence: Women and Imagination in Kant's Theory of Taste,” Aesthetics in Feminist Perspective, Hilde Hein and Carolyn Korsmeyer (eds.), Bloomington: Indiana University Press. (Scholar)
- Korsmeyer, Carolyn. (2004). Gender and Aesthetics: An Introduction, London: Routledge. (Scholar)
- –––. (1998). “Perceptions, Pleasures, Arts: Considering Aesthetics,” Philosophy in a Feminist Voice: Critiques and Reconstructions, Janet Kourany (ed.), Princeton: Princeton University Press, 145–72. (Scholar)
- –––. (1999). Making Sense of Taste: Food and Philosophy, Ithaca: Cornell University Press. (Scholar)
- –––. (2011). Savoring Disgust: The Foul and the Fair in Aesthetics, New York: Oxford University Press. (Scholar)
- Kristeller, Paul Osker. (1951–52). “The Modern System of the Arts: A Study in the History of Aesthetics” (Parts I and II), Journal of the History of Ideas, 112: 496–527; 113: 17–46. Also in Essays on the History of Aesthetics, Peter Kivy (ed.), Rochester, NY: University of Rochester Press, 1992. (Scholar)
- Kristeva, Julia. (1982). The Powers of Horror: An Essay on Abjection, Leon S. Roudiez (trans.), New York: Columbia University Press. (Scholar)
- –––. (1984). Revolution in Poetic Language, Margaret Waller (trans.), Columbia University Press. (Scholar)
- Lauter, Estella. (1993). “Re-enfranchising Art: Feminist Interventions in the Theory of Art,” Aesthetics in Feminist Perspective, Hilde Hein and Carolyn Korsmeyer (eds.), Bloomington: Indiana University Press, 21–34. (Scholar)
- Leddy, Thomas. (2012). The Extraordinary in the Ordinary: The Aesthetics of Everyday Life, New York: Broadview. (Scholar)
- Light, Andrew and Jonathan Smith, ds. (2004). The Aesthetics of Everyday Life, New York: Columbia University Press. (Scholar)
- Lintott, Sheila. (2013). “Feminist Art: The Very Idea!” Feminist Aesthetics and Philosophy of Art: Critical Visions, Creative Engagements, L. Ryan Musgrave (ed.), New York: Springer. (Scholar)
- –––. 2011. “The Sublimity of Gestating and Giving Birth: Toward a Feminist Conception of the Sublime,” Philosophical Inquiries into Pregnancy, Childbirth, and Mothering, Sheila Lintott and Maureen Sander-Staudt (eds.), New York: Routledge, 237–49. (Scholar)
- Lintott, Sheila and Maureen Sander-Staudt, eds. (2011). Philosophical Inquiries into Pregnancy, Childbirth, and Mothering, New York: Routledge. (Scholar)
- Liss, Andrea. (2009). Feminist Art and the Maternal, Minneapolis: University of Minnesota Press. (Scholar)
- Lippard, Lucy. (1995). The Pink Glass Swan: Selected Essays on Feminist Art, New York: The New York Press. (Scholar)
- Lorraine, Renée. (1993). “A Gynecentric Aesthetic,” Aesthetics in Feminist Perspective, Hilde Hein and Carolyn Korsmeyer (eds.), Bloomington: Indiana University Press, 35–52. (Scholar)
- McClary, Susan. (1991) Feminine Endings: Music, Gender, and Sexuality, Minnesota: University of Minnesota Press. (Scholar)
- Man, Eva Kit Wah. (2000). “Female Bodily Aesthetics, Politics and Feminine Ideals of Beauty in China,” Beauty Matters, Peg Zeglin Brand (ed.), Bloomington: Indiana University Press, 169–196). (Scholar)
- Mandoki, Katya. (2007). Everyday Aesthetics, Aldershot, UK: Ashgate. (Scholar)
- Mattick, Paul Jr., ed. (1993). Eighteenth-Century Aesthetics and the Reconstruction of Art, Cambridge: Cambridge University Press. (Scholar)
- Meagher, Michelle. (2011). “Telling Stories about Feminist Art,” Feminist Theory, 12: 297–316. (Scholar)
- Meyers, Diana Tietjens. (2002). Gender in the Mirror: Cultural Imagery and Women's Agency, New York: Oxford University Press. (Scholar)
- Millett-Gallant, Ann. (2010). The Disabled Body in Contemporary Art, New York: Palgrave Macmillan. (Scholar)
- Moi, Toril. (1985). Sexual/Textual Politics: Feminist Literary Theory, London: Metheun. (Scholar)
- Mulvey, Laura. (1996). Fetishism and Curiosity, Bloomington: Indiana University Press, 1996. (Scholar)
- –––. (1989). Visual and Other Pleasures, London: Macmillan, 1989. (Scholar)
- Musgrave, Ryan, ed. (2013). Feminist Aesthetics and Philosophy of Art: The Power of Critical Visions and Creative Engagement, Dordrecht: Kluwer/Springer. (Scholar)
- Nead, Lynda. (1992). The Female Nude: Art, Obscenity and Sexuality, London: Routledge. (Scholar)
- Nochlin, Linda. (1988). “Why Have There Been No Great Women Artists?” Women, Art, and Power and Other Essays, New York: Harper and Row. (Scholar)
- Oliver, Kelly. (2012). Knock Me Up, Knock Me Down: Images of Pregnancy in Hollywood Films, New York: Columbia University Press. (Scholar)
- Olkowski, Dorothea. (1999). Gilles Deleuze and the Ruin of Representation, Berkeley and Los Angeles: University of California Press. (Scholar)
- Parker, Rozsika and Griselda Pollock. (1981). Old Mistresses: Women, Art and Ideology, New York: Pantheon Books. (Scholar)
- Pollock, Griselda. (2008). Encounters in the Virtual Feminist Museum: Time, Space and the Archive, London: Routledge. (Scholar)
- –––. (1988). Vision and Difference: Femininity, Feminism and the Histories of Art, London: Routledge. (Scholar)
- Reckitt, Helena, ed. (2001). Art and Feminism, New York: Phaidon. (Scholar)
- Robinson, Hilary, ed. (2001). Feminism—Art—Theory: An Anthology, 1968–2000, Oxford: Blackwell. (Scholar)
- Roelofs, Monique. (2013). “Beauty's Relational Labor,” Beauty Unlimited, Peg Zeglin Brand (ed.), Bloomington: Indiana University Press, 72–95. (Scholar)
- –––. (2005). “Racialization as an Aesthetic Production: What Does the Aesthetic Do for Whitness and Blackness and Vice Versa?” White on White/Black on Black, George Yancy (ed.), Lanham, MD: Rowman and Littlefield, 83–124. (Scholar)
- Roelofs, Monique (ed.) (2009). Aesthetics and Race: New Philosophical Perspectives, Special issue of Contemporary Aesthetics, special issue available online. (Scholar)
- Scheman, Naomi. (1993). “Thinking about Quality in Women's Visual Art,” Engenderings: Constructions of Knowledge, Authority, and Privilege, New York: Routledge. (Scholar)
- Shiner, Larry. (2001). The Invention of Art: A Cultural History, Chicago: University of Chicago Press. (Scholar)
- Shusterman, Richard. (1993.) “On the Scandal of Taste,” Mattick, Paul Jr., ed. Eighteenth-Century Aesthetics and the Reconstruction of Art, Cambridge: Cambridge University Press: 96–119. (Scholar)
- Silverman, Kaja. (1992). Male Subjectivity at the Margins, New York: Routledge. (Scholar)
- Silvers, Anita. (1998). “Feminism: An Overview,” Encyclopedia of Aesthetics (Volume 2), Michael Kelly (ed.), New York: Oxford University Press, 161–67. (Scholar)
- –––. (2000). “From the Crooked Timber of Humanity, Beautiful Things Can Be Made,” Beauty Matters, Peg Zeglin Brand (ed.), Bloomington: Indiana University Press. (Scholar)
- Steiner, Wendy. (2001). Venus in Exile: The Rejection of Beauty in Twentieth-Century Art, New York: The Free Press. (Scholar)
- Wolff, Janet. (2006). “Groundless Beauty: Feminism and the Aesthetics of Uncertainty,” Feminist Theory, 7: 143–58. (Scholar)
- Wegenstein, Bernadette. (2012). The Cosmetic Gaze: Body Modification and the Construction of Beauty, Cambridge, MA: MIT Press. (Scholar)
- Wiseman, Mary Bittner. (1993). “Beautiful Exiles,” Aesthetics in Feminist Perspective, Hilde Hein and Carolyn Korsmeyer (eds.), Bloomington: Indiana University Press. (Scholar)
- Woodmansee, Martha. (1994). The Author, Art, and the Market: Rereading the History of Aesthetics, New York: Columbia University Press. (Scholar)
- Zajko, Vanda and Miriam Leonard, eds. (2006). Laughing with Medusa, New York: Oxford University Press. (Scholar)
- Zegher, M. Catherine de, ed. (1996). Inside the Visible: an elliptical traverse of 20th century art in, of, and from the feminine, Cambridge, MA: MIT Press. (Scholar)
- Ziarek, Ewa Plonowska. (2012a) “Aesthetics: An Important Category of Feminist Philosophy,” Journal of Speculative Philosophy, 26(2): 385–393. (Scholar)
- –––. (2012b). On Feminist Aesthetics and the Politics of Modernism, New York: Columbia University Press. (Scholar)
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