Linked bibliography for the SEP article "Roman Ingarden" by Amie Thomasson |
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A complete (as of 1985) bibliography of Ingarden's works in English, French, German and Polish and of secondary sources is available in the edition of Ingarden's Selected Papers in Aesthetics cited below.
Select Works in German
- Intuition und Intellekt bei Henri Bergson, Halle: Max Niemeyer, 1921.
- Essentiale Fragen. Ein Beitrag zum Problem des Wesens, Halle: Max Niemeyer, 1925.
- “Bemerkungen zum Problem Idealismus-Realismus,” Jahrbuch für Philosophie und Phänomenologische Forschung, Ergänzungsband: Festschrift, Edmund Husserl zum 70. Geburtstag gewidmet, Halle: 1929, pp. 159–190. (Scholar)
- Das literarische Kunstwerk. Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft, Halle: Max Niemeyer, 1931.
- Untersuchungen zur Ontologie der Kunst: Musikwerk. Bild. Architektur. Film, Tübingen: Max Niemeyer, 1962.
- Der Streit um die Existenz der Welt, Bd. I, II/I, II/2. Tübingen: Max Niemeyer, 1964.
- Vom Erkennen des literarischen Kunstwerks, Tübingen: Max Niemeyer, 1968.
- Erlebnis, Kunstwerk und Wert. Vorträge zur Ästhetik 1937–1967, Tübingen: Max Niemeyer, 1969.
- Über die Verantwortung. Ihre ontischen Fundamente, Stuttgart: Reclam, 1970.
- Über die kausale Struktur der realen Welt. Der Streit um die Existenz der Welt, Band III, Tübingen: Max Niemeyer, 1974.
Select Works in Polish
- O poznawaniu dzieła literackiego (The Cognition of the Literary Work of Art), Ossolineum, Lvóv: 1937.
- O budowie obrazu. Szkic z teorii sztuki (On the Structure of the Painting: A Sketch in the Theory of Art), Rozprawy Wydziału Filozoficznego PAU, Volume LXVII, No. 2, Kraków, 1946.
- “O dziele architektury” (On the Architectural Work of Art). Nauka i Sztuka, Volume II, No. 1, 1946, pp. 3–26 and No. 2, pp. 26–51. (Scholar)
- Spór o istnienie śwaita (The Controversy over the Existence of the World), PAU, Volume I, Kraków: 1947, Vol. II, Kraków, 1948. (Scholar)
- Szkice z filozofii literatury (Sketches in the Philosophy of Literature), Volume 1, Spółdzielnia wydawnicza “Polonista,” Łódź, 1947. (Scholar)
- “Elementy dzieła muzycznego” (Elements of the Musical Work of Art), Sprawozdania Towarzystwa Naukowego w Toruniu, Volume IX, 1955, Nos. 1–4, pp. 82–84. (Scholar)
- Studia z estetyki (Studies in Aesthetics), PWN, Volume I Warszawa, 1957, Volume II, Warszawa, 1958. (Scholar)
- O dziele literackim (The Literary Work of Art), PWN, Warszawa, 1960.
- Przeżycie – dzieło – wartość (Experience – Work of Art – Value), WL, Kraków, 1966.
- Studia z estetyki, Tom III (Studies in Aesthetics, Vol. III), PWN, Warszawa, 1970.
- U podstaw teorii poznania (Foundations of the Theory of Knowledge), PWN, Warszawa, 1971.
- Książeczka o człowieku (Little Book on Man), Wydawnictwo Literackie, Kraków, 1972.
Select Works in English Translation
- The Cognition of the Literary Work of Art, translated by Ruth Ann Crowley and Kenneth R. Olson, Evanston, Illinois: Northwestern University Press, 1973.
- The Literary Work of Art, translated by George G. Grabowicz, Evanston, Illinois: Northwestern University Press, 1973.
- “The Letter to Husserl about the VI [Logical] Investigation and ‘Idealism’,” in Tymieniecka, 1976. (Scholar)
- Man and Value, translated by Arthur Szylewicz, München: Philosophia Verlag, 1983.
- On the Motives which led Edmund Husserl to Transcendental Idealism, translated by Arnor Hannibalsson, The Hague: 1976.
- The Ontology of the Work of Art, translated by Raymond Meyer with John T. Goldthwait, Athens, Ohio: Ohio University Press, 1989.
- Selected Papers in Aesthetics, Peter J. McCormick (ed.), München: Philosophia Verlag, 1985.
- Time and Modes of Being, translated (from parts of Der Streit) by Helen R. Michejda, Springfield, Illinois: Charles C. Thomas, 1964.
Select Secondary Sources
- Chrudzimski, Arkadiusz (ed.), 2005, Existence, Culture, Persons: The Ontology of Roman Ingarden, Frankfurt: Ontos. (Scholar)
- Dziemidok, B. and McCormick, P. (eds.), 1989, On the Aesthetics of Roman Ingarden: Interpretations and Assessments, Dordrecht: Kluwer. (Scholar)
- Ewing, A.C., 1926, Review of Essentiale Fragen, Mind 35 (138): 250. (Scholar)
- Gniazdowski, Andrzej, 2010, “Roman Ingarden,” Handbook of Phenomenological Aesthetics, Hans Rainer Sapp and Lester Embree (eds.), Dordrecht: Springer, pp. 167–70. (Scholar)
- Graff, P. and S. Krzemień-Ojak (eds.), 1975, Roman Ingarden and Contemporary Polish Aesthetics, Warsaw: PWN. (Scholar)
- Husserl, Edmund, 1968, Briefe an Roman Ingarden, The Hague: Martinus Nijhoff. (Scholar)
- Küng, Guido, 1972, “Ingarden on Language and Ontology,” Analecta Husserliana, 2: 204–217. (Scholar)
- Mitscherling, Jeff, 1997, Roman Ingarden's Ontology and Aesthetics, Ottawa: University of Ottawa Press. (Scholar)
- Mitscherling, Jeff, 2012, “Roman Ingarden: Aesthetics,” Philosophy Compass, 7(7): 436–37. (Scholar)
- Nowak, Andrzej and Lesnek Sosnowski (eds.), 2001, Dictionary of Roman Ingarden's Philosophical Concepts, Kraków: Institute of Philosophy, Jagellonian University. (Scholar)
- Rudnik, Hans H. (ed.), 1990, Ingardeniana II: New Studies in the Philosophy of Roman Ingarden (Analecta Husserliana, Volume 30), Dordrecht: Kluwer. (Scholar)
- Ryle, Gilbert, 1927, Review of Essentiale Fragen, Mind 36 (143): 366–370. (Scholar)
- Smith, Barry, 1978, “Roman Ingarden: Ontological Foundations for Literary Theory,” in Language, Literature and Meaning (Volume I), J. Odmark (ed.), Amsterdam: Benjamins, pp. 373–390. (Scholar)
- Spiegelberg, Herbert, 1982, The Phenomenological Movement, The Hague: Martinus Nijhoff. (Scholar)
- Tymieniecka, Anna-Teresa (ed.), 1976, Ingardeniana (Analecta Husserliana, Volume IV), Dordrecht: D. Reidel. (Scholar)
- ––– (ed.), 1991, Ingardeniana III: Roman Ingarden's Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature, (Analecta Husserliana, Volume 33), Dordrecht: Kluwer. (Scholar)
- Wellek, René, 1982, Four Critics: Croce, Valery, Lukács and Ingarden, Seattle: University of Washington Press. (Scholar)
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